• Opening Night: The Exterminating Angel (Luis Buñuel, Mexico)
• Closing Night: Sweet and Sour (Jacques Baratier, France)
• All the Way Home (Alex Segal, USA)^[1]
• An Autumn Afternoon (Yasujirō Ozu, Japan)^[2]
• Barravento (Glauber Rocha, Brazil)
• Elektra at Epidaurus (Ted Zarpas, Greece)
• The Fiances (Ermanno Olmi, Italy)
• Glory Sky (Takis Kanellopoulos, Greece)
• In the Midst of Life (Robert Enrico, France)^[2]
• Hallelujah the Hills (Adolfas Mekas, USA)^[3]
• Harakiri (Masaki Kobayashi, Japan)^[3]
• Knife in the Water (Roman Polanski, Poland)^[3]
• Le Joli Mai (Chris Marker, France)
• Love in the Suburbs (Tamás Fejér, Hungary)
• Magnet of Doom (Jean-Pierre Melville, France)
• Muriel, or The Time of Return (Alain Resnais, France)
• RoGoPaG (Roberto Rossellini, Ugo Gregoretti, Jean-Luc Godard and Pier Paolo Pasolini, Italy)
• The Sea (Giuseppe Patroni Griffi, Italy)
• The Servant (Joseph Losey, UK)^[4]
• The Terrace (Leopoldo Torre Nilsson, Argentina)
• The Trial of Joan of Arc (Robert Bresson, France)^[5]

• Opening Night: Hamlet (Grigori Kozintsev, USSR)
• Closing Night: The Big City (Satyajit Ray, India)
• Alone Across the Pacific (Kon Ichikawa, Japan)
• Band of Outsiders (Jean-Luc Godard, France)
• Before the Revolution (Bernardo Bertolucci, Italy)
• The Brig (Jonas Mekas & Adolfas Mekas, USA)
• Cyrano et d'Artagnan (Abel Gance, France)
• Diary of a Chambermaid (Luis Buñuel, France)
• Enjō (Kon Ichikawa, Japan)
• Fail-Safe (Sidney Lumet, USA)
• Hands Over the City (Francesco Rosi, Italy)
• The Inheritance (Ricardo Alventosa, Argentina)
• King & Country (Joseph Losey, UK)
• Life Upside Down (Alain Jessua, France)
• Lilith (Robert Rossen, USA)
• Nobody Waved Good-bye (Don Owen, Canada)
• Nothing but a Man (Michael Roemer, USA)
• Passenger (Andrzej Munk, Poland)
• Salvatore Giuliano (Francesco Rosi, Italy)
• She and He (Susumu Hani, Japan)
• Siberian Lady Macbeth (Andrzej Wajda, Poland/Yugoslavia)
• Tales of the Taira Clan (Kenji Mizoguchi, Japan)
• To Love (Jörn Donner, Sweden)
• Woman in the Dunes (Hiroshi Teshigahara, Japan)
• A Woman Is a Woman (Jean-Luc Godard, France/Italy, 1961)

^[5]

• Opening Night: Alphaville (Jean-Luc Godard, France)
• Closing Night: Red Beard (Akira Kurosawa, Japan)
• Black Peter (Miloš Forman, Czechoslovakia)
• Charulata (Satyajit Ray, India)
• Fists in the Pocket (Marco Bellocchio, Italy)
• Gertrud (Carl Theodor Dreyer, Denmark)
• Identification Marks: None (Jerzy Skolimowski, Poland)
• The Koumiko Mystery (Chris Marker, France)
• Mickey One (Arthur Penn, USA)
• Not Reconciled (Jean-Marie Straub, West Germany)
• Paris vu par... (Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer and Jean Rouch, France)
• Le Petit soldat (Jean-Luc Godard, France)
• Raven's End (Bo Widerberg, Sweden)
• Sandra (Luchino Visconti, Italy)
• Shakespeare Wallah (James Ivory, India)
• The Shop on Main Street (Ján Kadár & Elmar Klos, Czechoslovakia)
• Sweet Substitute (Larry Kent, Canada)
• Thomas the Impostor (Georges Franju, France)
• Walkover (Jerzy Skolimowski, Poland)

• Opening Night: Loves of a Blonde (Miloš Forman, Czechoslovakia)
• Closing Night: La guerre est finie (Alain Resnais, France)
• Accattone (Pier Paolo Pasolini, Italy)
• Almost a Man (Vittorio De Seta, Italy)^[6]
• Au hasard Balthazar (Robert Bresson, France)
• Les Créatures (Agnès Varda, France)
• Do You Keep a Lion at Home? (Pavel Hobl, Czechoslovakia)
• The Eavesdropper (Leopoldo Torre Nilsson, Argentina)
• The Grim Reaper (Bernardo Bertolucci, Italy)
• The Hawks and the Sparrows (Pier Paolo Pasolini, Italy)
• Hunger (Henning Carlsen, Denmark)
• The Hunt (Carlos Saura, Spain)
• Intimate Lighting (Ivan Passer, Czechoslovakia)
• The Man Who Had His Hair Cut Short (André Delvaux, Belgium)
• Masculin Féminin (Jean-Luc Godard, France)
• Pearls of the Deep (Jirí Menzel, Jan Nemec, Evald Schorm, Vera Chytilová and Jaromil Jires, Czechoslovakia)
• Pierrot le Fou (Jean-Luc Godard, France)
• The Round-Up (Miklós Jancsó, Hungary)
• Shadows of Forgotten Ancestors (Sergei Parajanov, USSR)
• The Shameless Old Lady (René Allio, France)^[7]
• Simon of the Desert (Luis Buñuel, Mexico)
• Three (Aleksandar Petrovic, Yugoslavia)
• Troublemakers (Norman Fruchter & Robert Machover, USA)
• The War Game (Peter Watkins, UK)

• Opening Night: The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
• Closing Night: Far from Vietnam (Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Chris Marker, Alain Resnais, and Agnès Varda, France)
• Barrier (Jerzy Skolimowski, Poland)
• Benefit of the Doubt (Peter Whitehead, UK)
• Les Carabiniers (Jean-Luc Godard, France)
• Le Départ (Jerzy Skolimowski, Belgium)
• Elvira Madigan (Bo Widerberg, Sweden)
• Father (István Szabó, Hungary)
• The Feverish Years (Dragoslav Lazic, Yugoslavia)
• Funnyman (John Korty, USA)
• Hugs and Kisses (Jonas Cornell, Sweden)
• The Lion Hunters (Jean Rouch, France)
• Love Affair, or The Case of the Missing Switchboard Operator (Dusan Makavejev, Yugoslavia)
• Made in U.S.A. (Jean-Luc Godard, France)
• Memorandum (Donald Brittain & John Spotton, Canada)
• A Mother's Heart (Mark Donskoy, USSR)^[8]
• Portrait of Jason (Shirley Clarke, USA)
• Samurai Rebellion (Masaki Kobayashi, Japan)^[9]
• The Taking of Power by Louis XIV (Roberto Rossellini, France)
• Tonite Let's All Make Love in London (Peter Whitehead, UK)
• L'Une et l'Autre (René Allio, France)
• Yesterday Girl (Alexander Kluge, West Germany)
• Young Törless (Volker Schlöndorff, West Germany)

• Opening Night: Capricious Summer (Jirí Menzel, Czechoslovakia)
• Closing Night: The Firemen's Ball (Miloš Forman, Czechoslovakia)
• Artists Under the Big Top: Perplexed (Alexander Kluge, West Germany)^[10]
• Beyond the Law (Norman Mailer, USA)
• Les Biches (Claude Chabrol, France)
• The Chronicle of Anna Magdalena Bach (Jean-Marie Straub & Danièle Huillet, Italy/West Germany)^[11]
• Faces (John Cassavetes, USA)
• Hugo and Josephine (Kjell Grede, Sweden)
• The Immortal Story (Orson Welles, France)
• Kaya, I'll Kill You (Vatroslav Mimica, Yugoslavia)
• Mouchette (Robert Bresson, France)
• Naked Childhood (Maurice Pialat, France)
• The Nun (Jacques Rivette, France)
• Partner. (Bernardo Bertolucci, Italy)
• The Red and the White (Miklós Jancsó, Hungary)
• A Report on the Party and the Guests (Jan Nemec, Czechoslovakia)
• Signs of Life (Werner Herzog, West Germany)
• Tropics (Gianni Amico, Italy)
• 24 Hours in the Life of a Woman (Dominique Delouche, France)
• Two or Three Things I Know About Her (Jean-Luc Godard, France)
• Week End (Jean-Luc Godard, France)

• Opening Night: Bob & Carol & Ted & Alice (Paul Mazursky, USA)^[12]
• Closing Night: Oh! What a Lovely War (Richard Attenborough, UK)^[12]
• Ådalen 31 (Bo Widerberg, Sweden)^[12]
• Boy (Nagisa Oshima, Japan)^[12]
• Charles Lloyd: Journey Within (Eric Sherman, USA)^[12]
• The Deserter and the Nomads (Juraj Jakubisko, Czechoslovakia)^[12]
• Destroy, She Said (Marguerite Duras, France)^[12]
• Duet For Cannibals (Susan Sontag, Sweden)^[12]
• The Epic That Never Was (Bill Duncalf, UK)^[12]
• Feast of Friends (Paul Ferrara, USA)^[13]
• Une femme douce (Robert Bresson, France)^[12]
• Le Gai Savoir (Jean-Luc Godard, France)^[12]
• Goto, Island of Love (Walerian Borowczyk, France)^[12]
• Herostratus (Don Levy, Great Britain)^[14]
• High School (Frederick Wiseman, USA)^[14]
• The Joke (Jaromil Jireš, Czechoslovakia)^[15]
• The Lady from Constantinople (Judit Elek, Hungary)
• Lions Love (Agnès Varda, USA)^[12]
• The Money Order (Ousmane Sembène, Senegal)^[12]
• My Girfriend's Wedding (Jim McBride, USA)^[14]
• My Night at Maud's (Éric Rohmer, France)^[12]
• One Fine Day (Ermanno Olmi, Italy)^[12]
• Pierre & Paul (René Allio, France)^[12]
• Porcile (Pier Paolo Pasolini, Italy)^[12]
• The Rite (Ingmar Bergman, Sweden)^[12]

• Opening Night: The Wild Child (François Truffaut, France)^[16]
• Closing Night: Tristana (Luis Buñuel, Italy/France/Spain)^[16]
• Bleu Shut (Robert Nelson, USA)^[17]
• Le Boucher (Claude Chabrol, France)^[18]
• The Cannibals (Liliana Cavani, Italy)^[18]
• Comrades (Marin Karmitz, France)^[16]
• The Conformist (Bernardo Bertolucci, Italy)^[19]
• Days and Nights in the Forest (Satyajit Ray, India)^[17]
• Double Pisces (Dick Fontaine, UK)^[16]
• Even Dwarfs Started Small (Werner Herzog, West Germany)^[18]
• Five Easy Pieces (Bob Rafelson, USA)^[17]
• From Lumière to Langlois: The French Silent Cinema (Henri Langlois, France)^[17]
• The Garden of Delights (Carlos Saura, Spain)^[17]
• Harry Munter (Kjell Grede, Sweden)^[18]
• The Inheritors (Carlos Diegues, Brazil)^[18]
• Je t'aime, je t'aime (Alain Resnais, France) ^[20]
• Kes (Ken Loach, UK) ^[21]
• Langlois (Elia Hershon & Roberto Guerra)^[17]
• Mistreatment (Lars Lennart Forsberg, Sweden)^[16]
• La Musica (Marguerite Duras, France)^[22]
• Original Cast Album: Company (D. A. Pennebaker, USA)^[23]
• Othon (Jean-Marie Straub & Danièle Huillet, West Germany) ^[24]
• Praise Marx and Pass the Ammunition (Maurice Hatton, UK)^[18]
• The Scavengers (Ermanno Olmi, Italy)^[18]
• Une simple histoire (Marcel Hanoun, France)^[16]
• The Spider's Stratagem (Bernardo Bertolucci, Italy)^[18]
• Street Scenes 1970 (Martin Scorsese, USA)^[16]
• Wind from the East (Dziga Vertov Group, Italy/France/West Germany) ^[25]
• Zorns Lemma (Hollis Frampton, USA)^[16]

