Winslow Homer

Winslow Homer
Biografía

Nacemento	24 de febreiro de 1836 Boston, Estados Unidos de América
Morte	29 de setembro de 1910 (74 anos) Prouts Neck, Estados Unidos de América ^(en)
Lugar de sepultura	Cemitério de Mount Auburn ^(pt)
Educación	Art Students League of New York ^(pt)
Actividade
Campo de traballo	Debuxo
Lugar de traballo	Francia Nova Hampshire Nova Jersey Gloucester ^(pt) Maine Boston Nova York
Ocupación	pintor, gravador, fotógrafo, ilustrador
Período de actividade	1859 -
Membro de	Academia Estadounidense das Artes e as Letras
Xénero artístico	Arte marinha ^(pt) , American realism ^(en) , arte de xénero e retrato
Movemento	Realismo
Influencias	Gustave Courbet e Claude Monet
Obra
Obras destacables (1867) Man With A Scythe ^(en) (1869) Mountain Wagon ^(en) (1869) Sandy Beach with Breakers ^(en) (1872) Farmyard with Ducks and Chickens ^(en) (1872) The Butterfly ^(en) (1873) A Country Lad ^(en) (1873) Luz solar e sombra ^(pt) (1873) The Morning Bell ^(en) (1873) Man with a Knapsack ^(en) (1873) Autumn Tree Tops ^(en) (1874) Corn Husking ^(en) (1875) Robert Junkins' Garrison House, York, Maine ^(en) (1876) The Bean Picker ^(en) (1876) The Watermelon Boys ^(en) (1877) Two Girls with Sunbonnets in a Field ^(en) (1877) Boy and Girl in a Field with Sheep ^(en) (1877) Gathering Autumn Leaves ^(en) (1879) The Yellow Jacket ^(en)
Familia
Pais	Charles Savage Homer e Henrietta Maria Benson Homer
Irmáns	Charles Savage Homer, Jr.

Descrito pola fonte	Grande Enciclopedia Soviética 1969-1978, (sec:Хомер Уинслоу) Enciclopedia soviética armenia Obálky knih,

Winslow Homer, nado en Boston o 24 de febreiro de 1836 e finado en Prout's Neck, Maine o 29 de setembro de 1910, foi un pintor norteamericano.

Traxectoria

En 1854 comezou a traballar como aprendiz de litógrafo en Boston e en 1857 estableceuse en Nova York pola súa conta, con encargos para revistas como Ballou's Pictorial e Harper's Weekly.

En 1859, abriu o seu propio estudio e comeza a súa carreira como pintor, en 1861 realiza as súas primeiras pinturas ao óleo. En 1863 Harper's Weekly enviouno á fronte durante a Guerra Civil americana para facer ilustracións da guerra e de escenas mundanas, que non tiveron moita aceptación no seu tempo, pero que tiveron moita influencia no seu traballo posterior. De volta ao seu estudio realizou numerosas pinturas baseadas nas experiencias vividas na fronte, caracterizadas polo seu realismo e obxectividade; entre as súas pinturas destacan Sharpshooter on Picket Duty e Prisoners from the Front.

En 1867 viaxa a París e pinta paisaxes ensaiando coas posibilidades pictóricas da luz.

De volta aos Estados Unidos pinta escenas da vida idílica no rural ou de nenos a xogar. En 1873 realiza a súa primeira serie de acuarelas, cun estilo natural, limpo, fresco e espontáneo. En 1875 realizou as últimas ilustracións para o Harper's Weekly e visita por vez primeira Prout's Neck, preto de Scarborough.

En 1881 viaxa a Inglaterra, pasando un tempo na localidade de Cullercoats, Northumberland, onde pinta aos pescadores e o mar, restrinxiu a súa paleta e deixou a violencia presente nas súas obras anteriores

En 1883 establécese definitivamente en Prout's Neck, nun ambiente de soidade, pasando moitos invernos en Nassau, Cuba e Florida e algúns veráns en Adirondacks, onde pintou Jumping Trout (1889), unha das súas obras máis coñecidas. Céntrase no estudo das zonas mariñas, con cadros como Banks Fisherman, Eight Bells, Gulf Stream, Rum Cay ou Mending the Nets.

Colección de acuarelas no Museo Metropolitano de Arte

A Basket of Clams, 1873 (29,2 x 24,8 cm)
Boys in a Dory, 1873 (24,8 x 35,2 cm)
Two Ladies, 1880 (17,6 x 20,2 cm)
Inside the Bar, 1883 (40,6 x 73,7 cm)
Hurricane, Bahamas, 1898 (36,7 x 53,5 cm)
Nassau, 1899 ( 37,8 x 54,3 cm)
A Wall, Nassau, 1898 (37,8 x 54,3 cm)
Channel Bass, 1904 (28,6 x 49,2 cm)

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