In 2020, Insider.com named The Supremes "the best-selling vocal group to date",[9] after Ebony estimated The Supremes' record sales at 50 million in 1980[10] and Euronews reported total sales exceeding 100 million records in 2014.[11][12] This would make the group one of the best-selling music artists of all time. However, Motown refused to submit their books for industry audit,[13] until the 1980s, years after the group disbanded.[14][15] As such, The Supremes' first certifications include; the Anthology compilation album, which peaked at number 66 on the US Billboard 200[3] and was certified Gold by the Recording Industry Association of America (RIAA) on January 21, 1986;[16] and the Love Supreme (1988) compilation, which peaked at number ten on the UK Albums Chart[17] and was certified Silver by the British Phonographic Industry (BPI) on January 27, 1989.[18] To put this into perspective, the group's first hits compilation, Greatest Hits (1967), topped both the US[3] and UK albums charts upon release.[17] Despite selling over one million copies in the US,[19] with 89 total weeks on the Billboard 200;[3] and being the UK's fourth "longest-reigning Top 40 girl group album ever", with a total of 60 weeks in the top 40;[20]Greatest Hits (1967) is not certified by either the RIAA or BPI.
List of singles by other artists, The Primettes and The Supremes recorded backing vocals for, with selected chart positions, showing year released and album name
Titles only included if they are confirmed to have background vocals by The Primettes or The Supremes
The Supremes Sing Ballads & Blues was assigned a catalog number (Motown 610) in late 1963 and given a projected release date. Although it was not released, several of the tracks originally recorded for it appeared on the album The Supremes Sing Country, Western and Pop in spring 1965.
Live, Live, Live!, a combination of live concert recordings, was scheduled for release on Motown 625 in early 1965. Although no official track list is available, the live set from the expanded fortieth anniversary edition of the Where Did Our Love Go album features tracks that were slated for inclusion on the album. The Where Did Our Love Go anniversary edition liner notes indicate the possibility of tracks from the Motortown Revue in Paris were also considered.
There's a Place for Us, an album of pop standards, was originally scheduled to be released in the summer of 1965 to tie into the Supremes' groundbreaking debut appearance at the Copacabana nightclub in New York. It was ultimately shelved in favor for a live album of their Copacabana engagement which included many songs originally on the album. The album eventually saw a release as an expanded volume in 2004, 39 years after it was completed.[318]
A Tribute to the Girls was an album Motown planned for the group to record in 1965 featuring songs made famous by girl groups of the time; however it was never completed. Several tracks were featured on the expanded release of There's a Place for Us.
Around The World with The Supremes was an album Motown intended to showcase the group singing famous international songs such as "Sukiyaki," "Tie Me Kangaroo Down Sport" and "Nel blu dipinto di blu." 11 instrumental tracks were recorded, but the album was never completed as vocals were never added.
Live at the Roostertail, a live concert recorded on September 26, 1966, has a significantly different set list to the earlier The Supremes at the Copa (1965), but was shelved. Motown considered a mix of the album featuring songs from the Roostertail show with songs recorded at the 1965 Copacabana engagement but not included on the live album. The set features a medley of songs from their I Hear a Symphony (1966) album, which was similarly performed on The Ed Sullivan Show in addition to "More (Theme from Mondo Cane)". The set is also notable for containing the last recorded performances of "Make Someone Happy" and "People".[319] Two tracks from the album, "You Can't Hurry Love," and "Group Introductions," were released in 2000 on a bonus disc included with certain copies of The Supremes box set.[320] The complete show was released in 2012 on the expanded edition of the I Hear A Symphony album.[321]
The Supremes and the Motown Sound: From Broadway to Hollywood[322]
1967
The Supremes and the Motown Sound: From Broadway to Hollywood was intended for release in early 1967, but no formal track listings for the album were produced despite an album worth of tracks were recorded. It is widely believed that the album would have been based around the group's then-current number one single, "The Happening." Tracks for the album were recorded in Los Angeles and featured songs made popular on Broadway or in Hollywood films. Earlier vaulted material, notably from the featured recordings from the There's a Place for Us, sessions were also considered for inclusion.
