George Segal Jr. (February 13, 1934 – March 23, 2021) was an American actor. He became popular in the 1960s and 1970s for playing both dramatic and comedic roles.[1] After first rising to prominence with roles in acclaimed films such as Ship of Fools (1965) and King Rat (1965), he co-starred in the classic drama Who's Afraid of Virginia Woolf? (1966).
On television, he was best known for his regular roles in two popular sitcoms, playing Jack Gallo on Just Shoot Me! (1997–2003) and Albert "Pops" Solomon on The Goldbergs (2013–2021). Segal was also an accomplished banjo player. (In addition to the banjo, he frequently played other small lute instruments such as the ukulele and dobro on TV and in his movies.) He released three albums and performed with the instrument in several of his acting roles and on late-night television.
Early life
George Segal Jr. was born in New York City,[5][6][7] the youngest of four children, to Fannie Blanche Segal (née Bodkin) and George Segal Sr., a malt and hop agent. He spent much of his childhood in Great Neck, New York.[5][8][9] All four of Segal's grandparents were Russian-Jewish immigrants,[10][11] and his maternal grandparents changed their surname from Slobodkin to Bodkin.[10] A paternal great-grandfather ran for governor of Massachusetts as a socialist.[12] His oldest brother, John, worked in the hops brokerage business and was an innovator in the cultivation of new hop varieties; he had a farm in Grandview, Washington where George often helped in the summers.[13] The middle brother, Fred, was a screenwriter;[8] and his sister Greta died of pneumonia before Segal was born.[10]
Segal's family was Jewish, but he was raised in a secular household. When asked if he had had a bar mitzvah, he said:
I'm afraid not. I went to a Passover Seder at Groucho Marx's once and he kept saying, "When do we get to the wine?" So that's my [Jewish] experience. I went to [a friend's] bar mitzvah, and that was the only time I was in Temple Beth Shalom. [Jewish life] wasn't happening that much at the time. People's car tires were slashed in front of the temple. I was once kicked down a flight of stairs by some kids from [the local parochial school].[12]
Segal became interested in acting at the age of nine, when he saw Alan Ladd in This Gun for Hire.[9] "I knew the revolver and the trench coat were an illusion and I didn't care," said Segal. "I liked the sense of adventure and control."[14] He also started playing the banjo at a young age, later stating: "I started off with the ukulele when I was a kid in Great Neck. A friend had a red Harold Teen model; it won my heart. When I got to high school, I realized you couldn't play in a band with a ukulele, so I moved on to the four-string banjo."[15]
When his father died in 1947, Segal moved to New York City with his mother.[16] He graduated from George School, a Quaker boarding school in Pennsylvania, in 1951 and attended Haverford College.[17] He graduated from Columbia College of Columbia University in 1955 with a Bachelor of Arts in performing arts and drama.[15][16] He played banjo at Haverford and also at Columbia, where he played with a dixieland jazz band that had several different names. When he booked a gig, he billed the group as Bruno Lynch and his Imperial Jazz Band. The group, which later settled on the name Red Onion Jazz Band, played at Segal's first wedding.[17][18]
Segal also appeared in several prominent television films, playing Biff in an acclaimed production of Death of a Salesman (1966) next to Lee J. Cobb, a gangster in an adaptation of The Desperate Hours (1967), and George in an adaptation of Of Mice and Men (1968). The latter two films were both directed by Ted Kotcheff,[35] with whom he worked again several times.[28]
Segal was loaned to Warner Bros. for Mike Nichols' directorial debut Who's Afraid of Virginia Woolf? (1966), a now-classic adaptation of the Edward Albeeplay. Nichols had previously directed Segal in a 1964 Off-Broadway play titled The Knack[36] and cast him again in Woolf after Robert Redford had turned down the role.[37] In the four-person ensemble piece, Segal played the young faculty member, Nick, alongside Elizabeth Taylor, Richard Burton, and Sandy Dennis. The film, which received an Academy Award nomination for Best Picture and was later selected to the National Film Registry,[38] is arguably Segal's best known and, for his role, he was nominated for an Oscar[39] and a Golden Globe.[40]
During the 1970s and 1980s, Segal appeared as a frequent guest on The Tonight Show Starring Johnny Carson, and occasionally as a guest host. His appearances were marked by eccentric banter with Johnny Carson and were usually punctuated by bursts of banjo playing.[22] In addition to playing banjo while appearing on The Tonight Show, Segal played the instrument in several of his acting roles and sang in others, such as Blume in Love.[55]
