List of compositions by Franz Schubert (1813)
Franz Schubert 's compositions of 1813 are mostly in the Deutsch catalogue (D) range D 37A–91, and include:
Instrumental works:
Vocal music:
Table
Legend
Legend to the table
column
content
1
D '51
Deutsch number in the first version of the Deutsch catalogue (1951)
2
D utd
most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3
Op. pbl
Opus number (Op. ; p indicates Post. = posthumous ) and date of first publication (pbl ; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4
AGA
Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe . Indicates genre/instrumentation:
Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)
Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)
Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)
Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)
Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)
Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll , 1886)
Series IX: Pianoforte zu vier Händen (Anton Door, 1888)
Series X: Sonaten für Pianoforte (Julius Epstein, 1888)
Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)
Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)
Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)
Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)
Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)
Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)
Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher , Eusebius Mandyczewski, 1892)
Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)
Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)
Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)
Series XXI: Supplement (Eusebius Mandyczewski, 1897)
Instrumentalmusik No. 1-5
Instrumentalmusik No. 6-13
Instrumentalmusik No. 14-
Gesangsmusik
Series XXII: Revisionsbericht
5
NSA
NGA/NSA/NSE = New Schubert Edition , also indicates genre/instrumentation:
6
Name
unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7
Key / incipit
incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive , when available), other compositions by key , except for Schubert's stage works : type of composition in brackets.
8
Date
(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9
Additional info
may include:
Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
Forces needed for performance ("For ..."):
may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
"s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB ).
Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
Information about versions (e.g. "Two versions: ...")
List
Compositions by Franz Schubert listed in the Deutsch catalogue for 1813
D '51
D utd
Op. pbl
AGA
NSA
Name
Key / incipit
Date
Additional info
967
37A
VII/2, 4 Anh. VIII, 2 No. 13
Fugue sketches, D 37A
1813?
For piano
38
38
(1892)
XIX No. 20
III, 4 No. 1
Totengräberlied , D 38
Grabe, Spaden, grabe!
1813?
Text by Hölty (other setting: D 44 ); For ttb
39
39
(1969)
IV, 6 Anh No. 2
Lebenstraum
Ich saß an einer Tempelhalle
early 1810?
Text by Baumberg ; Sketch; Music related to D 1A
39A
VI, 9
Three Minuets with Trios, D 39A
1813
For orchestra; Lost
41
41
(1889)
XII No. 30
VII/2, 6
Thirty Minuets with Trios, D 41
Various keys
1813
For piano; Nos. 1–8, 11–18 and 20–23 are extant
41A
VII/2, 4 Anh.
Fugue, D 41A
E minor
1813
For piano; Fragment
42
42
(1895) (1969)
XX, 10 No. 570
IV, 6 No. 5 Anh. No. 3
Aria di Timante
Misero pargoletto
1813?
Text by Metastasio , from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43
43
(1897)
XXI, 4 No. 43
III, 4 No. 2 VIII, 2 No. 34
Sprüche des Confucius , D 43
Dreifach ist der Schritt der Zeit
8/7/1813
Text by Schiller (other settings: D 69 and 70 ); For ttb
44
44
(1894)
XX, 1 No. 7
IV, 6 No. 6
Totengräberlied , D 44
Grabe, Spaden, grabe!
19/1/1813
Text by Hölty (other setting: D 38 )
45
45
(1888)
XIV No. 21
I, 5
Kyrie, D 45
B♭ majorKyrie
1/3/1813
Text: Mass ordinary (other settings: D 24E , 31 , 49 , 56 , 66 , 105 , 167 , 324 , 452 , 678 , 755 and 950 ); For SATB
46
46
(1890)
V No. 4
VI, 3 No. 6
String Quartet No. 4
C major
3/3/1813– 7/3/1813
Adagio – Andante con moto – Minuet – Finale
47
47
(1974)
III, 2b Anh. No. 1
Dithyrambe, D 47
Nimmer, das glaubt mir, erscheinen die Götter
29/3/1813
Text by Schiller (other setting: D 801 ); For tbSATB and piano; Fragment
48
48
(1871) (1888)
IX, 3 No. 32
VII/1, 1 No. 3
Fantasy, D 48 , a.k.a. Grand Sonata
C minor
April 1813– 10/6/1813
For piano duet; AGA includes concluding fugue
49
49
(1888)
XIV No. 15
I, 5
Kyrie, D 49
D minorKyrie
early April 1813– 15/4/1813
Text: Mass ordinary (other settings: D 24E , 31 , 45 , 56 , 66 , 105 , 167 , 324 , 452 , 678 , 755 and 950 ); For satbSATB and orchestra; First part of a Mass
50
50
(1894)
XX, 1 No. 8
IV, 6 No. 7
Die Schatten
Freunde, deren Grüfte sich schon bemoosten!
