Neil Druckmann

Neil Druckmann
Druckmann in December 2022
Born (1978-12-05) December 5, 1978 (age 45)
Tel Aviv, Israel
Alma materCarnegie Mellon University
Occupations
  • Writer
  • creative director
  • designer
  • programmer
Years active2004–present
EmployerNaughty Dog
Notable work
Title
  • Studio head
  • head of creative
Signature

Neil Druckmann (Hebrew: ניל דרוקמן; born December 5, 1978) is an Israeli-American writer, creative director, designer, and programmer. He is the studio head and head of creative of the video game developer Naughty Dog, and is best known for his work on the game franchises Uncharted and The Last of Us, having co-created the latter.

Druckmann's first video game work came as an intern at Naughty Dog. In 2004, he became a programmer on Jak 3 (2004) and Jak X: Combat Racing (2005), before becoming a designer for Uncharted: Drake's Fortune (2007). He was co-lead game designer for Uncharted 2: Among Thieves (2009), which he co-wrote with Amy Hennig and Josh Scherr; the narrative was praised and received several accolades. He has also written comics, including the motion comic Uncharted: Eye of Indra (2009) and the graphic novels A Second Chance at Sarah (2010) and The Last of Us: American Dreams (2013).

Druckmann co-led the development of The Last of Us (2013) as writer and creative director, roles he continued for The Last of Us: Left Behind (2014) and Uncharted 4: A Thief's End (2016), co-writing the latter with Scherr. All three games were directed by Bruce Straley, with whom Druckmann developed a close working relationship. Druckmann and Craig Mazin are the creators, writers, and executive producers for the television adaptation of The Last of Us, for which Druckmann directed the second episode.

Druckmann was promoted to vice president of Naughty Dog in 2018 during the development of The Last of Us Part II (2020), for which he was creative director and co-writer with Halley Gross. He became co-president (with Evan Wells) in 2020, head of creative in 2023, and studio head in 2024. He earned praise for his writing and directing work on The Last of Us, Uncharted 4, and The Last of Us Part II, which are often regarded among the best written and greatest video games ever made. Druckmann has received several awards, including three British Academy Games Awards, four D.I.C.E. Awards, two Game Awards, three Game Developers Choice Awards, and four Writers Guild of America Awards.

Early life

Neil Druckmann was born into a Jewish family[1] in Tel Aviv, Israel, on December 5, 1978,[2][3] the son of Yehudit (Judith) and Jerry Ilan Druckmann.[4][5] His father is a former flight test engineer at Israel Aerospace Industries.[5] Druckmann's family lived in Ramat Aviv until 1981, when they moved to Beit Aryeh,[5][6] a settlement in the West Bank, where Druckmann recalled violence was a frequent topic on the news and in conversations at home.[7] As an escape, his older brother Emanuel introduced him to comic books, video games, and movies at a young age.[7][8] These forms of entertainment, particularly video games by Sierra Entertainment and LucasArts,[3] helped him learn English.[9] He became interested in storytelling and wrote his own comic books.[8]

Druckmann moved to the United States with his family in 1989, attending middle school and high school in Miami, Florida.[3] He began to study a criminology major at Florida State University (FSU), aiming to get experience as an FBI agent to use when writing thriller novels.[2][10]: 2:16  His brother snuck him into E3 in the late 1990s,[11] and he attended the conference again in 1998, 2000, and 2002, as well as SIGGRAPH in 2002 and 2003.[12] As an FSU student in 2001, he won a Conker's Bad Fur Day multiplayer competition organized by Nintendo and Playboy.[13] While studying, he worked as a clerk at My Favorite Muffin and a salesman at PacSun.[14] From July 2002,[12] while living in Tallahassee,[3] Druckmann spent a year as a graphics research assistant at FSU's Visualization Lab.[10]: 5:46 [15] During this time, he and some friends began developing the game Pink-Bullet for Linux and Windows.[12] At one point, he wanted to be an animator, which required enlisting in art classes, but his parents forbade him from doing so.[16]

