Jessica Phyllis Lange was born on April 20, 1949, in Cloquet, Minnesota. Her father, Albert John Lange, was a teacher and traveling salesman, and her mother, Dorothy Florence (née Sahlman), was a housewife. She has two older sisters, Jane and Ann, and a younger brother, George.[14] Her paternal ancestry is German and Dutch, her maternal ancestry Finnish.
[15][16] Due to the nature of her father's professions, her family moved more than a dozen times to various towns and cities in Minnesota before settling down in her hometown, where she graduated from Cloquet High School.[17][18]
In 1967, she received a scholarship to study art and photography at the University of Minnesota, where she met and began dating Spanish photographer Paco Grande.[11] After the two married in 1970, Lange dropped out of college to pursue a more bohemian lifestyle, traveling through the United States and Mexico in a microbus with Grande.[11][17] The pair then moved to Paris, where they drifted apart. While in Paris, Lange studied mime theater under the supervision of Étienne Decroux and joined the Opéra-Comique as a dancer.[11] She later studied acting with Mira Rostova[19] and at HB Studio[20] in New York City.
Career
1976–1989: Breakthrough and acclaim
While living in Paris, Lange was discovered by fashion illustrator Antonio Lopez[21] and became a model for the Wilhelmina modelling agency. In 1973, she returned to the U.S. and began work in New York City as a waitress at the Lion's Head Tavern in Greenwich Village.[11] While modeling, Lange was discovered by Hollywood producer Dino De Laurentiis, who was looking to cast an ingenue for his remake of King Kong. Lange made her film debut in the 1976 King Kong, beating actresses Meryl Streep and Goldie Hawn for the role of damsel-in-distress.[citation needed] Despite the film's success – it was the fifth-highest-grossing film of 1976 and received an Academy Award for Best Visual Effects – it and Lange's performance were widely panned.[22] But film critic Pauline Kael wrote, "The movie is sparked by Jessica Lange's fast yet dreamy comic style. [She] has the high, wide forehead and clear-eyed transparency of Carole Lombard in My Man Godfrey, [and] one liners so dumb that the audience laughs and moans at the same time, yet they're in character, and when Lange says them she holds the eye and you like her, the way people liked Lombard."[23] Lange won the 1976 Golden Globe Award for New Star of the Year. She remained a favorite of Kael, who later wrote, "She has a facial structure that the camera yearns for, and she has talent, too."[24]
At the close of the decade, Bob Fosse, whom Lange had befriended and with whom she had carried on a casual romantic affair, cast Lange as Angelique, the Angel of Death, a part he had written for her in his semi-autobiographical film All That Jazz (1979). She was also considered for the role of Wendy Torrance in Stanley Kubrick's horror film The Shining (1980) before it went to Shelley Duvall.[25][26]
Lange began the new decade in the light romp How to Beat the High Cost of Living (1980), co-starring Jane Curtin and Susan Saint James, which received mostly negative reviews and quickly disappeared from theaters. A year later, director Bob Rafelson contacted her about a project he was working on with Jack Nicholson, who had recently auditioned Lange for Goin' South (1978). Rafelson paid Lange a visit in upstate New York, where she was doing summer stock theater and has recounted how he watched her conversing on the telephone for half an hour before their meeting when he decided he had found the lead for his film. After meeting Lange, he wrote her name down on a piece of paper, placed it in an envelope, and sealed it. After several meetings and auditions with other actresses (though Rafelson had already made his decision, he feared he had done so too quickly and wanted to make sure his choice was right), the final choice was between Lange and Meryl Streep. In the end, Rafelson offered Lange the lead role opposite Nicholson in his remake of the classic film noirThe Postman Always Rings Twice (1981).[27] Upon offering her the part, he gave her the sealed envelope. The film received mixed reviews, but Lange was highly praised for her performance.
