In 1975, Irish-American neighborhood friends Jimmy Markum, Sean Devine, and Dave Boyle are playing street hockey in Charlestown, Boston. After writing their names in a patch of wet concrete on the sidewalk, two men posing as police officers abduct Dave and sexually abuse him for four days until he escapes.
Twenty-five years later, Jimmy is an ex-convict and neighborhood convenience store owner; Sean is a detective with the Massachusetts State Police whose pregnant wife Lauren recently left, and Dave is a blue-collar worker continually haunted by the abduction and rape he suffered. Jimmy and Dave are connected by marriage: Dave's wife Celeste and Jimmy's second wife Annabeth are cousins.
Jimmy's daughter from his first marriage, Katie, plans to run away to Las Vegas with Brendan Harris, a boy from a family Jimmy despises she has been secretly dating. One night, Dave sees Katie and her friends at a local bar. That same night, she is murdered, and Dave comes home bloodied and injured. He tells his wife that he fought off a mugger and possibly killed him. Sean and his partner Whitey Powers investigate the murder while Jimmy, distraught at Katie's death, conducts a separate investigation using his neighborhood connections.
A witness statement suggests that Katie may have known her killer. The detectives learn that the gun used to kill her, a .38 Specialrevolver, was also used in a liquor store robbery in 1984 by "Just Ray" Harris, the father of Brendan. Harris has been missing since 1989, but Brendan claims he still sends his family $500 monthly. Brendan feigns ignorance about Ray's gun. Whitey suspects Dave, who keeps changing the story about how his hand got injured. Dave continues to behave erratically, which upsets Celeste to the point that she leaves their home and tells Jimmy she suspects Dave is Katie's murderer.
Jimmy and his friends invite Dave to a local bar, get him drunk and confront him when he is about to vomit. Jimmy admits to Dave that he killed "Just Ray" for implicating him in the liquor store robbery, which resulted in his imprisonment. Dave reveals to Jimmy that he did kill someone that night, but it was not Katie. He beat to death a child molester whom he found with a child prostitute. Jimmy does not believe Dave and pulls out a knife. He promises to let Dave live if he confesses to Katie's murder. However, when Dave does so, Jimmy kills him and disposes of his body in the adjacent Mystic River.
Meanwhile, after finding his father's gun missing, Brendan confronts his mute younger brother "Silent Ray" and his friend John O'Shea about Katie's murder. He beats the two boys, trying to get them to admit their guilt, and then John pulls out Ray's gun and is about to shoot Brendan. Sean and Whitey, having connected the teens to the murder, arrive in time to disarm and arrest John and Ray.
The next morning, Sean tells Jimmy that John and "Silent Ray" confessed to killing Katie as part of a prank gone wrong. Sean asks Jimmy if he has seen Dave, who is wanted for questioning in the murder of a known child molester. Jimmy does not answer, instead thanking Sean for finding Katie's killers, but remarks, "if only you'd been a little faster." Sean then asks Jimmy if he intends to send Celeste a monthly $500.
Sean reunites with Lauren after apologizing for pushing her away, while Jimmy confesses what he's done to Annabeth. She tells him he is "a king, and a king knows what to do and does it. Even when it's hard." Annabeth also mocks Celeste for speaking ill of her own husband Dave. During a local parade, Dave's son Michael waits for his father. Sean sees Jimmy and mimics a gunshot at him with his hand, implying he is going to make Jimmy pay, whereas Jimmy spreads his arms in a “what did I do / do your best” gesture.
Michael Keaton was originally cast in the role of Det. Sean Devine, and did several script readings with the cast, as well as his own research into the practices of the Massachusetts Police Department.[4] However, creative differences between Keaton and Clint Eastwood led to Keaton leaving the production. He was replaced by Kevin Bacon.[5]
On Rotten Tomatoes, Mystic River has an approval rating of 89% based on 204 reviews, with an average rating of 7.80/10. The site's critics consensus reads: "Anchored by the exceptional acting of its strong cast, Mystic River is a somber drama that unfolds in layers and conveys the tragedy of its story with visceral power."[7] On Metacritic, the film has a weighted average score of 84 out of 100, based on reviews from 42 critics, indicating "universal acclaim".[8] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[9]
Peter Travers of Rolling Stone wrote "Clint Eastwood pours everything he knows about directing into Mystic River. His film sneaks up, messes with your head, and then floors you. You can't shake it. It's that haunting, that hypnotic."[10][11]
On September 8, 2003, David Edelstein wrote a long article for The New York Times with the headline: "Dirty Harry Wants to Say He's Sorry (Again)." The piece examines Mystic River in the context of Eastwood's entire oeuvre, praising his “evolution [into] cinema's […] sorrowful conscience”.[12]
Reviewing the film for The New York Times on October 3, 2003, A.O. Scott wrote a long review of this "mighty" work, at one point observing: "Dave's abduction is an act of inexplicable, almost metaphysical evil, and this story of guilt, grief and vengeance grows out of it like a mass of dark weeds. At its starkest, the film, like the novel by Dennis Lehane on which it is based, is a parable of incurable trauma, in which violence begets more violence and the primal violation of innocence can never be set right. Mystic River is the rare American movie that aspires to—and achieves—the full weight and darkness of tragedy."[13]
On October 12, 2003, The New York TimesA. O. Scott wrote a piece headlined "Ms. Macbeth and her cousin: The women of Mystic River" which he opened with: "One of the most haunting scenes in Clint Eastwood's Mystic River—a film that consists almost entirely of haunting scenes—comes just before the end. The main dramatic action, we have every reason to suspect, is complete... A long, climactic night of revelation and confrontation is over, and the weary streets of Boston are flooded with hard autumnal light. The break of day brings a new insight, one that has less to do with the facts of the story than with its meaning. All along, Mystic River has seemed, most obviously, to be about those three men... But it turns out to be just as much about three (or more) damaged families, about the terror and mystery of marriage and about the fateful actions of two women."[14]
In the New York Times, on June 8, 2004, anticipating the DVD and CD release, Dave Kehr praised the film as "a symphonic study in contrasting voices and values. Long fascinated by music as a subject,... Mr. Eastwood here creates a genuinely musical style, using his performers like soloists, from Mr. Robbins's moody baritone to Mr. Penn's spiky soprano. Their individual arias are incorporated into a magnificent choral piece".[15]
Box office
The film earned $156,822,020 worldwide with $90,135,191 in the United States and $66,686,829 in the international box office, which is significantly higher than its $25–30 million budget.[2][3]
Ostermann, Eberhard (2007). "Mystic River Oder Die Abwesenheit Des Vaters". Die Filmerzählung: acht exemplarische Analysen. Munich: Fink. pp. 29–43. ISBN978-3-7705-4562-9.