After taking a programming class, Druckmann realized that it was his preference,[8] and he began a Bachelor of Computer Science with a minor in math in December 2002, graduating cum laude the following year with a grade point average of 3.61.[12] Due to his academic results, he was a member of the Golden Key Honor Society.[12] He moved to Pittsburgh, where he attended Carnegie Mellon University,[8] and began his master's degree in entertainment technology in August 2003[12] at the Entertainment Technology Center.[17] As part of the degree, he took a game design class by Jesse Schell, which taught him philosophies about positive impacts of games he would later use,[10]: 10:00 [18] and a virtual worlds course by Randy Pausch, which taught him to become more collaborative.[18] Druckmann worked as a visual effects artist for a friend's team around this time.[18] In April 2004, he developed the game Dikki Painguin in: TKO for the Third Reich for the Nintendo Entertainment System as a student at Carnegie Mellon, in collaboration with fellow student Allan Blomquist.[19][20]

Career

Intern and programmer (2003–2005)

One of Druckmann's professors paid for him to attend the Game Developers Conference (GDC) in 2003, where he attended a presentation by Naughty Dog co-founder Jason Rubin.[10]: 6:36 [12] After Druckmann "bugged" Rubin, the latter gave him his business card.[8] Some time later, Rubin contacted Druckmann and offered him an intern position, a first for Naughty Dog. By the time Druckmann responded, the position had been taken.[10]: 8:02  When encouraged to apply for internships by CMU, Druckmann reached out to Rubin for advice, and was told about a new internship at the studio. He was put in contact with game director Evan Wells, who offered him the internship after an interview at GDC. During this time, he had also been offered an intern producer position at Electronic Arts on The Sims 2; he extended the offer in order to interview with Wells.[10]: 10:14  In around May 2004, Druckmann joined Naughty Dog as a programming intern.[8] He began working on localization tools and gameplay programming on Jak 3 (2004). During this time, he would also offer assistance with additional design tasks. By the end of the internship in August, he was offered a full-time position by Wells and Stephen White, then co-presidents.[10]: 13:38  He received credit for the second year of his master's degree through his work at Naughty Dog,[10]: 15:10  earning the degree in 2005.[8] He programmed the menu screens on Jak X: Combat Racing (2005), which he considered one of the most difficult tasks of his career.[10]: 16:24  He continued to assist with smaller design tasks where possible.[10]: 18:33 

Designer and writer (2005–2009)

Druckmann (left) accepting the 2010 Game Developers Choice Award for Best Writing with Josh Scherr (center) and Amy Hennig (right)

During the development of Jak 3 and Jak X, Druckmann continued to ask Wells about joining the design team.[21] Wells restrained from transferring him, as he was originally employed as a programmer and lacked experience in design,[10]: 21:17  but agreed to review Druckmann's design work if he completed them in his spare time.[21] Druckmann iterated on several level designs with Wells's feedback, initially on graph paper and later using Adobe Illustrator.[10]: 22:02  Following the development of Jak X, Wells concluded that Druckmann was skilled in design, and gave him a design position for Jak and Daxter: The Lost Frontier.[10]: 22:40  Several months into development, Wells transferred Druckmann to work as a game designer on Uncharted: Drake's Fortune (2007), which was facing development troubles at the time;[21][10]: 26:12  High Impact Games took over work on The Lost Frontier, which was released in 2009.[22] In his position as game designer on Drake's Fortune, he worked closely with Amy Hennig to construct the story, before working on Uncharted 2: Among Thieves (2009) as a lead game designer, becoming more involved with the core writing of the game.[8][17]

In 2009, Druckmann worked on the motion comic Uncharted: Eye of Indra, as writer and director. A prequel to Drake's Fortune, Eye of Indra tells the story of Nathan Drake prior to the events of the first game.[23] Druckmann's first graphic novel, A Second Chance at Sarah, was published by Ape Entertainment in February 2010.[24] With illustrations by artist Joysuke Wong, the novel relates Druckmann's interest in traveling back in time to meet his wife at a younger age. "There's something cute and poetic about that idea," Druckmann explained.[25] He felt that he shares many similarities with the novel's protagonist Johnny, and that "a lot of Johnny's flaws and fears are based on [his] own shortcomings".[25] The comic was originally released on February 24, 2010;[26] critics particularly praised Wong's illustrations, as well as Druckmann's writing and character development.[27]

Creative director (2010–2018)

A man with short brown hair, sitting next to a man with curly black hair hugging a plush giraffe, both smiling at something to the right of the camera.
Druckmann (right) worked with game director Bruce Straley (left) on The Last of Us, The Last of Us: Left Behind, and Uncharted 4: A Thief's End.