While editing The Postman Always Rings Twice,Graeme Clifford realized he had found the leading lady for his next film, his first as a director: a biographical film of actress Frances Farmer, whose disillusionment with Hollywood and chaotic family background led her down a tragic path.[28] Filming Frances (1982), which co-starred Kim Stanley and Sam Shepard, was a grueling experience for Lange, who pored over the screenplay scene by scene, making deep and often taxing connections between her life and Farmer's to tap into the well of emotions the role required.[28] By the end of the shoot, she was physically and mentally spent,[28] and decided to take Stanley's advice to do "something light," which led her to accept a supporting role opposite Dustin Hoffman in Sydney Pollack's Tootsie (1982).
Lange next produced and starred, again opposite Shepard, in 1984's Country, a topical film depicting a family during the farm crisis. Her performance earned her Academy Award and Golden Globe nominations for Best Actress. That same year, she made her television debut as Maggie the Cat, starring opposite Tommy Lee Jones in a CBSPlayhouse production of Tennessee Williams's Cat on a Hot Tin Roof. The following year, she testified before the United States Congress on behalf of the Democratic House Task Force on Agriculture, alongside Jane Fonda and Sissy Spacek, whom she later befriended.[30]
At the close of 1985, she portrayed legendary country singerPatsy Cline in Karel Reisz's biopic Sweet Dreams, opposite Ed Harris, Ann Wedgeworth, Gary Basaraba, and John Goodman. She was nominated a fourth time for an Oscar and came in second for both the National Board of Review Award for Best Actress and the National Society of Film Critics Award for Best Actress.[31][32] In several interviews, Meryl Streep has said she "begged" Reisz, who directed her in 1981's The French Lieutenant's Woman, for the role of Cline, but his first choice had always been Lange. Streep has been quite vocal and adamant in her praise for Lange's performance,[33][34][35][36][37][38] calling her "beyond wonderful" in the film and saying, "I couldn't imagine doing it as well or even coming close to what Jessica did because she was so amazing in it."[34] In 2012, on an episode of Watch What Happens Live with Andy Cohen, Streep once again praised Lange's work in the film, saying, "Nobody could do that better than [Lange]. I mean, it was divine."[35] In 2018, she further commented, "Jessica did it better than any human being could possibly have done it."[33] Streep has also said, "Every job I've ever taken, about three weeks before I begin, I call up my agent and say, 'I don't think I can do this. I don't think I'm right for it. They should call up Jessica Lange.' "[39]
Lange's films in the mid- to late 1980s, which included Crimes of the Heart (1986), Far North (1988), and Everybody's All-American (1989), were mostly low-profile and underperformed at the box office, though she was often singled out and praised for her work.[citation needed] In 1989, she starred in Costa-Gavras's Music Box as a Hungarian lawyer defending her father of Naziwar crimes. Her performance earned her a fifth Academy Award nomination and a sixth Golden Globe nomination for Best Actress.
In 1996, Lange made her London stage debut in another performance as Blanche DuBois, which received rave reviews. The next year, she starred opposite Michelle Pfeiffer in a film adaptation of Jane Smiley's Pulitzer Prize-winning novel A Thousand Acres. Lange received her ninth Golden Globe Award nomination and won the Venice Film Festival's Schermi d'Amore award for her performance in the film. In 1998, she starred opposite Elisabeth Shue in a film adaptation of Balzac's Cousin Bette, for which she received strong reviews. The same year, Lange starred opposite Gwyneth Paltrow in Hush, which generally received negative reviews, though Roger Ebert praised Lange's performance, writing, "The film's most intriguing element is the performance by Jessica Lange, who by not going over the top provides Martha with a little pathos to leaven the psychopathology."[44]
Lange received strong reviews for her performance in Titus, Julie Taymor's 1999 adaptation of William Shakespeare's Titus Andronicus, co-starring Anthony Hopkins and Alan Cumming. Entertainment Weekly critic Lisa Schwarzbaum included Lange in a "for your consideration" article directed at the Academy of Motion Picture Arts and Sciences, writing, "Jessica Lange already has two Oscars and six nominations to her credit, so her appearance near the words 'Academy Awards' should never be a surprise. But everything about her daring performance in Titus as Tamora, the Queen of the Goths, is an astonishment. Donning breastplates, vowing vengeance, tearing into Shakespeare for the first time as if nothing could be more fun, Lange steals the show – and when the star of the show is Anthony Hopkins, that's grand theft."[45]
In 2009, Lange co-starred as Big Edie, opposite Drew Barrymore, in HBO's Grey Gardens, directed by Michael Sucsy and based on the 1975 documentary of the same name. The film was a tremendous success, garnering 17 Primetime Emmy Award nominations and winning five. Lange won her first Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie after two previous nominations in the same category. She also received her 11th Golden Globe Award nomination and second Screen Actors Guild Award nomination for her performance, losing both awards to Barrymore.