• Opening Night: The Beginning (Gleb Panfilov, USSR)
• Closing Night: Murmur of the Heart (Louis Malle, France)
• Bonaparte and the Revolution (Abel Gance, France) ^[26]
• Born to Win (Ivan Passer, USA)
• The Decameron (Pier Paolo Pasolini, Italy)
• Directed by John Ford (Peter Bogdanovich, USA) ^[27]
• Dodes'ka-den (Akira Kurosawa, Japan)
• Family Life (Krzysztof Zanussi, Poland)^[28]
• Fata Morgana (Werner Herzog, West Germany)
• Four Nights of a Dreamer (Robert Bresson, France)
• In the Name of the Father (Marco Bellocchio, Italy)
• In the Summertime (Ermanno Olmi, Italy)
• The Last Picture Show (Peter Bogdanovich, USA)
• Pioneers in Ingolstadt (Rainer Werner Fassbinder, West Germany) ^[29]
• Punishment Park (Peter Watkins, USA) ^[30]
• A Safe Place (Henry Jaglom, USA)
• The Sorrow and the Pity (Marcel Ophuls, France) ^[31]
• W.R.: Mysteries of the Organism (Dusan Makavejev, Yugoslavia) ^[32]

• Opening Night: Chloe in the Afternoon (Éric Rohmer, France)
• Closing Night: Last Tango in Paris (Bernardo Bertolucci, Italy/France)^[33]
• The Adversary (Satyajit Ray, India)
• L'amour fou (Jacques Rivette, France)
• The Assassination of Trotsky (Joseph Losey, Italy/France)
• Bad Company (Robert Benton, USA)
• Behind the Wall (Krzysztof Zanussi, Poland)
• The Discreet Charm of the Bourgeoisie (Luis Buñuel, France)
• Family Life (Ken Loach, UK)
• Going Home (Adolfas Mekas, USA)
• Heat (Paul Morrissey, USA)
• Images (Robert Altman, Ireland)
• The Inner Scar (Philippe Garrel, France)
• The King of Marvin Gardens (Bob Rafelson, USA)
• Letter to Jane (Jean-Luc Godard & Jean-Pierre Gorin, France)
• Love (Károly Makk, Hungary)
• The Merchant of Four Seasons (Rainer Werner Fassbinder, West Germany)
• Nathalie Granger (Marguerite Duras, France)
• Red Psalm (Miklós Jancsó, Hungary)
• Reminiscences of a Journey to Lithuania (Jonas Mekas, USA)
• A Sense of Loss (Marcel Ophüls, Switzerland/USA)
• Summer Soldiers (Hiroshi Teshigahara, Japan)
• Tout va bien (Jean-Luc Godard & Jean-Pierre Gorin, France)
• Two English Girls (François Truffaut, France)
• We Won't Grow Old Together (Maurice Pialat, France/Italy)

• Opening Night: Day for Night (François Truffaut, France)
• Closing Night: Badlands (Terrence Malick, USA)
• Andrei Rublev (Andrei Tarkovsky, USSR) ^[34]
• The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, West Germany)
• Distant Thunder (Satyajit Ray, India)
• A Doll's House (Joseph Losey, UK)
• History Lessons (Jean-Marie Straub & Danièle Huillet, West Germany/Italy) ^[35]
• The Illumination (Krzysztof Zanussi, Poland) ^[36]
• Israel, Why? (Claude Lanzmann, France)
• Just Before Nightfall (Claude Chabrol, France)
• Kid Blue (James Frawley, USA)
• Land of Silence and Darkness (Werner Herzog, West Germany) ^[37]
• Mean Streets (Martin Scorsese, USA) ^[38]
• The Mother and the Whore (Jean Eustache, France) ^[39]
• Réjeanne Padovani (Denys Arcand, Canada) ^[40]
• Return (Gianni Amico, Italy) ^[41]
• La Rupture (Claude Chabrol, France) ^[42]

• Opening Night: Don't Cry With Your Mouth Full (Pascal Thomas, France)
• Closing Night: The Phantom of Liberty (Luis Buñuel, France)
• Ali: Fear Eats the Soul (Rainer Werner Fassbinder, West Germany)
• Alice in the Cities (Wim Wenders, West Germany) ^[43]
• The Bench of Desolation (Claude Chabrol, France) ^[44]
• A Bigger Splash (Jack Hazan, UK)
• Celine and Julie Go Boating (Jacques Rivette, France)
• The Circumstance (Ermanno Olmi, Italy)
• From These Roots (Bill Greaves, USA)
• Italianamerican (Martin Scorsese, USA)
• Lacombe, Lucien (Louis Malle, France)
• Lancelot du Lac (Robert Bresson, France) ^[45]
• The Middle of the World (Alain Tanner, Switzerland)
• The Night of the Scarecrow (Sérgio Ricardo, Brazil) ^[46]
• Old-Fashioned Woman (Martha Coolidge, USA)
• Out 1: Spectre (Jacques Rivette, France)
• La Paloma [fr] (Daniel Schmid, Switzerland)
• Part-Time Work of a Domestic Slave (Alexander Kluge, West Germany)
• Rome Wants Another Caesar (Miklós Jancsó, Hungary)
• Stavisky (Alain Resnais, France)
• A Woman Under the Influence (John Cassavetes, USA)
• Yudie (Mirra Bank, USA)

• Opening Night: Conversation Piece (Luchino Visconti, Italy)
• Closing Night: The Story of Adele H. (François Truffaut, France)
• Autobiography of a Princess (James Ivory, UK) ^[47]
• Black Moon (Louis Malle, France) ^[48]
• Compañero: Victor Jara of Chile (Stanley Forman & Martin Smith, Chile)
• Electra, My Love (Miklós Jancsó, Hungary) ^[49]
• The Enigma of Kaspar Hauser (Werner Herzog, West Germany)
• Exhibition (Jean-François Davy, France) ^[50]
• F for Fake (Orson Welles, France) ^[51]
• Fox and His Friends (Rainer Werner Fassbinder, West Germany) ^[52]
• French Provincial (André Téchiné, France)
• Grey Gardens (Albert Maysles & David Mayles & Ellen Hovde & Muffie Meyer, USA)
• Hearts of the West (Howard Zieff, USA)
• India Song (Marguerite Duras, France) ^[53]
• The Lost Honour of Katharina Blum (Volker Schlöndorff & Margarethe von Trotta, West Germany) ^[54]
• Milestones (Robert Kramer & John Douglas, USA)
• Moses and Aaron (Jean-Marie Straub & Danièle Huillet, West Germany/France/Italy)
• Smile (Michael Ritchie, USA) ^[55]
• The Wonderful Crook (Claude Goretta, Switzerland) ^[56]
• Xala (Ousmane Sembène, Senegal) ^[57]

• Opening Night: Small Change (François Truffaut, France)
• Closing Night: The Marquise of O (Eric Rohmer, West Germany/France)
• Bernice Bobs Her Hair (Joan Micklin Silver, USA)
• Dersu Uzala (Akira Kurosawa, USSR/Japan)
• Duelle (Jacques Rivette, France)
• Fear of Fear (Rainer Werner Fassbinder, West Germany)
• Harlan County, USA (Barbara Kopple, USA)
• Illustrious Corpses (Francesco Rosi, Italy)
• Jonah Who Will Be 25 in the Year 2000 (Alain Tanner, Switzerland)
• Kings of the Road (Wim Wenders, West Germany)
• The Memory of Justice (Marcel Ophuls, USA)
• The Middleman (Satyajit Ray, India)
• Sérail (Eduardo de Gregorio, France)
• The Story of Sin (Walerian Borowczyk, Poland)
• Strongman Ferdinand (Alexander Kluge, West Germany)
• A Touch of Zen (King Hu, Hong Kong)

• Opening Night: One Sings, the Other Doesn't (Agnès Varda, France)
• Closing Night: That Obscure Object of Desire (Luis Buñuel, France/Spain)
• The American Friend (Wim Wenders, West Germany)
• Le Camion (Marguerite Duras, France)
• Children of Labor (Noel Buckner & Mary Dore & Richard Boardman & Al Gedicks, USA)
• Citizens Band (Jonathan Demme, USA)
• The Devil, Probably (Robert Bresson, France)
• Heart of Glass (Werner Herzog, West Germany)
• Hot Tomorrows (Martin Brest, USA)
• The Lacemaker (Claude Goretta, France)
• The Man Who Loved Women (François Truffaut, France)
• Men of Bronze (Bill Miles, USA)
• 1900 (Bernardo Bertolucci, Italy)
• Omar Gatlato (Merzak Allouache, Algeria)
• Padre Padrone (Paolo and Vittorio Taviani, Italy)
• Pafnucio Santo (Rafael Corkidi, Mexico)
• Roseland (James Ivory, USA)
• Salò, or The 120 Days of Sodom (Pier Paolo Pasolini, Italy)
• Short Eyes (Robert M. Young, USA)
• Tent of Miracles (Nelson Pereira dos Santos, Brazil)
• Women (Márta Mészáros, Hungary)

• Opening Night: A Wedding (Robert Altman, USA)^[58]
• Closing Night: Violette (Claude Chabrol, France)^[58]
• American Boy: A Profile of Steven Prince (Martin Scorsese, USA)^[58]
• The Apple Game (Vera Chytilová, Czechoslovakia)^[58]
• Bloodbrothers (Robert Mulligan, USA)^[58]
• Camouflage (Krzysztof Zanussi, Poland)^[59]
• The CIA Case Officer (Saul Landau, USA)^[58]
• Despair (Rainer Werner Fassbinder, West Germany)^[58]
• Dossier 51 (Michel Deville, France)^[58]
• Elective Affinities (Gianni Amico, Italy)^[58]
• Gates of Heaven (Errol Morris, USA)^[58]
• Get Out Your Handkerchiefs (Bertrand Blier, France)^[58]
• The Green Room (François Truffaut, France)^[58]
• The Left-Handed Woman (Peter Handke, West Germany)^[58]
• Like a Turtle on Its Back (Luc Béraud, France)^[58]
• Manimals (Robin Lehman, USA)^[58]
• The Miracle of the Wolves (1924) (Raymond Bernard, France)^[58]
• Movies Are My Life (Peter Hayden, USA)^[58]
• Newsfront (Phillip Noyce, Australia)^[58]
• Perceval le Gallois (Eric Rohmer, France)^[58]
• The Shout (Jerzy Skolimowski, Poland)^[58]
• Skip Tracer (Zale Dalen, Canada)^[58]
• Spies (1928) (Fritz Lang, Germany)^[58]
• They Are Their Own Gifts (Lucille Rhodes & Margaret Murphy, USA)^[58]
• With Babies and Banners: Story of the Women's Emergency Brigade (Lorraine Gray, USA)^[58]

• Opening Night: Luna (Bernardo Bertolucci, Italy/USA)
• Closing Night: The Marriage of Maria Braun (Rainer Werner Fassbinder, West Germany)
• Alexandria... Why? (Youssef Chahine, Egypt/Algeria)
• Angi Vera (Pál Gábor, Hungary)
• Best Boy (Ira Wohl, USA)
• Black Jack (Ken Loach, UK)
• The Black Stallion (Carroll Ballard, USA)
• The Bugs Bunny/Road Runner Movie, (Chuck Jones, USA)
• The Europeans (James Ivory, UK)
• In a Year of Thirteen Moons (Rainer Werner Fassbinder, West Germany)
• The Maids of Wilko (Andrzej Wajda, Poland)
• Molière (Ariane Mnouchkine, France)
• My Brilliant Career (Gillian Armstrong, Australia)
• Nosferatu the Vampyre (Werner Herzog, West Germany)
• Other People's Money (Christian de Chalonge, France)
• A Scream from Silence (Anne Claire Poirier, Canada)
• Short Memory (Eduardo de Gregorio, France)
• Wise Blood (John Huston, USA)
• Without Anesthesia (Andrzej Wajda, Poland)
• The Wobblies (Stewart Bird & Deborah Shaffer, USA)

