There are some "categories" of symbols in Webdings; groups of similar symbols. Symbol trends like this in the font include weather icons, land with different structures built on top, vehicles and ICT. Symbols which are the Webdings equivalent of characters not available on an English keyboard also exist in the font (for example, the dove and Earth symbols).
Connare also designed the lightning bolt symbol to resemble the one on the cover of the David Bowie album Aladdin Sane.[2]
Following the controversy over possible anti-Semitic messages in the Wingdings font, Connare intentionally rendered the Webdings character sequence "NYC" as an eye, a heart, and a city skyline, referring to the I Love New York logo.[3][2]
Webdings font sample showing the Webdings encoding
The man who created Webdings also created several other fonts including Comic Sans and Trebuchet MS. Webdings was created due to the demand of the new digital age; hence Connare was told to draft up a font that was "creative," "friendly" and "hand-drawn".[4] Jennifer Niederst, author of "Web Design in a Nutshell: A Desktop Quick Reference," talks about Connare's work with type, including Webdings. Niederst states in her book, "These fonts have generous character spacing, large x-heights, and open, rounded features that make them better for online reading," which further comments on the kind of fonts Connare was told to create.[5]
Opportunities
People such as Karl Pentzlin have proposed that dingbat typefaces, such as Webdings, be encoded to Apple devices or more handheld devices in general.[6] There are also organizations and individuals such as Michal Suignard who have created proposals for Webdings to be encoded in the "international character encoding standard Unicode".[7] Both of these proposal examples also include other dingbat typefaces such as Wingdings.
Webdings has also been used to help create artwork. In the case of Pat Boas, it has been stated that in Boas's work titled, “Abstraction Machine,” she "began by typing 'poison' in the font called 'Webdings,'..." which helped Boas to create a painting that challenged the audience to de-code its meaning.[8] Boas also notes how the artwork captures a dialogue between the Webdings typeface, which is based in logic, and the handpainted artwork, which is "sensuous".[8]