Live at the Copa, a live recording of concerts between May 19–20, 1967 is notable as one of the last to feature Florence Ballard. The set features a rare live recording of "My Favorite Things", in addition to the number-one hit "The Happening" and a medley of “Thoroughly Modern Millie,” “Second Hand Rose” and “Mame” which were previously only available on Live at London's Talk of the Town (1968), featuring Cindy Birdsong in Ballard's place.[324] Three tracks from the album, "Somewhere," "Group Introduction" and "You're Nobody 'til Somebody Loves You," were released on the second disc of The Supremes (2000) box set.[320] The complete set, composed of the best takes from both shows, was released on the 2018 expanded edition of The Supremes Sing Holland-Dozier-Holland.[324]
Live at the Roostertail, a live concert recorded on August 27, 1967, remains largely unreleased due to problems with the master tape. It was the first live recording to feature Cindy Birdsong. Two tracks from the album, "You Keep Me Hangin' On," and "Reflections," were released with certain limited copies of The Supremes (2000) box set, on a bonus disc titled In Person - An Evening With The Supremes.[320][326]
Diana Ross & the Supremes Sing Disney Classics[327]
1968
Diana Ross & the Supremes Sing Disney Classics was an album featuring covers of songs from films produced by Walt Disney Productions. Recordings for the album began in 1967 with Florence Ballard and continued with her replacement, Cindy Birdsong. Songs recorded for the album, have appeared on the 1986 compilation series 25th Anniversary[328] as well as The Never-Before-Released Masters (1987). "Chim Chim Cher-ee", "A Spoonful of Sugar", and "Zip-a-Dee-Doo-Dah" still remain unreleased.[327]
Stevie Wonder wrote and produced "Bad Weather", described as 'their most innovative single to date', with hopes the song would return the group back to the top of the charts. However, despite positive critical reception, the song only peaked at number 87 on the Billboard Hot 100, though it peaked within the top 40 of the UK Singles Chart. Disappointed, Wonder complained to Motown President Ewart Abner, who promised the company would "get on it" but subsequently Wonder's plans to record an album with The Supremes were scrapped.[335] Including "Bad Weather", Stevie Wonder wrote and produced three songs for The Supremes. Lynda Laurence would later recall the group recorded six songs.[336]
^More Hits by The Supremes did not enter the UK Albums Chart, but peaked at number seven on Britain's Top R&B Albums (Record Mirror) chart.[53]
^Merry Christmas did not enter the US Billboard 200, but peaked at number six on Billboard magazine's Christmas Records—Albums chart.[56]
^Merry Christmas did not enter the Record World 100 Top LP's, but peaked at number nine on the LP's Coming Up chart.[55]
^I Hear a Symphony did not enter the UK Albums Chart, but peaked at number six on Britain's Top R&B Albums (Record Mirror) chart.[59]
^Let the Sunshine In did not enter the UK Albums Chart, but peaked at number one on Britain's Top R&B Albums (Record Mirror) chart.[76]
^United Kingdom sales figure for The Magnificent 7, as of 1971.[84]
^United States sales figure for TCB, as of 1984.[27]
^United States sales figure for Greatest Hits, as of 1984.[19]
^United Kingdom sales figure for 20 Golden Greats, as of 2020.[134]
^You Keep Me Hangin' On did not enter the UK Albums Chart, but peaked at number five on the UK Budget Albums chart.[17]
^United States sales figure for 20th Century Masters: The Millennium Collection: The Best of Diana Ross & the Supremes, as of 2013.[158]
^ abUK sales figures are based solely on digital downloads and audio streams.[8]
^"My Heart Can't Take It No More" did not enter the Billboard Hot 100, but peaked at number 29 on the Bubbling Under Hot 100 Singles chart.[208]