Following the development of Uncharted 2, Naughty Dog split into two teams to work on projects concurrently. With one team working on Uncharted 3: Drake's Deception (2011), co-presidents Evan Wells and Christophe Balestra chose Druckmann and Bruce Straley to lead development on a new game; Druckmann was chosen for his determination and talent for design.[21] Though they were originally set to develop a new game in the Jak and Daxter series, the team felt that they "weren't doing service to the fans", and decided to create a new game, titled The Last of Us.[28]

When conceiving ideas for The Last of Us, Druckmann used a concept that he created as a student at Carnegie Mellon University: to merge the gameplay of Ico (2001), the setting of Night of the Living Dead (1968), and the lead character of Sin City (1991–2000). The protagonist would be tasked with protecting a young girl, but players would often assume control of the young girl, reversing the roles. He based The Last of Us on this concept, replacing the protagonist with Joel, and naming the young girl Ellie.[29] Druckmann intended The Last of Us to be "rooted firmly within reality", a departure from Naughty Dog's previous "light and loose" feeling.[30] He took acting classes to better communicate with actors while directing.[17] The game was released on June 14, 2013, with praise for Druckmann's work on the story.[31] He earned numerous awards, including a BAFTA,[32] D.I.C.E. Award,[33] Game Developers Choice Award,[34] Golden Joystick Award,[35] and Writers Guild of America Award.[36] The Last of Us is often regarded one of the best-written video games,[37][38] and one of the greatest video games ever made.[39][40][41]

Druckmann later worked on a downloadable expansion pack, The Last of Us: Left Behind, a prequel focusing on Ellie's relationship with her friend Riley,[42] which received critical acclaim.[43] He earned additional accolades for his work on Left Behind, including a second BAFTA[44] and Writers Guild of America Award.[45] In particular, he was praised for writing a scene involving a kiss between two female characters, which was named a "breakthrough moment" for video games.[46] He also co-wrote the four-issue comic book miniseries The Last of Us: American Dreams, with writer and artist Faith Erin Hicks. It was published by Dark Horse Comics, with the first issue released in April 2013,[47] and was lauded for Druckmann's writing and character development, as well as Hicks's simplistic illustrations.[48][49]

Following Hennig's departure from Naughty Dog in March 2014, it was announced that Druckmann and Straley were working on Uncharted 4: A Thief's End (2016) as creative director and game director respectively.[50] Initial reports claimed that Hennig was "forced out" of Naughty Dog by Druckmann and Straley, though co-presidents Evan Wells and Christophe Balestra later denied this.[51] Druckmann co-wrote the story alongside Josh Scherr;[52] Druckmann considered Scherr the "funny one", allowing him to write the humour of Uncharted 4 due to Druckmann's self-professed inability to write jokes. He appreciated the collaboration of writing on Uncharted 4, having written The Last of Us almost entirely independently.[53] The game was released on May 10, 2016, and praised for its story.[54] It was awarded Best Narrative at The Game Awards 2016,[55] and Outstanding Achievement in Videogame Writing at the 69th Writers Guild of America Awards.[56] Dave Meikleham of GamesRadar+ found Uncharted 4 among the best-written video games,[37] and it is often regarded as among the greatest games.[57][58][59] Druckmann acted as head of narrative development for Uncharted: The Lost Legacy, released in August 2017.[60]

In March 2014, Sony announced that Druckmann was writing a film adaptation of The Last of Us, produced by Sam Raimi and distributed by Screen Gems.[61] By January 2015, he had written the script's second draft, and performed a read-through with some actors.[62] Very little work occurred following this, as Druckmann stated in April 2016 that the film had entered development hell,[63] and in February 2018 said "I don't want that movie to be made."[64] Druckmann worked as a playtester for What Remains of Edith Finch (2017).[65] In August 2017, he was featured as a guest judge on an episode of Face Off.[66]

Studio leadership (2018–present)

Druckmann (center) on the final day of motion capture production of The Last of Us Part II with Troy Baker (left) and Ashley Johnson (right)

