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Franz Schubert's compositions of 1814 are mostly in the Deutsch catalogue (D) range D 92–126,^[1] and include:

Instrumental works:
- Symphony No. 2, D 125 (started December 1814)
- String Quartet No. 7, D 94
- Quartettsatz, D 103
- String Quartet No. 8, D 112
Vocal music:
- Mass No. 1, D 105
- "Gretchen am Spinnrade", D 118
- "Sehnsucht", D 123

Table

Legend

Legend to the table
column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)^[2]
2	D utd	most recent (utd = up to date) Deutsch catalogue number;^[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:^[4] Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:^[5] Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs^[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),^[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics,^[6]^[7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1814
D '51	D utd	Op. pbl	AGA	NSA	Name	Key / incipit	Date	Additional info
93	93	(1894)	XX, 1 Nos. 13–15	IV, 7 Anh. No. 1	Don Gayseros	1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel	1815?	Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete
94	94	(1871)	V No. 7	VI, 3 No. 2	String Quartet No. 7	D major	1811 or 1812?	Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto
	94A			II, 1 V, 6 No. 6	Orchestral piece, D 94A	B♭ major	c. 1814	Fragment; For 1st version of D 84, Act III?
	94B			VI, 9	Five Minuets and Six German Dances, D 94B		1814	For string quartet and two horns; Lost
95	95	(1848)	XX, 1 No. 25	IV, 7 No. 1	Adelaide	Einsam wandelt dein Freund	1814	Text by Matthisson
97	97	(1894)	XX, 1 No. 19	IV, 7 No. 2	Trost: An Elisa	Lehnst du deine bleichgehärmte Wange	1814	Text by Matthisson
98	98	(1894) (1968)	XX, 1 No. 24	IV, 7 No. 3 Anh. No. 2	Erinnerungen, D 98	Am Seegestad, in lauen Vollmondsnächten	fall 1814	Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA
99	99	(1894)	XX, 1 No. 16	IV, 7 No. 4	Andenken, D 99	Ich denke dein wenn durch den Hain	April 1814	Text by Matthisson (other setting: D 423)
100	100	(1894)	XX, 1 No. 17	IV, 7 No. 5	Geisternähe	Der Dämm’rung Schein durchblinkt den Hain	April 1814	Text by Matthisson
101	101	(1894)	XX, 1 No. 18	IV, 7 No. 6	Erinnerung, D 101, a.k.a. Todtenopfer	Kein Rosenschimmer leuchtet	April 1814	Text by Matthisson
102	102	(1840)	XX, 1 No. 20	IV, 7 No. 7	Die Betende	Laura betet!	fall 1814	Text by Matthisson; Partly reused in D 918
103	103	(1939)		VI, 4 Anh. No. 3	Quartettsatz, D 103	C minor	23/4/1814	Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.
104	104	(1895)	XX, 10 No. 584	IV, 7 No. 8 & Anh. No. 3	Die Befreier Europas in Paris	Sie sind in Paris!	16/5/1814	Text by Mikan; Two drafts and a final version
105 185	105	(1856)	XIII, 1 No. 1	I, 1a	Mass No. 1	F major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	17/5/1814– 22/7/1814	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484
106	106	(1888)	XIV No. 9	I, 8	Salve Regina, D 106	B♭ major Salve Regina	28/6/1814– 1/7/1814	Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra
107	107	(1894) (1968)	XX, 1 No. 21	IV, 7 No. 9	Lied aus der Ferne	Wenn in des Abends letztem Scheine	July 1814	Text by Matthisson; Two versions: 1st in AGA
108	108	(1894)	XX, 1 No. 22	IV, 7 No. 10	Der Abend, D 108	Purpur malt die Tannenhügel	July 1814	Text by Matthisson
109	109	(1894)	XX, 1 No. 23	IV, 7 No. 11	Lied der Liebe	Durch Fichten am Hügel	July 1814	Text by Matthisson
110	110	(1891)	XVI No. 43	III, 1	Wer ist groß?	Wer ist wohl groß?	24/7/1814– 25/7/1814	For bTTBB and orchestra
111	77							See D 77
	111A			VI, 6 Anh. No. 1	String Trio, D 111A	B♭ major	5/9/1814– 13/9/1814	Allegro (fragment); early version of D 112
112	112	168p (1863)	V No. 8	VI, 4 No. 10	String Quartet No. 8	B♭ major	5/9/1814– 13/9/1814	Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A
113	113	58,2 (1821) (1826) (1894)	XX, 1 No. 26	IV, 3	An Emma	Weit in nebelgrauer Ferne	17/9/1814	Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2
114	114	(1868) (1901)	XX, 1 No. 27	IV, 7 No. 12 & Anh. No. 4	Romanze, D 114	Ein Fräulein klagt' im finstern Turm	September 1814	Text by Matthisson; Two versions: 2nd in AGA
115	115	(1840)	XX, 1 No. 28	IV, 7 No. 13	An Laura, als sie Klopstocks Auferstehungslied sang	Herzen, die gen Himmel sich erheben	2/10/1814– 7/10/1814	Text by Matthisson
116	116	(1840)	XX, 1 No. 29	IV, 7 No. 14	Der Geistertanz, D 116	Die bretterne Kammer der Toten erbebt	14/10/1814	Text by Matthisson (other settings: D 15, 15A and 494)
117	117	(1894)	XX, 1 No. 30	IV, 8 No. 45	Das Mädchen aus der Fremde, D 117	In einem Tal bei armen Hirten	16/10/1814	Text by Schiller (other setting: D 252)
118	118	2 (1821)	XX, 1 No. 31	IV, 1a	Gretchen am Spinnrade	Meine Ruh' ist hin	19/10/1814	Text by Goethe, from Faust I, 15
119	119	(1850)	XX, 1 No. 32	IV, 7 No. 15	Nachtgesang, D 119	O! gib vom weichen Pfühle	30/11/1814	Text by Goethe
120	120	(1835)	XX, 1 No. 33	IV, 7 No. 16	Trost in Tränen	Wie kommt's, daß du so traurig bist	30/11/1814	Text by Goethe
121	121	3,1 (1821) (1894)	XX, 1 No. 34	IV, 1a & b No. 2	Schäfers Klagelied	Da droben auf jenem Berge	30/11/1814– 28/2/1819?	Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?
122	122	(1872)	XX, 1 No. 38	IV, 7 No. 17	Ammenlied	Am hohen, hohen Turm	early Dec. 1814	Text by Lubi [scores]
123	123	(1842)	XX, 1 No. 35	IV, 7 No. 18	Sehnsucht, D 123	Was zieht mir das Herz so?	3/12/1814	Text by Goethe
124	124	(1885) (1894) (1968)	XX, 1 No. 36	IV, 7 No. 19 & Anh. No. 7	Am See, D 124	Sitz' ich im Gras am glatten See	3/12/1814– 7/12/1814	Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA
125	125	(1884)	I, 1 No. 2	V, 1 No. 2	Symphony No. 2	B♭ major	10/12/1814– 24/3/1815	Largo, Allegro vivace – Andante – Minuet – Presto vivace
126	126	(1832) (1873)	XX, 1 No. 37	IV, 7 No. 20 & Anh. No. 8	Scene from Faust	Wie anders, Gretchen, war dir's	early Dec.– 12/12/1814	Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA

