Nimm, was dein ist, und gehe hin (Take what is yours and go away),[1]BWV144, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday Septuagesimae, the third Sunday before Lent, and first performed it on 6 February 1724.
Bach composed the extremely short biblical quote of the opening chorus as a motetfugue with the instruments playing colla parte, thus intensifying the attention for the words. The phrase "Gehe hin" (go away) is first presented in the slow motion of the theme, but then as a countersubject repeated twice, four times as fast as before. As John Eliot Gardiner notes: "In 1760 the Berlin music theoretician Friedrich Wilhelm Marpurg singled out the opening of this cantata, admiring the "splendid declamation which the composer has applied to the main section and to a special little play on the words, "gehe hin!"".[2] (Original German: "die vortreffliche Deklamation", die "der Componist im Hauptsatze und in einem kleinen besonderen Spiele mit dem gehe hin angebracht hatte".)[3] Bach repeated the "gehe hin"-figure sixty times in sixty-eight bars.[2] The first aria has a menuet character. In "Murre nicht, lieber Christ" (Do not grumble, dear Christian), the grumbling is illustrated by repeated eighth notes in the accompaniment. Movement 3 is the first stanza of the chorale "Was Gott tut, das ist wohlgetan" which Bach used later that year completely for his chorale cantataBWV 99, and again in the 1730s for BWV 100. The words "Was Gott tut, das ist wohlgetan" are repeated as a free arioso concluding the following recitative. The soprano aria is accompanied by an oboe d'amore obbligato. Instead of a da capo, the complete text is repeated in a musical variation. The closing chorale is set for four parts.[3]
