List of compositions by Franz Schubert (1816)

Lists of
Compositions by
Franz Schubert
By genre
Publications

Franz Schubert's compositions of 1816 are mostly in the Deutsch catalogue (D) range D 331–510,[1] and include:

Table

Legend

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl 		Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1816
D
'51 		D
utd 		Op.
pbl 		AGA NSA Name Key / incipit Date Additional info
331
332 		331 (1866) XVI
No. 38 		III, 4
No. 31 		Der Entfernten, D 331 Wohl denk' ich allenthalben c. 1816 Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332
333 796
Laß dein Vertrauen nicht schwinden
Part of D 796 No. 21
334 334 (1897) XXI, 3
No. 24 		VII/2, 4 Minuet with Trio, D 334 A major (minuet) / E major (trio) before
fall 1815 		For piano
335 335 (1897) XXI, 3
No. 25 		VII/2, 6 Minuet with two Trios E major 1813? For piano
337 337 (1860) XVI
No. 39 		III, 4
No. 32 		Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit Es rieselt klar und wehend ein Quell c. 1816 Text by Salis-Seewis (other settings: D 393 and 563); For ttbb
338 338 (1891) XVI
No. 40 		III, 4
No. 33 		An den Frühling, D 338 Willkommen, schöner Jüngling! c. 1816 Text by Schiller (other settings: D 283 and 587); For ttbb
342 342 (1885) XX, 4
No. 238 		IV, 10 An mein Klavier a.k.a. Seraphine an ihr Klavier Sanftes Klavier, welche Entzückungen schaffest du mir c. 1816 Text by Schubart
343 343 (1831) XX, 5
No. 342 		IV, 10 Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen Ruh'n in Frieden alle Seelen August
1816 		Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831
344 344 IV, 10 Am ersten Maimorgen Heute will ich fröhlich sein 1816? Text by Claudius
345 345 (1897) XXI, 1
No. 3 		V, 7 No. 1 Violin Concerto, a.k.a. Konzertstück (Concert Piece) D major 1816 Adagio, Allegro
346 346 (1897) XXI, 3
No. 17 		VII/2, 4 Anh. Allegretto, D 346 C major 1816? For piano; Fragment; 4th movement of D 279?
347 347 (1897) XXI, 3
No. 18 		VII/2, 4 Anh. Allegro moderato, D 347 C major 1813? For piano; Fragment
348 348 (1897) XXI, 3
No. 19 		VII/2, 4 Anh. Andantino, D 348 C major 1816? For piano; Fragment
349 349 (1897) XXI, 3
No. 21 		VII/2, 4 Anh. Adagio, D 349 C major 1816? For piano; Fragment
350 350 (1885) XX, 4
No. 203 		IV, 10 Der Entfernten, D 350 Wohl denk' ich allenthalben 1816? Text by Salis-Seewis (other setting: D 331)
351 351 (1895) XX, 4
No. 204 		IV, 11 Fischerlied, D 351 Das Fischergewerbe gibt rüstigen Mut 1816? Text by Salis-Seewis (other settings: D 364 and 562)
352 352 (1847) XX, 4
No. 286 		III, 2b
No. 21 		Licht und Liebe a.k.a. Nachtgesang Liebe ist ein süßes Licht 1816? Text by Collin, M. C.; For st and piano
353 353 125p,2
(1840) 		V No. 11 VI, 4
No. 12 		String Quartet No. 11 E major 1816 Allegro con fuoco – Andante – Minuet – Rondo
