Captain America
Promotional poster
Directed by	Albert Pyun
Screenplay by	Stephen Tolkin
Story by	Stephen Tolkin Larry Block
Based on	Captain America by Joe Simon Jack Kirby
Produced by	Menahem Golan
Starring	Matt Salinger Ronny Cox Ned Beatty Darren McGavin Michael Nouri Melinda Dillon Kim Gillingham Scott Paulin
Cinematography	Philip Alan Waters
Edited by	Jon Poll
Music by	Barry Goldberg
Production companies	21st Century Film Corporation Marvel Entertainment Group Jadran Film
Distributed by	Columbia TriStar Home Video (US)
Release dates	December 14, 1990 (1990-12-14) (United Kingdom) July 22, 1992 (1992-07-22) (United States)
Running time	97 minutes[1]
Country	United States
Language	English
Budget	$3 million[2][3][4][5][6]

Captain America is a 1990 American superhero film based on the Marvel Comics superhero of the same name. It is directed by Albert Pyun and written by Stephen Tolkin, from a story by Tolkin and Larry Block. It stars Matt Salinger in the title role and Scott Paulin as his nemesis the Red Skull, with Ronny Cox, Ned Beatty, Darren McGavin, Francesca Neri, Michael Nouri and Melinda Dillon. The film produced by Menahem Golan for the now-defunct 21st Century Film Corporation.

While the film takes several liberties with the comic's storyline, it features Steve Rogers becoming Captain America during World War II to battle the Red Skull, being frozen in ice, and subsequently being revived to save the President of the United States from a crime family that dislikes his environmentalist policies.^[7]

While the film received a theatrical release internationally, it was released direct-to-video in the United States. It received generally unfavorable reviews from critics, though it has since developed a cult following.^[8]

In 1936, in Italy, the Fascist government kidnaps child prodigy Tadzio De Santis and uses him in a project to create a supersoldier. The procedure's inventor, Dr. Maria Vaselli, objects and defects to the United States.

Seven years later, the American government finds volunteer Steve Rogers, a frail polio survivor. The formula cures Rogers' ailments and gives him superior strength and endurance, but before more supersoldiers can be created, Vaselli is murdered by a Nazi spy working with Lieutenant Fleming. The now adult de Santis, with red-scarred skin from Vaselli's earlier procedure, has now become the Red Skull, with physical prowess equal to Rogers, and plans an intercontinental ballistic missile strike at the White House. Rogers, code-named Captain America, is sent to neutralize the threat. He penetrates the Nazi launch compound, but the Red Skull ties him to the missile. Captain America grabs the Red Skull's arm, forcing him to cut off his own hand to escape being taken along. A young boy, Tom Kimball, photographs Captain America over Washington, D.C. kicking the missile off course to crash in Alaska, burying itself and Rogers under the ice.

In 1992, Tom Kimball is elected President of the United States. He pushes environmentalist legislation that angers the military-industrial complex headed by now-general Fleming. Fleming meets with the Red Skull and leaders of a global shadow organization. Since the war the Red Skull has raised a daughter, Valentina, and become the head of a powerful crime family who murdered Americans who were against militarism and fascism, including Dr. Martin Luther King Jr., President John F. Kennedy, and Robert Kennedy. The Red Skull notes the assassinations caused the public to posthumously venerate those people and instead orders Kimball's kidnapping and brainwashing.

Rogers' body is found frozen in ice. He revives and escapes, making international headlines and alerting both Kimball and the Red Skull. After escaping Red Skull's thugs, Rogers brushes off reporter and Kimball's childhood friend Sam Kolawetz, who has long hounded the Skull, and hitchhikes to his wartime girlfriend, Bernice, in California. She has long since married and has a daughter, Sharon, who helps Rogers catch up. Valentina and her thugs kill Bernice while looking for Rogers. Learning that Kimball has been kidnapped, Rogers and Sharon recover Vaselli's diary and learn Red Skull's original name. In the Red Skull's childhood home they find a tape recording of the murder of his family. Sharon gets herself kidnapped as a distraction to allow Rogers, who dons his costume, to enter the Red Skull's castle.

Kimball is rescued by Captain America, and they lay siege to the castle. Red Skull pulls out a remote trigger for a nuclear bomb, but Rogers distracts him with the recording of the De Santis family's murder. Before the Skull recovers, Rogers uses his shield to send him off a cliff, killing him, and as Valentina prepares to kill Rogers, she is hit by his returning shield. United States Marines arrive, save the President and arrest the kidnappers. Rogers and Sharon embrace, and a news voiceover announces Kimball's environmental pact as agreed upon by countries around the world.