12/4/1813
Text by Matthisson
51
51
(1897)
XXI, 4 No. 37
III, 4 No. 3
Unendliche Freude , D 51
Unendliche Freude durchwallet das Herz
15/4/1813
Text by Schiller , stanza 3 from "Elysium" (other stanzas and settings: D 53 , 54 , 57 , 58 , 60 and 584 ); For ttb
52
52
(1868)
XX, 1 No. 9
IV, 2b No. 8
Sehnsucht , D 52
Ach, aus dieses Tales Gründen
15/4/1813– 17/4/1813
Text by Schiller (other setting: D 636 ); For b and piano
53
53
(1892)
XIX No. 9
III, 4 No. 4
Vorüber die stöhnende Klage
Vorüber die stöhnende Klage!
18/4/1813
Text by Schiller , stanza 1 from "Elysium" (other stanzas and settings: D 51 , 54 , 57 , 58 , 60 and 584 ); For ttb
54
54
(1873)
XIX No. 22
III, 4 No. 5 VIII, 2 No. 17
Unendliche Freude , D 54
Unendliche Freude durchwallet das Herz
19/4/1813
Text by Schiller , stanza 3 from "Elysium" (other stanzas and settings: D 51 , 53 , 57 , 58 , 60 and 584 ); Canon for three male voices
55
55
(1892)
XIX No. 12
III, 4 No. 6
Selig durch die Liebe
Selig durch die Liebe Götter
21/4/1813
Text by Schiller , from "Der Triumph der Liebe": stanza 1; Other: D 61 , 62 , 63 , 64 , 983A ; For ttb
56
56
(1892)
XIX No. 29
I, 5 VIII, 2 No. 18
Sanctus, D 56
B♭ majorSanctus
21/4/1813
Text: Mass ordinary (other settings: D 24E , 31 , 45 , 49 , 66 , 105 , 167 , 324 , 452 , 678 , 755 and 950 ); Canon for three voices; Two versions
57
57
(1897)
XXI, 4 No. 38
III, 4 No. 7
Hier strecket der wallende Pilger
Hier strecket der wallende Pilger
29/4/1813
Text by Schiller , stanza 4 from "Elysium" (other stanzas and settings: D 51 , 53 , 54 , 58 , 60 and 584 ); For ttb
58
58
(1892)
XIX No. 10
III, 4 No. 8
Dessen Fahne Donnerstürme wallte
Dessen Fahne Donnerstürme wallte
May 1813
Text by Schiller , stanza 5 from "Elysium" (other stanzas and settings: D 51 , 53 , 54 , 57 , 60 and 584 ); For ttb
59
59
(1832)
XX, 1 No. 10
IV, 6 No. 8
Verklärung
Lebensfunke, vom Himmel entglüht
4/5/1813
Text by Herder after Pope 's "The dying Christian to his soul"
60
60
(1892)
XIX No. 11
III, 4 No. 16
Hier umarmen sich getreue Gatten
Hier umarmen sich getreue Gatten
3/10/1813
Text by Schiller , stanza 6 from "Elysium" (other stanzas and settings: D 51 , 53 , 54 , 57 , 58 and 584 ); For ttb
61
61
(1897)
XXI, 4 No. 39
III, 4 No. 9 VIII, 2 No. 19
Ein jugendlicher Maienschwung
Ein jugendlicher Maienschwung
8/5/1813