Druckmann was promoted to vice president of Naughty Dog in March 2018.[67] He returned as creative director for The Last of Us Part II (2020), co-writing the game alongside Halley Gross;[68] Straley did not return to co-direct the game.[69] The game's themes of revenge and retribution were inspired by Druckmann's own experiences growing up in Israel, where violence was a frequent topic.[7] He specifically recalled watching footage of the 2000 Ramallah lynching, and how, after hearing the cheering crowds, his mind immediately turned to violent thoughts about bringing the perpetrators to justice;[70][71] he later felt "gross and guilty" for having these thoughts.[71] He wanted the player to feel a "thirst for revenge" before making them realize the reality of their actions.[7] Two warring factions in the game were partly inspired by the Israeli–Palestinian conflict and the tribalism and righteousness of some of those involved, but it was not intended as an allegory of the conflict nor an explicit depiction of both sides.[5] Druckmann noted that some members of the team felt reluctant about the game's cynicism, but ultimately he preferred a divisive story than a "mundane" one.[7]

The Last of Us Part II released on June 19, 2020, to critical acclaim.[72] The story polarized critics; some praised the writing for its nuance and effectiveness,[73][74] while others criticized its pacing and repetition of themes.[75][76] The audience backlash towards the story led to Druckmann becoming the target of online hate and death threats, which were condemned by Naughty Dog.[77] Druckmann makes a brief cameo appearance in the game as the voice of Briggs, a Washington Liberation Front soldier.[78] An Easter egg in the game's collectible trading cards also references Druckmann in the fictional character Doctor Uckmann.[79] The Last of Us Part II holds the record for most Game of the Year awards, surpassing previous record holder The Witcher 3: Wild Hunt (2015).[80] For their work on the game, Druckmann and Gross were awarded at the D.I.C.E. Awards,[81] The Game Awards,[82] Game Developers Choice Awards,[83] Golden Joystick Awards,[84] SXSW Gaming Awards,[85] and Titanium Awards.[86] Druckmann was also nominated at the Visual Effects Society Awards.[87] The Last of Us Part II is often regarded as among the best-written video games,[38][88] and as among the greatest ever made.[41][89][90]

Druckmann was promoted to co-president of Naughty Dog, serving alongside Wells, on December 4, 2020.[91] He was included on the Variety500 list in December 2020, identifying the most influential business leaders in the media industry.[92] Druckmann was an executive producer on the film Uncharted (2022).[93] With Craig Mazin, Druckmann is a writer and executive producer on the television adaptation of The Last of Us for HBO.[94] Druckmann directed the second episode in October and November 2021;[95][96] he felt his experience reinforced and reflected his experience in directing games.[97] Druckmann noted the series was taking the opposite approach to adaptation than Uncharted; while Uncharted tells a new story with moments from the games to give "an Uncharted flavor", The Last of Us is a direct adaptation with minor deviations, allowing alterations such as changing character perspectives in a manner unachievable in an immersive game.[97] The series premiered in January 2023 to positive reviews;[98][99] several critics considered it the best live-action adaptation of a video game.[100][101][102] Reviewers praised the differences from the original game's narrative implemented by Mazin and Druckmann.[103][104][105] Several critics praised Druckmann's directing on the second episode;[106][107] Total Film's Russell praised Druckmann's "keen eye for beauty in this shattered world", citing a shot of a frog on a piano as a standout.[108] Druckmann was nominated for two awards and won one at the Writers Guild of America Awards for the series.[109]

In December 2021, Druckmann presented Game of the Year at The Game Awards.[110][111] At Summer Game Fest in June 2022, he revealed that he is working on a new game;[112] he later said he was assembling a writers' room for the game, which will be "structured more like a TV show" than any of Naughty Dog's previous projects.[2] He had a cameo voice appearance in Return to Monkey Island (2022).[113] In April 2023, Druckmann wrote about Hidetaka Miyazaki, president and game director at FromSoftware, for Time's list of 100 influential people, naming Miyazaki's Elden Ring (2022) "a great ambassador for video games".[114][115] In July, Wells announced he would retire from Naughty Dog by the year's end, making Druckmann the studio head and head of creative.[116][117][118] In August, Druckmann revealed he was writing and directing an unannounced game.[119] He received the Andrew Yoon Legend Award at the 13th Annual New York Game Awards in January 2024,[120] and was named among the Los Angeles Times's influential Los Angeles-based creators in June.[118]

