In 1962, he had a starring role in the Broadway production of I Can Get It for You Wholesale, which ran for 300 performances and where he met future wife Barbra Streisand. Following that, he landed prominent roles in Drat! The Cat! (1965) and in Little Murders (1971).[10] He was also cast in A Way of Life by Murray Schisgal but walked out prior to the play making it to Broadway.[11]
In January 1969, Gould announced he had formed his own film production company with Jack Brodsky, Brodsky-Gould Productions. The company would make two films: The Assistant, based on a novel by Bernard Malamud, and Little Murders.[11] (The Assistant was never produced.) In April 1970, Brodsky and Gould announced plans to make The Dick, from the novel by Bruce Jay Friedman,[12] but it was never made. That same year, Gould reached a new level of prominence playing one of the four leads in Paul Mazursky's zeitgeisty social comedy Bob & Carol & Ted & Alice starring alongside Natalie Wood, Robert Culp, and Dyan Cannon. Gould played Ted Henderson. The film was released in September 1969. The film was a critical and financial success. In Roger Ebert's review in the Chicago Sun-Times, he wrote that "Gould emerges, not so much a star, more of a "personality," like Severn Darden or Estelle Parsons. He's very funny."[13] For his performance, Gould earned a nomination for the Academy Award for Best Supporting Actor losing to Gig Young for They Shoot Horses, Don't They?[14] "I'm the hottest thing in Hollywood right now," he said in October 1969.[15]
1970s
In March 1969, Gould signed a non-exclusive, four-picture contract with 20th Century Fox, the first of which was to be Robert Altman'sM*A*S*H and the second Move both released in 1970.[16] His first film released after Bob & Carol was the wartime satire M*A*S*H (1970), directed by Robert Altman, where Gould played Trapper John McIntyre. It was a huge hit at the box office[17] and was nominated for the Academy Award for Best Picture. The Hollywood Reporter film critic John Mahoney wrote in his review "If Elliott Gould keeps selecting and performing in films the way he has thus far, people may start going to pictures just because he is in them."[18] With significant successes of Bob & Carol & Ted & Alice and M*A*S*H, Gould appeared on the cover of Time magazine that year, where he was described as a "star for an uptight age".[19]
Gould's other films of 1970 included the Richard Rush directed comedy-drama film Getting Straight, where he played a Vietnam veteran who gets involved in student protests. Candice Bergen also stars as his girlfriend. The film was not as popular as the other two movies, but it was nonetheless still considered a success – the only student protest film to make money – and cemented Gould's place as one of the biggest film stars in the country.[20] Also released that year was Move (1970), co-starring Paula Prentiss, which was his first critical and commercial flop.[21] Also unsuccessful was I Love My Wife (1970), with Brenda Vaccaro, for which Gould had turned down a reunion with Altman on McCabe & Mrs. Miller (1971).[21] He had also turned down the lead in Sam Peckinpah'sStraw Dogs (1971).[22]
Gould's next efforts would turn mixed results, including his decision to buy the rights for Little Murders with an eye to producing and reprising his lead role in a film adaptation. Directed by Alan Arkin, and released in 1971, it was another commercial disappointment, but has since earned a cult following.[23] Gould went to Sweden to play the lead role in Ingmar Bergman's English-language debut The Touch (1971). He was the first Hollywood star to appear in a Bergman film. The Touch received mixed reviews and was not one of Bergman's more successful films commercially.[21][24]
Gould reemerged with one of his most iconic roles in 1973's The Long Goodbye,[27] Robert Altman's adaptation of Raymond Chandler'snovel. Gould starred as detectivePhilip Marlowe, a role which had previously been played by Humphrey Bogart and Dick Powell. By comparison, Gould's performance was more naturalistic, with the screenplay by Leigh Brackett (who had previously adapted The Big Sleep for Howard Hawks and Bogart) updating the setting to contemporary Los Angeles. Although not a major hit, the film was later regarded as one of Gould's best.[28] Alan R. Howard of The Hollywood Reporter wrote "The eccentric casting of Elliott Gould is altogether successful and allows the filmmakers to embrace the detective genre affectionately, transforming it into a dreamlike excursion through modern Los Angeles."[29]
The following year, Gould reunited with Robert Altman for the film, California Split (1974), an acclaimed[30][31] gambling dramedy that co-starred George Segal. Additionally, Gould made a brief cameo appearance as himself in the Altman film Nashville (1975).
