A group of gullible military private volunteers to be the subject of numerous military biological and chemical weaponry experiments, and later robs banks as a result.[2]
In June 1974 Barrie announced he would turn producer with Whiffs based on an original story and script by Malcolm Mamorstein, with Ted Post to direct. "It's a comedy-satire about a young man, an expert on testing gases, who winds up using all that knowledge for other purposes," said Barrie.[4]
Casting
Marmorstein later recalled, "George Barrie knew that I had done S*P*Y*S and was looking for someone with a comedic touch, so he suggested Elliott Gould."[5]
Elliott Gould insisted his then-girlfriend Jennifer O'Neill play the female lead.
“We really didn't want to hire her,” said Marmorstein, “because we thought, what if their romance breaks up in the middle of the film?... We had good choices [for her part]. Everybody wanted to play it, but Gould wanted her.””[5]
"I thought I was gonna marry Jennifer,” Gould said later. “Since I couldn’t, I thought that she’d be perfect to be my nurse [in “Whiffs.”] Teri Garr was up for the part. I needed a funny girl. But I wanted to be loyal to the beautiful, amazing person that Jennifer is...”[5] She signed in August 1974.[6]
Gould and O'Neill broke up during filming. “I physically got in between them, stuff like that,” said Marmorstein. Jennifer O’Neill was not much of an actress at the time, and it was tough."[5]
Marmorstein said "Ted Post was a very amiable guy. Except he had no idea how to shoot comedy. Also, he was too in love with zoom lenses, which is fine for TV. I conspired with the director of photography to switch to a prime lens each time Ted was ready for a new setup. For his first shot, he chose a huge, complex, all-encompassing shot that put us days behind schedule.”[5]
TV Guide wrote, in reference to the story line of Elliott Gould's character behaving like a chimpanzee because he breathed in an experimental chemical, "The scriptwriter must have taken a good whiff of the gas himself each time he sat down at his typewriter."[9]
The Los Angeles Times called it "as funny as a fire at an old folk's home."[10]
"That picture didn't work," said Gould. "They went with the obvious comedy."[5]
In 1976 he said the film featured his least favourite performance.[11]
^Following the Scent to Brut Film Fest: Following the Scent to Idaho
Kilday, Gregg. Los Angeles Times17 Aug 1973: d1.
^News of the Screen: Faberge President Turns Producer Tennis to Be Focus Of Goodman Entry Schell to Produce, Sister to Star 7 Features in '74-'75 By Artists Complex
By A.H. WEILER. New York Times 16 June 1974: 44.