In May 2024, Sony published an interview with Druckmann as part of its corporate strategy event.[121] Some quotes attributed to Druckmann were criticized by developers, journalists, and gamers, including that his next game "could redefine mainstream perceptions of gaming", which was described as "overly boastful",[122][123][124] and that artificial intelligence would "revolutionize how content is being created" despite some "ethical issues", which some saw as incongruous with Naughty Dog's focus on nuanced and personal storytelling.[117][125][126] Druckmann later stated the former quote was "not quite what I said" and some words and context were removed during editing.[123][125] Sony subsequently removed the interview after finding "several significant errors and inaccuracies", and apologized to Druckmann.[127][128][129]

For the second season of The Last of Us, Druckmann and Mazin were joined in the writers' room by Gross and Bo Shim.[130] Druckmann directed another episode from May to July 2024,[131][132] and the season is scheduled to air in 2025.[133]

Writing style

Druckmann's writing philosophy, which he realized while talking to game designer Cory Barlog, is "simple story, complex characters"; Druckmann dislikes video games with complicated exposition, but enjoys writing complex character relationships.[53] Throughout his writing, Druckmann approaches scenes with focus on every character, attempting to enter the mindset of each one. He tries to ignore character tropes in an attempt to write "honestly".[134] Druckmann also writes with a minimalist mindset, often asking himself "What is this scene really about? What's the least we have to say or do to convey that and no more?"[134]

Before writing The Last of Us and Uncharted 4, Druckmann and Straley created entire outlines of the stories, before exploring the narrative more intricately, discussing the "moment-to-moment beats" of each level that lead to a bigger event. They began with the middle of the story, as it is the core of the gameplay and narrative, before exploring the game's climax and character development.[53] The Frame host John Horn identified a repeating theme in Druckmann's stories, including A Second Chance at Sarah and The Last of Us, is the concept of characters attempting or hoping to alter their past in some way; Druckmann admitted he had not noticed this trend, though agreed with it and recognized its recurrence.[135][1]

Influences

Druckmann cites game writer Sam Lake as a large inspiration, naming himself a "longtime fan".[136] Druckmann's favorite video games include Monkey Island 2: LeChuck's Revenge (1991), Ico,[137] Metal Gear Solid 2: Sons of Liberty (2001),[138] and Resident Evil 4 (2005),[137] and he is often inspired by character-focused comics such as Preacher (1995–2000), and Y: The Last Man (2002–2008).[1] Druckmann was also influenced by the character-driven storytelling in the adventure game King's Quest by Roberta Williams.[139] While writing The Last of Us, Druckmann was inspired by several films, including: Unforgiven (1992), for its ability to make audiences support the protagonist despite his immorality; No Country for Old Men (2007), due to its subtle and sparse execution, forcing audience engagement;[134] and Gravity (2013), in regards to simplicity and intensity.[140]

Views

"While working on The Last of Us ... I wanted to create one of the coolest, non-sexualized female protagonists, and I felt like with The Last of Us there was an opportunity here to change the industry."

—Neil Druckmann, International Game Developers Association keynote, September 16, 2013[141]

Druckmann is a regular advocate of gender equality in video games, citing Anita Sarkeesian as an influence;[142] he presented the Ambassador Award to Sarkeesian at the 2014 Game Developers Choice Awards,[143] and regularly advocated her projects.[144] When Druckmann found that he regularly wrote about "white, straight, Christian male" characters, he was prompted to instead create more diverse characters.[1] Throughout the development of Uncharted 4, Druckmann was influenced by concept artist Ashley Swidowski to include more female characters in the game. "She is constantly challenging me and pushing for diversity in our cast", he said.[1] Upon focus testers' criticism regarding the inclusion and portrayal of female characters in Uncharted 4, one of whom was forced to leave due to an outburst, Druckmann expressed "Wow, why does that matter?"[142]

Similarly, Ellie of The Last of Us was initially received negatively in early focus tests. Druckmann is proud that Ellie is a "strong, non-sexualized female lead character", and hoped that other developers would take similar approaches to characters without fear of unpopularity.[8] Druckmann and Straley were surprised by some of the backlash in regards to gender roles in The Last of Us, although Druckmann noted that "the more progress we make, the more those problems stand out".[145] He declared it a "misconception" that female protagonists hinder game sales,[146] evidenced by the success of The Last of Us.[145]

