The entire album was released for the first time on CD on May 17, 2011, on the three-disc set, Let Yourself Go: The '70s Albums, Vol 2 – 1974–1977: The Final Sessions, which also includes the complete album in a different mix by Russ Terrana. The set also includes alternate versions, including; a Wilson-led version of "You’re What’s Missing In My Life", a Payne-led "You’re What’s Missing In My Life" and a Greene-led "I’m Gonna Let My Heart Do The Walking".[5]
'The Supremes have developed a strong reputation for being number one in the field of sweet soul music and "High Energy" only serves to strengthen and broaden that reputation. The album is a pleasing offering of disco. soul and balladry that should find a universal appeal within the r&b. pop and MOR markets. The immaculate production is a tribute to the work of Brian Holland the strings are full and clean — the entire rhythm section tight and punchy. Prime AM material includes the disco feel of "I'm Gonna Let My Heart Do The Walking" and "You're What's Missing In My Life." The Supremes' gentle touch with a ballad should not be overlooked. "Till The Boat Sails Away" is a case in point.'
In a contemporary review for Record World, Vince Aletti writes:[7]
'The Supremes' "High Energy" (Motown) is their glossiest and most satisfying album in some time. Like The Temptations, the Supremes are usually referred to as an "institution," a euphemism for a group that has gone through multiple personnel changes. But the myth, the spirit and Mary Wilson remain and all feel a lot fresher under the direction of Brian Holland, who produced, and Eddie Holland, executive producer; it's almost like old times again. The prime cut, already on two top 10 lists this week (Tony Smith's from Barefoot Boy and Richie Kaczor's from the new Top Floor), is "I'm Gonna Let My Heart Do the Walkin," a sassy, exhilerating song that sounds like a natural single. The title cut, with its shimmering, slow instrumental build-up, is the album's show piece production number, a beautiful job, and three other upbeat cuts—"You're What's Missing in My Life", "Only You (Can Love Me Like You Love Me)" and "You Keep Me Moving On"—should be tested out too'[7]
John Lowe of AllMusic, similarly writes, High Energy is, 'Perhaps the most vigorous (and best) album of their latter-day career', helped by Brian and Eddie Holland at 'the production helm', Scherrie Payne's establishment 'as the centerpiece of the group' and Susaye Greene's 'multi-octative-voiced [...] though producers used her voice more for coloration than for substance.' Lowe describes the album as 'sturdy' and 'dance-oriented [...] highlighted by the hard-driving dance hit "I'm Gonna Let My Heart Do the Walking," which became their last Top 40 hit in 1976.'[2]
Commercial response
Cashbox published in their July 17, 1976 issue, 'The Supremes album “High Energy," and single, "I'm Gonna Let My Heart Do The Walking" are national break-outs, with tremendous sales claimed on the East Coast.'[9]
"You're What's Missing in My Life" (Harold Beatty, Brian Holland, Edward Holland, Jr.) - 3:56
Personnel
Scherrie Payne - lead ("I'm Gonna Let My Heart Do the Walking", "Only You (Can Love Me Like You Love Me)", "You Keep Me Moving On", "You're What's Missing in My Life") and backing vocals
Mary Wilson - lead ("Don't Let My Teardrops Bother You", "Till the Boat Sails Away", "I Don't Want to Lose You", "You're What's Missing in My Life") and backing vocals
Susaye Greene - lead ("High Energy", ad-libs on "I'm Gonna Let My Heart Do The Walking")
Chronology(The band's name history: The Primettes 1959–1961 / The Supremes 1961–1967 / Diana Ross & The Supremes 1967–1970 / The Supremes 1970 / Diana Ross & The Supremes 1970 / The Supremes 1970–)