It is described as "essentially an espionage thriller that pits a Union intelligence officer (Gary Cooper) against a Confederate spy ring."[3]
Plot
A Confederate spy has been informing rustlers about the timing and route of horse herds being driven by the Union Army, enabling the herds to be seized. Charged with cowardice when he abandons such a herd in the face of greater numbers, Major Lex Kearney is drummed out of the Union Army with a dishonorable discharge. His disgrace is complete, with wife Erin even informing him that their ashamed son has run away. What no one knows is that Kearney has accepted a fake discharge so he can carry out a top-secret assignment to go undercover to find the rustlers and the spy who has been giving them the information. A shipment of the new rapid loading Springfield rifles arrives, providing an opportunity.
Fess Parker (uncredited) as Confederate Sergeant Jim Randolph
Reception
The film was not well received by critics. Jeffrey Meyers noted that Cooper's career went down hill in the early 1950s, until High Noon opened in 1952, and labelled Springfield Rifle a "mediocre" western.[5]
Rebecca Fish Ewan called the film "confusing" and said that Cooper looked "ever perplexed".[6]New York magazine said "even Cooper can't keep this film from being just another ho-hum Western."[7]
However, New York Life described it as an "exciting military melodrama of espionage and counterespionage in a frontier fort."[8]
References
^'The Top Box Office Hits of 1953', Variety, January 13, 1954 and 'Top Box-Office Hits of 1952', Variety, January 7, 1953