Jeffrey Friedman grew up in New York City, where his mother was an actor and his father taught undergraduate English literature and edited and published a small literary magazine. He began studying acting when he was nine, and at 12, he acted professionally in two off-Broadway productions. He played Emil in Emil and the Detectives and a schoolboy on the first day of integration in Little Rock, Arkansas in Black Monday by Reginald Rose.
Friedman has been making films with Rob Epstein since 1987 when they formed the production company Telling Pictures in San Francisco, California. Friedman and Epstein's first film together was Common Threads: Stories from the Quilt, inspired by the NAMES Project AIDS Memorial Quilt. Narrated by Dustin Hoffman, Common Threads recounts the first decade of AIDS in America through stories of five individuals featured in the Quilt.[2] The film won the Academy Award for Best Documentary Feature for Common Threads in 1990 as well as a Peabody Award.[3]Common Threads was preserved by the Academy Film Archive, in conjunction with Milestone Films and Outfest, in 2019.[4]
Their film The Celluloid Closet, based on the book by film historian Vito Russo, depicts a 100-year history of homosexual characters in Hollywood movies. Narrated by Lily Tomlin, The Celluloid Closet had its world premiere at the Venice Film Festival and was featured at the Toronto, New York, and Sundance Film Festivals (at which it received the juried Freedom of Expression Award) and at numerous international festivals, including Berlin, Tokyo, and Sydney. It received a Peabody Award and a duPont-Columbia journalism award alongside a News & Documentary Emmy for directing.[5][6]
In 2000, they directed and produced Paragraph 175, a film that explores the untold history of homosexuals during the Nazi regime in Europe. Narrated by Rupert Everett and filmed in Germany, France and Spain, it had its U.S. premiere at the Sundance Film Festival in January 2000, where it was awarded the documentary Grand Jury Prize for directing, followed by a European premiere at the Berlin Film Festival in February, where it won a FIPRESCI award (Fédération Internationale de la Presse Cinématographique).[7][8]