Filmink magazine wrote that the movie featured "perhaps Flynn’s most famous 'capital-A-Acting' performance".[2]
Plot
Irene is the wife of Soames Forsyte, a Victorian "man of property." Irene married without love, after having many proposals. Soames is preoccupied with material possessions, and considers Irene to be one of them. Irene eventually rebels against Soames' treatment of her.
Irene falls in love with unconventional architect Philip Bosinney, who is engaged to Soames' niece June. June happens to be one of Irene's closest friends. Soames learns of Irene's affair with Bosinney, and rather than allowing Irene to leave him, he slaps her. When Soames and Bosinney discover that Irene has run away, Bosinney rushes out in the foggy London streets after her. Bosinney is run over in an accident.
After Irene learns of Bosinney's death, she takes refuge with Soames' younger brother, Jolyon. Jolyon is June's estranged father, but has sympathy for Irene's plight. Irene and Young Jolyon eventually marry, after Irene spurns Soames' attempts at reconciliation.
Metro-Goldwyn-Mayer bought the film rights to The Forsyte Saga in 1937 after much negotiating over a long period of time.[3] Initial plans were to make an all-star film in the vein of Dinner at Eight or Grand Hotel, with Norma Shearer, Joan Crawford and Franchot Tone mentioned as possible stars.[4]Joseph L. Mankiewicz was assigned to the project, which at one stage was going to be turned into two films.[5]
James Hilton wrote a screenplay in 1938 and in 1939, and it was reported the film would be made as a vehicle for Myrna Loy.[6]Clark Gable was going to star as Soames as his follow-up performance to Gone with the Wind.[7] This did not proceed.
In July 1940, it was announced Greer Garson would star in the film, which would most likely use many of the supporting cast from MGM's 1940 version of Pride and Prejudice (which had starred Garson).[8] Again, no film was made
In 1945, it was announced that Robert Lord was going to produce the first in a series of proposed movies based on the series from a script by Robert Nathan.[9]Deborah Kerr and Garson were named as possible leads.[10] Eventually, Garson was set for the female lead. She had reservations about the script and threatened to withdraw but changed her mind after further work on it.[11][12]Compton Bennett signed to direct, and producing duties were taken over by Leon Gordon, who said the film would mostly concentrate on the story of A Man of Property (written between 1903 and 1906).[13]
MGM wanted Michael Wilding for one of the leads but were unable to get him.[15] In November, it was announced Errol Flynn would join the cast – he was under contract to Warners, but MGM had had a one-picture call on his services ever since Warner Bros borrowed William Powell from MGM for Life with Father.[13] Robert Young, Janet Leigh and Walter Pidgeon rounded out the main stars.
Reportedly, Flynn was cast as the bohemian artist Jolyon and Pidgeon as the stuffy banker Soames. When they met on the set, and discovered that they both were tired of being typecast, they decided to switch roles.[16] (This casting was publicly confirmed in December.[17])
Filming took place from December 1948 to March 1949. Flynn and Garson were recalled for reshoots in June.[18]
Flynn and Garson got along surprisingly well during filming and discussed making another film together, such as a project about female pirate Mary Burns.[20] However, this movie was not made.
Release
In August 1949, it was announced the film's U.S. title would be That Forsyte Woman.[21]
The movie was selected for the Royal Command Performance of 1949.[22] This happened on 17 November, attended by the King, the Queen, and the two princesses.[23]
Reception
The Washington Post wrote, "while it's long, talkative and musty, there is a certain lush sincerity about it."[24] The Los Angeles Times wrote the casting of Errol Flynn as Soames "is about the only neat trick with which the filmmakers have succeeded in enlivening a photographed novel and one that is virtually without other surprises."[25]
Bosley Crowther panned the film in his November 11,1949 review for The New York Times, beginning with what he saw as the betrayal of Irene, “One of the most intriguing characters in the English fiction of our times….And, to be quite blunt about it, Miss Garson and M-G-M have done just about as cruelly by her as anyone could possibly do. …(making) a production out of her and (letting) the real lady go hang. …the script is a lot of lifeless rhetoric and the direction by Compton Bennett is absurd….”[26]
That Forsyte Woman ranked ninth among popular film at the British box office in 1949.[27][28] It recorded admissions of 1,341,629 in France.[29]
According to MGM records, the film made $1,855,000 in the U.S. and Canada and $1,855,000 overseas, ultimately earning the studio a loss of $574,000.[1][30]
References
^ abcGlancy, H. Mark (1992). "MGM film grosses, 1924–1948: The Eddie Mannix Ledger". Historical Journal of Film, Radio and Television. 12 (2): 127–144. doi:10.1080/01439689200260081.