• Opening Night: Melvin and Howard (Jonathan Demme, USA)
• Closing Night: The Last Metro (François Truffaut, France)
• And Quiet Rolls the Dawn (Mrinal Sen, India)
• Bye Bye Brazil (Carlos Diegues, Brazil)
• Camera Buff (Krzysztof Kieslowski, Poland)
• The Color of Pomegranates (Sergei Parajanov, Armenia)
• Confidence (István Szabó, Hungary)
• The Constant Factor (Krzysztof Zanussi, Poland)
• Every Man for Himself (Jean-Luc Godard, France/Switzerland)
• Handicapped Love (Marlies Graf, Switzerland)
• The Handyman (Micheline Lanctôt, Canada)
• Here's Looking at You, Kid (William Edgar Cohen, USA)
• Kagemusha (Akira Kurosawa, Japan)
• The Life and Times of Rosie the Riveter (Connie Field, USA)
• Loulou (Maurice Pialat, France)
• Masoch (Franco Brogi Taviani, Italy)
• Nights at O'Rear's (Robert Mandel, USA)
• The Orchestra Conductor (Andrzej Wajda, Poland)
• Rush (Evelyn Purcell, USA)
• Special Treatment (Goran Paskaljevic, Yugoslavia)
• Sunday Daughters (János Rózsa, Hungary)

• Opening Night: Chariots of Fire (Hugh Hudson, UK)
• Closing Night: Man of Iron (Andrzej Wajda, Poland)
• The Aviator's Wife (Éric Rohmer, France)
• The Beads of One Rosary (Kazimierz Kutz, Poland)
• Beau-père (Bertrand Blier, France)
• Contract (Krzysztof Zanussi, Poland)
• Documenteur (Agnès Varda, USA)
• Fit to Be Untied (Silvano Agosti & Marco Bellocchio & Sandro Petraglia & Stefano Rulli, Italy)
• Graduate First (Maurice Pialat, France)
• Hopper's Silence (Brian O'Doherty, USA)
• The Last to Know (Bonnie Friedman, USA)
• Lightning Over Water (Wim Wenders & Nicholas Ray, West Germany)
• Looks and Smiles (Ken Loach, UK)
• Mephisto (István Szabó, Hungary)
• Mur Murs (Agnès Varda, USA)
• The Mystery of Oberwald (Michelangelo Antonioni, Italy)
• My Dinner with Andre (Louis Malle, USA)
• Passion of Love (Ettore Scola, Italy)
• Le Pont du Nord (Jacques Rivette, France)
• Resurgence: The Movement for Equality vs. the Ku Klux Klan (Pamela Yates & Tom Sigel, USA)
• Soldier Girls (Nick Broomfield & Joan Churchill, USA)
• Stations of the Elevated (Manfred Kirchheimer, USA)
• Taxi zum Klo (Frank Ripploh, West Germany)
• Tighten Your Belts, Bite the Bullet (James Gaffney & Martin Lucas & Jonathan Miller, USA)
• Trances (Ahmed El Maanouni, Morocco)
• Vernon, Florida (Errol Morris, USA)
• We Were German Jews (Michael Blackwood, West Germany)
• The Witness (Péter Bacsó, Hungary)
• The Woman Next Door (François Truffaut, France)

• Opening Night: Veronika Voss (Rainer Werner Fassbinder, West Germany)
• Closing Night: Fitzcarraldo (Werner Herzog, West Germany)
• Another Way (Károly Makk, Hungary)
• Before the Nickelodeon: The Early Cinema of Edwin S. Porter (Charles Musser, USA)
• City Lovers (Barney Simon, South Africa)
• Coming of Age (Josh Hanig, USA)
• Dark Circle (Judy Irving & Chris Beaver, USA)
• The Draughtsman's Contract (Peter Greenaway, UK)
• Eating Raoul (Paul Bartel, USA)
• Identification of a Woman (Michelangelo Antonioni, Italy)
• Koyaanisqatsi (Godfrey Reggio, USA)
• Little People (Jan Krawitz & Thomas Ott, USA)
• Little Wars (Maroun Bagdadi, Lebanon)
• Moonlighting (Jerzy Skolimowski, UK)
• The Night of the Shooting Stars (Paolo and Vittorio Taviani, Italy)
• One Man's War (Edgardo Cozarinsky, France)
• Say Amen, Somebody (George T. Nierenberg, USA)
• The Stationmaster's Wife (Rainer Werner Fassbinder, West Germany)
• Tex (Tim Hunter, USA)
• Time Stands Still (Péter Gothár, Hungary)
• The Trout (Joseph Losey, France)
• The Tyrant's Heart (Miklós Jancsó, Hungary)
• Vortex (Scott B and Beth B, USA)
• Yol (Serif Gören & Yilmaz Güney, Turkey)

• Opening Night: The Big Chill (Lawrence Kasdan, USA)
• Closing Night: Streamers (Robert Altman, USA)
• L'Argent (Robert Bresson, France)
• Boat People (Ann Hui, Hong Kong)
• Burroughs: The Movie (Howard Brookner, USA)
• Danton (Andrzej Wajda, France/Poland)
• Dhrupad (Mani Kaul, India)
• The Eighties (Chantal Akerman, Belgium)
• Entre Nous (Diane Kurys, France)
• Eréndira (Ruy Guerra, Mexico)
• Forbidden Relations (Zsolt Kézdi-Kovács, Hungary)
• Heart Like a Wheel (Jonathan Kaplan, USA)
• In the White City (Alain Tanner, Portugal/Switzerland)
• Last Night at the Alamo (Eagle Pennell, USA)
• Life Is a Bed of Roses (Alain Resnais, France)
• Lost Illusions (Gyula Gazdag, Hungary)
• Nostalghia (Andrei Tarkovsky, Italy)
• Passion (Jean-Luc Godard, France/Germany)
• Red Love (Rosa von Praunheim, West Germany)
• Rumble Fish (Francis Ford Coppola, USA)
• Seeing Red (James Klein & Julia Reichert, USA)
• So Far From India (Mira Nair, India/USA)
• The Story of Piera (Marco Ferreri, Italy)
• Vietnam: The Secret Agent (Jacki Ochs, USA)
• The Wind (Souleymane Cissé, Mali)

• Opening Night: Country (Richard Pearce, USA)
• Closing Night: Paris, Texas (Wim Wenders, West Germany)
• À nos amours (Maurice Pialat, France)
• America and Lewis Hine (Nina Rosenblum, USA)
• Blood Simple (Joel Coen, USA)
• Cammina Cammina (Ermanno Olmi, Italy)
• Class Relations (Jean-Marie Straub & Danièle Huillet, West Germany/France)
• Diary for My Children (Márta Mészáros, Hungary)
• A Flash of Green (Victor Nuñez, USA)
• A Hill on the Dark Side of the Moon (Lennart Hjulström, Sweden)
• The Holy Innocents (Mario Camus, Spain)
• A Love in Germany (Andrzej Wajda, West Germany)
• Love on the Ground (Jacques Rivette, France)
• Man of Flowers (Paul Cox, Australia)
• Memoirs of Prison (Nelson Pereira dos Santos, Brazil)
• Once Upon a Time in America (Sergio Leone, USA)
• Shivers (Wojciech Marczewski, Poland)
• Stranger Than Paradise (Jim Jarmusch, USA)
• Strikebound (Richard Lowenstein, Australia)
• A Sunday in the Country (Bertrand Tavernier, France)
• Los Sures (Diego Echeverria, USA)
• Three Crowns of the Sailor (Raúl Ruiz, France)
• The Times of Harvey Milk (Rob Epstein, USA)

• Opening Night: Ran (Akira Kurosawa, Japan)
• Closing Night: Kaos (Paolo and Vittorio Taviani, Italy)
• Angry Harvest (Agnieszka Holland, West Germany)
• Bliss (Ray Lawrence, Australia)
• Boy Meets Girl (Leos Carax, France)
• Chain Letters (Mark Rappaport, USA)
• City of Pirates (Raúl Ruiz, Portugal)
• Colonel Redl (István Szabó, Hungary)
• Destroyed Time (Pierre Beuchot, France)
• Himatsuri (Mitsuo Yanagimachi, Japan)
• Hail Mary (Jean-Luc Godard, France)
• Harvest of Despair (Slavko Nowytski, Canada)
• Huey Long (Ken Burns, USA)
• Jean Cocteau: Self-Portrait of a Man Unknown (Edgardo Cozarinsky, France)
• No Man's Land (Alain Tanner, Switzerland)
• Oriana (Fina Torres, Venezuela)
• Private Conversations (Christian Blackwood, USA)
• The Satin Slipper (Manoel de Oliveira, Portugal)
• Steaming (Joseph Losey, UK)
• Sugarbaby (Percy Adlon, West Germany)
• 28 Up (Michael Apted, UK)
• When Father Was Away on Business (Emir Kusturica, Yugoslavia)
• A Year of the Quiet Sun (Krzysztof Zanussi, Poland)

• Opening Night: Down by Law (Jim Jarmusch, USA)
• Closing Night: Peggy Sue Got Married (Francis Ford Coppola, USA)
• The Blind Director (Alexander Kluge, West Germany)
• Cactus (Paul Cox, Australia)
• Charlotte and Lulu (Claude Miller, France)
• Dancing in the Dark (Leon Marr, Canada)
• The Decline of the American Empire (Denys Arcand, Canada)
• Directed by William Wyler (Aviva Slesin, USA)
• Isaac in America: A Journey with Isaac Bashevis Singer (Amram Nowak, USA)
• Malandro (Ruy Guerra, Brazil)
• Marlene (Maximilian Schell, West Germany)
• Ménage (Bertrand Blier, France)
• No End (Krzysztof Kieslowski, Poland)
• Police (Maurice Pialat, France)
• Round Midnight (Bertrand Tavernier, USA)
• The Sacrifice (Andrei Tarkovsky, Sweden)
• Scene of the Crime (André Téchiné, France)
• Sid and Nancy (Alex Cox, UK)
• Thérèse (Alain Cavalier, France)
• A Time to Live and a Time to Die (Hou Hsiao-hsien, Taiwan)
• To Sleep so as to Dream (Kaizo Hayashi, Japan)
• True Stories (David Byrne, USA)
• A Zed & Two Noughts (Peter Greenaway, UK)

• Opening Night: Dark Eyes (Nikita Mikhalkov, Italy)
• Closing Night: House of Games (David Mamet, USA)
• Anita: Dances of Vice (Rosa von Praunheim, West Germany)
• Anna (Yurek Bogayevicz, USA)
• Babette's Feast (Gabriel Axel, Denmark)
• Barfly (Barbet Schroeder, USA)
• The Belly of an Architect (Peter Greenaway, UK/Italy)
• Boyfriends and Girlfriends (Eric Rohmer, France)
• Diary for My Lovers (Márta Mészáros, Hungary)
• Fire From the Mountain (Deborah Shaffer, USA)
• Hail! Hail! Rock 'n' Roll (Taylor Hackford, USA)
• Hope and Glory (John Boorman, UK)
• Horowitz Plays Mozart (Albert Maysles & Susan Froemke & Charlotte Zwerin, USA)
• Mauvais sang (Leos Carax, France)
• Mélo (Alain Resnais, France)
• A Month in the Country (Pat O'Connor, UK)
• Police Story (Jackie Chan, Hong Kong)
• Radium City (Carole Langer, USA)
• A Taxing Woman (Juzo Itami, Japan)
• The Theme (Gleb Panfilov, USSR)
• Under the Sun of Satan (Maurice Pialat, France)
• Yeelen (Souleymane Cissé, Mali)