354 354 (1930) VI, 9 Four Komische Ländler D major January
1816 		For two violins
355 355 (1928) VI, 9 Eight Ländler, D 355 F♯ minor January
1816 		For violin(?)
356 356 (1844) III, 3 Anh. II No. 3 Trinklied, D 356 Funkelnd im Becher so helle, so hold 1816 For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)
357 357 (1892) XIX
No. 24 		III, 4 No. 35
VIII, 2 No. 28 		Goldner Schein Goldner Schein deckt den Hain 1/5/1816 Text by Matthisson; Canon for three voices
358 358 (1849) XX, 4
No. 235 		IV, 10 Die Nacht, D 358 Du verstörst uns nicht, o Nacht! 1816 Text by Uz
359 359 (1872) XX, 4
No. 260 		IV, 3 Sehnsucht, D 359 a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 1816 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)
360 360 65,1
(1826) 		XX, 4
No. 268 		IV, 3 Lied eines Schiffers an die Dioskuren Dioskuren, Zwillingssterne 1816 Text by Mayrhofer
361 361 109p,1
(1829) 		XX, 4
No. 272 		IV, 10 Am Bach im Frühling Du brachst sie nun, die kalte Rinde 1816 Text by Schober; Piano intro probably not by Schubert
362 362 (1895) XX, 4
No. 280 		IV, 11 Zufriedenheit, D 362, a.k.a. Lied Ich bin vergnugt 1815 or
1816? 		Text by Claudius (other setting: D 501)
363 363 IV, 10 An Chloen, D 363 Die Munterkeit ist meinen Wangen 1816 Text by Uz; Fragment
364 364 (1897) XXI, 4
No. 35 		III, 4
No. 34 		Fischerlied, D 364 Das Fischergewerbe gibt rüstigen Mut 1816 or
1817? 		Text by Salis-Seewis (other settings: D 351 and 562); For ttbb
365 365 9
(1821) 		XII
No. 1 		VII/2, 6
& 7a 		36 Original Dances a.k.a. Erste Walzer Various keys c. Mar. 1818–
Jul. 1821 		For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)
366 366 (1824)
(1869) 		XII
No. 10 		VII/2, 6
& 7a 		17 Ländler, D 366 Various keys c. Jul. 1824–
Nov. 1824 		For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814
367 367 5,5
(1821) 		XX, 4
No. 261 		IV, 1a Der König in Thule Es war ein König in Thule early 1816 Text by Goethe, from Faust I, 8
368 368 3,4
(1821) 		XX, 4
No. 262 		IV, 1a Jägers Abendlied, D 368 Im Felde schleich ich, still und wild early 1816? Text by Goethe (other setting: D 215)
369 369 19,1
(1825) 		XX, 4
No. 263 		IV, 1a An Schwager Kronos Spute dich, Kronos! 1816 Text by Goethe
370 370 (1930) VI, 9 Nine Ländler, D 370 D major January
1816 		For violin?; No. 7 reused in D 378 No. 6
371
292 		371 (1872) XX, 4
No. 185 		IV, 10 Klage, D 371 Trauer umfließt mein Leben January
1816 		Two versions: 1st, a sketch, was D 292
372 372 (1895) XX, 4
No. 183 		IV, 10 An die Natur Süße, heilige Natur 15/1/1816 Text by Stolberg-Stolberg
373 373 (1895) XX, 4
No. 184 		IV, 10 Lied, D 373 Mutter geht durch ihre Kammern 15/1/1816? Text by Motte Fouqué, from Undine
374 374 (1902) VI, 9 11 Ländler, D 374 B♭ major February
1816? 		For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10
375 375 (1830) XX, 4
No. 187 		IV, 10 Der Tod Oskars Warum öffnest du wieder February
1816 		Text by Macpherson (Ossian), transl. by E. Baron de Harold
376 376 (1895) XX, 10
