"The Road Goes Ever On" is a title that encompasses several walking songs that J. R. R. Tolkien wrote for his Middle-earthlegendarium. Within the stories, the original song was composed by Bilbo Baggins and recorded in The Hobbit. Different versions of it also appear in The Lord of the Rings, along with some similar walking songs.
Scholars have noted that Tolkien's road is a plain enough symbol for life and its possibilities, and that Middle-earth is a world of such roads, as both The Hobbit and The Lord of the Rings begin and end at the door of Bag End, Bilbo's home. They have observed, too, that if "the lighted inn" on the road means death, then the road is life, and both the song and the novels can be read as speaking of the process of psychological individuation. The walking song gives its name to Donald Swann's 1967 song-cycle The Road Goes Ever On, where it is the first in the list. All the versions of the song have been set to music by the Tolkien Ensemble.
Tolkien's versions
In The Hobbit
The original version of the song is recited by Bilbo in chapter 19 of The Hobbit, at the end of his journey back to the Shire. Coming to the top of a rise he sees his home in the distance, and stops and says the following:[T 1]
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on
Under cloud and under star,
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen
And horror in the halls of stone
Look at last on meadows green
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way
Where many paths and errands meet.
And whither then? I cannot say.
The second version appears in Book 1, Chapter 3. It is identical to the first, except for changing the word "eager" to "weary" in the fifth line. It is spoken aloud, slowly, by Frodo, as he and his companions arrive at a familiar road – the Stock Road – on their journey to leave the Shire.[T 3]
The third version appears in The Return of the King, Book 6, Chapter 6. It is spoken by Bilbo in Rivendell after the hobbits have returned from their journey. Bilbo is now an old, sleepy hobbit, who murmurs the verse and then falls asleep.[T 4]
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone,
Let others follow it who can!
Let them a journey new begin,
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.
The scholar of humanities Brian Rosebury quotes Frodo's recollection to the other hobbits of Bilbo's thoughts on 'The Road': "He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. 'It's a dangerous business, Frodo, going out of your door,' he used to say. 'You step into the Road, and if you don't keep your feet, there is no knowing where you might be swept off to.'" Rosebury comments that the "homespun symbolism" here is plain enough, that "the Road stands for life, or rather for its possibilities, indeed probabilities, of adventure, commitment, and danger; for the fear of losing oneself, and the hope of homecoming".[2] He observes further that Middle-earth is distinctly "a world of roads", as seen in The Hobbit and The Lord of the Rings, both of which "begin and end at the door of Bag-End".[2]
The Tolkien scholar Tom Shippey contrasts the versions of the "Old Walking Song" sung by Bilbo and Frodo. Bilbo follows the "Road ... with eager feet", hoping to reach the peace of Rivendell, to retire and take his ease; whereas Frodo sings "with weary feet", hoping somehow to reach Mordor bearing the Ring, and to try to destroy it in the Cracks of Doom: very different destinations and errands. Shippey points out that "if 'the lighted inn' on the road means death, then 'the Road' must mean life", and the poem and the novel could be speaking of the process of psychological individuation.[3]
Since the Downfall of Númenor and the Changing of the World, "the hidden paths that run / West of the Moon, East of the Sun" have been the only way to reach Elvenhome, Valinor.[1]
The first version, in the chapter "Three is Company", is sung by the hobbits when they are walking through The Shire, just before they meet a company of elves. Three stanzas are given in the text, with the first stanza starting "Upon the hearth the fire is red...". The following extract is from the second stanza of the song.[T 3]
Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.
It is this part of the song that is reprised with different words later in the book. This new version is sung softly by Frodo as he and Sam walk in the Shire a few years after they have returned, and as Frodo prepares to meet Elrond and others and journey to the Grey Havens to take ship into the West.
Still round the corner there may wait
A new road or a secret gate,
And though I oft have passed them by,
A day will come at last when I
Shall take the hidden paths that run
West of the Moon, East of the Sun.
The final line of the verse is a variant on the phrase "East of the Sun and West of the Moon", which is used in fairy-stories like the Norwegian tale of that name for another world that is fantastically difficult to reach – in this case Aman, which can only be reached by the Straight Road, accessible only to elves since the world was remade.[1]
Musical arrangements
Classical music
The Danish Tolkien Ensemble has set all the versions of "The Road Goes Ever On" to music.
The title song and several others were set to music by Donald Swann as part of the book and recording The Road Goes Ever On, named for this song.[T 5] The entire song cycle has been set to music in 1984 by the composer Johan de Meij; another setting of the cycle is by the American composer Craig Russell, in 1995.[4] All the songs have been set to music by The Tolkien Ensemble across their four Tolkien albums, starting with An Evening in Rivendell, as part of the now completed project of setting all poems in The Lord of the Rings to music.[5] The UC Berkeley Alumni Chorus commissioned the American composer Gwyneth Walker to set the poem to music in 2006, which she did in several musically unrelated ways.[6]
An unrelated song, composed by Shore, called "The Road Goes Ever On..." ("Pt. 1"[12] and "Pt. 2"[13]) is both the thirty-fifth and thirty-seventh track of the Complete Recordings. It is a version of the track "The Breaking of the Fellowship[14]" from the 2001 The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack and features the song "In Dreams" sung by Edward Ross and James Wilson. It plays faintly during the ending credits, following "May It Be".
^Oliver, Stephen (composer), Clarke, Oz; James, David; Vine, Jeremy (vocals) (1981). Music From The BBC Radio Dramatisation Of J. R. R. Tolkien's The Lord Of The Rings (Vinyl). London: BBC Records. REH 415.
.jpg)