• Opening Night: Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
• Closing Night: Red Sorghum (Zhang Yimou, China)
• Ashik Kerib (Sergei Parajanov, USSR)
• Bird (Clint Eastwood, USA)
• Daughter of the Nile (Hou Hsiao-hsien, Taiwan)
• Distant Voices, Still Lives (Terence Davies, UK)
• Falkenau, the Impossible (Emil Weiss, France)
• Felix (Christel Buschmann/Helke Sander/Helma Sanders-Brahms/Margarethe von Trotta, Germany)
• Golub (Jerry Blumenthal & Gordon Quinn, USA)
• Hard Times (João Botelho, Portugal)
• High Hopes (Mike Leigh, UK)
• Hôtel Terminus: The Life and Times of Klaus Barbie (Marcel Ophuls, USA)
• Jacob (Mircea Daneliuc, Romania)
• The Last of England (Derek Jarman, UK)
• The Man with Three Coffins (Lee Jang-ho, South Korea)
• Mapantsula (Oliver Schmitz, South Africa)
• La maschera (Fiorella Infascelli, Italy)
• Opening Night (John Cassavetes, USA)
• Pelle the Conqueror (Bille August, Denmark)
• Salaam Bombay! (Mira Nair, India)
• 36 Fillette (Catherine Breillat, France)
• A Winter Tan (Jackie Burroughs & Louise Clark & John Frizzell & John Walker & Aerlyn Weissman, Canada)

• Opening Night: Too Beautiful for You (Bertrand Blier, France)
• Closing Night: Breaking In (Bill Forsyth, USA)
• Ariel (Aki Kaurismäki, Finland)
• Black Rain (Shohei Imamura, Japan)
• Book of Days (Meredith Monk, USA)
• A City of Sadness (Hou Hsiao-hsien, Taiwan)
• Confession: A Chronicle of Alienation (Georgiy Gavrilov, USSR)
• Current Events (Ralph Arlyck, USA)
• Dancing for Mr. B: Six Balanchine Ballerinas (Anne Belle & Deborah Dickson, USA)
• The Documentator (István Dárday & Györgyi Szalai, Hungary)
• Life and Nothing But (Bertrand Tavernier, France)
• The Mahabharata (Peter Brook, France/UK/USA)
• Monsieur Hire (Patrice Leconte, France)
• My Left Foot (Jim Sheridan, Ireland)
• Mystery Train (Jim Jarmusch, USA)
• Near Death (Frederick Wiseman, USA)
• The Plot Against Harry (Michael Roemer, USA)
• Roger & Me (Michael Moore, USA)
• A Short Film About Killing (Krzysztof Kieslowski, Poland)
• Speaking Parts (Atom Egoyan, Canada)
• Strapless (David Hare, UK)
• Sweetie (Jane Campion, New Zealand)
• A Tale of the Wind (Joris Ivens & Marceline Loridan, France)
• Thelonious Monk: Straight, No Chaser (Charlotte Zwerin, USA)
• Yaaba (Idrissa Ouedraogo, Burkina Faso)

• Opening Night: Miller's Crossing (Joel Coen, USA)
• Closing Night: The Nasty Girl (Michael Verhoeven, West Germany)
• American Dream (Barbara Kopple, USA)
• An Angel at My Table (Jane Campion, New Zealand)
• Doctor Petiot (Christian de Chalonge, France)
• Freeze Die Come to Life (Vitali Kanevsky, USSR)
• The Golden Boat (Raúl Ruiz, USA)
• Golden Braid (Paul Cox, Australia)
• I Hired a Contract Killer (Aki Kaurismäki, Finland)
• Ju Dou (Zhang Yimou, China)
• King of New York (Abel Ferrara, USA)
• Listen Up: The Lives of Quincy Jones (Ellen Weissbrod & Courtney Sale Ross, USA)
• The Match Factory Girl (Aki Kaurismäki, Finland)
• Night Sun (Paolo and Vittorio Taviani, Italy)
• No, or the Vain Glory of Command (Manoel de Oliveira, Portugal)
• Nouvelle Vague (Jean-Luc Godard, Switzerland/France)
• Open Doors (Gianni Amelio, Italy)
• Privilege (Yvonne Rainer, USA)
• Siddheshwari (Mani Kaul, India)
• The Sting of Death (Kohei Oguri, Japan)
• A Tale of Springtime (Eric Rohmer, France)
• Taxi Blues (Pavel Lungin, USSR)
• Tilaï (Idrissa Ouédraogo, Burkina Faso)
• To Sleep with Anger (Charles Burnett, USA)
• A Woman's Revenge (Jacques Doillon, France)

• Opening Night: The Double Life of Veronique (Krzysztof Kieslowski, France)
• Closing Night: Homicide (David Mamet, USA)
• Adam's Rib (Vyacheslav Krishtofovich, Russia)
• The Adjuster (Atom Egoyan, Canada)
• Amelia Lópes O'Neill (Valeria Sarmiento, Chile)
• Beauty and the Beast [work-in-progress] (Gary Trousdale & Kirk Wise, USA)
• La Belle Noiseuse (Jacques Rivette, France)
• Delicatessen (Jean-Pierre Jeunet & Marc Caro, France)
• Intimate Stranger (Alan Berliner, USA)
• Inventory (Krzysztof Zanussi, Poland)
• Jacquot de Nantes (Agnès Varda, France)
• Life on a String (Chen Kaige, China)
• Locked-Up Time (Sibylle Schönemann, Germany)
• My Own Private Idaho (Gus Van Sant, USA)
• Night on Earth (Jim Jarmusch, USA)
• No Life King (Jun Ichikawa, Japan)
• The Other Eye (Johanna Heer & Werner Schmiedel, Austria)
• Pictures From a Revolution (Susan Meiselas & Richard P. Rogers & Alfred Guzzetti, USA)
• Prospero's Books (Peter Greenaway, UK)
• The Rapture (Michael Tolkin, USA)
• The Suspended Step of the Stork (Theo Angelopoulos, Greece)
• Toto le héros (Jaco Van Dormael, Belgium)
• Woman of the Port (Arturo Ripstein, Mexico)
• Zombie and the Ghost Train (Mika Kaurismäki, Finland)

• Opening Night: Olivier, Olivier (Agnieszka Holland, France)
• Closing Night: Night and the City (Irwin Winkler, USA)
• Allah Tantou (David Achkar, Guinea/France)
• And Life Goes On (Abbas Kiarostami, Iran)
• Autumn Moon (Clara Law, Hong Kong)
• Benny's Video (Michael Haneke, Austria)
• Careful (Guy Maddin, Canada)
• The Crying Game (Neil Jordan, Ireland/UK)
• Delivered Vacant (Nora Jacobsen, USA)
• Dream of Light (Víctor Erice, Spain)
• Hyenas (Djibril Diop Mambéty, Senegal)
• Idiot (Mani Kaul, India)
• In the Soup (Alexandre Rockwell, USA)
• Léolo (Jean-Claude Lauzon, Canada)
• The Lovers on the Bridge (Leos Carax, France)
• Lumumba, Death of a Prophet (Raoul Peck, Germany/Switzerland)
• Man Bites Dog (Rémy Belvaux & André Bonzel & Benoît Poelvoorde, Belgium)
• The Oak (Lucian Pintilie, Romania)
• La Sentinelle (Arnaud Desplechin, France)
• Stone (Alexander Sokurov, Russia)
• The Story of Qiu Ju (Zhang Yimou, China)
• Strictly Ballroom (Baz Luhrmann, Australia)
• A Tale of Winter (Eric Rohmer, France)
• La Vie de bohème (Aki Kaurismäki, Finland)
• Zebrahead (Anthony Drazan, USA)

• Opening Night: Short Cuts (Robert Altman, USA)
• Closing Night: The Piano (Jane Campion, France/Australia)
• Aileen Wuornos: The Selling of a Serial Killer (Nick Broomfield, USA)
• Birthplace (Pawel Lozinski, Poland)
• Blue (Derek Jarman, UK)
• The Blue Kite (Tian Zhuangzhuang, China)
• Calendar (Atom Egoyan, Canada/Armenia)
• Farewell My Concubine (Chen Kaige, China)
• Fiorile (Paolo and Vittorio Taviani, Italy)
• It's All True: Based on an Unfinished Film by Orson Welles (Bill Krohn & Myron Miesel & Richard Wilson, Brazil/France/USA)
• Naked (Mike Leigh, UK)
• The Night (Mohammad Malas, Syria/Lebanon)
• The Nightmare Before Christmas (Henry Selick, USA)
• The Puppetmaster (Hou Hsiao-hsien, Taiwan)
• Raining Stones (Ken Loach, UK)
• Ruby in Paradise (Victor Nuñez, USA)
• The Scent of Green Papaya (Tran Anh Hung, Vietnam/France)
• Shades of Doubt (Aline Issermann, France)
• The Snapper (Stephen Frears, UK)
• Three Colours: Blue (Krzysztof Kieslowski, France)
• Totally F***ed Up (Gregg Araki, USA)
• Valley of Abraham (Manoel de Oliveira, Portugal)
• The War Room (D.A. Pennebaker & Chris Hegedus, USA)
• Wendemi (S. Pierre Yameogo, Burkina Faso)
• The Wonderful, Horrible Life of Leni Riefenstahl (Ray Müller, Germany/Belgium/UK)

• Opening Night: Pulp Fiction (Quentin Tarantino, USA)
• Centerpiece: Bullets over Broadway (Woody Allen, USA)
• Closing Night: Hoop Dreams (Steve James, USA)
• Amateur (Hal Hartley, USA)
• Caro diario (Nanni Moretti, Italy)
• Chungking Express (Wong Kar-wai, Hong Kong)
• Cold Water (Olivier Assayas, France)
• A Confucian Confusion (Edward Yang, Taiwan)
• Crumb (Terry Zwigoff, USA)
• Ed Wood (Tim Burton, USA)
• Exotica (Atom Egoyan, Canada)
• Ladybird, Ladybird (Ken Loach, UK)
• Postcards From America (Steve McLean, USA)
• The Red Lotus Society (Stan Lai, Taiwan)
• Sátántangó (Béla Tarr, Hungary)
• See How They Fall (Jacques Audiard, France)
• The Silences of the Palace (Moufida Tlatli, Tunisia)
• Strawberry and Chocolate (Tomás Gutiérrez Alea & Juan Carlos Tabío, Cuba)
• Theremin: An Electronic Odyssey (Steven M. Martin, USA)
• Through the Olive Trees (Abbas Kiarostami, Iran)
• Three Colours: Red (Krzysztof Kieslowski, France)
• To Live (Zhang Yimou, China)
• To the Starry Island (Park Kwang-su, South Korea)
• The Troubles We've Seen (Marcel Ophuls, France)
• Wild Reeds (André Téchiné, France)

• Opening Night: Shanghai Triad (Zhang Yimou, China)
• Centerpiece: Strange Days (Kathryn Bigelow, USA)
• Closing Night: Carrington (Christopher Hampton, UK)
• Augustin (Anne Fontaine, France)
• Beyond the Clouds (Michelangelo Antonioni, France/Italy/Germany)
• The Celluloid Closet (Rob Epstein and Jeffrey Friedman, USA)
• Cinema of Unease: A Personal Journey by Sam Neill (Sam Neill & Judy Rymer, New Zealand/UK)
• Citizen Langlois (Edgardo Cozarinsky, France)
• The Convent (Manoel de Oliveira, Portugal)
• Cyclo (Tran Anh Hung, France/Vietnam)
• Dead Presidents (Hughes brothers, USA)
• Flamenco (Carlos Saura, Spain)
• Flirt (Hal Hartley, USA)
• The Flower of My Secret (Pedro Almodóvar, Spain)
• Le Franc (Djibril Diop Mambéty, Senegal/Switzerland)
• From the Journals of Jean Seberg (Mark Rappaport, USA)
• The Gate of Heavenly Peace (Richard Gordon & Carma Hinton, USA)
• Georgia (Ulu Grosbard, USA)
• Good Men, Good Women (Hou Hsiao-hsien, Taiwan)
• Guimba the Tyrant (Cheick Oumar Sissoko, Mali/Burkina Faso)
• La Haine (Mathieu Kassovitz, France)
• Kicking and Screaming (Noah Baumbach, USA)
• Lamerica (Gianni Amelio, Italy/France)
• Land and Freedom (Ken Loach, UK)
• The Neon Bible (Terence Davies, UK)
• Sixteen-Oh-Sixty (Vinicius Mainardi, Brazil)
• The Son of Gascogne (Pascal Aubier, France)
• The White Balloon (Jafar Panahi, Iran)

