Palghat Kollengode Viswanathan Narayanaswamy (15 November 1923 – 1 April 2002), often referred to as K. V. Narayanaswamy was an Indian musician, widely considered to be among the finest Carnatic music vocalists of the 20th century. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1986. He was described as the "Perfect Knight" of Carnatic music, a phrase from Geoffrey Chaucer, by V. K. Narayana Menon, art critic of India and recipient of the Sangeet Natak Akademi Fellowship.[1]
Early life and background
Narayanaswamy was born to Kollengode Viswanathayyar and Muthulakshmi Ammal in Palghat, Kerala, to a Palakkad Iyer family, a district renowned for its cultural and musical traditions, on 15 November 1923. Narayanaswamy was born into a family of illustrious musicians and artists. His great-grandfather Viswam Bhagavatar was renowned for his evocative Ashtapadis and rendered services for MaharajaAyilyam Thirunal, ruler of the princely state of Travancore from 1860 to 1880. In return Viswam Bhagavatar was bestowed with government aid and hereditary royal privileges. Viswam Bhagavatar's son, Narayana Bhagavatar continued his father's legacy. His son was violin maestro, Viswanathayyar (soon came to be known as 'Fiddle' Viswanathayyar), His father. K.V. Narayanaswamy learned basic music lessons under his father and grandfather. After studying in Palghat till the fifth form, he moved to Coimbatore, where he briefly dabbled in theatre. Narayanaswamy even managed a role as the young Kanappan in the movie Kannappa Nayanar. The movie bombed at the box office.[2]
K.V.Narayanaswamy was intimately connected to the Travancore royal family following his skilful rendition of Swathi Thirunal Rama Varma's Navaratri compositions. Another landmark in Narayanaswamy's life came in 1964 when he participated in the East-West Encounter concerts in New Delhi. This was followed by a widely acclaimed concert at the Edinburgh Festival in Scotland in 1965.[5]
Visual list with many of Sri Narayanaswamy's concerts up until 1975 along with YouTube links. Note that the names of accompanists are abbreviated and full names can be found on the videos themselves.
On being made professor of music at Wesleyan University, Middletown, Connecticut, between 1965 and 1967, he went on a coast-to-coast concert tour of US. He was one of four artists including Bismillah Khan, Ali Akbar Khan, and Ravi Shankar who participated in the hugely popular Hollywood Bowl music festival in Los Angeles in the summer of 1967.In 1974, Narayanaswamy went to teach in Berkeley, California for a year, in the company of dancer Balasaraswati and sitarist Nikhil Banerjee. Invited by the American Society of Eastern Arts, he travelled to North America, Europe (Berlin Music Festival in 1976) and Australia (Adelaide Arts Festival in 1988) multiple times thereafter on various concert tours. He also joined the Music College in Madras as a lecturer in 1962 when Musiri Subramania Iyer was its principal, and retired as Professor of Music in 1982.In 1984, Narayanaswamy was to become the first Indian musician to be awarded the Fulbright Scholarship and went to San Diego State University in California as an artist-in-residence under the scholarship. For nine months he taught at the university and gave performances all over North America.[6]
Musical style and song repertoire
Though Narayanaswamy's singing bore his master Ariyakudi's Bani, over the years he evolved a unique style of his own. Strict classicism and blemish-less singing are some of the obvious facets of his music. His vast repertoire included songs that encompassed every genre, a number of languages and composers belonging to different ages.[7]Endaro Mahanubhavulu in Sri Ragam, Sri Subrahmanya Namaste in Kambhoji, Bala gopala in Bhairavi, Satatam Tavaka in Kharaharapriya, Pahi Janani in Natakuranji, Enneramum in rāgaDevagandhari, Pirava varam tarum in Latangi and Kanavendamo in Sriranjaniare some of the songs that have come to bear his distinct signature. "The depth of emotion and the pathos he invested in singing certain compositions of Gopalakrishna Bharathi, especially VarugalAmo ayya and his incomparable and unique presentation of Krishna nee beganey in the style of Jayammal and Balasaraswati, in which he caressed the words and phrases exquisitely and had the audience in a trance as if he were a pied piper"[8] are noteworthy. Strict adherence to Shruthi (musical pitch), lyrical purity and a poignant rendition were distinctive features of Narayanaswamy's music.
Some of Narayanaswamy's leading disciples were Padma Narayanaswamy (whom he married), vocalist K.V.Ananthan, violinist and vocalist Hemmige V. Srivatsan, renowned flautist Shashank Subramanyam, Padma Sandilyan, Padmasri Veeraraghavan, Hemmige S. Prashanth, Pattabhirama Pandit, Sathish Rao, M.R.Subramaniam, T. S. Ranganathan, Manipallavam K.Sarangan, Balaji Prasad Krishnamurthy, Ravi Srinivasan, Navneet Krishnan, B. Raman and Ramanujan.[9] Also French Algerian Toufiq Touzene AKA Tulsi Ram.
Personal life
In 1948 Narayanaswamy married Palghat Mani Iyer's cousin Annapoorni. They had three daughters and a son: Muktha, Lalitha, Viswanathan and violinist Ramaa Raghunathan. She died in 1962.[10] In 1965 Narayanaswamy married Padma, a talented musician and disciple who continues to train her husband's students in his style. Their daughter Anuradha Krishnamurthy is a trained vocalist[11] and television actor.
