Clarence Day wrote humorously about his family and life. The stories of his father Clarence "Clare" Day were first printed in The New Yorker. They portray a rambunctious, overburdened Wall Street broker who demands that everything from his family should be just so. The more he rails against his staff, his cook, his wife, his horse, salesmen, holidays, his children and the inability of the world to live up to his impossible standards, the more comical and lovable he becomes to his own family who love him despite it all. First published in 1936, shortly after his death, Day's book is a picture of New York upper-middle-class family life in the 1890s. The stories are filled with affectionate irony. Day's understated, matter-of-fact style underlines the comedy in everyday situations.[2]
Concurrent with the Broadway production, the producers sent out 11 touring companies that performed in 214 cities.[6] The amateur rights to Life with Father were released in 1948, and the following year saw 187 productions of the play, including a production at Theatre in the Round Players that included consultation with Warner films on staging.[7][8]
In 1953, The Ford 50th Anniversary Show, broadcast live on both the CBS and NBC television networks, opened with Oscar Hammerstein II introducing a scene from the play featuring original cast members Howard Lindsay and Dorothy Stickney. The Ford show attracted an audience of 60 million viewers. Forty years after the broadcast, television critic Tom Shales recalled the broadcast as both "a landmark in television" and "a milestone in the cultural life of the '50s".[9]
The only major New York revival occurred in 1967 in a limited run at City Center, starring Leon Ames and Dorothy Stickney. Critic Vincent Canby called the revival "a quaint, pretty picture postcard."[7] Although professional revivals are now rare, Life with Father continues to be produced by amateur companies such as the American Century Theatre in Virginia (2009) and the Victorian Players in Ohio (2014).[10]
Critical reception
The New York Times critic Brooks Atkinson wrote in his review "Sooner or later every one will have to see Life with Father, which opened at the Empire last evening. For the late Clarence Day's vastly amusing sketches of his despotic parent have now been translated into a perfect comedy by Howard Lindsay and Russel Crouse, and must be reckoned an authentic port [sic] of our American folklore."[11] When Life with Father surpassed Tobacco Road as the longest-running Broadway play, Elliot Norton of the Boston Post celebrated the play as "warmly human and heartily comical and completely inoffensive," thus restoring his faith in the theatre-going public.[12] Contemporary scholar Jordan Schildcrout describes Life with Father as "a comedy in which characters challenge and ultimately win over a figure of authority," which allows the play to appeal to nostalgia for more conservative times, while also finding pleasure in gentle subversion and anti-authoritarianism.[13]
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