No. 592 		IV, 10 Lorma, D 376 Lorma saß in der Halle von Aldo 10/2/1816 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment
377 377 (1872) XX, 4
No. 186 		III, 3 No. 21
Anh. I No. 3 		Das Grab, D 377 Das Grab ist tief und stille 11/2/1816 Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano
378 378 (1889) XII
No. 12 		VII/2, 6 Eight Ländler, D 378 B♭ major 13/2/1816 For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7
379 379 (1859) XIV No. 17 I, 9
No. 13
& Anh. 2 		Deutsches Salve Regina (German Salve Regina) Sei, Mutter der Barmherzigkeit
F major 		21/2/1816 Text: after Salve Regina; For SATB and organ
380 380 (1897)
(1956)
(1989) 		XXI, 2
No. 28 		VII/2, 6 Three Minuets, each with Two Trios E major (No. 1)
A major (No. 2)
C major (No. 3) 		22/2/1816 For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557
381 381 (1895) XX, 4
No. 189 		IV, 10 Morgenlied, D 381 Die frohe, neubelebte Flur 24/2/1816
382 382 (1895) XX, 4
No. 190 		IV, 10 Abendlied, D 382 Sanft glänzt die Abendsonne 24/2/1816
383
992 		383 (1888) XIV No. 13 I, 7 Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater) Jesus Christus schwebt am Kreuze
F minor 		started
28/2/1816 		Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992
384 384 137p,1
(1836) 		VIII
No. 2 		VI, 8 No. 1
& anh. 1 		Violin Sonata, D 384, a.k.a. Sonatina No. 1 D major March 1816 Allegro molto (+early version in NSA) – Andante – Allegro vivace
385 385 137p,2
(1836) 		VIII
No. 3 		VI, 8 No. 2 Violin Sonata, D 385, a.k.a. Sonatina No. 2 A minor March 1816 Allegro moderato – Andante – Minuet – Allegro
386 386 (1833) XIV No. 20 I, 9
No. 12
& Anh. 1 		Salve Regina, D 386 B♭ major
Salve Regina 		early 1816 Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB
387 387 (1897) XXI, 4
No. 44 		III, 2b
Anh. No. 4b 		Die Schlacht, D 387 Schwer und dumpfig March 1816 Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1
388 388 (1895) XX, 4
No. 193 		IV, 10 Laura am Klavier Wenn dein Finger durch die Saiten meistert March 1816 Text by Schiller; Two versions
389 389 (1873) XX, 4
No. 194 		IV, 3 Des Mädchens Klage, D 389 Der Eichwald brauset March 1816 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191)
390 390 (1895) XX, 4
No. 195 		IV, 10 Entzückung an Laura, D 390 Laura, über diese Welt March 1816 Text by Schiller (other setting: D 577)
391 391 111p,3
(1829) 		XX, 4
No. 196 		IV, 10 Die vier Weltalter Wohl perlet im Glase March 1816 Text by Schiller
392 392 (1895) XX, 4
No. 197 		IV, 10 Pflügerlied Arbeitsam und wacker March 1816 Text by Salis-Seewis
393 393 (1845) XX, 4
No. 198 		IV, 11 Die Einsiedelei, D 393 Es rieselt klar und wehend ein Quell March 1816 Text by Salis-Seewis (other settings: D 337 and 563)
394 394 (1895) XX, 4
No. 199 		IV, 10 An die Harmonie a.k.a. Gesang an die Harmonie Schöpferin beseelter Töne! March 1816 Text by Salis-Seewis
395 395 111p,2
(1829) 		XX, 4
No. 205 		IV, 10 Lebensmelodien Auf den Wassern wohnt mein stilles Leben March 1816 Text by Schlegel, A. W.
