Lawrence Weingarten (December 30, 1897 – February 5, 1975) was an American film producer. He was best known for working for Metro-Goldwyn-Mayer and producing some of the studio's most prestigious films such as Adam's Rib (1949), I'll Cry Tomorrow (1955) and Cat on a Hot Tin Roof (1958).
During his career, Weingarten was nominated for an Academy Award in 1959 and was given the Irving G. Thalberg Memorial Award in 1974, which was presented by Katharine Hepburn in her first and only appearance at the Oscars ceremony to present the award to her long time friend Weingarten. Whenever she won an Oscar, she always had either the presenter or another person associated with her film accept it on her behalf. Upon taking the stage, she received a standing ovation, to which she replied "I'm living proof that a person can wait forty-one years to be unselfish", a reference to her first Oscar win in 1933.
Weingarten joined MGM under contract as an associate producer in 1927, working as an assistant to Harry Rapf. Weingarten became Thalberg's assistant and was put in charge of supervising comedies. Thalberg assigned him to supervise Buster Keaton who had just joined MGM. Keaton later wrote "for quite a while he [Weingarten] exercised little more authority over my crew, cast, and selection of story material than the fat cop on the corner. But just about the time I was divorced, Mr. Weingarten decided to stop being a rubberstamp executive and take over as a producer with an iron will."[2] Keaton also wrote, "Nobody can deny that Larry learned his trade somewhere along the line and learned it well. But his trade was never slapstick comedy, and that was what I was still doing whether he and the studio's top dogs realized it or not."[3] Keaton's films for MGM were initially very successful financially but gradually became less and less popular.[4]
Weingarten made a number of films directed by George Cukor. According to Patrick McGilligan, Cukor's biographer, the director "as well as Tracy and Hepburn and the Kanins — regarded Weingarten as a toady of the studio, although his vehemence on this issue may have been complicated by the fact that Weingarten, for many years, rented one of the houses on the director's estate."[5]
Dore Schary, one time head of production at MGM, wrote in his memoirs, that Weingarten was a good producer:
Larry, as a longtime fixture at MGM and accustomed to wielding authority, appeared to shy away from me during my early days as head of production. (There was a rumor floating around that Mayer and I were doomed to find ourselves on a collision course and that if I lasted a year it would be a surprise.) But Larry relaxed as he learned I was trying to make everyone aware that I was sensitive to their prior relationships but that I also intended to do exactly what I had agreed to do — run production. Larry turned out some fine films.[6]
Avon Productions
Don't Go Near the Water was the first of 12 pictures from Avon Productions, a company Weingarten formed with Pandro Berman.[7][8] Both men would work on productions but only one would take credit. Weingarten said "after all these years we felt that it was time we shared in the profits of the picutres we made."[9]
This company wound up in April 1961.
Later Career
In May 1961 Weingarten formed a new company which was to produce Period of Adjustment and The Travels of Jamie McPheeters (the latter was made as a TV series).[10]
In 1964 Weingarten produced The Unsinkable Molly Brown, his first musical.[11]
Weingarten was last credited as a producer on The Impossible Years (1968) although he unsuccessfully sought to make some other films afterwards including Roses are Blue and Christy.[12]