In 2011, Lange joined the cast of FX's horror anthology seriesAmerican Horror Story. Series co-creators Ryan Murphy and Brad Falchuk originally wrote her part as a supporting character, but after Lange acquired the role, they expanded it. Murphy, a long-time admirer of Lange, said he chose her because he wanted to expose her work to a new generation of viewers.[47] He also singled out her performance as Blanche DuBois on Broadway in 1992, which he saw twice, as his favorite performance, citing it as another motivating factor in hiring Lange.[48] The show was a huge success not only for the network and creators but also for Lange, who experienced a resurgence in her popularity, receiving rave reviews and several awards for her controversial role. She was chosen by TV Guide, Entertainment Weekly, and MTV for giving one of the "best performances of 2011".[49][50][51] In addition, she won a second Primetime Emmy Award, a fifth Golden Globe Award, and her first Screen Actors Guild Award, after two previous nominations. She was also awarded a Special Achievement Satellite Award for Outstanding Performance in a Television Series by the International Press Academy and the Dorian Award for Best TV Performance of the Year by the Gay and Lesbian Entertainment Critics Association (GALECA). She was further nominated for the TCA Award for Individual Achievement in Drama, Critics' Choice Television Award, and Saturn Award.
In 2012, she had a supporting role in her Grey Gardens director Michael Suscy's box-office hit The Vow, opposite Channing Tatum and Rachel McAdams, but also returned to star as the lead in the second season of American Horror Story, titled American Horror Story: Asylum. Once again, she was chosen by TV Guide and Entertainment Weekly for giving one of the "best performances of 2012".[52][53] She won a second Dorian Award for Best TV Performance of the Year by the GALECA, and received a fifth Emmy nomination, a thirteenth Golden Globe Award nomination, a fourth Screen Actors Guild Award nomination, a second Saturn Award nomination, and a second Critics' Choice Television Award nomination.
Later in the year, Marc Jacobs chose Lange to be the new face of Marc Jacobs Beauty. In addition, Lange was featured in the brand's summer and fall print ad campaign photographed by David Sims, and starred in a short campaign film directed by Jacobs.[63] Previously, Jacobs dressed and interviewed Lange for Love magazine's fifth-anniversary issue, and had her provide a spoken-word version of "Happy Days Are Here Again" as the soundtrack for his autumn/winter 2014 show.[63][64] She next starred opposite Mark Wahlberg in the remake of the 1970s action-thriller, The Gambler, receiving rave reviews for her work. She also led the fourth season of American Horror Story, titled American Horror Story: Freak Show. The series, once again, topped its and the network's highest ratings, breaking all ratings records for both.[65] Though self-admittedly not a singer, Lange's covers of David Bowie's "Life on Mars" and Lana Del Rey's "Gods and Monsters" for the show were both hugely popular, receiving heavy circulation on YouTube and charting in the top 50 on the iTunes music charts.[66] For her work on the show, Lange received her seventh Primetime Emmy Award nomination, her fifteenth Golden Globe nomination, and her fourth Critics' Choice Television Award nomination. In 2015, Lange announced that she would not return for the series' fifth season.[67] She followed her final season on American Horror Story with a role opposite Shirley MacLaine and Demi Moore in the road-trip comedy, Wild Oats, which wrapped production at the end of 2014. It premiered on Lifetime on August 22, 2016, before receiving a limited theatrical release on September 16, 2016.[68]
Lange returned to Broadway to originate the lead role in a Second Stage Theater presentation of Paula Vogel's new play, Mother Play, which premiered at the Hayes Theater in April 2024.[7] The production was directed by Tina Landau and co-starred Jim Parsons and Celia Keenan-Bolger.[7] The story takes place in 1962 and centers on Phyllis (Lange), as she oversees her son (Parsons) and daughter's (Keenan-Bolger) relocation to a new apartment, prompting all three to face and reflect on their shared and individual lives and relationships with one another.[7] Alexis Soloski of The New York Times described the role as a "showcase for Lange" adding, "Another actress as Phyllis might have done more to communicate the small ravages of time, but Lange concentrates instead on her ageless ferocity and charm".[83] Lange received a Tony Award for Best Actress in a Play nomination for the role.[84]