396 396 (1975) IV, 2
Anh. No. 1 		Gruppe aus dem Tartarus, D 396 Horch, wie Murmeln des empörten Meeres March 1816 Text by Schiller (other settings: D 65 and 583); Fragment
397 397 (1832) XX, 4
No. 191 		IV, 10 Ritter Toggenburg Ritter, treue Schwesterliebe 13/3/1816 Text by Schiller
398 398 (1887) XX, 4
No. 217 		IV, 10 Frühlingslied, D 398 Die Luft ist blau 13/5/1816 Text by Hölty (other setting: D 243)
399 399 (1895) XX, 4
No. 218 		IV, 10 Auf den Tod einer Nachtigall, D 399 Sie ist dahin, die Maienlieder tönte 13/5/1816 Text by Hölty (other setting: D 201)
400 400 (1895) XX, 4
No. 219 		IV, 10 Die Knabenzeit Wie glücklich, wem das Knabenkleid 13/5/1816 Text by Hölty
401 401 (1895) XX, 4
No. 220 		IV, 10 Winterlied, D 401 Keine Blumen blühn 13/5/1816 Text by Hölty
402 402 (1872) XX, 4
No. 192 		IV, 10 Der Flüchtling Frisch atmet des Morgens lebendiger Hauch 18/3/1816 Text by Schiller (other setting: D 67)
403 403 (1845)
(1895) 		XX, 4
No. 201 		IV, 10 Lied, D 403 In's stille Land 27/3/1816 Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No. 4
404 404 (1885) XX, 4
No. 200 		IV, 10 Die Herbstnacht a.k.a. Die Wehmuth Mit leisen Harfentönen March 1816 Text by Salis-Seewis
405 405 (1895) XX, 4
No. 202 		IV, 10 Der Herbstabend Abendglockenhalle zittern April 1816 Text by Salis-Seewis; Two versions: 1st in AGA
406 406 (1887) XX, 4
No. 208 		IV, 10 Abschied von der Harfe Noch einmal tön, o Harfe March 1816 Text by Salis-Seewis
407
441 		407 (1891)
(1892) 		XVI
No. 44
XIX
No. 5 		III, 3 No. 22
Anh. IV No. 3
VIII, 2
No. 31 		Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da before
16/6/1816 		Text by Schubert; Quartet for ttbb (variant for ttb and piano: formerly D 441) – Aria for t and piano – Canon for three voices
408 408 137p,3
(1836) 		VIII
No. 4 		VI, 8 No. 3 Violin Sonata, D 408, a.k.a. Sonatina No. 3 G minor April 1816 Allegro giusto – Andante – Minuet – Allegro moderato
409 409 (1872) XX, 4
No. 206 		IV, 10 Die verfehlte Stunde Quälend ungestilltes Sehnen April 1816 Text by Schlegel, A. W.
410 410 115p,3
(1829) 		XX, 4
No. 207 		IV, 10 Sprache der Liebe Laß dich mit gelinden Schlägen rühren April 1816 Text by Schlegel, A. W.
411 411 (1887) XX, 4
No. 209 		IV, 10 Daphne am Bach Ich hab' ein Bächlein funden April 1816 Text by Stolberg-Stolberg
412 412 (1838) XX, 4
No. 210 		IV, 10 Stimme der Liebe, D 412 Meine Selinde April 1816 Text by Stolberg-Stolberg; Two versions: 2nd in AGA
413 413 (1895) XX, 4
No. 211 		IV, 10 Entzückung Tag voll Himmel! April 1816 Text by Matthisson
414 414 (1895) XX, 4
No. 212 		IV, 10 Geist der Liebe, D 414 Der Abend schleiert Flur und Hain April 1816 Text by Matthisson (other setting: D 747)
415 415 (1895) XX, 4
No. 213 		IV, 10 Klage, D 415 Die Sonne steigt, die Sonne sinkt April 1816 Text by Matthisson
416 416 (1825) IV, 10 Lied in der Abwesenheit Ach, mir ist das Herz so schwer April 1816 Text by Stolberg-Stolberg; Fragment
417 417 (1884) I, 2
No. 4 		V, 2
No. 4 		Symphony No. 4
Tragic 		C minor completed
27/4/1816 		Adagio molto, Allegro vivace – Andante – Minuet – Allegro
418 418 (1895) XX, 4
No. 214 		IV, 10 Stimme der Liebe, D 418 Abendgewölke schweben hell 29/4/1816 Text by Matthisson (other setting: D 187)
419 419 (1895) XX, 4
No. 215 		IV, 10 Julius an Theone Nimmer, nimmer darf ich dir gestehen 30/4/1816 Text by Matthisson
420 420 (1871) XII
No. 11 		VII/2, 7a Twelve German Dances, D 420 Various keys 1816 For piano; No. 10 reappears in D 679 No. 1