• Opening Night: Secrets & Lies (Mike Leigh, UK)
• Centerpiece: Thieves (André Téchiné, France)
• Closing Night: The People vs. Larry Flynt (Miloš Forman, USA)
• Beyond the Clouds (Michelangelo Antonioni, France/Italy/Germany)
• Breaking the Waves (Lars von Trier, Denmark)
• Emigration, N.Y. (Egon Humer, Austria)
• Fire (Deepa Mehta, Canada/India)
• Frantz Fanon: Black Skin, White Mask (Isaac Julien, UK)
• Gabbeh (Mohsen Makhmalbaf, Iran)
• Le Garçu (Maurice Pialat, France)
• Goodbye South, Goodbye (Hou Hsiao-hsien, Taiwan)
• illtown (Nick Gomez, USA)
• Irma Vep (Olivier Assayas, France)
• Lilies (John Greyson, Canada)
• Mahjong (Edward Yang, Taiwan)
• Mandela (Angus Gibson & Jo Menell, USA)
• My Sex Life... or How I Got into an Argument (Arnaud Desplechin, France)
• Nobody's Business (Alan Berliner, USA)
• La Promesse (Jean-Pierre & Luc Dardenne, Belgium)
• Salut cousin! (Merzak Allouache, France/Algeria)
• A Self Made Hero (Jacques Audiard, France)
• Sling Blade (Billy Bob Thornton, USA)
• subUrbia (Richard Linklater, USA)
• Suzanne Farrell: Elusive Muse (Anne Belle & Deborah Dickson, USA)
• Temptress Moon (Chen Kaige, China)
• Three Lives and Only One Death (Raúl Ruiz, France)
• Umm Kulthum: A Voice Like Egypt (Michal Goldman, USA)
• Underground (Emir Kusturica, France/Germany)

• Opening Night: The Ice Storm (Ang Lee, US)
• Centerpiece: The Sweet Hereafter (Atom Egoyan, Canada)
• Closing Night: Live Flesh (Pedro Almodóvar, Spain)
• The Apostle (Robert Duvall, USA)
• Boogie Nights (Paul Thomas Anderson, USA)
• Deep Crimson (Arturo Ripstein, Mexico)
• Destiny (Youssef Chahine, Egypt)
• Fallen Angels (Wong Kar-wai, Hong Kong)
• Fast, Cheap & out of Control (Errol Morris, USA)
• Fireworks (Takeshi Kitano, Japan)
• From Today Until Tomorrow (Jean-Marie Straub & Danièle Huillet, France)
• Happy Together (Wong Kar-wai, Hong Kong)
• Kiss or Kill (Bill Bennett, Australia)
• Kitchen (Yim Ho, Hong Kong)
• Love and Death on Long Island (Richard Kwietniowski, UK)
• Ma vie en rose (Alain Berliner, Belgium)
• Marcello Mastroianni: I Remember (Anna Maria Tatò, Italy)
• Martín (Hache) (Adolfo Aristarain, Argentina)
• Mother and Son (Alexander Sokurov, Russia)
• Post Coitum (Brigitte Roüan, France)
• Public Housing (Frederick Wiseman, USA)
• Taste of Cherry (Abbas Kiarostami, Iran)
• Telling Lies in America (Guy Ferland, USA)
• La Vie de Jésus (Bruno Dumont, France)
• Voyage to the Beginning of the World (Manoel de Oliveira, Portugal)
• Washington Square (Agnieszka Holland, USA)

• Opening Night: Celebrity (Woody Allen, USA)
• Centerpiece: Black Cat, White Cat (Emir Kusturica, Yugoslavia/Germany/France)
• Closing Night: The Dreamlife of Angels (Erick Zonca, France)
• The Apple (Samira Makhmalbaf, Iran/France)
• Autumn Tale (Eric Rohmer, France)
• The Book of Life (Hal Hartley, USA)
• The Celebration (Thomas Vinterberg, Denmark)
• Dr. Akagi (Shohei Imamura, Japan)
• Flowers of Shanghai (Hou Hsiao-hsien, Taiwan)
• The General (John Boorman, Ireland)
• Gods and Monsters (Bill Condon, USA)
• Happiness (Todd Solondz, USA)
• I Stand Alone (Gaspar Noé, France)
• The Inheritors (Stefan Ruzowitzky, Austria)
• Khrustalyov, My Car! (Aleksei German, Russia/France)
• Late August, Early September (Olivier Assayas, France)
• Life on Earth (Abderrahmane Sissako, France/Mauritania/Mali)
• My Name Is Joe (Ken Loach, UK)
• River of Gold (Paulo Rocha, Portugal)
• Rushmore (Wes Anderson, USA)
• Same Old Song (Alain Resnais, France)
• Slam (Marc Levin, USA)
• Velvet Goldmine (Todd Haynes, USA)
• You're Laughing (Paolo and Vittorio Taviani, Italy)

• Opening Night: All About My Mother (Pedro Almodóvar, Spain)
• Centerpiece: Topsy-Turvy (Mike Leigh, UK)
• Closing Night: Felicia's Journey (Atom Egoyan, UK/Canada)
• Beau travail (Claire Denis, France)
• Being John Malkovich (Spike Jonze, USA)
• Boys Don't Cry (Kimberly Peirce, USA)
• The Carriers Are Waiting (Benoît Mariage, France/Belgium/Switzerland)
• The Color of Paradise (Majid Majidi, Iran)
• Dogma (Kevin Smith, USA)
• Holy Smoke! (Jane Campion, Australia)
• Juha (Aki Kaurismäki, Finland)
• julien donkey-boy (Harmony Korine, USA)
• The Letter (Manoel de Oliveira, France/Portugal)
• License to Live (Kiyoshi Kurosawa, Japan)
• Mobutu, King of Zaire (Thierry Michel, Belgium)
• The Other (Youssef Chahine, France/Egypt)
• Pola X (Leos Carax, France)
• Princess Mononoke (Hayao Miyazaki, Japan)
• Pripyat (Nikolaus Geyrhalter, Austria)
• Rien sur Robert (Pascal Bonitzer, France)
• Rosetta (Jean-Pierre & Luc Dardenne, France/Belgium)
• Set Me Free (Léa Pool, Canada)
• Sicilia! (Danièle Huillet & Jean-Marie Straub, Italy)
• Time Regained (Raúl Ruiz, France)
• The Woman Chaser (Robinson Devor, USA)

• Opening Night: Dancer in the Dark (Lars von Trier, Denmark/Sweden/France)
• Centerpiece: Pollock (Ed Harris, USA)
• Closing Night: Crouching Tiger, Hidden Dragon (Ang Lee, Taiwan)
• Amores perros (Alejandro González Iñárritu, Mexico)
• Before Night Falls (Julian Schnabel, USA)
• Boesman and Lena (John Berry, France/South Africa)
• Brother (Takeshi Kitano, Japan/France/USA/UK)
• Chronically Unfeasible (Sergio Bianchi, Brazil)
• Chunhyang (Im Kwon-taek, South Korea)
• The Circle (Jafar Panahi, Iran)
• The Comedy of Innocence (Raúl Ruiz, France)
• Eureka (Shinji Aoyama, Japan)
• Faithless (Liv Ullmann, Sweden)
• George Washington (David Gordon Green, USA)
• The Gleaners and I (Agnès Varda, France)
• The House of Mirth (Terence Davies, UK/USA)
• In the Mood for Love (Wong Kar-wai, Hong Kong)
• Kippur (Amos Gitai, Israel/France)
• Krapp's Last Tape (Atom Egoyan, Canada/UK)
• Platform (Jia Zhangke, China/Japan)
• Smell of Camphor, Fragrance of Jasmine (Bahman Farmanara, Iran)
• Taboo (Nagisa Oshima, Japan)
• The Taste of Others (Agnès Jaoui, France)
• Yi Yi (Edward Yang, Taiwan/Japan)

• Opening Night: Va savoir (Jacques Rivette, France)
• Centerpiece: Mulholland Drive (David Lynch, USA)
• Closing Night: In Praise of Love (Jean-Luc Godard, Switzerland/France)
• All About Lily Chou-Chou (Shunji Iwai, Japan)
• Baran (Majid Majidi, Iran)
• Deep Breath (Damien Odoul, France)
• Fat Girl (Catherine Breillat, France/Italy)
• I'm Going Home (Manoel de Oliveira, Portugal/France)
• Intimacy (Patrice Chéreau, France)
• Italian for Beginners (Lone Scherfig, Denmark)
• La ciénaga (Lucrecia Martel, Argentina/Spain)
• La Libertad (Lisandro Alonso, Argentina)
• The Lady and the Duke (Eric Rohmer, France)
• The Royal Tenenbaums (Wes Anderson, USA)
• Silence...We're Rolling (Youssef Chahine, Egypt/France)
• Sobibor, October 14, 1943, 4 p.m. (Claude Lanzmann, France)
• The Son's Room (Nanni Moretti, Italy)
• Storytelling (Todd Solondz, USA)
• That Old Dream That Moves (Alain Guiraudie, France)
• Time Out (Laurent Cantet, France)
• Waking Life (Richard Linklater, USA)
• Warm Water Under a Red Bridge (Shohei Imamura, Japan)
• What Time Is It There? (Tsai Ming-liang, Taiwan/France)
• Y tu mamá también (Alfonso Cuarón, Mexico)

• Opening Night: About Schmidt (Alexander Payne, USA)
• Centerpiece: Punch-Drunk Love (Paul Thomas Anderson, USA)
• Closing Night: Talk to Her (Pedro Almodóvar, Spain)
• Auto Focus (Paul Schrader, USA)
• Blind Spot: Hitler's Secretary (André Heller & Othmar Schimderer, Austria)
• Bloody Sunday (Paul Greengrass, UK)
• Chi-hwa-seon (Im Kwon-taek, South Korea)
• Divine Intervention (Elia Suleiman, France/Palestine)
• Friday Night (Claire Denis, France)
• Love & Diane (Jennifer Dworkin, USA/France)
• The Magdalene Sisters (Peter Mullan, UK)
• The Man Without a Past (Aki Kaurismäki, Finland)
• Monday Morning (Otar Iosseliani, France/Italy)
• My Mother's Smile (Marco Bellocchio, Italy)
• Russian Ark (Alexander Sokurov, Russia/Germany)
• Safe Conduct (Bertrand Tavernier, France)
• The Son (Jean-Pierre & Luc Dardenne, Belgium/France)
• Springtime in a Small Town (Tian Zhuangzhuang, China)
• Ten (Abbas Kiarostami, Iran/France)
• To Be and to Have (Nicolas Philibert, France)
• Turning Gate (Hong Sang-soo, South Korea)
• The Uncertainty Principle (Manoel de Oliveira, Portugal/France)
• Unknown Pleasures (Jia Zhangke, China/Japan)
• Waiting for Happiness (Abderrahmane Sissako, Mauritania/France)

• Opening Night: Mystic River (Clint Eastwood, USA)
• Centerpiece: The Fog of War (Errol Morris, USA)
• Closing Night: 21 Grams (Alejandro González Iñárritu, USA)
• The Barbarian Invasions (Denys Arcand, Canada)
• Bright Leaves (Ross McElwee, USA)
• Crimson Gold (Jafar Panahi, Iran)
• Distant (Nuri Bilge Ceylan, Turkey)
• Dogville (Lars von Trier, Denmark/Sweden/France)
• Elephant (Gus Van Sant, USA)
• The Flower of Evil (Claude Chabrol, France)
• Free Radicals (Barbara Albert, Austria)
• Good Morning, Night (Marco Bellocchio, Italy)
• Goodbye, Dragon Inn (Tsai Ming-liang, Taiwan)
• Mansion by the Lake (Lester James Peries, Sri Lanka)
• Mayor of the Sunset Strip (George Hickenlooper, USA)
• Pornography (Jan Jakub Kolski, Poland)
• PTU (Johnnie To, Hong Kong)
• Raja (Jacques Doillon, France)
• S-21: The Khmer Rouge Killing Machine (Rithy Panh, France)
• Since Otar Left (Julie Bertuccelli, France)
• A Thousand Months (Faouzi Bensaïdi, France/Morocco)
• Young Adam (David Mackenzie, UK)