Captain America had a long and tumultuous production history. The film rights were originally purchased by Universal Pictures, who planned a theatrical feature-length film starring Jeff Bridges as Captain America, and Peter Fonda as the Red Skull. The writer, Jeffery Sprouse, later revealed a script and pieces of concept art that also included Falcon, Heinrich or Helmut Zemo, and Bucky Barnes as characters, when he was interviewed about the project. The film ultimately never got made due to issues reacquiring the rights. ^{[citation needed]}

The rights were then sold to The Cannon Group founders Menahem Golan and Yoram Globus in 1984.^[9] Initially Cannon regular Michael Winner (Death Wish 1–3) was attached to direct a script by James Silke.^[9] However, in 1986, Winner scrapped the Silke script and recruited British television writer Stan Hey (Auf Wiedersehen, Pet, Dalziel and Pascoe). According to Hey, the film involved a stolen Statue of Liberty plot by an elderly Red Skull aided by a female death cult and Steve Rogers working as an artist.^[10] Later, after some negative feedback for the Winner & Hey version, Winner started over, working alongside Stan Lee and Larry Block, with an advertisement released with their names listed.^[9] Michael Dudikoff was set to play the title character, and Steve James would play Sam Wilson/Falcon. By 1987 Winner was off the project and actor-director John Stockwell came aboard with a script by Stephen Tolkin.^[9]

Golan left Cannon in 1989, and as part of a severance package he was given control of 21st Century Film Corporation and allowed to carry over the film rights to the Captain America character.^[9] Director Albert Pyun, who had previously worked at Cannon, was brought on board and worked with the Tolkin script that originally started at Cannon.^[9] In an interview with Cinefantastique, Tolkin explained some of the changes that he made from the original comic, including changing the appearance and character of the Red Skull: "I didn't think people wanted to keep looking at this horrible skull face forever".^[11]

Dolph Lundgren and Arnold Schwarzenegger were both considered for the title role. Val Kilmer was offered the part, but turned it down to work on The Doors instead.

Pyun originally wanted two different actors to play Rogers/Captain America; one before and one after his supersoldier transformation. He wanted Matt Salinger to play pre-supersoldier Rogers and Howie Long to play post-supersoldier Captain America. However, Marvel insisted only one actor play the character.

Pyun also wanted Captain America to use his "tactical" black suit in the film, to reflect his appearance in the comics at the time, but this too was rejected by Marvel, who wanted him to retain his classic costume.

Principal photography began in 1989 and was completed in 1990. Though the production originally planned to shoot on-location in Italy, budgetary issues meant that shooting moved to cheaper Yugoslavia, and the script was heavily rewritten as many scenes couldn't be shot as scripted.

Filming took place in the cities of Zagreb and Dubrovnik, and at Jadran Film Studios. Other scenes were shot in Los Angeles. Entertainment Tonight also visited the set during making of the film, airing a segment in August 1989.^{[citation needed]}

Stan Lee filmed a cameo appearance that was ultimately cut.

The film was intended for release in August 1990,^[11] to coincide with the fiftieth anniversary of Captain America.^[12] Several release dates were announced between Fall 1990 and Winter 1991,^[13] but the film went unreleased for two years before debuting direct-to-video and on cable television in the United States in the summer of 1992.^[14] In UK, 20/20 vision released the VHS in 1991 prior to its release in the United States.^[15] The film was given a limited theatrical release internationally.^[16] In the Philippines, the film was released as Bloodmatch on December 11, 1991, in a double feature with a Snoopy film; posters miscredit Jean-Claude Van Damme as the "martial art instructor".^[17]

The film was invited to screen as part of the 2013 Comic-Con in San Diego in July 2013.^[18]

The film also had its debut on Cinemax Asia.^[19]

Review aggregation website Rotten Tomatoes gave the studio cut of the film an approval rating of 12% based on 17 reviews, with an average rating of 3.70/10. The consensus states: "Lacking a script, budget, direction, or star capable of doing justice to its source material, this Captain America should have been left under the ice."^[20] Many reviews and publications stated that the film is not quite as bad as many reviewers had said and that the director's cut was better than the studio version.^{[21][22][23][24][25]}

In one of the few contemporary reviews, Entertainment Weekly critic Frank Lovece wrote, "The movie isn't merely wrong for kids – it opens in pre-war Italy with a sequence in Italian with subtitles, and a machine-gun slaughter – it's just all wrong", and decried the "shapeless blob of a plot" in grading the film "F".^[14] Variety called it "a strictly routine superhero outing" and "this fantasy adventure is missing the large-scale setpieces" that audiences have come to expect.^[26]

IGN gave the two different reviews for each different versions, the unfavorable rating for MGM version and the average rating for the Collector's Edition version.^[27][28] Cinelinx's Victor Medina rated the film B−, but rated the overall DVD grade C− because of the DVD video transfer and the lack of extras.^[29]

In 2016, Flickering Myth's Neil Calloway said, "It's not a great film, and is really only of interest as a pre-MCU curio for hardcore Marvel fans."^[30]

The film gained some cult followings.^[31] Film Trap's Justin Decloux later reviewed and showed a newly found Director's Cut of the film via a Twitch stream and praised it for its more somber tone and improved ending.^[32] Many others as well who saw it also considered it as a substantial improvement over the theatrical cut and called for its official release.^{[citation needed]}

The film was first released on VHS and LaserDisc^[33] by 20/20 Vision (UK VHS) in 1991 and by Columbia TriStar Home Video (US VHS and LD) in 1992.

The film was released on DVD as part of the MGM limited edition made-on-demand series.^[16]

A Blu-ray Disc of the film was released by Shout! Factory on May 21, 2013, as a Collector's Edition which features a widescreen HD presentation and brand new interviews with director Pyun and star Salinger.^[34]

• The Fantastic Four (unreleased 1994 film)

Wikiquote has quotations related to Captain America (1990 film).

• Captain America at IMDb
• Captain America at Rotten Tomatoes
• Captain America Archived 2015-11-02 at the Wayback Machine at Superheroes Lives
• Bell, Josh. "Chatting with Original Captain America Director Albert Pyun", Las Vegas Weekly, June 29, 2011. WebCitation archive.