421 421 (1889) XII
No. 27 		VII/2, 6 Six Écossaises, D 421 Various keys May 1816 For piano; No. 1 after D 145 Écoss. No. 5
422 422 16,2
(1823) 		XVI
No. 8 		III, 3 No. 23 Naturgenuß, D 422 Im Abendschimmer wallt der Quell 1822? Text by Matthisson (other setting: D 188); For ttbb and piano
423 423 (1974) III, 4
No. 36 		Andenken, D 423 Ich denke dein wenn durch den Hain May 1816 Text by Matthisson (other setting: D 99); For ttb
424 424 (1974) III, 4
No. 37 		Erinnerungen, D 424 Am Seegestad, in lauen Vollmondsnächten May 1816 Text by Matthisson (other setting: D 98); For ttb
425 425 Lebensbild May 1816 Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb
426 426 III, 4 Trinklied, D 426 Herr Bacchus ist ein braver Mann May 1816 Lost; Text by Bürger; For ttb
427 427 (1892) XIX
No. 17 		III, 4
No. 38 		Trinklied im Mai Bekränzet die Tonnen May 1816 Text by Hölty; For ttb
428 428 (1974) III, 4
No. 39 		Widerhall Auf ewig dein, wenn Berg und Meere trennen May 1816 Text by Matthisson; For ttb
429 429 (1885) XX, 4
No. 221 		IV, 10 Minnelied Holder klingt der Vogelsang May 1816 Text by Hölty
430 430 (1895) XX, 4
No. 222 		IV, 10 Die frühe Liebe Schon im bunten Knabenkleide May 1816 Text by Hölty; Two versions: 1st in AGA
431 431 (1887) XX, 4
No. 223 		IV, 10 Blumenlied Es ist ein halbes Himmelreich May 1816 Text by Hölty
432 432 (1850)
(1895) 		XX, 4
No. 224 		IV, 10 Der Leidende a.k.a. Klage, D 432 Nimmer trag' ich langer May 1816 Other setting: D Anh. I/28; Two versions: 1st publ. in 1850
433 433 (1895) XX, 4
No. 225 		IV, 10 Seligkeit Freuden sonder Zahl May 1816 Text by Hölty
434 434 (1850) XX, 4
No. 226 		IV, 10 Erntelied Sicheln schallen, Ähren fallen May 1816 Text by Hölty
435 435 (1893) XV, 7
No. 13 		II, 13
III, 4 No. 30 		Die Bürgschaft, D 435 (Opera in three acts) started
2/5/1816 		For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment)
436
437 		436 (1850) XX, 4
No. 216 		IV, 10 Klage, D 436 Dein Silber schien durch Eichengrün 12/5/1816 Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437
438 438 (1897) XXI, 1
No. 4 		V, 7 No. 2 Rondo, D 438 A major June 1816 For violin and string orchestra
439 439 (1872) XVII
No. 12 		III, 2a
No. 8 		An die Sonne, D 439 O Sonne, Königin der Welt June 1816 Text by Uz; For satb and piano
440 440 (1839) XVII
No. 18 		III, 2a
No. 9 		Chor der Engel Christ ist erstanden June 1816 Text by Goethe, from Faust I, 1; For SATB
441 407
See D 407
442 442 (1847) XX, 4
No. 227 		III, 3 No. 7
Anh. I No. 4
IV, 10 		Das große Halleluja Ehre sei dem Hocherhabnen June 1816 Text by Klopstock; For voice(s?) and piano
443 443 (1895) XX, 4
No. 228 		III, 3 No. 8
Anh. I No. 5
IV, 10 		Schlachtlied, D 443, a.k.a. Schlachtgesang Mit unserm Arm ist nichts getan June 1816 Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano
444 444 (1831) XX, 4
No. 229 		IV, 10 Die Gestirne Es tönet sein Lob June 1816 Text by Klopstock, from Oden
445 445 (1837) XX, 4
No. 230 		IV, 10 Edone Dein süßes Bild, Edone June 1816 Text by Klopstock, from Oden
446 446 (1887) XX, 4
No. 231 		IV, 10 Die Liebesgötter Cypris, meiner Phyllis gleich June 1816 Text by Uz
447 447 (1895) XX, 4
No. 232 		IV, 10 An den Schlaf Komm und senke die umflorten Schwingen June 1816
448 448 (1887) XX, 4
No. 233 		IV, 10 Gott im Frühlinge In seinem schimmernden Gewand June 1816 Text by Uz; Two versions: 1st, publ. in 1887, in AGA
449 449 (1872) XX, 4
