Jean Merilyn SimmonsOBE (31 January 1929 – 22 January 2010) was a British actress and singer.[1][2] One of J. Arthur Rank's "well-spoken young starlets," she appeared predominantly in films, beginning with those made in Britain during and after the Second World War, followed mainly by Hollywood films from 1950 onwards.[3]
During the Second World War, the Simmons family was evacuated to Winscombe, Somerset.[6] Her father, a physical education teacher,[7] taught briefly at Sidcot School, and sometime during this period, Simmons followed her eldest sister onto the village stage and sang popular songs such as "Daddy Wouldn't Buy Me a Bow Wow". At this point, her ambition was to be an acrobatic dancer.[8]
Simmons became a star in Britain when she was cast as the young Estella in David Lean's version of Great Expectations (1946). The movie was the third-most-popular film at the British box office in 1947, and Simmons received excellent reviews.[10]
The experience of working on Great Expectations caused her to pursue an acting career more seriously:
I thought acting was just a lark, meeting all those exciting movie stars, and getting £5 a day which was lovely because we needed the money. But I figured I'd just go off and get married and have children like my mother. It was working with David Lean that convinced me to go on.[11]
Simmons was top-billed for the first time in the drama Uncle Silas (1947). She followed it with The Woman in the Hall (1947). Neither was particularly successful, but Simmons was then in a huge international hit, playing Ophelia in Laurence Olivier's Hamlet (1948), for which she received her first Oscar nomination. Olivier offered her the chance to work and study at the Old Vic, advising her to play anything they offered her to get experience, but she was under contract to the J. Arthur Rank Organisation, which vetoed the idea.[13]
Simmons starred with Stewart Granger in the comedy Adam and Evelyne (1949). It was her first adult role, and Granger and she became romantically involved; they soon married.[16]
Granger became a Hollywood star in King Solomon's Mines (1950) and was signed to a contract by MGM, so Simmons moved to Los Angeles with him. In 1951, Rank sold her contract to Howard Hughes, who then owned RKO Pictures.[18][19]
Hughes was eager to start a sexual relationship with Simmons, but Granger put a stop to his advances by angrily telling Hughes over the phone: "Mr. Howard bloody Hughes, you'll be sorry if you don't leave my wife alone."[20] To punish Simmons and Granger, Hughes refused to lend her to Paramount where director William Wyler wanted to cast her in the female lead for his film Roman Holiday; the role made a star of Audrey Hepburn.[citation needed]
Her first Hollywood film was Androcles and the Lion (1952), produced by Pascal and co-starring Victor Mature. It was followed by Angel Face (1953), directed by Otto Preminger with Robert Mitchum. David Thomson wrote that "she might now be spoken of with the awe given to Louise Brooks" if Simmons only starred in that film.[21] Smarting over his rebuff from Granger, Hughes instructed Preminger to treat Simmons as roughly as possible, leading the director to demand that costar Mitchum repeatedly slap the actress harder and harder, until Mitchum turned and punched Preminger, asking if that was how he wanted it.[22] He also made her appear in She Couldn't Say No (1954), a comedy with Mitchum.
A court case freed Simmons from the contract with Hughes in 1952.[21] They settled out of court; part of the arrangement was that Simmons would do one more film for no additional money.[23] Simmons also agreed to make three more movies under the auspices of RKO, but not actually at that studio—she would be lent out. She would make an additional picture for 20th Century Fox while RKO got the services of Victor Mature for one film.[24]
Simmons and Granger returned to England to make the thriller Footsteps in the Fog (1955). Then, Joseph Mankiewicz cast her opposite Brando in the screen adaptation of Guys and Dolls (1955), where she did her own singing in a role turned down by Grace Kelly; it was a big hit.[25]
Simmons did Heidi (1968) for TV, then Brooks wrote and directed The Happy Ending (1969) for her, and she received her second Oscar nomination.[citation needed]
1970s and 1980s
By the 1970s, Simmons turned her focus to stage and television acting. She toured the United States in Stephen Sondheim's A Little Night Music, then took the show to London, thus originating the role of Desirée Armfeldt in the West End. Performing in the show for three years, she said she never tired of Sondheim's music; "No matter how tired or 'off' you felt, the music would just pick you up."[27]
She portrayed Fiona "Fee" Cleary, the Cleary family matriarch, in the miniseries The Thorn Birds (1983); she won an Emmy Award for her role. She appeared in North and South (1985–86), again playing the role of the family matriarch as Clarissa Main, and starred in The Dawning (1988) with Anthony Hopkins and Hugh Grant. In 1989, Simmons appeared as murder mystery author Eudora McVeigh Shipton, a self-proclaimed rival to Jessica Fletcher, in the two-part Murder, She Wrote episode "Mirror, Mirror, On the Wall" with Angela Lansbury.
