The Elements of Style (also called Strunk & White) is a style guide for formal grammar used in American English writing. The first publishing was written by William Strunk Jr. in 1918, and published by Harcourt in 1920, comprising eight "elementary rules of usage," ten "elementary principles of composition," "a few matters of form," a list of 49 "words and expressions commonly misused," and a list of 57 "words often misspelled." Writer and editor E. B. White greatly enlarged and revised the book for publication by Macmillan in 1959. That was the first edition of the book, which Time recognized in 2011 as one of the 100 best and most influential non-fiction books written in English since 1923.[1]
If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style. The first-greatest, of course, is to shoot them now, while they're happy.[2]
History
Cornell UniversityEnglish professor William Strunk Jr. wrote The Elements of Style in 1918 and privately published it in 1919, for use at the university. Harcourt republished it in 52-page format in 1920.[citation needed] Strunk and editor Edward A. Tenney later revised it for publication as The Elements and Practice of Composition (1935). In 1957, the style guide reached the attention of E.B. White at The New Yorker. White had studied writing under Strunk in 1919 but had since forgotten "the little book" that he described as a "forty-three-page summation of the case for cleanliness, accuracy, and brevity in the use of English." Weeks later, White wrote about Strunk's devotion to lucid English prose in his column.[3][4]
Strunk died in 1946. Macmillan and Company subsequently commissioned White to revise The Elements for a 1959 edition. White's expansion and modernization of Strunk and Tenney's 1935 revised edition yielded the writing style manual informally known as "Strunk & White', the first edition of which sold about two million copies in 1959. More than ten million copies of three editions were later sold.[5] Mark Garvey relates the history of the book in Stylized: A Slightly Obsessive History of Strunk & White's The Elements of Style (2009).[6]
Audiobook versions of The Elements now feature changed wording, citing "gender issues" with the original.[10]
Content
Strunk concentrated on the cultivation of good writing and composition; the original 1918 edition exhorted writers to "omit needless words," use the active voice, and employ parallelism appropriately.[11]
The 1959 edition features White's expansions of preliminary sections, the "Introduction" essay (derived from his magazine story about Strunk), and the concluding chapter, "An Approach to Style," a broader, prescriptive guide to writing in English. He also produced the second (1972) and third (1979) editions of The Elements of Style, by which time the book's length had extended to 85 pages.
The third edition of The Elements of Style (1979) features 54 points: a list of common word-usage errors; 11 rules of punctuation and grammar; 11 principles of writing; 11 matters of form; and, in Chapter V, 21 reminders for better style. The final reminder, the 21st, "Prefer the standard to the offbeat," is thematically integral to the subject of The Elements of Style, yet it does stand as a discrete essay about writing lucid prose.[4] To write well, White advises writers to have the proper mindset, that they write to please themselves, and that they aim for "one moment of felicity," a phrase by Robert Louis Stevenson.[12] Thus Strunk's 1918 recommendation:
Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that he make every word tell.
— "Elementary Principles of Composition", The Elements of Style[13]
Strunk Jr. no longer has a comma in his name in the 1979 and later editions, due to the modernized style recommendation about punctuating such names.
The fourth edition of The Elements of Style (1999) omits Strunk's advice about masculine pronouns: "unless the antecedent is or must be feminine".[14] In its place, the book reads, "many writers find the use of the generic he or his to rename indefinite antecedents limiting or offensive." The re-titled entry "They. He or She", in Chapter IV: Misused Words and Expressions, advises the writer to avoid an "unintentional emphasis on the masculine".[15][16]
Components new to the fourth edition include a foreword by essayist and E. B. White stepson Roger Angell, a glossary, and an index. Five years later, the fourth edition text was re-published as The Elements of Style Illustrated (2005), with illustrations by the designer Maira Kalman.
Reception
The Elements of Style was listed as one of the 100 best and most influential non-fiction books written in English since 1923 by Time in its 2011 list.[1] Upon its release, Charles Poor, writing for The New York Times, called it "a splendid trophy for all who are interested in reading and writing."[17]
In On Writing (2000, p. 11), Stephen King writes: "There is little or no detectable bullshit in that book. (Of course, it's short; at eighty-five pages it's much shorter than this one.) I'll tell you right now that every aspiring writer should read The Elements of Style. Rule 17 in the chapter titled Principles of Composition is 'Omit needless words.' I will try to do that here."
In 2011, University of Vienna professor in biochemistry Tim Skern argued in Writing Scientific English: A Workbook that The Elements of Style "remains the best book available on writing good English".[18]
In 2016, the Open Syllabus Project[20] lists The Elements of Style as the most frequently assigned text in US academic syllabuses, based on an analysis of 933,635 texts appearing in over 1 million syllabuses.[21]
The book's toxic mix of purism, atavism, and personal eccentricity is not underpinned by a proper grounding in English grammar. It is often so misguided that the authors appear not to notice their own egregious flouting of its own rules ... It's sad. Several generations of college students learned their grammar from the uninformed bossiness of Strunk and White, and the result is a nation of educated people who know they feel vaguely anxious and insecure whenever they write however or than me or was or which, but can't tell you why.[22]
Pullum has argued, for example, that the authors misunderstood what constitutes the passive voice, and he criticized their proscription of established and unproblematic English usages, such as the split infinitive and the use of which in a restrictive relative clause.[22] On Language Log, a blog about language written by linguists, he further criticized The Elements of Style for promoting linguistic prescriptivism and hypercorrection among Anglophones, and called it "the book that ate America's brain".[23]
Jan Freeman, reviewing for The Boston Globe in 2005 described the latest edition of The Elements of Style Illustrated (2005), with illustrations by Maira Kalman, as an "aging zombie of a book ... a hodgepodge, its now-antiquated pet peeves jostling for space with 1970s taboos and 1990s computer advice".[24]
The Elements of Style. New York: Harcourt, Brace and Howe, 1920. 52-page publication of the original. OCLC919826229
Because Strunk's text is now in the public domain, publishers can and do reprint it.
Strunk & Edward A. Tenney
The Elements and Practice of Composition. New York: Harcourt, Brace, 1935. Despite the new title, a revision of The Elements of Style. Tenney was a fellow instructor at Cornell. This edition included student exercises.[25]OCLC781988921
Strunk & White
The Elements of Style. New York: Macmillan, 1959. OCLC878906498.
The Elements of Style. 2nd ed. New York: Macmillan; London: Collier-Macmillan, 1972. ISBN0024182605.
The Elements of Style. 3rd ed. New York: Macmillan, 1979. ISBN0024181900 (hardback), ISBN0024182001 (paperback).
^The Elements of Style: 60 Minutes to Better Writing & Grammar (Unabridged Audiobook). Simply Media. 2008. Gender issues, such as the exclusive use of "he", which was the standard in Strunk's day, have been changed to the modern usage of "his" or "her", "you", "they", or "the writer".