No. 234 		IV, 10 Der gute Hirt Was sorgest du? June 1816 Text by Uz
450 450 (1832)
(1895) 		XX, 4
No. 236 		IV, 10 Fragment from Aeschylus So wird der Mann June 1816 Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832
451 451 Prometheus, D 451 Hervor aus Buschen und Baumen 17/6/1816 Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra
452
961 		452 48
(1825)
(1829) 		XIII, 1
No. 4 		I, 2 Mass No. 4 C major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei 		Jun. 1816–
Oct. 1828 		Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961
453 453 I, 5 Anh. Requiem C minor
Introitus – Kyrie 		July 1816 Fragment; For SATB and orchestra
454 454 (1872) XX, 4
No. 239 		IV, 10 Grablied auf einen Soldaten Zieh hin, du braver Krieger du! July 1816 Text by Schubart
455 455 (1887) XX, 4
No. 240 		IV, 10 Freude der Kinderjahre Freude, die im frühen Lenze July 1816 Text by Köpken [scores]
456 456 (1887) XX, 4
No. 241 		IV, 10 Das Heimweh, D 456 Oft in einsam stillen Stunden July 1816 Text by Hell
457 457 44
(1827) 		XX, 4
No. 237 		IV, 3 An die untergehende Sonne Sonne, du sinkst July 1816–
May 1817 		Text by Kosegarten
458 458 (1872) XX, 4
No. 242 		IV, 10 Aus Diego Manazares: Ilmerine Wo irrst du durch einsame Schatten 30/07/1816 Text by Schlechta [de] from Diego Manazares
459
(Nos.
1–2) 		459 (1843) XI No. 14 VII/2, 1
No. 3 		Piano Sonata, D 459 E major August
1816 		Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke
459
(Nos.
3–5) 		459A (1843) XI No. 14 VII/2, 4 Three piano pieces, D 459A C major (No. 1)
A major (No. 2)
E major (No. 3) 		1816? Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke
460 460 (1888) XIV No. 7 I, 9
No. 6 		Tantum ergo, D 460 C major August
1816 		Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra
461 461 (1935) I, 9
No. 7 		Tantum ergo, D 461 C major August
1816 		Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
462 462 (1895) XX, 4
No. 244 		IV, 10 An Chloen, D 462 Bei der Liebe reinsten Flammen August
1816 		Text by Jacobi
463 463 (1895) XX, 4
No. 245 		IV, 10 Hochzeit-Lied Will singen euch im alten Ton August
1816 		Text by Jacobi
464 464 (1895) XX, 4
No. 246 		IV, 10 In der Mitternacht Todesstille deckt das Tal August
1816 		Text by Jacobi
465 465 (1885) XX, 4
No. 247 		IV, 10 Trauer der Liebe Wo die Taub' in stillen Buchen August
1816 		Text by Jacobi; Two versions: 1st, in AGA, publ. 1885
466 466 (1872) XX, 4
No. 248 		IV, 10 Die Perle Es ging ein Mann zur Frühlingszeit August
1816 		Text by Jacobi
467 467 (1885) XX, 10
No. 593 		IV, 10 Pflicht und Liebe Du, der ewig um mich trauert August
1816 		Text by Gotter; Fragment
468 468 (1895) XX, 4
No. 243 		IV, 10 An den Mond, D 468 Was schauest du so hell 07/08/1816 Text by Hölty
469 469 (1897) XXII, 11 Nos. 394–
395 		IV, 3 Mignon, D 469 So laßt mich scheinen, bis ich werde September
1816 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments
470
601 		470 (1886) II No. 3 V, 5
VI, 4
Anh. No. 4 		Overture, D 470 B♭ major September
1816 		For orchestra; Overture to D 472(?); Fragment for string quartet was D 601
471 471 (1890)
(1897) 		VI No. 1
XXII, 1 p. 84 		VI, 6 No. 1
& Anh. No. 2 		String Trio, D 471 B♭ major September
1816 		Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII)
472 472 128p
(1830)
(1892) 		XVII
No. 2 		III, 1 Kantate zu Ehren von Josef Spendou Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht September
1816 		Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir
473 473 (1833)
