Their Wedding Journey, suam primam mythistoriam, anno 1872 ediderat, sed eius fama litteraria cum A Modern Instance (1882) in sublime ferebatur, mythistoria realistica quae matrimonium tabescens describit. Mythistoria The Rise of Silas Lapham (1885) liber eius notissimus factus est, ortum et lapsum Americani negotiatoris pigmenta venumdantis describens. Sententiae eius sociales in mythistoriis Annie Kilburn (1888), A Hazard of New Fortunes (1890), et An Imperative Duty (1891) exprimuntur. Howells praesertim iniuria adfectus est ob iudicia quae Rem Haymarket consequebantur et desiderium ei iniecerunt tumultum similem in A Hazard of New Fortunes depingere; scripsit praeterea propalam ut contra diceret iudicia diceret hominum qui, ut multi opinabantur, in Re Haymarket implicabantur. In scriptis publicis et mythistoriis, urgentis suae aetatis res sociales indicare solebat. Se cum Foedere Contra Imperialism anno 1898 consociavit, adiectionemPhilippinarum a Civitatibus Foederatis contra dicens.
Howells realismum habuit "nihil plus nihilque minus quam verax materiae tractatio."[20][21]Realitatem contra eximiam speciem defendens, scripsit:
Spero tempus venturum esse cum non solum artifex, sed vir vulgaris et mediocris, qui semper "normam artium in sua potestate habet," bono animo sit ut eam adhibeat, et grillum perfectum reiciat ubicumque eam inveniat, in scientia, in litteris, in arte, quia "sincerus, naturalis, probus" non est, quia grilli veri dissimilis est. Sed concedo me putare tempus iam procul abesse, et homines qui per grillum perfectum alti sunt, grillum heroicum, grillum vehementem, grillum sibi deditum, audacem, amabilem, romanticumchartae crassioris, moriendos esse antequam grillus sincerus, probus, nativus aream aequam habere potest.[22][23]
Henricus James, documentariam veracemque operis Howellsiani dignitatem animadvertens, ei scripsit: "Ictus per ictum et liber per librum, tuum opus fieri erat, ob hanc exquisitam omnis nostrorum lucis et umbrae et retro et prorsum notationem, summo gradu documentarium."[32][33]
Opera
Venetian Life (1866)
Italian Journeys (1867)
Suburban Sketches (1871)
Their Wedding Journey (1872)
The Parlor Car (1876)
A Counterfeit Presentment (1877)
The Lady of The Aroostook (1879)
Libri sequentes scripti sunt cum in Anglia et Italia commoraretur.
Ad Civitates Foederatas anno 1886 rediit. Scripsit varia operum genera, inter quae fictio, poesis, et mimi quorum The Sleeping Car, The Mouse-Trap, The Elevator; Christmas Every Day; et Out of the Question sunt propria.
↑Harriet Elinor Smith, ed., The Autobiography of Mark Twain (University of California Press, 2010), 1:475.
↑William Dean Howells et Ioannes L. Hayes, The Lives and Speeches of Abraham Lincoln and Hannibal Hamlin (Columbi Ohii: Follett, Foster and Co., 1860).
↑Anglice: "I hope the time is coming when not only the artist, but the common, average man, who always 'has the standard of the arts in his power,' will have also the courage to apply it, and will reject the ideal grasshopper wherever he finds it, in science, in literature, in art, because it is not 'simple, natural, and honest,' because it is not like a real grasshopper. But I will own that I think the time is yet far off, and that the people who have been brought up on the ideal grasshopper, the heroic grasshopper, the impassioned grasshopper, the self-devoted, adventureful, good old romantic card-board grasshopper, must die out before the simple, honest, and natural grasshopper can have a fair field."
↑Sacvan Bercovitch et Cyrus R. K. Patell, The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920 (Cambridge University Press, 2005), 736.
↑Cynthia J. Dabis et Denise D. Knight, Charlotte Perkins Gilman and Her Contemporaries: Literary and Intellectual Contexts (University of Alabama Press, 2004), 21.
↑Arthur Stanley Link et William A. Link, The Twentieth Century: An American History (Harlan Davidson, 1983), 17.
↑Jerry R. Baydo Zimmerman, History of the U. S. with Topics (Gregory Publishing Company, 1994), 137.
↑Anglice: "Stroke by stroke and book by book your work was to become, for this exquisite notation of our whole democratic light and shade and give and take, in the highest degree documentary."
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