^ abcdefgFrom November 30, 1963 to January 23, 1965, the Billboard R&B singles chart was temporarily discontinued. Billboard determined it unnecessary due to so much crossover of titles between the R&B and pop charts in light of the rise of Motown. The chart was reinstated as Hot Rhythm & Blues Singles on January 30, 1965. For the period in which no chart was published, Billboard now uses Cash Box magazine's Top 50 In R&B Locations singles chart for data.[211]
^United States sales figure for "Where Did Our Love Go", as of 1965.[197][213]
^United Kingdom sales figure for "Where Did Our Love Go", tracked from 2004 to 2021.[214][215]
^United States sales figure for "Baby Love", as of 1965.[197][213]
^United Kingdom sales figure for "Baby Love", tracked from 2004 to 2022.[216][215]
^United States sales figure for "Come See About Me", as of 1965.[197][213]
^United Kingdom digital sales figure for "Come See About Me", as of 2019.[8]
^United States sales figure for "Stop! In the Name of Love", as of 1984.[217][218]
^United Kingdom sales figure for "Stop! In the Name of Love", tracked from 2004 to 2022.[219][215]
^United States sales figure for "Back in My Arms Again", as of 1984.[217][218]
^"Nothing but Heartaches" did not enter the UK Singles Chart, but peaked at number 14 on Britain's Top R&B Singles (Record Mirror) chart.[221]
^United States sales figure for "Nothing but Heartaches", as of 1980.[23][217]
^Worldwide sales figure for "I Hear a Symphony", as of 1984.[217]
^United States sales figure for "I Hear a Symphony", as of 1980.[23]
^"Children's Christmas Song" did not enter the Billboard Hot 100, but peaked at number 12 on the Billboard Christmas Singles chart, whilst "Twinkle, Twinkle, Little Me" peaked at number 11.[56]
^United States sales figure for "My World Is Empty Without You", as of 1984.[25]
^"Love Is Like an Itching in My Heart" did not enter the UK Singles Chart, but peaked at number 11 on Britain's Top R&B Singles (Record Mirror) chart.[224]
^United States sales figure for "You Can't Hurry Love", as of 1984.[25]
^United Kingdom sales figure for "You Can't Hurry Love", tracked from 2004 to 2021.[225][215]
^United States sales figure for "You Keep Me Hangin' On", as of 1984.[25]
^United Kingdom digital sales figure for "You Keep Me Hangin' On", as of 2019.[8]
^United States sales figure for "Love Is Here and Now You're Gone", as of 1984.[227]
^United States sales figure for "The Happening", as of 1984.[227]
^United States sales figure for "Reflections", as of 1984.[227]
^"In and Out of Love" did not enter the Dutch Top 40, but peaked at number 5 on the Tipparade, 'bubbling under' Top 40 chart.[229]
^United States sales figure for "Love Child", as of December 28, 1968.[230]
^United States sales figure for "I'm Gonna Make You Love Me", as of 1984.[27]
^"I'm Livin' in Shame" did not enter the Dutch Top 40, but peaked at number 3 on the Tipparade, 'bubbling under' Top 40 chart.[231]
^"The Composer" did not enter the Dutch Top 40, but peaked at number 20 on the Tipparade, 'bubbling under' Top 40 chart.[232]
^"No Matter What Sign You Are" did not enter the Dutch Top 40, but peaked at number 2 on the Tipparade, 'bubbling under' Top 40 chart.[233]
^Worldwide sales figure for "Someday We'll Be Together", as of 1984.[236]
^United States sales figure for "Someday We'll Be Together", as of 2008.[237]
^"Up the Ladder to the Roof" did not enter the Dutch Top 40, but peaked at number 2 on the Tipparade, 'bubbling under' Top 40 chart.[243]
^United States sales figure for "Up the Ladder to the Roof", as of 1986.[28]
^"Everybody's Got the Right to Love" did not enter the Dutch Top 40, but peaked at number 18 on the Tipparade, 'bubbling under' Top 40 chart.[244]
^United States sales figure for "Stoned Love", as of 1986.[28]
^United Kingdom digital sales figure for "Stoned Love", as of 2019.[8]