Also in 2024, she starred in The Great Lillian Hall, a film directed by Michael Cristofer, written by Elisabeth Seldes Annacone, and co-starring Kathy Bates, Pierce Brosnon, and Lily Rabe.[85][86] The film, which premiered on HBO on May 31, 2024,[87] centers on Lillian Hall (Lange), a renowned Broadway actress who, while rehearsing for her next Broadway production, "is forced to reckon with the past and the price she has paid for the choices she made in her life and her art."[88] Lange previously starred opposite Bates in two films and, most notably, in American Horror Story, in which she also worked with Cristofer and Rabe. The film was initially set to star Meryl Streep, who backed out of the project for unspecified reasons.[88] The project is loosely based off the acclaimed stage actress Marian Seldes who battled dementia in her later years.[89] She also acted in the FX on Hulu miniseries Feud: Capote vs. The Swans (2024) as Truman Capote's deceased mother Lillie Mae Faulk who. The series showrunner Jon Rabin Baitz said that casting her was a direct homage to her role as the Angel of Death in the Bob Fosse film All That Jazz (1979).[90]
Lange will star in director Jonathan Kent's film adaptation of Eugene O'Neill's Long Day's Journey into Night, edited for the screen by David Lindsay-Abaire and co-starring Ed Harris, Ben Foster, and Colin Morgan.[91][92][93][94][95][96] In an interview published on November 2, 2022, Lange spoke of her "bouts with depression" and "overwhelming sense of loneliness" and referred to the aforementioned project, noting, "I could be feeling that even more acutely right now because I'm starting to play [drug-addicted matriarch] Mary Tyrone again."[96] Kent previously directed the 2016 Broadway stage production of O'Neill's play, for which Lange garnered a Tony Award, among other accolades. Additionally, Kenwright produced the 2000 London stage production of O'Neill's play, which earned Lange an Olivier Award nomination, and also produced London stage productions of Tennessee Williams' A Streetcar Named Desire and The Glass Menagerie, both starring Lange.
Additionally, Lange has three other filmed projects in development: a Marlene Dietrich biopic produced by Ryan Murphy for Netflix centered on Dietrich's late-career period in Las Vegas, Gia Coppola's adaptation of Jean Nathan's memoir The Search for Dare Wright: The Secret Life of the Lonely Doll co-starring Naomi Watts which chronicles the life of Dare Wright and her tempestuous relationship with her mother Edith Stevenson Wright,[97][98] and a film adaptation of The Year of Magical Thinking to be filmed in 2025 where she would portray Joan Didion alongside Gary Oldman.[99]
Style and reception
Lange is often included in the milieu of America's finest and most respected actresses.[100][101][102][103][104]
In a career spanning nearly five decades, Lange has come to be associated with playing intelligent women who often have a troubled internal life.[105] She has been credited for her ability to deliver emotional intensity without resorting to excessive melodrama. Critics have frequently pointed out her tendency to play women on the edge of a nervous breakdown, a notion that Lange herself has also acknowledged.[106][107][108] Nicholas Bell of Ioncinema writes that her Oscar-winning role of Carly in Blue Sky is reminiscent of her signature performances, as "Lange excels [here] at the small tics hinting at the madness always lurking below the surface".[109]
Regarding to her acting style, Lange has said that she performs on "pure emotion" rather than relying on a specific technique.[110][111] Director Glenn Jordan, who has directed her in O Pioneers!, noted that "Jessica reminds me of what someone once said of Jack Lemmon. Whatever emotion or whatever small nuance you want, she is like a supermarket. Her shelves are stocked full and it's all accessible to her".[112] This sentiment was echoed by actress Sarah Paulson who, after working with Lange on the 2005 stage production of The Glass Menagerie as well as five seasons of American Horror Story, described the actress as being "like a cat on a wire" and added that "she is very instinctual, she doesn't come up with an entire plan on how to play a scene".[113] As a result, Lange's performance style has positively been referred to as unpredictable, since she acts out the trajectory of her characters' emotional journey with unexpected turns.[114][105][115][116]