The following year Gould returned to mainstream success with Capricorn One (1978), directed by Peter Hyams and starring James Brolin, Sam Waterston, and O. J. Simpson.[34] The film was financed by producer Lew Grade, who later arranged Gould's guest appearances in The Muppets and its movie spin-offs. After making Capricorn One Gould was announced to direct A New Life from a novel by Bernard Malamud with Robert Altman producing but the film was not made.[35] Gould went to Canada to star in the highly regarded thriller The Silent Partner (1978) starring Christopher Plummer before working again with Grade on Escape to Athena (1979). He starred in the much-maligned remake of The Lady Vanishes (1979). Also in 1979, Gould appeared as Cher's dance partner at the end of the music video for her Top 10 disco hit "Take Me Home".
During this period Gould hosted Saturday Night Live six times, his final time being the first episode of the disastrous Jean Doumanian season (season 6) in November 1980, where he was shocked to find that the original cast and producer Lorne Michaels were gone and had been replaced. Although he never hosted SNL again, he did appear in a season 16 (1990–1991) episode hosted by Tom Hanks where Hanks is welcomed into the Five-Timers club, a society for celebrities who have hosted the show five times. He returned in season 47 (2021-2022) in a similar skit welcoming John Mulaney into the club.
1980s
In 1980, Gould starred in the romantic comedy film Falling in Love Again (1980), alongside Susannah York. Gould also made two films for Disney, The Last Flight of Noah's Ark (1980) and The Devil and Max Devlin (1982). Gould chose to return to Broadway with The Guys in the Truck in 1983 but left the production after the first week of previews, replaced by Harris Laskawy. The play closed on opening night.
Over time, Gould began to act more frequently in supporting roles. He received critical praise for his performance as an aging mobster in Warren Beatty's 1991 film Bugsy and once again performed a cameo as "himself" in Robert Altman's The Player (1992).
Around the same time he took a more dramatic role, as the boyfriend of the protagonist's mother, in the controversial drama American History X (1998) starring Edward Norton. While first reading the script, he believed the movie was a comedy similar to The Great Dictator, until he read the part where Norton's character curb stomps a black man.[36]
In 2005 he guest starred in a feature-length episode of the UK TV series Poirot,[37] subsequently appearing in similar one-off or small roles in television series including Law & Order and CSI, and a more significant role in Showtime's Ray Donovan from 2013 to 2016. He has loaned his voice to several animated series, including the role of Mr. Stoppable, Ron Stoppable's dad in the Disney Channel Animated series Kim Possible (2003-2007). He also lent his voice for Hey Arnold!, The Simpsons and American Dad.
Gould has said that he has a "very deep Jewish identity".[38] He has been married three times, twice to the same woman:
Barbra Streisand (September 13, 1963 – July 6, 1971; divorced after a two-year separation; one child, actor Jason Gould)
Jennifer Bogart (December 8, 1973 – October 5, 1975; June 9, 1978 – September 5, 1989). They were divorced twice. The couple had two children before their marriage: Molly (b. November 18, 1971) and Samuel (b. January 9, 1973). Jennifer's father was director Paul Bogart.
^'I'm all smiles' Latest little Gould rules roost
By June Carroll Special to The Christian Science Monitor. The Christian Science Monitor 28 Mar 1967: 4.
^ abGould Striving for Super Status Haber, Joyce. Los Angeles Times 8 Jan 1969: k13.
^WEILER, A.H. "Bruce Jay Friedman Novel Sold As Film Before It Is Published," New York Times 15 Apr 1970: 52.
^Walters, Ben (August 12, 2008). "It's okay by him". Guardian. Retrieved July 21, 2012. In 1970, Time magazine put Gould on its cover, declaring him a "Star for an Uptight Age"....
^Farber, Stephen. "Movies from Behind the Barricades," Film Quarterly (ARCHIVE); Berkeley Vol. 24, Iss. 2, (Winter 1970/1971): 24-33.
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