He then returned to New York and began working for The New York Times. He joined the Music Department there in 1930. In 1935, he was named Music Editor. For about a year, from 1944 to 1945, Taubman served in the Army and worked in Italy as a writer for Stars and Stripes.
In 1955, he became the chief music critic at the Times, replacing Olin Downes upon Downes' death. Also in the 1950s, Taubman acted as the ghostwriter of Marian Anderson's autobiography My Lord, What a Morning.
In 1960, he took the post of chief drama critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that role until 1965.
In 1961, Taubman, along with six other theater critics, was the victim of a famous hoax when Broadway producer David Merrick placed a newspaper ad for his show Subways Are for Sleeping. The ad appeared to quote praise from Taubman, Walter Kerr, and other prominent New York critics for the commercially faltering musical. The individuals quoted, however, were not the theater critics themselves, but like-named New Yorkers hired by Merrick to provide positive quotes.[2][3][better source needed]
From 1966 until he retired in 1972, Taubman was a critic-at-large for the Times writing about cultural events from around the globe. After retiring from the Times, Taubman worked as a consultant to Exxon Corporation for the PBS series Great Performances.
Baker's Biographical Dictionary of Musicians, Centennial Edition. Nicolas Slonimsky, Editor. Schirmer, 2001
Further reading
Berk, Ellyn (1978). An Analysis and Comparison of the Aesthetics and Philosophy of Selected Music Critics in New York: 1940–1975 (PHD). New York University. OCLC53779819.