Text by Schiller , from "Der Triumph der Liebe": stanza 9; Other: D 55 , 62 , 63 , 64 , 983A ; Canon for three voices
62
62
(1897)
XXI, 4 No. 40
III, 4 No. 10 VIII, 2 No. 35
Thronend auf erhabnem Sitz
Thronend auf erhabnem Sitz
9/5/1813
Text by Schiller , from "Der Triumph der Liebe": stanza 15; Other: D 55 , 61 , 63 , 64 , 983A
63
63
(1892)
XIX No. 13
III, 4 No. 11
Wer die steile Sternenbahn
Wer die steile Sternenbahn
10/5/1813
Text by Schiller , from "Der Triumph der Liebe": stanza 26; Other: D 55 , 61 , 62 , 64 , 983A ; For ttb
64
64
(1897)
XXI, 4 No. 41
III, 4 No. 12 VIII, 2 No. 36
Majestät'sche Sonnenroße
Majestät'sche Sonnenroße
10/5/1813
Text by Schiller , from "Der Triumph der Liebe": stanza 16; Other: D 55 , 61 , 62 , 63 , 983A ; For ttb
65
65
(1892)
XIX Anh. I, No. 35
III, 4 Anh. II No. 1 VIII, 2 No. 20
Schmerz verzerret ihr Gesicht
Schmerz verzerret ihr Gesicht
11/5/1813
Text by Schiller , from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583 ); For ttb ; Sketch
66
66
(1888)
XIV No. 16
I, 5
Kyrie, D 66
F majorKyrie
12/5/1813
Text: Mass ordinary (other settings: D 24E , 31 , 45 , 49 , 56 , 105 , 167 , 324 , 452 , 678 , 755 and 950 ); For SATB and orchestra
67
67
(1897)
XXI, 4 No. 42
III, 4 No. 13
Frisch atmet des Morgens lebendiger Hauch
Frisch atmet des Morgens lebendiger Hauch
15/5/1813
Text by Schiller (other setting: D 402 ); For ttb
68
68
(1890)
V No. 5
VI, 3 No. 7
String Quartet No. 5
B♭ major
8/6/1813– 18/8/1813
Allegro maestoso – Allegro; Middle movements missing
69
69
(1892)
XIX No. 23
III, 4 No. 14 VIII, 2 No. 21
Sprüche des Confucius , D 69
Dreifach ist der Schritt der Zeit
8/7/1813
Text by Schiller (other settings: D 43 and 70 ); Canon for three voices
70
70
(1974)
III, 4 Anh. I No. 1 VIII, 2 No. 33
Sprüche des Confucius , D 70
Dreifach ist der Schritt der Zeit
8/7/1813
Text by Schiller (other settings: D 43 and 69 ); For ttb ; Fragment
71
71
(1892)
XIX No. 14
III, 4 No. 15
Die zwei Tugendwege
Zwei sind der Wege
15/7/1813
Text by Schiller ; For ttb
71A
(1956)
I, 8VIII, 2 No. 22
Alleluja, D 71A
F major
July 1813?
Canon for three voices
71B
VII/2, 4 Anh. VIII, 2 No. 14
Fugue, D 71B
E minor
July 1813
For piano; Fragment
966A
71C
V, 6 No. 5
Orchestral piece, D 71C
D major
Aug. or Sep. 1813
Fragment; First pages, a.k.a. D 74A , based on D 74
72
72
(1889) (1890)
III No. 2 XXII v1
VI, 1 No. 1& Anh.