Personal life
Marriage and relationships
Lange was married to photographer Francisco "Paco" Grande from 1970 to 1982.[117][118] Though they separated not long after moving to Europe during the mid-1970s, they did not divorce until the early 1980s, after which Lange paid him an undisclosed sum in alimony.[119][14] According to biographer Anthony Uzarowski, the former couple “remain close friends.”[120]
In 1982, she met and entered a relationship with playwright Sam Shepard. They had two children: daughter Hannah Jane Shepard (born 1986) and son Samuel Walker Shepard (born 1987). They lived together in Virginia, New Mexico, Minnesota, and eventually New York City, before separating in 2009.[122]
Lange often returns to Duluth, Minnesota, and has said of the city, "It's the one place that has remained constant in my life... After living all over [the world] and traveling everywhere I've wanted to go, I keep coming back here."[123]
Though she does not follow any set religion, she periodically practices Buddhism.[124] She once admitted, "It's been a discipline that makes sense more than anything because it's like a science. I've never been a religious person. I've always looked for some kind of spiritual meaning. I didn't grow up going to church. My mother's family were atheists and my father's side was confused."[124] She is also a vegetarian.[125] Lange has joined the opposition to Minnesota's wolf hunt. "More than anything else, the cruel methods allowed for hunting and trapping wolves are deeply disturbing," the Cloquet native wrote in a letter to Governor Mark Dayton.
Health issues
Lange has also revealed that she suffers from severe bouts of depression,[17][126] once admitting, "I have never been a believer in psychoanalysis or therapy or anything like that. I've never done that."[126] She confessed, "Though my dark side is dormant right now, it continues to play a big role in whatever capacity I have to be creative. That's the well I'm able to tap into, where all the anguish, rage and sadness are stored."[17] In 2022, Lange shed more light on her dark moods, admitting, "I've suffered bouts of depression my whole life. They ebb and flow. I have a hard time separating the sadness, [and] the depression, from my overwhelming sense of loneliness."[96]
In 2008, Lange published a collection of her black-and-white photographs, 50 Photographs (powerHouse Books), with an introduction by Patti Smith.[127] In 2009, an exhibition of her work, along with a series of her films, was presented at the George Eastman House, the oldest international museum of photography and film, which honors distinguished contributions to film with the George Eastman Award. Lange received the first George Eastman Honors Award, an award given to an artist whose life work embodies the traditions and values championed by George Eastman House International Museum of Photography and Film.[128] In 2010, she published a second collection of photographs, In Mexico.[129][130][131][132] In 2013, she released a children's book of photography, It's About a Little Bird. In 2014, she exhibited at Moscow's Multimedia Art Museum.[133] In 2019, she published her fourth book of photography, Highway 61, composed of photographs of U.S. Route 61.[8]
^Uzarowski 2023, p. 2: Paternal ancestry “somewhat unclear,” her grandfather from Żagań, Poland, formerly part of Prussia. And p. 2-3: Lang’s mother from “proud Finnish stock,” her father George Sahlman immigrating from Kuopio, Finland
^Uzarowski 2023, p. 136: "...reviews [for the production] were mixed. Most critics were less than kind to Jessica…the Boston Globe summed up the response."
^Uzarowski 2023, p. 143: Lange's performance in Blue Sky "received some of the most glowing reviews of her career…"
^Uzarowski 2023, p. 143: "...never became a box office hit…" And p. 145: Grossed $3 million, compared to that year's Forrest Gump (1994), at $300 million.
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