In the final moments of the 1954 Battle of Dien Bien Phu, a weakened French battalion awaits a last assault by communist Việt Minh troops.
The battalion commander, Basque Lt. Col. Pierre-Noël Raspéguy (Anthony Quinn), has called central headquarters for reinforcements. Headquarters sends only a single plane load of French paratroopers, under the command of Major de Clairefons. Despite Raspéguy's attempts to provide covering fire, the paratroopers are slaughtered as they land. Major de Clairefons is killed when his parachute drags him into a minefield. Raspéguy is enraged that General Melies (Jean Servais) sent only one plane, and further believes that Melies intends to make him responsible for the entire debacle at Dien Bien Phu.
The Việt Minh overrun the French, with the survivors captured and imprisoned. Among Raspéguy's friends are military historian Captain Phillipe Esclavier (Alain Delon), Indochina-born Captain Boisfeures (Maurice Ronet), surgeon Captain Dia (Gordon Heath) and Lt. Ben Mahidi (George Segal), an Algerian-born paratrooper who turns down a Việt Minh leader's (Burt Kwouk) offer for preferential treatment because he is an Arab. Raspéguy's leadership keeps the men together in their captivity. When released after a treaty between the Việt Minh and France, Raspéguy leads his men in demolishing a delousing station that they see as a humiliation.
Upon his return home to Algeria, Ben Mahidi is disgusted at the treatment of his people, especially when his teenaged brother is machine gunned by the police for painting graffiti in support of independence from France. He deserts from the army to join the rebels of the Algerian National Liberation Front (FLN), becoming a guerrilla leader.
Upon his own return from Indochina, Lt. Col. Raspéguy starts a relationship with Countess Nathalie de Clairefons (Michèle Morgan), widow of the Major who died while trying to reinforce Raspéguy's battalion. The Countess' military contacts result in Raspéguy being given command of the new 10th Regiment of Parachutistes Coloniaux, serving under General Melies in the Algerian War.
The General briefs him that the command is his last chance in the military: if his Regiment fails, Raspéguy's career is finished. Raspéguy recruits his comrades-in-arms from Indochina and trains his battalion with harsh methods, such as using live ammunition on an assault course to encourage speed and initiative.
Soon after beginning counter-insurgency operations in both urban and rural environments, Esclavier falls in love with Mahidi's sister Aicha (Claudia Cardinale), who is loyal to the FLN and uses her friendship with Esclavier to smuggle explosive detonators. The previously naive Esclavier begins to have a new view of his nation's conduct as the FLN rebels and French paratroopers try to outdo each other in breaking the rules of war.
Raspéguy eventually turns on his old comrades who have become too sympathetic to the FLN. Referred to as General, but still wearing Lt. Col. ranks, Raspéguy's last scene shows him receiving a medal while his Regiment is presented with a unit citation. Outside the compound where this is happening Esclavier, who has left the army in disgust, laughs when he sees a child painting a pro-independence slogan on the wall.
Mark Robson bought the novel's film rights for his Red Lion company in March 1963. The screenplay was written by Nelson Gidding, who had previously adapted Nine Hours to Rama for Robson.[3][4]
Casting
Robson reportedly held off making the film for a year so he could get Anthony Quinn for the lead.[5]
Quinn's character is loosely based on Marcel Bigeard, the actual commander in French Indochina, who led the unit that was the predecessor to the 6th Marine Infantry Parachute Regiment (the 6th Colonial Parachute Battalion). Bigeard later commanded the 3rd Colonial Parachute Regiment in French Algeria.
Despite the novel's success, the release of another film called The Centurians led to the film's title being changed. At one stage it was going to be From Indo-China to the Gates of Algiers then Not For Honor and Glory before it was decided to use Lost Command.[7][8] It premièred in the United States in May 1966.[9] It was released in France a few months later.
The film received mixed reviews. The New York Times described it as mundane concluding it "is all too reminiscent, except for the labels of name, time and place of the many standard war films that have preceded Lost Command."[11]
Sequel
In 1963 Robson bought the rights to Larteguy's The Praetorians, a follow-up to The Centurions. The film was never made.[12]
^Scheuer, Philip K. (May 9, 1963). "Robson Will Depict Paratrooper Novel: MGM's 'King of Gypsies'; Algonquin Crowd' Revived". Los Angeles Times. p. C11.
^Scheuer, Philip K. (Apr 13, 1964). "Robson 'Centurions' Enlists Tony Quinn: Jennifer Jones in Perry Play; Strange Case of Segal-Sagal". Los Angeles Times. p. E21.
^"Robson Tethered to Hollywood Base". Los Angeles Times. Jan 25, 1966. p. c8.
^Scheuer, Philip K. (Sep 9, 1963). "Drama Bow Hardly a First for Mindy: 'South Pacific' Turning Point for Actress Due at Hartford". Los Angeles Times. p. D17.
^p.25 Loufti, Martine Astier Imperial Frame: Film Industry and Colonial Representation Sherzer, Dina (Editor) Cinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone World 1996 University of Texas Press
^Scheuer, Philip K. (Oct 7, 1963). "The Conjugal Bed' Target of Italians: Comedy Cynical but Funny; Mirisch Slate $17 Million". Los Angeles Times. p. D15.
External links
Wikimedia Commons has media related to Lost Command.
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