References

^ Deutsch 1978, pp. 69–89.
^ Deutsch 1951.
^ NSA website.
^ AGA 1884–1897.
^ NSA scores.
^ ^a ^b Reed 1997.
^ ^a ^b LiederNet Archive.

Sources

Multi-volume editions, websites and catalogues

Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). Johannes Brahms; Ignaz Brüll; Anton Door; Julius Epstein; Johann Nepomuk Fuchs; Josef Gänsbacher; Joseph Hellmesberger Sr.; Eusebius Mandyczewski (eds.). Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
Deutsch catalogue (D) = Schubert Thematic Catalogue:
- Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
- Deutsch, Otto Erich (1978). Walther Dürr; Arnold Feil; Christa Landon [in German]; Werner Aderhold (eds.). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
  - Series VIII (Supplement)
  - Volume 4
Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV⁶ (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
- NSA scores: Schubert, Franz (1968–2019). International Schubert Association (Tübingen) (ed.). Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Kassel: Bärenreiter. [over 80 volumes in eight series] Individual volumes:
  - NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Kassel: Bärenreiter. ISMN 9790006497294.
    - Series II (Stage Works), Vol. 15
  - NSA VIII, 4: See above Deutsch (1978)
- NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Cambridge University Press. ISBN 0521088720.
- Walther Dürr "Schubert's Songs and Their Poetry" pp. 1–24
- Rufus Hallmark "Schubert's 'Auf dem Strom'" pp. 25–46
- Elaine Brody "Schubert and Sulzer Revisited" pp. 47–60
- Marius Flothuis "Schubert Revises Schubert" pp. 61–84
- Elizabeth Norman McKay "Schubert as Composer of Operas" pp. 85–104
- Peter Branscombe "Schubert and the Melodrama" pp. 105–142
- Christoph Wolff "Schubert's 'Der Tod und dad Mädchen'" pp. 143–172
- Peter Gülke on String Quintet D 956 pp. 173–186
- Paul Badura-Skoda on Schubert's 'Great' C major Symphony pp. 187–208
- Robert Winter "Paper Studies and the Future of Schubert Research" pp. 209–276
- Eva Badura-Skoda "The Chronology of Schubert's Piano Trios" pp. 277–296
- Reinhard Van Hoorickx "The Chronology of Schubert's Fragments and Sketches" pp. 297–326
- Arnold Feil "Rhythm in Schubert" pp. 327–346
- Alexander Weinmann on Leopold Puschl and Schubert's sojourn in Zseliz pp. 347–356
Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). Vol. 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 25 (1). Belgian Musicological Society: 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 28–30. Belgian Musicological Society: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.