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This article is part of a series about Clint Eastwood
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This is a list of books and essays about Clint Eastwood.

• Beard, William, ed. (2000). Persistence of double vision: essays on Clint Eastwood. University of Alberta. ISBN 9780888643568.
• Bingham, Dennis (1994). Acting male: masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood. Rutgers University Press.
• Cornell, Drucilla (2009). Clint Eastwood and issues of American masculinity (1st ed.). New York: Fordham University Press. ISBN 0823230120.
• Eastwood, Clint; Kapsis, Robert E.; Coblentz, Kathie (1 December 2012). Clint Eastwood: Interviews, Revised and Updated. Jackson: University Press of Mississippi. ISBN 978-1-61703-663-7.
• Eliot, Marc (2009). American Rebel: The Life of Clint Eastwood. New York: Harmony Books. ISBN 978-0-307-33688-0.
• Engel, Leonard (2007). Clint Eastwood, Actor and Director: New Perspectives. Salt Lake City: University of Utah Press. ISBN 0-87480-900-2.
• Foote, John H. (2009). Clint Eastwood : evolution of a filmmaker (1. publ. ed.). Westport, Conn.: Praeger. ISBN 031335247X.
• Frank, Alan (1982). Clint Eastwood: Screen Greats. New York: Exeter. ISBN 0-89673-135-9.
• Frayling, Christopher (1992). Clint Eastwood. London: Virgin. ISBN 0-86369-307-5.
• Freeman, Michael Goldman ; foreword, Steven Spielberg ; preface, Morgan (2012). Clint Eastwood : master filmmaker at work. New York, NY: Abrams. ISBN 1419703889.{{cite book}}: CS1 maint: multiple names: authors list (link)
• Gallafent, Edward (1994). Clint Eastwood. New York: Continuum. ISBN 0-8264-0665-3.
• Johnstone, Iain (2007). The Man with No Name: The Biography of Clint Eastwood. London: Plexus. ISBN 0-85965-026-X.
• Kapsis, Robert E.; Coblentz, Kathie, eds. (1999). Clint Eastwood: Interviews. Jackson: University Press of Mississippi. ISBN 1-57806-070-2.
• Kitses, Jim (2004). Horizons West. Directing the Western from John Ford to Clint Eastwood. London: British Film Institute.
• Knapp, Laurence F. (1996). Directed by Clint Eastwood: eighteen films analyzed. McFarland & Company.
• Locke, Sondra (1997). The Good, the Bad & the Very Ugly: A Hollywood Journey. New York: William Morrow and Company. ISBN 978-0-688-15462-2.
• McGilligan, Patrick (2015). Clint: The Life and Legend (updated and revised). New York: OR Books. ISBN 978-1-939293-96-1.
• Miller, William I. (1998). "Clint Eastwood and Equity: Popular Culture's Theory of Revenge". In Sarat, A.; Kearns, T. R. (eds.). Law in the Domains of Culture. Ann Arbor, Michigan: University of Michigan Press. pp. 161–202.
• Modleski, Tania (2010). "Clint Eastwood and Male Weepies". American Literary History. 22 (1): 136–158.
• Munn, Michael (1992). Clint Eastwood: Hollywood's Loner. London: Robson. ISBN 978-0-86051-790-0.
• O'Brien, Daniel (1996). Clint Eastwood: Film-Maker. London: B. T. Batsford. ISBN 0-7134-7839-X.
• Plantinga, Carl (1998). "Spectacles of Death: Clint Eastwood and Violence in" Unforgiven"". Cinema Journal: 65–83.
• Schickel, Richard (1996). Clint Eastwood: A Biography. New York: Knopf. ISBN 978-0-679-42974-6.
• Sheehan, Henry (1992). "Scraps of hope: Clint Eastwood and the Western". Film Comment. 28 (5).
• Smith, Paul (1993). Clint Eastwood: A Cultural Production. U of Minnesota Press. ISBN 978-0-8166-1960-3.
• Tanitch, Robert (1995). Clint Eastwood. Studio Vista Books. ISBN 978-0-289-80132-1.
• Thompson, Douglas (2005). Clint Eastwood portrait of a legend. London: Blake. ISBN 1857825721.
• Thompson, Richard; Hunter, Tim (1976). "Clint Eastwood, Auteur". Film Comment. 14.
• Tibbets, John C. (1 January 1993). "Clint Eastwood and the Machinery of Violence". Literature/Film Quarterly. 21 (1).
• Vaux, Sara Anson (2012). The ethical vision of Clint Eastwood. Grand Rapids, Mich.: William B. Eerdmans Pub. Co. ISBN 0802862950.
• Verlhac, Pierre-Henri (3 September 2008). Clint Eastwood: A Life in Pictures. Chronicle Books. ISBN 978-0-8118-6154-0.
• Zmijewsky, Boris; Lee Pfeiffer (1982). The Films of Clint Eastwood. Secaucus, New Jersey: Citadel Press. ISBN 0-8065-0863-9.

Eastwood's former partner Sondra Locke (1944–2018) lied about her age all of her professional life and at times, was inconsistent in terms of how many years she shaved off.^[1] Only posthumously—after half a century of quoting lies—did the press widely concede that Locke, in fact, was born in 1944.^[2] This premise-altering substitution discounts the McGilligan, Schickel, Eliot, Munn, O'Brien, Johnstone and Thompson biographies, not to mention Locke's own memoir, all of which peg her age to a later birthdate.