Gian Franco Corsi Zeffirelli (Italian pronunciation:[ˈfraŋkoddzeffiˈrɛlli]; 12 February 1923 – 15 June 2019)[1] was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post–World War II era, gaining both acclaim and notoriety for his lavish stagings of classical works, as well as his film adaptations of the same.[2][3]
Zeffirelli was born Gian Franco Corsi Zeffirelli in the outskirts of Florence, Tuscany, Italy, after an affair between Florentine Alaide Garosi, a fashion designer, and Ottorino Corsi, a wool and silk dealer from Vinci. Since both were married, Alaide was unable to use her surname or Corsi's for her child. She came up with "Zeffiretti", which are the "little breezes" mentioned in Mozart's opera Idomeneo, of which she was quite fond. However, it was misspelt in the register and became Zeffirelli.[5] When he was six years old, his mother died and he subsequently grew up under the auspices of the English expatriate community and was particularly involved with the so-called Scorpioni, who inspired his semi-autobiographical film Tea with Mussolini (1999).
Italian researchers found that Zeffirelli was one of a handful of living people traceably consanguineous with Leonardo da Vinci. He was a descendant of one of da Vinci's siblings.[6]
While working for a scene painter in Florence, he was introduced to Luchino Visconti, who hired him as an assistant director for the film La Terra trema, which was released in 1948. Visconti's methods had a deep impact on Zeffirelli's later work.[8] He also worked with directors such as Vittorio De Sica and Roberto Rossellini. In the 1960s, he made his name designing and directing his own plays in London and New York City and soon transferred his ideas to the cinema.
Career
Film
Zeffirelli with Olivia Hussey while filming Romeo and Juliet in 1967
While editing The Taming of the Shrew, Zeffirelli's native Florence was devastated by floods. A month later, he released a short documentary, entitled Florence: Days of Destruction, to raise funds for the disaster appeal.[9]
Zeffirelli's major breakthrough came the year after, when he presented two teenagers as Romeo and Juliet (1968). It made Zeffirelli a household name – no other subsequent work by him had the immediate impact of Romeo and Juliet. The film earned $14.5 million in domestic rentals at the North American box office in 1969.[10] It was re-released in 1973 and earned $1.7 million in rentals.[11]
After two successful film adaptations of Shakespeare, Zeffirelli went on to religious themes, first with a film about the life of St. Francis of Assisi titled Brother Sun, Sister Moon (1972), then his extended mini-series Jesus of Nazareth (1977) with an all-star cast. The latter was a major success in the ratings.
He moved on to contemporary themes with a remake of the boxing picture The Champ (1979) and the critically panned Endless Love (1981). In the 1980s, he made a series of successful films adapting opera to the screen, with such stars as Plácido Domingo, Teresa Stratas, Juan Pons and Katia Ricciarelli. He returned to Shakespeare with Hamlet (1990), casting Mel Gibson in the lead role. His adaptation of the Charlotte Brontë novel Jane Eyre (1996) was a critical success.
Zeffirelli received criticism from religious groups for what they call the blasphemous representation of biblical figures in his films.[37] He also roused accusations of antisemitism for describing Martin Scorsese's The Last Temptation of Christ as a product of "that Jewish cultural scum of Los Angeles which is always spoiling for a chance to attack the Christian world."[38]
He roused controversy again when he told a newspaper in 2006 that he had not suffered any harm from sexual abuse by a priest as a child.[38]
Personal life
Zeffirelli in 2008
In 1996, Zeffirelli came out as gay, but thereafter preferred to be discreet about his personal life.[40] Zeffirelli said that he considered himself "homosexual" rather than gay, as he felt the term "gay" was less elegant.[41] Zeffirelli adopted two adult sons, men with whom he had lived and who worked for him for years, managing his affairs.[41]
Allegations of sexual assault
Writer and film director Bruce Robinson claimed to have been the target of unwanted amorous attention from Zeffirelli during the filming of Romeo and Juliet, in which Robinson played Benvolio. Robinson says that he based the lecherous character of Uncle Monty in the film Withnail and I on Zeffirelli.[42]
In 2018, the American actor Johnathon Schaech alleged that Zeffirelli sexually assaulted him during the filming of Sparrow (Storia di una capinera, 1993).[43] Zeffirelli's son Giuseppe "Pippo", adopted by the filmmaker as an adult, issued a statement at the time denying the allegation.[44][45]
Death
Zeffirelli died at his home in Rome on 15 June 2019, aged 96.[46][47]
^ abSmith, Patricia Julian (9 January 2005). "Zeffirelli, Franco". glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender and Queer Culture. Archived from the original on 14 August 2007. Retrieved 7 August 2007.
Harvey Fierstein / Marco Paguia, David Oquendo, Renesito Avich, Gustavo Schartz, Javier Días, Román Diaz, Mauricio Herrera, Jesus Ricardo, Eddie Venegas, Hery Paz, and Leonardo Reyna / Jamie Harrison, Chris Fisher, Gary Beestone, and Edward Pierce (2025)