Simmons was married and divorced twice. At 21, she married Stewart Granger in Tucson, Arizona, on 20 December 1950.[28] She and Granger became US citizens in 1956;[29] in the same year, their daughter Tracy Granger was born. They divorced in 1960.[30]
On 1 November 1960, Simmons married director Richard Brooks;[31] their daughter, Kate Brooks, was born a year later, in 1961. Simmons and Brooks divorced in 1980.[32] Although both men were significantly older than Simmons, she denied that she was looking for a father figure. Her father had died when she was just 16, but she said:
They were really nothing like my father at all. My father was a gentle, softly spoken man. My husbands were both much noisier and much more opinionated ... it's really nothing to do with age ... it's to do with what's there – the twinkle and sense of humour.[11]
In a 1984 interview, given in Copenhagen at the time she was shooting the film Going Undercover (1988,[33][34] a.k.a. Yellow Pages; completed 1985)[35] she elaborated slightly on her marriages, stating,
It may be simplistic, but you could sum up my two marriages by saying that, when I wanted to be a wife, Jimmy [Stewart Granger] would say: "I just want you to be pretty." And when I wanted to cook, Richard would say: "Forget the cooking. You've been trained to act – so act!" Most people thought I was quite helpless – a clinger and a butterfly – during my first marriage. It was Richard Brooks who saw what was wrong and tried to make me stand on my own two feet. I'd whine: 'I'm afraid.' And he'd say: 'Never be afraid to fail. Every time you get up in the morning, you are ahead.'
Simmons had two daughters, Tracy Granger (a film editor since 1990), and Kate Brooks (a TV production assistant and producer), one by each marriage – their names bearing witness to Simmons's friendship with Spencer Tracy[36] and Katharine Hepburn. Simmons moved to the East Coast of the US in the late 1970s, briefly owning a home in New Milford, Connecticut. She returned to California, settling in Santa Monica, California, where she lived until her death.[citation needed]
In 2003, she became the patron of the British drugs and human rights charity Release. In 2005, she signed a petition to British Prime Minister Tony Blair asking him not to upgrade cannabis from a class C drug to class B.[38]
Simmons died from lung cancer at her home in Santa Monica on 22 January 2010, nine days before her 81st birthday. She is interred in Highgate Cemetery, north London.[39][40][41]
For a number of years, British film exhibitors voted Simmons among the top ten British stars at the box office via an annual poll in the Motion Picture Herald.
^"...and from London". The Mail. Vol. 35, no. 1, 806. Adelaide. 4 January 1947. p. 9 (Sunday Magazine). Retrieved 10 October 2017 – via National Library of Australia.
^Picture Show and TV Mirror, 2 July 1960, p. 7. Simmons says her daughter was named after Spencer Tracy in interview, but adds, "Jimmy [Granger] says he got the name from the role Katharine Hepburn played in The Philadelphia Story."
^ abBrown, David (2001). "James Kenelm Clarke". In Allon, Yoram; Cullen, Del; Patterson, Hannah (eds.). Contemporary British and Irish Film Directors. Wallflower Press. p. 60, viii. ISBN9781903364215.
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