• Opening Night: Look at Me (Agnès Jaoui, France)
• Centerpiece: Bad Education (Pedro Almodóvar, Spain)
• Closing Night: Sideways (Alexander Payne, USA)
• Café Lumière (Hou Hsiao-hsien, Japan/Taiwan)
• The Gate of the Sun (Yousry Nasrallah, France/Egypt)
• The Holy Girl (Lucrecia Martel, Argentina)
• House of Flying Daggers (Zhang Yimou, China)
• In the Battlefields (Danielle Arbid, Lebanon/France)
• Keane (Lodge Kerrigan, USA)
• Kings and Queen (Arnaud Desplechin, France)
• Moolaadé (Ousmane Sembène, Senegal)
• Notre musique (Jean-Luc Godard, Switzerland/France)
• Or (My Treasure) (Keren Yedaya, Israel)
• Palindromes (Todd Solondz, USA)
• Rolling Family (Pablo Trapero, Argentina)
• Saraband (Ingmar Bergman, Sweden)
• Tarnation (Jonathan Caouette, USA)
• The 10th District Court: Moments of Trial (Raymond Depardon, France)
• Triple Agent (Eric Rohmer, France)
• Tropical Malady (Apichatpong Weerasethakul, Thailand)
• Undertow (David Gordon Green, USA)
• Vera Drake (Mike Leigh, UK)
• Woman Is the Future of Man (Hong Sang-soo, South Korea/France)
• The World (Jia Zhangke, China)

• Opening Night: Good Night, and Good Luck. (George Clooney, USA)
• Centerpiece: Breakfast on Pluto (Neil Jordan, USA)
• Closing Night: Caché (Michael Haneke, France)
• Avenge But One of My Two Eyes (Avi Mograbi, Israel/France)
• Bubble (Steven Soderbergh, USA)
• Capote (Bennett Miller, USA)
• The Death of Mr. Lazarescu (Cristi Puiu, Romania)
• L'Enfant (Jean-Pierre & Luc Dardenne, Belgium/France)
• Gabrielle (Patrice Chéreau, France)
• I Am (Dorota Kedzierzawska, Poland)
• Manderlay (Lars von Trier, Denmark/Sweden/France)
• Methadonia (Michel Negroponte, USA)
• Paradise Now (Hany Abu-Assad, Netherlands/Germany/France)
• The President's Last Bang (Im Sang-soo, South Korea)
• Regular Lovers (Philippe Garrel, France)
• Something Like Happiness (Bohdan Sláma, Czech Republic)
• The Squid and the Whale (Noah Baumbach, USA)
• The Sun (Alexander Sokurov, Russia/Italy/France/Switzerland)
• Sympathy for Lady Vengeance (Park Chan-wook, South Korea)
• Tale of Cinema (Hong Sang-soo, South Korea)
• Three Times (Hou Hsiao-hsien, Taiwan)
• Through the Forest (Jean-Paul Civeyrac, France)
• Tristram Shandy: A Cock and Bull Story (Michael Winterbottom, UK)
• Who's Camus Anyway? (Mitsuo Yanagimachi, Japan)

• Opening Night: The Queen (Stephen Frears, UK)
• Centerpiece: Volver (Pedro Almodóvar, Spain)
• Closing Night: Pan's Labyrinth (Guillermo del Toro, Spain/Mexico)
• 49 Up (Michael Apted, UK)
• August Days (Marc Recha, Spain)
• Bamako (Abderrahmane Sissako, Africa)
• Belle Toujours (Manoel de Oliveira, Portugal)
• Climates (Nuri Bilge Ceylan, Turkey)
• Election 2 (Johnnie To, Hong Kong)
• Falling (Barbara Albert, Germany/Austria)
• Gardens in Autumn (Otar Iosseliani, France/Italy/Russia)
• The Go Master (Tian Zhuangzhuang, Japan/China)
• The Host (Bong Joon-ho, South Korea)
• Inland Empire (David Lynch, US)
• The Journals of Knud Rasmussen (Zacharias Kunuk & Norman Cohn, Canada/Denmark/Greenland)
• Little Children (Todd Field, US)
• Marie Antoinette (Sofia Coppola, US)
• Offside (Jafar Panahi, Iran)
• Our Daily Bread (Nikolaus Geyrhalter, Germany/Austria)
• Paprika (Satoshi Kon, Japan)
• Poison Friends (Emmanuel Bourdieu, France)
• Private Fears in Public Places (Alain Resnais, France)
• Syndromes and a Century (Apichatpong Weerasethakul, Thailand)
• These Girls (Tahani Rached, Egypt)
• Woman on the Beach (Hong Sang-soo, South Korea)

• Opening Night: The Darjeeling Limited (Wes Anderson, USA)
• Centerpiece: No Country for Old Men (Joel Coen & Ethan Coen, USA)
• Closing Night: Persepolis (Marjane Satrapi & Vincent Paronnaud, France)
• Actresses (Valeria Bruni Tedeschi, France)
• Alexandra (Alexander Sokurov, Russia)
• The Axe in the Attic (Ed Pincus & Lucia Small, USA)
• Before the Devil Knows You're Dead (Sidney Lumet, USA)
• Calle Santa Fe (Carmen Castillo, France)
• The Diving Bell and the Butterfly (Julian Schnabel, USA)
• Flight of the Red Balloon (Hou Hsiao-hsien, France)
• 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, Romania)
• A Girl Cut in Two (Claude Chabrol, France)
• Go Go Tales (Abel Ferrara, Italy/USA)
• I Just Didn't Do It (Masayuki Suo, Japan)
• I'm Not There (Todd Haynes, USA)
• In the City of Sylvia (José Luis Guerin, Spain/France)
• The Last Mistress (Catherine Breillat, France)
• The Man From London (Béla Tarr, Hungary/France/Germany)
• Margot at the Wedding (Noah Baumbach, USA)
• Married Life (Ira Sachs, USA)
• Mr. Warmth: The Don Rickles Project (John Landis, USA)
• The Orphanage (J.A. Bayona, Spain)
• Paranoid Park (Gus Van Sant, USA)
• Redacted (Brian De Palma, USA)
• The Romance of Astrea and Celadon (Eric Rohmer, France)
• Secret Sunshine (Lee Chang-dong, South Korea)
• Silent Light (Carlos Reygadas, Mexico)
• Useless (Jia Zhangke, Hong Kong)

• Opening Night: The Class (Laurent Cantet, France)
• Centerpiece: Changeling (Clint Eastwood, USA)
• Closing Night: The Wrestler (Darren Aronofsky, USA)
• 24 City (Jia Zhangke, China/Hong Kong/Japan)
• Afterschool (Antonio Campos, USA)
• Ashes of Time Redux (Wong Kar-wai, Hong Kong)
• Bullet in the Head (Jaime Rosales, Spain/France)
• Che (Steven Soderbergh, France/Spain)
• Chouga (Darezhan Omirbaev, France/Kazakhstan)
• A Christmas Tale (Arnaud Desplechin, France)
• Four Nights with Anna (Jerzy Skolimowski, Poland/France)
• Gomorrah (Matteo Garrone, Italy)
• Happy-Go-Lucky (Mike Leigh, UK)
• The Headless Woman (Lucrecia Martel, Argentina/France/Italy/Spain)
• Hunger (Steve McQueen, UK)
• I'm Gonna Explode (Gerardo Naranjo, Mexico)
• Let It Rain (Agnès Jaoui, France)
• Night and Day (Hong Sang-soo, South Korea)
• The Northern Land (João Botelho, Portugal)
• Serbis (Brillante Mendoza, Philippines/France/)
• Summer Hours (Olivier Assayas, France)
• Tokyo Sonata (Kiyoshi Kurosawa, Japan/Netherlands)
• Tony Manero (Pablo Larraín, Chile/Brazil)
• Tulpan (Sergey Dvortsevoy, Germany/Kazakhstan/Poland/Russia/Switzerland)
• Waltz with Bashir (Ari Folman, Israel/Germany/France/)
• Wendy and Lucy (Kelly Reichardt, USA)
• The Windmill Movie (Alexander Olch, USA)

• Opening Night: Wild Grass (Alain Resnais, France)
• Centerpiece: Precious: Based on the Novel "Push" by Sapphire (Lee Daniels, USA)
• Closing Night: Broken Embraces (Pedro Almodóvar, Spain)
• Around a Small Mountain (Jacques Rivette, France)
• Antichrist (Lars von Trier, Denmark)
• The Art of the Steal (Don Argott, USA)
• Bluebeard (Catherine Breillat, France)
• Eccentricities of a Blonde-Haired Girl (Manoel de Oliveira, Portugal/France)
• Everyone Else (Maren Ade, Germany)
• Ghost Town (Zhao Dayong, China)
• Hadewijch (Bruno Dumont, France)
• Independencia (Raya Martin, Philippines)
• Henri-Georges Clouzot's Inferno (Serge Bromberg, France)
• Kanikôsen (Sabu, Japan)
• Lebanon (Samuel Maoz, Israel)
• Life During Wartime (Todd Solondz, USA)
• Min Ye (Souleymane Cissé, Mali/France)
• Mother (Bong Joon-ho, South Korea)
• Ne change rien (Pedro Costa, France/Portugal)
• Police, Adjective (Corneliu Porumboiu, Romania)
• Room and a Half (Andrei Khrzhanovsky, Russia)
• Sweetgrass (Alisa Barbash & Lucien Castaing-Taylor, USA)
• Sweet Rush (Andrzej Wajda, Poland/France)
• To Die Like a Man (João Pedro Rodrigues, Portugal)
• Trash Humpers (Harmony Korine, USA/UK)
• Vincere (Marco Bellocchio, Italy)
• White Material (Claire Denis, France)
• The White Ribbon (Michael Haneke, Austria/France)

• Opening Night: The Social Network (David Fincher, USA)
• Centerpiece: The Tempest (Julie Taymor, USA)
• Closing Night: Hereafter (Clint Eastwood, USA)
• Another Year (Mike Leigh, UK)
• Aurora (Cristi Puiu, Romania)
• Black Venus (Abdellatif Kechiche, France)
• Carlos (Olivier Assayas, France)
• Certified Copy (Abbas Kiarostami, Iran/France/Italy)
• Film Socialisme (Jean-Luc Godard, France)
• Inside Job (Charles Ferguson, USA)
• Le quattro volte (Michelangelo Frammartino, Italy)
• LENNONYC (Michael Epstein, USA)
• Meek's Cutoff (Kelly Reichardt, USA)
• My Joy (Sergei Loznitsa, Ukraine)
• Mysteries of Lisbon (Raul Ruiz, Portugal)
• Of Gods and Men (Xavier Beauvois, France)
• Oki's Movie (Hong Sang-Soo, South Korea)
• Old Cats (Sebastián Silva, Chile)
• Poetry (Lee Chang-dong, South Korea)
• Post Mortem (Pablo Larraín, Chile)
• Revolución (various directors, Mexico)
• The Robber (Benjamin Heisenberg, Germany)
• Robinson in Ruins (Patrick Keiller, UK)
• Silent Souls (Aleksey Fedorchenko, Russia)
• The Strange Case of Angelica (Manoel de Oliveira, Portugal)
• Tuesday, After Christmas (Radu Muntean, Romania)
• Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, Thailand)
• We Are What We Are (Jorge Michel Grau, Mexico)