Personal life

Druckmann resides with his children in Santa Monica, California, where he bought a property in 2019; his house was styled by designer Kim Gordon.[147] He began dating his wife, Maya,[148] while he was studying his undergraduate degree.[10]: 20:34  Druckmann became a father during the development of The Last of Us,[29] and has said his daughter was a "huge inspiration" to him when writing the game.[149] He found the birth of his daughter reinforced his ideas about family, as he realized he would "do anything" for her.[1] Druckmann's son was born around 2014; he was around the same age as Sam in the fifth episode of The Last of Us when it aired in 2023, making its events more emotional for Druckmann.[150]: 10:19  In his spare time, Druckmann plays the guitar[147] and joins his children in playing video games such as Animal Crossing and Pokémon.[151]

Druckmann has a dent in his skull from being accidentally struck in the head with a golf club by a friend at the age of 16, which required 30 stitches.[152] On his first day as director on The Last of Us, he suffered from headaches and began seeing double; he discovered the following day that he required emergency eye surgery, as an infection threatened the vision in his left eye.[153] During production of The Last of Us Part II, he practiced intermittent fasting, which is referenced in one of the game's collectible cards.[154] Early in pre-production on the television adaptation of The Last of Us, Druckmann and Mazin agreed to get matching tattoos of Ellie's switchblade if the series was successful;[155] Mazin got his tattoo in February 2023,[156] followed by Druckmann in March.[157][158]

Druckmann speaks Hebrew and English, though says his "Hebrew isn't that good".[5] He holds American citizenship, having voted and promoted voting in the 2016 presidential election,[159] 2018 midterm elections,[160] 2020 primary elections,[161] and 2020 presidential election.[162] Druckmann donated US$10,000 to NARAL Pro-Choice America following the decision of Dobbs v. Jackson Women's Health Organization in June 2022,[163] and US$2,500 each to both Israeli and Palestinian emergency response teams during the Israel–Hamas war in October 2023.[164]

Works

Video games

Year Game Role Ref.
Creative director Designer Programmer Writer Title
2004 Jak 3 No No Yes No Gameplay programmer [8]
2005 Jak X: Combat Racing No No Yes No Gameplay programmer [8]
2007 Uncharted: Drake's Fortune No Yes No Yes Game designer, co-writer [21]
2009 Uncharted 2: Among Thieves No Yes No Yes Co-lead game designer, co-writer [17]
2009 Jak and Daxter: The Lost Frontier No No No Story Original design and story [22]
2013 The Last of Us Yes No No Yes Creative director, writer [21]
2014 The Last of Us: Left Behind Yes No No Yes Creative director, writer [42]
2016 Uncharted 4: A Thief's End Yes No No Yes Creative director, lead co-writer [50]
2017 Uncharted: The Lost Legacy No No No Narrative Head of narrative development [60]
2020 The Last of Us Part II Yes No No Yes Creative director, lead co-writer [165]
Other credits

Film and television

Year(s) Title Role Notes Ref.
Director Producer Writer
2022 Uncharted No Executive No Film [93]
2023–present The Last of Us Yes[a] Executive Yes[b] Television series; also co-creator [94][96]
Appearances
  • 2013 – Grounded: Making The Last of Us (documentary)[169]
  • 2013 – Between the Lines with Barry Kibrick (season 13, episode 25)[170]
  • 2013 – How Videogames Changed the World (documentary)[171]
  • 2015 – Conversations with Creators (web series; episode 2)[172]
  • 2017 – The Game Makers: Inside Story (web series; 5 episodes)[173]
  • 2017 – Face Off (season 12, episode 7: "Feral Fungi")[66]
  • 2024 – Grounded: Making The Last of Us Part II (documentary)[174]

Literature

Year Title Role Notes Ref.
2009 Uncharted: Eye of Indra Writer and director Motion comic [23]
2010 A Second Chance at Sarah Creator and writer Graphic novel [25]
2013 The Last of Us: American Dreams Co-writer Graphic novel (four issues) [47]
2013 The Art of The Last of Us Writer (introduction; with Bruce Straley) Art book [175]
2014 The Art of Naughty Dog Writer (chapter; with Bruce Straley) [176]
2020 The Art of The Last of Us Part II Writer (foreword) [177]