^"STUDIO AND SCREEN: Directors Wanted--A Comic Colman--Health and Beauty Films". The Manchester Guardian. Manchester (UK). 28 October 1937. p. 12.
^Schallert, Edwin (29 May 1937). ""Forsyte Saga" by Galsworthy to Be Filmed with All-Star Cast: Radio Sports Announcer Awarded Lead". Los Angeles Times. p. A7.
^"Hedda Hopper's HOLLYWOOD". Los Angeles Times. 28 April 1939. p. 13.
^Churchill, Douglas W. (10 October 1939). "SCREEN NEWS HERE AND IN HOLLYWOOD: Warners Sins Ruth Gordon for Role of Wife in 'The Life of Dr. Ehrlich ANOTHER NEW FILM FRIDAY 'Hollywood Cavalcade,' History of the Cinema Since Sennett Days, to Open at Roxy Merle Oberon Is Released Yola D'Avril With Universal Of Local Origin"". The New York Times. p. 32.
^Schallert, Edwin (22 December 1939). "DRAMA: Mickey Rooney Heads Box-Office Champions". Los Angeles Times. p. 13.
^"SCREEN NEWS HERE AND IN HOLLYWOOD: Metro to Revive Galsworthy's 'Forsyte Saga' as a Probable Vehicle for Greer Garson MUNI IN BEETHOVEN ROLE Two Pictures, 'My Love Came Back' at Strand and 'Maryland' at Roxy, in Second Week "Chad Hanna" to be in Color Of Local Origin". The New York Times. 19 July 1940. p. 25.
^Hopper, Hedda (11 December 1945). "Looking at Hollywood". Chicago Daily Tribune. p. 20.
^Hopper, Hedda (7 March 1947). "Looking at Hollywood". Chicago Daily Tribune. p. 28.
^Brady, Thomas F. (3 February 1948). "UA WILL RELEASE 'VIOLENT HOUSE': Cassidy and Banks in Deal for Their Film Based on Lewis Browne's Novel". The New York Times. p. 31.
^Hopper, Hedda (12 July 1948). "Looking at Hollywood". Chicago Daily Tribune. p. A4.
^ abBrady, Thomas F. (8 November 1948). "FLYNN WILL STAR IN 'FORSYTE SAGA': To Appear with Greer Garson in Metro Film Adaptation of Galsworthy Trilogy". The New York Times. p. 24.
^Brady, Thomas F. (20 February 1949). "OWN TO THE SEA IN EXPLOITATION: The Movie Junket Comes Into Its Own Again at New Bedford Fete". The New York Times. p. X5.
^Hopper, Hedda (5 November 1948). "Looking at Hollywood". Chicago Daily Tribune. p. a6.
^Thomas, Tony; Behlmer, Rudy; McCarty, Clifford (1969). The Films of Errol Flynn. Citadel Press. pp. 162–163.
^Brady, Thomas F. (11 December 1948). "ARNALL TAKES POST IN MOVIE INDUSTRY: Former Governor of Georgia to Be Voted Tomorrow as Head of Independents". The New York Times. p. 12.
^Brady, Thomas F. (24 June 1949). "DEL RUTH TO DIRECT MILTON BERLE FILM: Signed by Warners to Handle 'Always Leave Them Laughing' -- Wald Producing Movie"". The New York Times. p. 29.
^Daugherty, Frank (4 February 1949). "Greer Garson Assigned To 'Forsyte' Film". The Christian Science Monitor. Boston, Mass. p. 5.
^"Flynn and Dandy: LOOKING AT HOLLYWOOD WITH HEDDA HOPPER"". Chicago Daily Tribune. 29 May 1949. p. C4.
^Brady, Thomas F. (13 August 1949). "RKO AND WARNERS BUY NEW STORIES: Former Acquires 'Macao,' by Robert Williams -- 'Fires of Orinoco' Goes to Latter". The New York Times. p. 6.
^"KING TO SEE METRO FILM: Approves 'That Forsyte Woman' for Command Performance". The New York Times. 4 October 1949. p. 32.