George Segal and the Imperial Jazzband released the album A Touch of Ragtime in 1974, with Segal on banjo. He made frequent television appearances with the "Beverly Hills Unlisted Jazz Band", whose members included actor Conrad Janis on trombone, and in 1981 they performed live at Carnegie Hall.[56]
Mid-career difficulties
Segal reunited with his Touch of Class co-star Jackson and director Frank in another European-set romantic comedy, Lost and Found (1979), but the film was not a success. Neither was The Last Married Couple in America (1980) with Natalie Wood. Segal famously pulled out of the lead role in Blake Edwards' hit comedy 10 (1979), resulting in his being replaced by Dudley Moore and sued by Edwards.[22]
In the first 10 years, I was playing all different kinds of things. I loved the variety, and never had the sense of being a leading man but a character actor. Then I got frozen into this "urban" character. About the time of "The Last Married Couple in America" (1980) I remember Natalie (Wood) saying to me ... "It's one typed role after another, and pretty soon you forget everything. You forget why you're here, why you're doing it." Then my marriage started to fall apart ... I was disenchanted, I was turning in on myself, I was doing a lot of self-destructive things ... there were drugs ... I'm also sure I was guilty of spoiled behavior. I think it's impossible when that star rush comes not to get a little full of yourself, which is what I was.[60]
After finishing his run on Just Shoot Me, Segal appeared in supporting roles in films such as Heights (2005) and 2012 (2009). He and Jill Clayburgh cameoed as Jake Gyllenhaal's parents in Love & Other Drugs (2010), reuniting the co-stars 46 years after they first worked together in The Terminal Man. Additionally, Segal worked more frequently as a voice actor, including a role in the English-language version of Studio Ghibli's The Tale of the Princess Kaguya (2013) and a comedic reprisal of his Who's Afraid of Virginia Woolf? role in a 2018 episode of The Simpsons.[63][64] His most recent film performance was alongside Christopher Plummer in Elsa & Fred (2014). In other roles, Segal played talent manager Murray Berenson in three episodes of the television series Entourage (2009), guest starred in shows such as Boston Legal, Private Practice, and Pushing Daisies, appeared in comedic short videos such as Chutzpuh, This Is,[65] and starred in the TV Land sitcom Retired at 35 (2011–2012), alongside his Bye Bye Braverman co-star Jessica Walter.[66][67][68]
Segal had another success when he starred in the ABC sitcom The Goldbergs (2013–2021), playing Albert "Pops" Solomon, the eccentric but lovable grandfather of a semi-autobiographical family based on that of series creator Adam F. Goldberg.[69] The long-running series entered its eighth season in 2021,[70][71] and Segal was part of the regular cast up until his death in March of that year. Throughout the show, Segal had appeared in most, though not all, episodes and, as in some of his earlier roles, he played the banjo several times on-screen.
Segal was married three times. He married film editor Marion Segal Freed in 1956, who would go on to work as an associate producer or editor on three of his films.[74] They had two daughters and were together until their divorce in 1983.[74] From 1983 until her death in 1996, he was married to Linda Rogoff, a one-time manager of The Pointer Sisters whom he met at Carnegie Hall when he played the banjo with his band[75] the Beverly Hills Unlisted Jazz Band.[26] He married his former George School boarding school classmate Sonia Schultz Greenbaum in 1998.[9]
Later in his life, Segal lived part-time in Sonoma County when he was not filming The Goldbergs in Los Angeles.[76]
(1) Season 10 Episode 8: "Ghost Bomber: The Lady Be Good" (1960) (aired February 3) (2) Season 10 Episode 24: "Ghost Bomber" (1960) (aired September 28) (3) Season 13 Episode 3: "The Friendly Thieves" (1962) (aired October 24)
(1) Season 1 Episode 9: "Girl Buys Soup While Woman Weds Ape!" (1995) (2) Season 2 Episode 4: "The Sister Show" (1997) (3) Season 2 Episode 11: "The Parents" (1997) (4) Season 2 Episode 12: "The Spa" (1997)
^ abcdefg"George Segal (visual voices guide)". Behind The Voice Actors. Retrieved August 5, 2023. A green check mark indicates that a role has been confirmed using a screenshot (or collage of screenshots) of a title's list of voice actors and their respective characters found in its credits or other reliable sources of information.
^ abcd"George Segal". Internet Broadway Database. Retrieved March 28, 2021.
^"Who's Afraid of Virginia Woolf?". Turner Classic Movies. Retrieved March 25, 2021. George Segal was awarded second place for his performance in the Male Supporting Performance category.
^Segal was credited as a series regular for every episode of the first eight seasons for a total of 185 episodes, though he appeared as an actor in 158. His final appearance was in the sixteenth episode of season eight, after which he continued to be credited through the season finale.