(1895) 		XX, 4
No. 249 		IV, 10 Liedesend Auf seinem gold'nen Throne September
1816 		Text by Mayrhofer; Two versions: 2nd in 1st ed.
474 474 (1832)
(1895) 		XX, 4
No. 250 		IV, 10 Lied des Orpheus, als er in die Hölle ging Wälze dich hinweg September
1816 		Text by Jacobi; Two versions: 2nd in 1st ed.
475 475 (1885) XX, 4
No. 251 		IV, 11 Abschied: Nach einer Wallfahrts-Arie bearbeitet Über die Berge zieht ihr fort September
1816 		Text by Jacobi
476 476 (1872) XX, 4
No. 252 		IV, 11 Rückweg Zum Donaustrom, zur Kaiserstadt September
1816 		Text by Mayrhofer
477 477 (1895) XX, 4
No. 253 		IV, 11 Alte Liebe rostet nie Alte Liebe rostet nie September
1816 		Text by Mayrhofer
478
479
480 		478 12
(1822)
(1895) 		XX, 4
Nos. 254, 256–
258, 255 		IV, 1a &
b No. 10
& Anh.
Nos. 6–7 		Gesänge des Harfners aus "Wilhelm Meister" 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen September
1816–1822 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12
481 481 (1895) XX, 4
No. 259 		IV, 3 Sehnsucht, D 481 Nur wer die Sehnsucht kennt September
1816 		Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4)
482 482 (1895) XX, 4
No. 264 		IV, 11 Der Sänger am Felsen Klage, meine Flöte, klage September
1816 		Text by Pichler, from Idyllen
483 483 (1895) XX, 4
No. 265 		IV, 11 Lied, D 483 Ferne von der großen Stadt September
1816 		Text by Pichler, from Idyllen
484 484 (1895) XX, 10
No. 594 		IV, 11 Gesang der Geister über den Wassern, D 484 Des Menschen Seele gleicht dem Wasser September
1816 		Text by Goethe (other settings: D 538, 705 and 714); Fragment
485 485 (1885) I, 2
No. 5 		V, 2
No. 5 		Symphony No. 5 B♭ major Sept.–3 Oct.
