Sahni was born on 1 May 1913 in Rawalpindi, Punjab, British India.[3] His father belonged to the Arya Samaj organization, a Hindureformist movement, and stressed the importance of social reforms as well the independence movement also admiring individuals such as Gandhi and Tagore, which would instill an early idealism in the mind of Sahni.[4] His son Parikshit Sahni would say that, later in his life, Sahni would keep such idealism but with a non-religious approach, as he'd identify with Marxism[5] and declare himself an atheist.[6]
In the late 1930s, Sahni and his wife left Rawalpindi to join Tagore's Visva-Bharati University in Shantiniketan in Bengal as an English and Hindi teacher. It is here that their son, Parikshit Sahni was born, when his wife Damayanti was earning her bachelor's degree.[9] He also collaborated with Mahatma Gandhi for a year in 1938. The next year, Sahni, with Gandhi's blessings, went to England to join the BBC-London's Hindi service as a radio announcer. He returned to India in 1943, and his wife died in 1947 at age 26. In 1951, he remarried, to writer Santosh Chandhok; they remained married until his death in 1973.[10] While at the BBC, Sahni worked alongside George Orwell.[11]
Career
Sahni was always interested in acting, and started his acting career with the plays of the Indian People's Theatre Association (IPTA).[8] Incidentally, his wife Damayanti became well known as an IPTA actress much before Sahni made a name for himself in films.[12] He started his film career in Bombay with the film Insaaf (1946), followed by Dharti Ke Lal directed by Khwaja Ahmad Abbas in 1946, Damayanti's first film, Door Chalein in 1946, and other films. But it was in 1953, with Bimal Roy's classic Do Bigha Zamin, that his true strength as an actor was first recognised. The film won the international prize at the Cannes Film Festival.
He followed it up with an encore in the 1961 classic Kabuliwala penned by Tagore.
Sahni's wife Damayanti, who was the heroine of his 1947 film Gudia, died at a young age that same year. Two years later, he married his first cousin, Santosh Chandhok, later known as an author and television writer.
He also starred in the classic Punjabi film Nanak Dukhiya Sub Sansar (1970) as well as the critically acclaimed Satluj De Kande.
His role as the angst-ridden, but stoic Muslim man who refuses to go to Pakistan during partition, in his last film Garam Hawa, has often been called his best performance by critics. Balraj, however, could not see the completed film to rate his own performance, as he died the day after he finished dubbing work. The last line he recorded for the film, and hence his last recorded line is Hindustani: "Insaan Kab Tak Akela Jee Sakta Hai?" which can be translated to English as: "How long can a man live alone?"
Later life
Sahni was a gifted writer; his early writings were in English, though later in life he switched to Punjabi, and became a writer of repute in Punjabi literature.[13] In 1960, after a visit to Pakistan, he wrote Mera Pakistani Safarnama. His book Mera Rusi Safarnama, which he had written after a tour of the erstwhile Soviet Union in 1969, earned him the Soviet Land Nehru Award. He contributed many poems and short stories in magazines and also penned his autobiography; Meri Filmi Aatmakatha. Sahni was an extremely well-read and politically conscious person.
He and P. K. Vasudevan Nair worked on the idea of All India Youth Federation with firebrand Delhi communist, Comrade Guru Radha Kishan to organise the first national conference of AIYF in Delhi. Their wholehearted efforts were visible as more than 250 delegates and observers representing several youth organisations of various states of India attended this session. Balraj Sahni was elected as the first president of All India Youth Federation, the youth wing of Communist Party of India. The organisation was a huge success and strong presence of the organisation was noticed by other political groups and the senior communist leaders everywhere.
Sahni also dabbled in screenwriting; he wrote the 1951 film Baazi which starred Dev Anand and was directed by Guru Dutt. He was also a recipient of the Padma Shri Award (1969). Balraj Sahni also wrote in Punjabi and contributed to the Punjabi magazine Preetlari.
In the 1950s he inaugurated the Library and Study Centre for the underprivileged in Delhi.
Balraj's brother Bhisham Sahni was a well-known writer who wrote the novel Tamas. His son Parikshit Sahni is also an actor. Balraj Sahni died on 13 April 1973 of a massive cardiac arrest, at age 59. He had been depressed for some time by the untimely death of his young daughter, Shabnam; she died a year earlier.[10]
Punjabi Kala Kender, founded in 1973 at Bombay by Balraj Sahni, gives away the annual Balraj Sahni Award,[14] also given by the All India Artists Association.[15]
^Sahni, Parikshit (1 May 2021). "Book extract: Balraj Sahni and the pursuit of excellence". Cinestaan. Retrieved 10 December 2024. Listen, son, this is not a film set. For me this is holy ground. I am not religious. I am an atheist. I don't believe in god. I don't go to temples or churches or gurdwaras. This is a place of worship for me. For me, work is worship.
^Parikshit Sahni turns producerArchived 8 July 2012 at archive.todayMid-Day, 4 May 2006."..My dad came from a literary background and taught English Literature at Shantiniketan. My mom who was doing her Bachelor's degree there, was expecting me then, and was about to give her exams. Tagore told her that I should be called Parikshit as she was giving pariksha, while I was still in her womb.