Wind Octet
F major
completed 18/8/1813
Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73
73
(1868)
XX, 1 No. 11
IV, 4
Thekla: Eine Geisterstimme , D 73
Wo ich sei, und wo mich hingewendet
22/8/1813– 23/8/1813
Text by Schiller (other setting: D 595 )
74
74
(1890)
V No. 6
VI, 4 No. 8
String Quartet No. 6
D major
22/8/1813– Sep. 1813
Allegro ma non troppo – Andante – Minuet – Allegro
966A
74A
V, 6 No. 4
Orchestral piece, D 74A
D major
Aug. or Sep. 1813
Fragment; Variant D number for first pages of D 71C
75
75
(1850)
XVI No. 16
III, 3 No. 18
Trinklied , D 75
Freunde, sammelt euch im Kreise
29/08/1813
Text by Schäffer [scores ] ; For bTTB and piano
76
76
(1871) (1969)
XX, 10 No. 571
IV, 6 No. 9 Anh. No. 4
Aria di Fronimo
Pensa, che questo istante
7 and 13 Sep. 1813
Text by Metastasio , from Alcide al bivio , 1; For b and piano; Two versions (2nd in AGA)
77 111
77
(1831) (1894)
XX, 1 No. 12
IV, 6 No. 10
Der Taucher
Wer wagt es, Rittersmann oder Knapp
17/9/1813– early 1815
Text by Schiller ; Two versions: 2nd, publ. in 1894, was D 111
78
78
(1895)
XX, 10 No. 572
IV, 6 No. 11
Aria di Venere
Son fra l'onde
18/9/1813
Text by Metastasio , from Gli orti esperdi , I; For s and piano
79
79
(1889)
III No. 3
VI, 1 No. 2
Wind Nonet , a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer
E♭ minor
19/9/1813
Grave con espressione
80
80
(1892)
XIX No. 4
III, 3 No. 2 Anh. III No. 1 Anh. IV No. 1
Zur Namensfeier meines Vaters
Ertöne Leier zur Festesfeier!
27/9/1813
Text by Schubert ; For ttb and guitar
81
81
(1895)
XX, 10 No. 583
IV, 14
Auf den Sieg der Deutschen
Verschwunden sind die Schmerzen
fall 1813
Text by Schubert ? (other setting: D 88 ); For voice, two violins and cello
82
82
(1884)
I, 1 No. 1
V, 1 No. 1
Symphony No. 1
D major
completed 28/10/1813
Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83
83
(1895)
XX, 10 No. 582
IV, 14
Zur Namensfeier des Herrn Andreas Siller
Des Phöbus Strahlen
28/10/1813– 4/11/1813
For voice, violin and harp
84
84
(1888)
XV, 1 No. 1
II, 1
Des Teufels Lustschloß
(Singspiel in three acts)
30/10/1813– 22/10/1814
Text by Kotzebue ; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86
86
(1886)
II No. 10
VI, 4 Anh. No. 1 VI, 9
Minuet, D 86
D major
November 1813?
For string quartet
87
87
125p,1 (1840)
V No. 10
VI, 4 No. 9
String Quartet No. 10
E♭ major
November 1813
Allegro più moderato – Scherzo – Adagio – Allegro
87A
VI, 4 Anh. No. 2
Andante, D 87A
C major
November 1813
For four voices (string quartet or vocal ensemble?); Fragment
88
88
(1892)
XIX No. 21
III, 4 No. 17 VIII, 2 No. 23
Verschwunden sind die Schmerzen
Verschwunden sind die Schmerzen
15/11/1813
Text by Schubert ? (other setting: D 88 ); Canon for ttb
89 90
89
(1886)
II No. 8 and No. 9
VI, 9
Five Minuets and Five German Dances
Various keys
19/11/1813
For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91
91
(1956)
VII/2, 6
Two Minuets, D 91
Various keys
22/11/1813
For piano; Each minuet with two Trios
References
Sources
Multi-volume editions, websites and catalogues
Other
Badura-Skoda, Eva ; Branscombe, Peter , eds. (2008). Schubert Studies: Problems of Style and Chronology . Cambridge University Press . ISBN 0521088720 .
Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825 . Stuttgart: Goldoni. ISBN 3922044050 . OCLC 987719669 .
Hilmar, Ernst ; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel . Tutzing: Hans Schneider . ISBN 3795211557 .
Keefe, Simon P., ed. (2006). Mozart Studies . Cambridge University Press . ISBN 0521851025 .
Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik" . In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782 .
Mozart, Wolfgang Amadeus ; Haydn, Joseph ; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection ] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag . OCLC 274222567 .
Newbould, Brian (1999). Schubert: The Music and the Man . University of California Press . ISBN 0520219570 .
Reed, John (1997). The Schubert Song Companion . Manchester University Press . ISBN 1901341003 .
Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap . 25 (1). Belgian Musicological Society: 68–97. doi :10.2307/3686180 . ISSN 0771-6788 . JSTOR 3686180 .
Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap . 28 –30 . Belgian Musicological Society: 136–171. doi :10.2307/3686053 . ISSN 0771-6788 . JSTOR 3686053 .