Richard Ewing Powell (November 14, 1904 – January 2, 1963)[1] was an American actor, singer, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.
He married Mildred Maund, a model, but she found being married to an entertainer not to her liking. After a final trip to Cuba together, Mildred moved to Hemphill, Texas, and the couple divorced in 1932.[4] Later, Powell joined the Charlie Davis Orchestra, based in Indianapolis.[4] He recorded a number of records with Davis and on his own for the Vocalion label in the late 1920s.
Powell moved to Pittsburgh, where he found great local success as the master of ceremonies at the Enright Theater and the Stanley Theater.[4]
Warner Bros.
In April 1930, Warner Bros. bought Brunswick Records, which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event.[5]
More typical was Shipmates Forever (1935) with Keeler. 20th Century Fox borrowed him for Thanks a Million (1935); back at WB, he did Colleen (1936) with Keeler and Blondell. Powell was reunited with Marion Davies in another for Cosmopolitan, Hearts Divided (1936), playing Napoleon's brother.
At Paramount, Blondell and Powell were cast together again in the drama I Want a Divorce (1940). Then Powell got a chance to appear in another non-musical, Christmas in July (1940), a screwball comedy which was the second feature directed by Preston Sturges.
During this period, Powell starred in the musical Campana Serenade, which was broadcast on NBC radio (1942–1943) and CBS radio (1943–1944).[6]
"Tough guy"
By 1944, Powell felt he was too old to play romantic leading men anymore, so he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy.[7]
Powell's career changed dramatically when he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet (1944), directed by Edward Dmytryk at RKO. The film was a big hit, and Powell had successfully reinvented himself as a dramatic actor. He was the first actor to play Marlowe – by name – in motion pictures.[7]
In 1945, Dmytryk and Powell reteamed to make the film Cornered, a gripping post-World War II thriller that helped define the film noir style.
For Columbia, he played a casino owner in Johnny O'Clock (1947) and made To the Ends of the Earth (1948). Also in 1948, he stepped out of the brutish type when he starred in Pitfall, a film noir in which a bored insurance-company worker falls for an innocent but dangerous woman, played by Lizabeth Scott.
He broadened his range appearing in a Western, Station West (1948) and a French Foreign Legion tale, Rogues' Regiment (1949). He was a Mountie in Mrs. Mike (1950).
From 1949 to 1953, Powell played the lead role in the NBC radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly show was a likable private detective with a quick wit. Many episodes ended with Detective Diamond having an excuse to sing a little song to his date, showcasing Powell's vocal abilities. Many of the episodes were written by Blake Edwards. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen, who did no singing in the series. Prior to the Richard Diamond series, he starred in Rogue's Gallery. He played Richard Rogue, private detective. The Richard Diamond tongue-in-cheek persona developed in the Rogue series.
Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here, he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with co-star Debbie Reynolds.
Director
By this stage, Powell had turned director. His feature debut was Split Second (1953) at RKO Pictures. He followed it with The Conqueror (1956), coproduced by Howard Hughes and starring John Wayne as Genghis Khan. The exterior scenes were filmed in St. George, Utah, downwind of U.S. above-ground atomic tests. The cast and crew totaled 220, and of that number, 91 had developed some form of cancer by 1981, and 46 had died of cancer by then, including Powell and Wayne.[8]
In the 1950s, Powell was one of the founders of Four Star Television,[2] with Charles Boyer, David Niven, and Ida Lupino. He appeared in and supervised several shows for that company. Shortly before his death, Powell sang on camera for the final time in a guest-star appearance on Four Star's Ensign O'Toole, singing "The Song of the Marines", which he first sang in his 1937 film The Singing Marine. He hosted and occasionally starred in his Dick Powell's Zane Grey Theater on CBS from 1956 to 1961, and his final anthology series, The Dick Powell Show on NBC from 1961 through 1963; after his death, the series continued through the end of its second season (as The Dick Powell Theater), with guest hosts.
Personal life
June Allyson and Dick Powell in 1962
Powell was the son of Ewing Powell and Sallie Rowena Thompson.[citation needed]
He married three times:
Mildred Evelyn Maund (b. 1906, d. 1967). The couple married in 1925, and appear on the 1930 census in Pittsburgh, Pennsylvania, where Powell was working in a theater, and on a 1931 passenger list for the SS Oriente, returning from Havana, Cuba. They divorced in 1932, although Mildred retained her married name.[citation needed]
Joan Blondell (married September 19, 1936, divorced 1944). He adopted her son from a previous marriage, Norman Powell, who later became a television producer; the couple also had one child together, Ellen Powell.[citation needed]
June Allyson (August 19, 1945, until his death, January 2, 1963), with whom he had two children, Pamela (adopted) and Richard Powell, Jr.[citation needed]
Powell enjoyed general aviation as a private pilot.[10]
Illness and death
On September 27, 1962, Powell acknowledged rumors that he was undergoing treatment for cancer. The disease was originally diagnosed as an allergy, with Powell first experiencing symptoms while traveling east to promote his program. Upon his return to California, Powell's personal physician conducted tests and found malignant tumors on his neck and chest.[11]
The marker on Dick Powell's niche in Forest Lawn Memorial Park, Glendale, California, incorrectly identifies his year of death as 1962. Powell died at the age of 58 on January 2, 1963.[12]
It is speculated Powell developed cancer as a result of his participation in the film The Conqueror, which was filmed at St. George, Utah, near a site used by the U.S. military for nuclear testing. About a third of the actors who participated in the film developed cancer, including Powell, who directed the film, John Wayne, Susan Hayward, Agnes Moorehead and Pedro Armendáriz.[13] However, in a 2001 interview with Larry King, Powell's widow June Allyson stated that the cause of death was lung cancer due to his chain smoking.[14]
During the 15th Primetime Emmy Awards on May 26, 1963, the Television Academy presented a posthumous Television Academy Trustee Award to Dick Powell for his contributions to the industry. The award was accepted by two of his former partners in Four Star Television, Charles Boyer and David Niven.
"Is She My Girl Friend?" (1927-Vocalion 15647), the first commercially released record by Dick Powell. Although it was his first released record, it is not his first recording - "Time Will Tell" was his first recording, being for Gennett Records, however it was never pressed.[17]
"Over There"/"Captains of the Clouds" (1942–Decca 4174) Issued early in World War II, the A side brought back a patriotic song that had been popular in World War I. The B side came from a James Cagneyfilm of the same name.[18]
^"Death Takes Dick Powell". The Desert Sun. January 3, 1963. p. 1. Retrieved February 18, 2024 – via University of California/Riverside Center for Bibliographical Studies and Research (CBSR).