• Opening Night: Carnage (Roman Polanski, France/Poland)
• Centerpiece: My Week with Marilyn (Simon Curtis, UK)
• Closing Night: The Descendants (Alexander Payne, USA)
• The Artist (Michel Hazanavicius, France)
• Corpo Celeste (Alice Rohrwacher, Italy/Switzerland/France)
• A Dangerous Method (David Cronenberg, Canada/UK/Germany)
• Footnote (Joseph Cedar, Israel)
• 4:44 Last Day on Earth (Abel Ferrara, USA)
• George Harrison: Living in the Material World (Martin Scorsese, USA)
• Goodbye First Love (Mia Hansen-Løve, France)
• Le Havre (Aki Kaurismäki, Finland/France)
• The Kid with a Bike (Jean-Luc and Pierre Dardenne, Belgium/France)
• The Loneliest Planet (Julia Loktev, USA)
• Martha Marcy May Marlene (Sean Durkin, USA)
• Melancholia (Lars von Trier, Denmark)
• Miss Bala (Gerardo Naranjo, Mexico)
• Once Upon a Time in Anatolia (Nuri Bilge Ceylan, Turkey)
• Pina (Wim Wenders, Germany)
• Play (Ruben Östlund, Sweden)
• Policeman (Nadav Lapid, Israel)
• A Separation (Asghar Farhadi, Iran)
• Shame (Steve McQueen, UK)
• The Skin I Live In (Pedro Almodóvar, Spain)
• Sleeping Sickness (Ulrich Köhler, Germany)
• The Student (Santiago Mitre, Argentina)
• The Turin Horse (Béla Tarr, Hungary)
• This Is Not a Film (Jafar Panahi & Mojtaba Mirtahmasb, Iran)

• Opening Night: Life of Pi (Ang Lee, USA)
• Centerpiece: Not Fade Away (David Chase, USA)
• Closing Night: Flight (Robert Zemeckis, USA)
• Amour (Michael Haneke, Austria/France/Germany)
• Aquí y allá (Antonio Méndez Esparza, Spain/USA/Mexico)
• Araf — Somewhere In Between (Yeşim Ustaoğlu, Turkey/France/Germany)
• Barbara (Christian Petzold, Germany)
• Beyond the Hills (Cristian Mungiu, Romania)
• Bwakaw (Jun Robles Lana, Philippines)
• Caesar Must Die (Paolo and Vittorio Taviani, Italy)
• Camille Rewinds (Noémie Lvovsky, France)
• The Dead Man and Being Happy (Javier Rebello, Spain/Argentina)
• Fill the Void (Rama Burshtein, Israel)
• First Cousin Once Removed (Alan Berliner, USA)
• Frances Ha (Noah Baumbach, USA)
• The Gatekeepers (Dror Moreh, Israel/France/Germany/Belgium)
• Ginger & Rosa (Sally Potter, UK)
• Holy Motors (Leos Carax, France)
• Hyde Park on Hudson (Roger Michell, UK)
• Kinshasa Kids (Marc-Henri Wajnberg, Belgium/France)
• The Last Time I Saw Macao (João Pedro Rodrigues, Portugal/France)
• Leviathan (Lucien Castaing-Taylor & Véréna Paravel, France/UK/USA)
• Like Someone in Love (Abbas Kiarostami, Japan/Iran/France)
• Lines of Wellington (Valeria Sarmiento, France/Portugal)
• Memories Look at Me (Song Fang, China)
• Night Across the Street (Raúl Ruiz, France/Chile)
• NO (Pablo Larraín, Chile/USA/Mexico)
• Our Children (Joachim Lafosse, Belgium/Luxembourg/France/Switzerland)
• The Paperboy (Lee Daniels, USA)
• Passion (Brian De Palma, France/Germany)
• Something in the Air (Olivier Assayas, France)
• Tabu (Miguel Gomes, Portugal)
• You Ain't Seen Nothin' Yet (Alain Resnais, France)

• Opening Night: Captain Phillips (Paul Greengrass, USA)
• Centerpiece: The Secret Life of Walter Mitty (Ben Stiller, USA)
• Closing Night: Her (Spike Jonze, USA)
• About Time (Richard Curtis, UK)
• Abuse of Weakness (Catherine Breillat, France)
• Alan Partridge (Declan Lowney, UK/France)
• All Is Lost (J.C. Chandor, USA)
• American Promise (Joe Brewster & Michèle Stephenson, USA)
• At Berkeley (Frederick Wiseman, USA)
• Bastards (Claire Denis, France/Germany)
• Blue Is the Warmest Color (Abdellatif Kechiche, France)
• Burning Bush (Agnieszka Holland, Czech Republic)
• Child of God (James Franco, USA)
• Gloria (Sebastián Lelio, Chile/Spain)
• The Immigrant (James Gray, USA)
• Inside Llewyn Davis (Joel Coen & Ethan Coen, USA)
• The Invisible Woman (Ralph Fiennes, UK)
• Jealousy (Philippe Garrel, France)
• Jimmy P.: Psychotherapy of a Plains Indian (Arnaud Desplechin, France)
• The Last of the Unjust (Claude Lanzmann, France/Austria)
• Like Father, Like Son (Hirokazu Kore-eda, Japan)
• The Missing Picture (Rithy Panh, Cambodia)
• My Name Is Hmmm... (Agnès b., France)
• Nebraska (Alexander Payne, USA)
• Nobody's Daughter Haewon (Hong Sang-soo, South Korea)
• Norte, the End of History (Lav Diaz, Philippines)
• Omar (Hany Abu-Assad, Palestine)
• Only Lovers Left Alive (Jim Jarmusch, USA)
• Real (Kiyoshi Kurosawa, Japan)
• The Square (Jehane Noujaim, USA/Egypt)
• Stranger by the Lake (Alain Guiraudie, France)
• Stray Dogs (Tsai Ming-liang, Taiwan/France)
• A Touch of Sin (Jia Zhangke, China)
• Le Week-End (Roger Michell, UK)
• When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu, Romania/France)
• The Wind Rises (Hayao Miyazaki, Japan)

• Opening Night: Gone Girl (David Fincher, USA)
• Centerpiece: Inherent Vice (Paul Thomas Anderson, USA)
• Closing Night: Birdman, or (The Unexpected Virtue of Ignorance) (Alejandro González Iñárritu, USA)
• Beloved Sisters (Dominik Graf, Germany/Austria)
• The Blue Room (Mathieu Amalric, France)
• Citizenfour (Laura Poitras, USA/Germany)
• Clouds of Sils Maria (Olivier Assayas, Switzerland/Germany/France)
• Eden (Mia Hansen-Løve, France)
• Foxcatcher (Bennett Miller, USA)
• Goodbye to Language (Jean-Luc Godard, France)
• Heaven Knows What (Josh & Benny Safdie, USA)
• Hill of Freedom (Hong Sang-soo, South Korea)
• Horse Money (Pedro Costa, Portugal)
• Jauja (Lisandro Alonso, Argentina/Denmark/France/Mexico/USA/Germany/Brazil)
• Life of Riley (Alain Resnais, France)
• Listen Up Philip (Alex Ross Perry, USA)
• Maps to the Stars (David Cronenberg, Canada/Germany)
• Misunderstood (Asia Argento, Italy/France)
• Mr. Turner (Mike Leigh, UK)
• Pasolini (Abel Ferrara, France/Belgium/Italy)
• The Princess of France (Matías Piñeiro, Argentina)
• Saint Laurent (Bertrand Bonello, France)
• La Sapienza (Eugène Green, France/Italy)
• '71 (Yann Demange, UK)
• Tales of the Grim Sleeper (Nick Broomfield, USA/UK)
• Timbuktu (Abderrahmane Sissako, France/Mauritania)
• Time out of Mind (Oren Moverman, USA)
• Two Days, One Night (Jean-Pierre & Luc Dardenne, Belgium/France/Italy)
• Two Shots Fired (Martín Rejtman, Argentina)
• Whiplash (Damien Chazelle, USA)
• The Wonders (Alice Rohrwacher, Italy/Switzerland/Germany)

• Opening Night: The Walk (Robert Zemeckis, USA)
• Centerpiece: Steve Jobs (Danny Boyle, USA)
• Closing Night: Miles Ahead (Don Cheadle, USA)
• Arabian Nights: Volume One, The Restless One (Miguel Gomes, Portugal/France/Germany/Switzerland)
• Arabian Nights: Volume Two, The Desolate One (Miguel Gomes, Portugal/France/Germany/Switzerland)
• Arabian Nights: Volume Three, The Enchanted One (Miguel Gomes, Portugal/France/Germany/Switzerland)
• The Assassin (Hou Hsiao-hsien, Taiwan/China/Hong Kong)
• Bridge of Spies (Steven Spielberg, USA)
• Brooklyn (John Crowley, UK/Ireland/Canada)
• Carol (Todd Haynes, USA)
• Cemetery of Splendour (Apichatpong Weerasethakul, Thailand/UK/France/Germany/Malaysia)
• Les Cowboys (Thomas Bidegain, France)
• Don't Blink – Robert Frank (Laura Israel, USA/Canada)
• Experimenter: The Stanley Milgram Story (Michael Almereyda, USA)
• The Forbidden Room (Guy Maddin, Canada)
• In the Shadow of Women (Philippe Garrel, France)
• Journey to the Shore (Kiyoshi Kurosawa, Japan/France)
• The Lobster (Yorgos Lanthimos, France/Netherlands/Greece/UK)
• Maggie's Plan (Rebecca Miller, USA)
• The Measure of a Man (Stéphane Brizé, France)
• Mia Madre (Nanni Moretti, Italy/France)
• Microbe & Gasoline (Michel Gondry, France)
• Mountains May Depart (Jia Zhangke, China/France/Japan)
• My Golden Days (Arnaud Desplechin, France)
• No Home Movie (Chantal Akerman, Belgium/France)
• Right Now, Wrong Then (Hong Sang-soo, South Korea)
• The Treasure (Corneliu Porumboiu, Romania)
• Where to Invade Next (Michael Moore, USA)

• Opening Night: 13th (Ava DuVernay, USA)
• Centerpiece: 20th Century Women (Mike Mills, USA)
• Closing Night: The Lost City of Z (James Gray, USA)
• Aquarius (Kleber Mendonça Filho, Brazil/France)
• Certain Women (Kelly Reichardt, USA)
• Elle (Paul Verhoeven, France/Germany)
• Fire at Sea (Gianfranco Rosi, Italy/France)
• Graduation (Cristian Mungiu, Romania)
• Hermia & Helena (Matías Piñeiro, Argentina/USA)
• I, Daniel Blake (Ken Loach, UK)
• Julieta (Pedro Almodóvar, Spain)
• Manchester By The Sea (Kenneth Lonergan, USA)
• Moonlight (Barry Jenkins, USA)
• My Entire High School Sinking into the Sea (Dash Shaw, USA)
• Neruda (Pablo Larraín, Chile/Argentina/France/Spain)
• Paterson (Jim Jarmusch, USA)
• Personal Shopper (Olivier Assayas, France)
• The Rehearsal (Alison Maclean, New Zealand)
• Sieranevada (Cristi Puiu, Romania)
• The Son of Joseph (Eugène Green, France/Belgium)
• Staying Vertical (Alain Guiraudie, France)
• Things to Come (Mia Hansen-Løve, France/Germany)
• Toni Erdmann (Maren Ade, Germany)
• The Unknown Girl (Jean-Pierre & Luc Dardenne, Belgium)
• Yourself and Yours (Hong Sang-soo, South Korea)

• Opening Night: Last Flag Flying (Richard Linklater, USA)
• Centerpiece: Wonderstruck (Todd Haynes, USA)
• Closing Night: Wonder Wheel (Woody Allen, USA)
• Before We Vanish (Kiyoshi Kurosawa, Japan)
• BPM (Beats per Minute) (Robin Campillo, France)
• Call Me by Your Name (Luca Guadagnino, Italy/France)
• The Day After (Hong Sang-soo, South Korea)
• Faces Places (Agnès Varda, France)
• Félicité (Alain Gomis, France/Senegal/Belgium/Germany/Lebanon)
• The Florida Project (Sean Baker, USA)
• Ismael's Ghosts (Arnaud Desplechin, France)
• Lady Bird (Greta Gerwig, USA)
• Let the Sunshine In (Claire Denis, France)
• Lover for a Day (Philippe Garrel, France)
• The Meyerowitz Stories (New and Selected) (Noah Baumbach, USA)
• Mrs. Hyde (Serge Bozon, France)
• Mudbound (Dee Rees, USA)
• On the Beach at Night Alone (Hong Sang-soo, South Korea)
• The Other Side of Hope (Aki Kaurismäki, Finland)
• The Rider (Chloé Zhao, USA)
• Spoor (Agnieszka Holland, Poland/Germany/Czech Republic)
• The Square (Ruben Östlund, Sweden)
• Thelma (Joachim Trier, Norway/Sweden/France)
• Western (Valeska Grisebach, Germany/Bulgaria)
• Zama (Lucrecia Martel, Argentina/Brazil/Spain)