1816 		Allegro – Andante con moto – Minuet – Allegro vivace
486 486 (1888) XIV No. 11 I, 9
No. 4 		Magnificat Magnificat anima mea Dominum
C major 		15/09/1815 Text by Luke (Vulgate translation); For satbSATB and orchestra
487 487 (1865) VII, 1
No. 2 		V, 7 No. 4
VI, 7 No. 5 		Adagio e Rondo concertante F major October 1816 For piano quartet
488 488 (1888) XIV No. 10 I, 8 Auguste jam coelestium Auguste jam coelestium October 1816 Duet for st and orchestra
489
493 		489 4,1
(1821)
(1895)
(1970) 		XX, 4
No. 266 		IV, 1a &
b No. 5 		Der Wanderer, D 489, a.k.a. Der Unglückliche Ich komme vom Gebirge her October 1816 Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760
490 490 (1895) XX, 4
No. 267 		IV, 11 Der Hirt Du Turm! zu meinem Leide October 1816 Text by Mayrhofer
491 491 (1887) XX, 4
No. 269 		IV, 11 Geheimnis: An F. Schubert Sag an, wer lehrt dich Lieder October 1816 Text by Mayrhofer
492 492 (1849) XX, 4
No. 270 		III, 3 No. 15
IV, 11 		Zum Punsche, D 492 Woget brausend, Harmonien October 1816 Text by Mayrhofer
493 489
See D 489
494 494 (1871) XVI
No. 32 		III, 4
No. 41 		Der Geistertanz, D 494 Die bretterne Kammer der Toten erbebt November 1816 Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb
495 495 (1868) XX, 4
No. 271 		IV, 11 Abendlied der Fürstin Der Abend rötet nun das Tal November 1816 Text by Mayrhofer
496 496 (1885) XX, 4
No. 274 		IV, 11 Bei dem Grabe meines Vaters Friede sei um diesen Grabstein her! November 1816 Text by Claudius
140 496A (1968) IV, 7
No. 22 		Klage um Ali Bey, D 496A Laßt mich! laßt mich! ich will klagen November 1816 Text by Claudius (other setting: D 140)
497 497 98,1
(1829) 		XX, 4
No. 276 		IV, 5 An die Nachtigall, D 497 Er liegt und schläft November 1816 Text by Claudius
498 498 98,2
(1829) 		XX, 4
No. 277 		IV, 5 Wiegenlied, D 498 Schlafe, schlafe, holder süßer Knabe November 1816
499 499 (1885) XX, 4
No. 278 		IV, 11 Abendlied, D 499 Der Mond ist aufgegangen November 1816 Text by Claudius
500 500 (1895) XX, 4
No. 279 		IV, 11 Phidile Ich war erst sechzehn Sommer alt November 1816 Text by Claudius
501 501 (1895) XX, 4
No. 281 		IV, 11 Zufriedenheit, D 501 Ich bin vergnugt November 1816 Text by Claudius (other setting: D 362); Two versions: 1st in AGA
502 502 (1872) XX, 4
No. 282 		IV, 11 Herbstlied, D 502 Bunt sind schon die Wälder November 1816 Text by Salis-Seewis
503 503 IV, 11 Mailied, D 503 Grüner wird die Au November 1816 Text by Hölty (other settings: D 129 and 199)
504 504 6,3
(1821)
(1970) 		XX, 4
No. 275 		IV, 1a &
b No. 8 		Am Grabe Anselmos Daß ich dich verloren habe 4/11/1816 Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3
505 505 145p,1
(1848)
(1897) 		XI No. 5
XXII, 4 No. 5 		VII/2, 2 Adagio, D 505 D♭ major September
1818? 		For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1
506 506 145p,2
(1848) 		XI No. 5 VII/2, 4 Rondo, D 506 E major June 1817? For piano; 4th movement of D 566?
507 507 (1895) XX, 4
No. 283 		IV, 11 Skolie, D 507 Mädchen entsiegelten December 1816 Text by Matthisson
508 508 (1845) XX, 4
No. 284 		IV, 11 Lebenslied, D 508 Kommen und Scheiden December 1816 Text by Matthisson (other settings: D Anh. I, 23, and possibly 425)
509 509 (1872) XX, 4
No. 285 		IV, 11 Leiden der Trennung Vom Meere trennt sich die Welle December 1816 Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA
510 510 (1895) XX, 10
No. 573 		IV, 11 Vedi quanto adoro Vedi quanto adoro December 1816 Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri[8]

References

  1. ^ Deutsch 1978, pp. 201–299.
  2. ^ Deutsch 1951.
  3. ^ NSA website.
  4. ^ AGA 1884–1897.
  5. ^ NSA scores.
  6. ^ a b Reed 1997.
  7. ^ a b LiederNet Archive.
  8. ^ NSA II, 15, p. IX (in Introduction).

Sources

Multi-volume editions, websites and catalogues

Other