Awards and nominations

Date Award / Publication Category Work Result Ref.
February 18, 2010 D.I.C.E. Awards Outstanding Achievement in Story – Original Uncharted 2: Among Thieves[c] Won [178]
February 20, 2010 Writers Guild of America Awards Videogame Writing Won [179]
March 12, 2010 Game Developers Choice Awards Best Writing Won [180]
March 19, 2010 British Academy Games Awards Story Won [181]
October 26, 2013 Golden Joystick Awards Best Storytelling The Last of Us Won [35]
December 4, 2013 Inside Gaming Awards Best Story Nominated [182]
December 21, 2013 Hardcore Gamer Best Writing Won [183]
Best Story Nominated [184]
December 24, 2013 Destructoid Best Story Nominated [185]
Giant Bomb Best Story Won [186]
December 31, 2013 The Daily Telegraph Best Script Won [187]
Best Director[d] Nominated
January 7, 2014 GameTrailers Best Story Won [188]
January 9, 2014 IGN Best PS3 Story Won [189]
January 10, 2014 Best Overall Story Nominated [190]
February 1, 2014 Writers Guild of America Awards Outstanding Achievement in Videogame Writing Won [36]
February 7, 2014 D.I.C.E. Awards Outstanding Achievement in Story Won [33]
March 8, 2014 SXSW Gaming Awards Excellence in Narrative Won [191]
March 12, 2014 British Academy Video Games Awards Story Won [32]
March 19, 2014 Game Developers Choice Awards Best Narrative Won [34]
February 14, 2015 Writers Guild of America Awards Outstanding Achievement in Videogame Writing The Last of Us: Left Behind Won [45]
February 20, 2015 IGN Australia Best Storytelling Won [192]
March 12, 2015 British Academy Video Games Awards Story Won [44]
November 18, 2016 Golden Joystick Awards Best Storytelling Uncharted 4: A Thief's End[e] Nominated [193]
December 1, 2016 The Game Awards Best Narrative Won [55]
January 7, 2017 IGN Best Story Runner-up[f] [194]
February 19, 2017 Writers Guild of America Awards Outstanding Achievement in Videogame Writing Won [56]
February 23, 2017 D.I.C.E. Awards Outstanding Achievement in Story Won [195]
March 1, 2017 Game Developers Choice Awards Best Narrative Nominated [196]
March 18, 2017 SXSW Gaming Awards Excellence in Narrative Won [85]
April 6, 2017 British Academy Video Games Awards Narrative Nominated [197]
November 24, 2020 Golden Joystick Awards Best Storytelling[g] The Last of Us Part II Won [84]
December 10, 2020 The Game Awards Best Narrative[g] Won [82]
December 12, 2020 Titanium Awards Best Narrative Design[g] Won [86]
December 22, 2020 IGN Best Video Game Story[g] Won [198]
March 20, 2021 SXSW Gaming Awards Excellence in Narrative[g] Won [199]
April 6, 2021 Visual Effects Society Awards Outstanding Visual Effects in a Real-Time Project[h] Nominated [87]
April 8, 2021 D.I.C.E. Awards Outstanding Achievement in Story[i] Won [81]
Game of the Year[j] Nominated
Adventure Game of the Year[j] Nominated
Outstanding Achievement in Game Direction[k] Nominated
July 21, 2021 Game Developers Choice Awards Best Narrative[g] Won [83]
January 23, 2024 New York Game Awards Andrew Yoon Legend Award — Won [120]
April 14, 2024 Writers Guild of America Awards New Series The Last of Us (TV series)[l] Won [109]
Drama Series Nominated
  1. ^ Directed "Infected"[95] and an episode of the second season[133]
  2. ^ Co-wrote "When You're Lost in the Darkness" and "Look for the Light" with Craig Mazin; wrote "Left Behind"[168]
  3. ^ Co-nominated with Amy Hennig and Josh Scherr
  4. ^ Co-nominated with Bruce Straley[187]
  5. ^ Co-nominated with Josh Scherr
  6. ^ Tied with Inside[194]
  7. ^ a b c d e f Co-nominated with Halley Gross
  8. ^ Co-nominated with Eben Cook, Erick Pangilinan, and John Sweeney[87]
  9. ^ Co-nominated with Halley Gross, Josh Scherr, and Ryan James[81]
  10. ^ a b Co-nominated with Evan Wells, Anthony Newman, and Kurt Margenau[81]
  11. ^ Co-nominated with Anthony Newman and Kurt Margenau[81]
  12. ^ Co-nominated with Halley Gross, Craig Mazin, and Bo Shim[109]

References

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