John "Johnny" Forbes (Dick Powell) works for the Olympic Mutual Insurance Company in downtown Los Angeles. On a day when he is especially downhearted about his boring, routine work life, private investigator and former policeman J.B. "Mac" MacDonald (Raymond Burr) reports to him that he's identified a woman to whom an embezzler, who had been bonded by Olympic Mutual, has given expensive gifts with the money he embezzled. Bill Smiley (Byron Barr), is serving time for the crime, and is eligible for parole in two months. Gifts to his girlfriend, Santa Monica model Mona Stevens (Lizabeth Scott), include a speedboat named Tempest.
Admitting to Forbes he's attracted to Mona, Mac offers to go speak to her about the illicit gifts. Forbes tells the investigator his job is done and that he will go himself. At her apartment, Mona cooperates with the snooping insurance man, especially after she learns that Smiley's parole may be sped up if she does. Forbes suggests they go for a drink. They go out on the speedboat, taking turns driving it; Forbes notices how much she loves the boat. After the drinks, Mona suggests dinner. Mac, parked outside her apartment, sees Forbes leave much later that night.
The next day, Mac waits for Forbes in his office. He says he has noticed the list of items reclaimed from Mona, but that the boat is not there. Denying knowledge of it, Mac reveals to Forbes that he has the bill of sale. He asks Forbes what he's found to spend so much time talking with Mona about. Forbes decides to allow the boat to be repossessed. He tells Mona that Mac knew he had let her keep the boat and could cause trouble about it. She reveals that Mac had been pounding on her door the previous night "until all hours".
When Forbes arrives home, Mac is waiting outside and proceeds to beat him up, saying, "Maybe this will keep you home where you belong for a few days".
A happy Mona awakes the next morning and finds that Forbes has left his briefcase in her apartment. From her job at May Company department store she telephones his office and learns that he has called in sick. She borrows a co-worker's car, having decided to go to Forbes' home to visit him and take him some food; she gets his address from a card in the briefcase. She arrives at the moment when the doctor, Forbes' wife Sue (Jane Wyatt), and their son Tommy (Jimmy Hunt) are all outside. She overhears their conversation and realizes her lover's marital status. When he recovers from Mac's beating, Forbes meets Mona and she breaks off the affair, not wanting to destroy his family.
Forbes rededicates himself to his wife, son and career, feeling a new contentment. Meanwhile, Mac continues to stalk Mona, both at her job and at home; she tells him bluntly that she does not like him, but he is not deterred. She contacts Forbes to tell him that when she threatened to call police, Mac in turn threatened to tell Sue about the affair. Forbes goes to Mac's apartment and repays him for the beating, promising to kill him if he ever talks about his family again. Mac visits Smiley in prison and drops broad hints that Mona has been fooling around with the insurance adjuster. Shortly, Mona learns that her cooperation had an effect and that Smiley is getting out of jail imminently. She visits him the day before and he angrily asks about both Mac and Forbes; he sees that she is not wearing the engagement ring he had given her with the stolen funds.
Mona tells Forbes how Mac has been visiting Smiley and provoking him. At home, Sue, who has not believed the story that her husband told her about being beaten up by muggers, probes him to tell her what is on his mind. As he is about to do so, their son has a nightmare about somebody coming at him through the window.
When Smiley is freed, Mona finds him in her apartment drinking. He has a gun given to him by Mac, and wants to know from her why Mac wants him to kill Forbes. Mona admits the affair but begs him to understand it is over. He says he can forgive her, but not Forbes, and leaves. Mona telephones Forbes to warn him; Forbes tries to get Sue and Tommy to leave but fails. He tells Sue that a man from the office is coming to talk to him. He grabs his gun and waits in the dark for Smiley. Forbes manages to sneak up on Smiley and order him to leave, but Smiley comes around the front and breaks a window. Forbes shoots him dead.
Thinking that both his rivals are taken care of, Mac shows up at Mona's, fully expecting her to go away with him. As he packs her suitcase, she shoots him twice in the back.
Forbes allows the police to think that he has killed a prowler, and after they are gone, confesses everything to Sue. Over her objections, and after walking the streets all night, he also makes a full confession to the District Attorney (John Litel). The DA reluctantly states that his story matches Mona's, who is now in custody, and that Forbes is free to go. It was justifiable homicide as Smiley was indeed coming to kill him. The charge against Mona depends on whether Mac lives or dies.
Outside, Sue is waiting for Forbes in the car. He asks her if she wants a divorce but she will give the marriage another chance, though she is not sure it will ever be the same.
According to Madeleine Stowe, guest host on the May 21, 2016, Turner Classic Movies screening of the film, the production was in trouble because the script violated the Hays Code, as the adulterer was insufficiently punished. When director de Toth found out, he met with two senior Hays Code members, whom he had selected with care. De Toth revealed that he knew the two were both married and both had mistresses. There were no problems after that.[2]
Reception
Film critic Fernando F. Croce wrote about the screenplay and direction,
The title's abyss, pitilessly moral, sprawls horizontally rather than vertically, a lateral track following disheveled Dick Powell bottoming out, wandering the streets after confessing murder and adultery to wife Jane Wyatt. Fate may be at play, yet André de Toth's grip is less determinist than humanist, airtight but wounded, each pawn in the grid allowed trenchant space to deepen the fallout of their own actions.[3]
Film critic Dennis Schwartz wrote of the film,
Powell is the archetypal average American man living out the American Dream in the suburbs, where his type is viewed as the backbone of the country. This film does a good job of poking holes at that dream, showing underneath the surface all is not well.[4]
A one-time police officer sued the producers for libel claiming the film was based on him.[5]
^Thomas F. Brady (February 1, 1948). "Hollywood Deals: Prospects Brighten for United Artists -Budget Runs Wild and Other Matters". New York Times. p. X5.
^Madeleine Stowe, guest host on the May 21, 2016, Turner Classic Movies screening of the film
^Croce, Fernando F. ''Cinepassion film review (2008); accessed February 24, 2008.
^Schwartz, Dennis. Ozus' World Movie Reviews film review (January 26, 2001); accessed February 24, 2008.