^"A Taste of Honey" did not enter the Dutch Top 40, but peaked at number 7 on the Tipparade, 'bubbling under' Top 40 chart.[247]
^United States sales figure for "Nathan Jones", as of 1986.[28]
^United States sales figure for "Floy Joy", as of 1984.[29]
^ ab"Let Yourself Go" and "Love, I Never Knew You Could Feel So Good", did not enter the Billboard Hot 100, but peaked at number five on the US Hot Dance Club Songs chart.[248]
^"Medley of Hits" did not enter the Billboard Hot 100, but peaked at number 46 on the US Hot Dance Club Songs chart.[248]
^Chart position is from the "Breakers List", which was an officially published BRMB list of the most popular records in the UK outside of the top 50.[305][306][307]
Further information
^Following the success of singles "Where Did Our Love Go" and "Baby Love", in 1964, Meet The Supremes was released in the UK on Stateside (#SL 10109).[40] The UK release has a different tracklisting, featuring songs from the US album releases: Meet The Supremes and Where Did Our Love Go. It also contains the b-side "(The Man With The) Rock & Roll Banjo Band", which would later appear on The Supremes Sing Country, Western and Pop.[41][42]
^Not released commercially. Vinyl labels state, 'This album is intended for file and reference purposes only. It may not be sold, broadcast or used for any other commercial purpose.'[116] One song from the soundtrack, "Paint Your Wagon Medley: I'm on My Way/I Talk to the Trees/I Still See Elissa/They Call the Wind Maria", featuring Diana Ross & the Supremes, was later released on the compilation Among My Souvenirs: More Treasures from the Crosby Archive.[117]
^The original master of this single was withdrawn shortly after its release, and a re-recorded version, also featuring Ballard on lead, was issued instead.[207]
^Originally issued as "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heart Breaking Guy", quickly withdrawn and re-pressed with the shortened title.[209]
^"A Taste of Honey" was only released in the Netherlands, Lebanon[245] and Turkey.[246]
^A medley of the Holland-Dozier-Holland hits: "Stop! In the Name of Love", "Back In My Arms Again", "Come See About Me", "Love Is Like An Itching In My Heart", "Where Did Our Love Go" and "Baby Love".[249][250]
^In some releases, such as Remembering Roots of Soul, Vol. 2: Birth of Motor Town, both sides are credited to Marv Johnson and the Primettes.[288]
^Produced by Phil Spector, for The Equal Employment Opportunity Commission to inform minority groups that new employment opportunities were opening up for them. First recorded by Darlene Love and The Blossoms; subsequently the same backing track was used to record versions by The Supremes and Jay and the Americans.[303][304]
^ abJoseph Murrells (1984). "The Supremes". Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 252. ISBN0-7134-3843-6.
^ abcdJoseph Murrells (1984). "The Supremes". Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 233. ISBN0-7134-3843-6.
^ abcJoseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 272. ISBN0-7134-3843-6.
^ abJoseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 356. ISBN0-7134-3843-6.
^Whitburn, Joel. (2004). Joel Whitburn presents top R & B/hip-hop singles, 1942-2004. Whitburn, Joel. Menomonee Falls, Wis.: Record Research Inc. p. 13. ISBN0-89820-160-8. OCLC56929854.
^ abcdJoseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. pp. 214–215. ISBN0-7134-3843-6.
^ abcJoseph Murrells (1984). "The Supremes". Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. pp. 251–252. ISBN0-7134-3843-6.
^Joseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 292. ISBN0-7134-3843-6.
Chronology(The band's name history: The Primettes 1959–1961 / The Supremes 1961–1967 / Diana Ross & The Supremes 1967–1970 / The Supremes 1970 / Diana Ross & The Supremes 1970 / The Supremes 1970–)
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