• Opening Night: The Favourite (Yorgos Lanthimos, Ireland/UK/US)
• Centerpiece: Roma (Alfonso Cuarón, Mexico)
• Closing Night: At Eternity's Gate (Julian Schnabel, US/France)
• 3 Faces (Jafar Panahi, Iran)
• Asako I & II (Ryūsuke Hamaguchi, Japan/France)
• Ash Is Purest White (Jia Zhangke, China)
• The Ballad of Buster Scruggs (Joel Coen & Ethan Coen, USA)
• Burning (Lee Chang-dong, South Korea)
• Cold War (Paweł Pawlikowski, Poland)
• A Faithful Man (Louis Garrel, France)
• A Family Tour (Ying Liang, Taiwan/Hong Kong/Singapore/Malaysia)
• La Flor (Mariano Llinás, Argentina)
• Grass (Hong Sang-soo, South Korea)
• Happy as Lazzaro (Alice Rohrwacher, Italy)
• Her Smell (Alex Ross Perry, USA)
• High Life (Claire Denis, Germany/France/USA/UK/Poland)
• Hotel by the River (Hong Sang-soo, South Korea)
• If Beale Street Could Talk (Barry Jenkins, USA)
• The Image Book (Jean-Luc Godard, Switzerland)
• In My Room (Ulrich Köhler, Germany)
• Long Day's Journey Into Night (Bi Gan, China/France)
• Monrovia, Indiana (Frederick Wiseman, USA)
• Non-Fiction (Olivier Assayas, France)
• Private Life (Tamara Jenkins, USA)
• Ray & Liz (Richard Billingham, UK)
• Shoplifters (Hirokazu Kore-eda, Japan)
• Sorry Angel (Christophe Honoré, France)
• Too Late to Die Young (Dominga Sotomayor Castillo, Chile/Brazil/Argentina/Netherlands/Qatar)
• Transit (Christian Petzold, Germany/France)
• Wildlife (Paul Dano, USA)

• Opening Night: The Irishman (Martin Scorsese, US)
• Centerpiece: Marriage Story (Noah Baumbach, US)
• Closing Night: Motherless Brooklyn (Edward Norton, US)
• Atlantics (Mati Diop, France/Senegal/Belgium)
• Bacurau (Kleber Mendonça Filho & Juliano Dornelles, Brazil)
• Beanpole (Kantemir Balagov, Russia)
• Fire Will Come (Oliver Laxe, Spain/France/Luxembourg)
• First Cow (Kelly Reichardt, USA)
• A Girl Missing (Kōji Fukada, Japan)
• I Was at Home, but... (Angela Schanelec, Germany)
• Liberté (Albert Serra, France/Portugal/Spain)
• Martin Eden (Pietro Marcello, Italy)
• The Moneychanger (Federico Veiroj, Uruguay)
• Oh Mercy! (Arnaud Desplechin, France)
• Pain and Glory (Pedro Almodóvar, Spain)
• Parasite (Bong Joon-ho, South Korea)
• Portrait of a Lady on Fire (Céline Sciamma, France)
• Saturday Fiction (Lou Ye, China)
• Sibyl (Justine Triet, France/Belgium)
• Synonyms (Nadav Lapid, France/Israel/Germany)
• To the Ends of the Earth (Kiyoshi Kurosawa, Japan)
• The Traitor (Marco Bellocchio, Italy)
• Varda by Agnès (Agnès Varda, France)
• Vitalina Varela (Pedro Costa, Portugal)
• Wasp Network (Olivier Assayas, France/Spain/Brazil)
• The Whistlers (Corneliu Porumboiu, Romania)
• The Wild Goose Lake (Diao Yinan, China/France)
• Young Ahmed (Jean-Pierre & Luc Dardenne, Belgium)
• Zombi Child (Bertrand Bonello, France)

• Opening Night: Lovers Rock (Steve McQueen, United Kingdom)
• Centerpiece: Nomadland (Chloé Zhao, US)
• Closing Night: French Exit (Azazel Jacobs, UK/Canada)
• Atarrabi and Mikelats (Eugène Green, Belgium/France)
• Beginning (Déa Kulumbegashvili, Georgia)
• The Calming (Song Fang, China)
• City Hall (Frederick Wiseman, US)
• Days (Tsai Ming-liang, Taiwan)
• The Disciple (Chaitanya Tamhane, India)
• Gunda (Viktor Kossakovsky, US/Norway)
• I Carry You With Me (Heidi Ewing, US/Mexico)
• Isabella (Matías Piñeiro, Argentina)
• Malmkrog (Cristi Puiu, Romania)
• Mangrove (Steve McQueen, UK)
• MLK/FBI (Sam Pollard, US)
• Night of the Kings (Philippe Lacôte, France/Côte d'Ivoire/Canada/Senegal)
• Notturno (Gianfranco Rosi, Italy)
• Red, White & Blue (Steve McQueen, UK)
• The Salt of Tears (Philippe Garrel, France)
• Swimming Out Till the Sea Turns Blue (Jia Zhangke, China)
• Time (Garrett Bradley, US)
• Tragic Jungle (Yulene Olaizola, Mexico)
• The Truffle Hunters (Michael Dweck & Gregory Kershaw, US/Greece/Italy)
• Undine (Christian Petzold, Germany)
• The Woman Who Ran (Hong Sang-soo, South Korea)

• Opening Night: The Tragedy of Macbeth (Joel Coen, US)
• Centerpiece: The Power of the Dog (Jane Campion, Australia/Canada/New Zealand/UK/US)
• Closing Night: Parallel Mothers (Pedro Almodóvar, Spain)
• A Chiara (Jonas Carpignano, Italy/France/US/Sweden)
• Ahed's Knee (Nadav Lapid, Israel/France/Germany)
• Bad Luck Banging or Loony Porn (Radu Jude, Romania)
• Benedetta (Paul Verhoeven, France/Netherlands)
• Bergman Island (Mia Hansen-Løve, France/Mexico/Brazil/Germany)
• Il Buco (Michelangelo Frammartino, Italy/Germany/France)
• Drive My Car, (Ryusuke Hamaguchi, Japan)
• The First 54 Years: An Abbreviated Manual for Military Occupation (Avi Mograbo, Israel)
• Flee (Jonas Poher Rasmussen, Denmark/US/UK/France/Sweden/Norway)
• France (Bruno Dumont, France)
• Futura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher, Italy)
• The Girl and the Spider, (Ramon and Silvan Zürcher, Sweden)
• Hit the Road (Panah Panahi, Iran)
• In Front of Your Face (Hong Sang-soo, South Korea)
• Întregalde (Radu Muntean, Romania)
• Introduction (Hong Sang-soo, South Korea)
• Memoria (Apichatpong Weerasethakul, Colombia/France/Germany/Mexico/Thailand/UK)
• Neptune Frost (Saul Williams, Anisia Uzeyman, Rwanda, US)
• Passing (Rebecca Hall, US/UK)
• Petite Maman (Céline Sciamma, France)
• Prayers for the Stolen (Tatiana Huezo, Mexico)
• The Souvenir Part II (Joanna Hogg, US/UK/Ireland)
• Titane (Julia Ducournau, France/Belgium)
• Unclenching the Fists (Kira Kovalenko, Russia)
• The Velvet Underground (Todd Haynes, US)
• Vortex (Gaspar Noé, France)
• What Do We See When We Look at the Sky? (Alexander Koberidze, Georgia)
• Wheel of Fortune and Fantasy (Ryusuke Hamaguchi, Japan)
• The Worst Person in the World (Joachim Trier, Norway/Sweden/France)

• Opening Night: White Noise (Noah Baumbach, US/UK)
• Centerpiece: All the Beauty and the Bloodshed (Laura Poitras, US)
• Closing Night: The Inspection (Elegance Bratton, US)
• NYFF 60th Anniversary Celebration: Armageddon Time (James Gray, US)
• Aftersun (Charlotte Wells, US/UK)
• Alcarràs (Carla Simón, Spain/Italy)
• All That Breathes (Shaunak Sen, India/US/UK)
• Corsage (Marie Kreutzer, Austria/France/Germany)
• A Couple (Frederick Wiseman, France/US)
• De Humani Corporis Fabrica (Véréna Paravel and Lucien Castaing-Taylor, France/Switzerland)
• Decision to Leave (Park Chan-wook, South Korea)
• Descendant (Margaret Brown, US)
• Enys Men (Mark Jenkin, UK)
• EO (Jerzy Skolimowski, Poland/Italy)
• The Eternal Daughter (Joanna Hogg, UK)
• Master Gardener (Paul Schrader, US)
• No Bears (Jafar Panahi, Iran)
• The Novelist's Film (Hong Sang-Soo, South Korea)
• One Fine Morning (Mia Hansen-Løve, France)
• Pacifiction (Albert Serra, France/Spain/Germany/Portugal)
• R.M.N. (Cristian Mungiu, Romania)
• Return to Seoul (Davy Chou, France/Cambodia)
• Saint Omer (Alice Diop, France)
• Scarlet (Pietro Marcello, France/Italy/Germany/Russia)
• Showing Up (Kelly Reichardt, US)
• Stars at Noon (Claire Denis, France/Panama)
• Stonewalling (Huang Ji and Ryuji Otsuka, Japan)
• Tár (Todd Field, US/Germany)
• Trenque Lauquen (Laura Citarella, Argentina/Germany)
• Triangle of Sadness (Ruben Östlund, Sweden/UK/US/France/Greece)
• Unrest (Cyril Schäublin, Switzerland)
• Walk Up (Hong Sang-soo, South Korea)

• Opening Night: May December (Todd Haynes, US)
• Centerpiece: Priscilla (Sofia Coppola, US)
• Closing Night: Ferrari (Michael Mann, US)
• Spotlight Gala: Maestro (Bradley Cooper, US)
• About Dry Grasses (Nuri Bilge Ceylan, Turkey)
• All Dirt Roads Taste of Salt (Raven Jackson, US)
• All of Us Strangers (Andrew Haigh, UK)
• Anatomy of a Fall (Justin Triet; France)
• The Beast (Bertrand Bonello, France)
• La Chimera (Alice Rohrwacher, Italy)
• Close Your Eyes (Victor Erice, Spain)
• The Delinquents (Rodrigo Moreno, Argentina)
• Do Not Expect Too Much from the End of the World (Radu Jude, Romania)
• Eureka (Lisandro Alonso, Argentina/France/Portugal)
• Evil Does Not Exist (Ryûsuke Hamaguchi, Japan)
• Fallen Leaves (Aki Kaurismaki, Finland)
• Green Border (Agnieszka Holland, Poland/Czech Republic/France/Belgium)
• Here (Bas Devos, Belgium)
• In Our Day (Hong Sangsoo, South Korea)
• In Water (Hong Sangsoo, South Korea)
• Janet Planet (Annie Baker, US)
• Kidnapped (Marco Bellocchio, Italy)
• Last Summer (Catherine Breillat, France)
• Music (Angela Schanelec, Germany/France/Greece/Serbia)
• Orlando, My Political Biography (Paul B. Preciado, France)
• Perfect Days (Wim Wenders, Japan/Germany)
• Pictures of Ghosts (Kleber Mendonça Filho, Brazil)
• Poor Things (Yorgos Lanthimos, US/UK/Ireland)
• La Práctica (Martín Rejtman, Argentina/Chile/Portugal)
• The Settlers (Felipe Gálvez, Chile)
• The Shadowless Tower (Zhang Lu, China)
• The Zone of Interest (Jonathan Glazer, UK/US/Poland)
• Youth (Spring) (Wang Bing, France/Luxembourg/Netherlands)
• Pier Paolo Pasolini – Agnès Varda – New York – 1967 (Agnès Varda, France)