The Reckoning (Needtobreathe album)

The Reckoning
Studio album by
Needtobreathe
ReleasedSeptember 20, 2011
Recorded2010–11[1][2]
Studio
GenreAlternative rock, Christian rock, Southern rock
Length55:30
LabelAtlantic
ProducerNeedtobreathe, Rick Beato, Greg Wells[3]
Needtobreathe chronology
The Outsiders
(2009) 		The Reckoning
(2011) 		Rivers in the Wasteland
(2014)
Singles from The Reckoning
  1. "Slumber"
    Released: June 21, 2011[4]
  2. "Drive All Night"
    Released: July 26, 2011[4]
  3. "The Reckoning"
    Released: September 20, 2011
  4. "A Place Only You Can Go"
    Released: September 27, 2011
  5. "Able"
    Released: January 31, 2012
  6. "Keep Your Eyes Open"
    Released: February 14, 2012
  7. "White Fences"
    Released: February 20, 2012

The Reckoning is the fourth studio album from American Christian rock band Needtobreathe, released on September 20, 2011, through Atlantic Records. It is the last album featuring drummer Joe Stillwell. It debuted at No. 1 on the Billboard Christian Album chart, No. 1 on the Billboard Rock Albums chart, No. 4 on the Billboard Digital Albums chart and No. 6 on the Billboard 200 chart, selling 49,000 copies in its first week.[5][6] The song "Oohs and Ahhs" was used in a promotional advertisement for J. J. Abrams's drama television series Alcatraz.[citation needed]

Background

The album released on September 20, 2011, through Atlantic Records, and it was produced by Needtobreathe, Rick Beato, and Greg Wells. This was the fourth studio album by the band. The studios used while recording the album were Plantation Studios in Charleston, South Carolina, Blackbird Studios in Nashville, Tennessee and Rocket Carousel Studios in Los Angeles, California.[2]

Music and lyrics

At Allmusic, Andrew Leahey stated that the album was a mixture of "sacred/secular" that is done with great precision, which takes the "best from both camps."[1] Cross Rhythms' John Willoughby agrees with that noting the band "successfully managed the balancing act of having a foot in both the mainstream and Christian rock worlds."[7] Matt Conner of CCM Magazine wrote that this was an album that "the sweet Southern Rock...captures the attention of all who hear it."[8] At Christian Music Zine, Adrian Garza affirmed that listeners "enjoy music that sounds completely original, and unlike most of what they’ve ever heard", which the band do on the release.[9] Jeremy V. Jones of Christianity Today said that the band has come "out guitars blazing on its fourth album, a muscular collection ready to shake arenas but paint their corners with warm southern and Americana gentility".[10] Willoughby also believed strongly that this is the reason for the band's "huge appeal comes from the fact that they also straddle musical styles and can switch from tender alt-folk to swaggering pop rock."[7]

Jen Rose of Jesus Freak Hideout noted that the album "doesn't retread past material or stick to a formula", however, she stated that "something feels a little off on the first listen or two. Perhaps it's the darker, subdued feel overall that is unsettling at first, or maybe it's the lack of standout upbeat songs".[11] In addition, Jesus Freak Hideout's Jerold Wallace agreed that this album was just not "retreading" the same stuff all over again, but does have "Like the past albums, each piece borrows heavily from southern influences with a firm rock foundation."[12] Also, Wallace noted how "Bear consistently impresses, be it with emotional highs that evolve into growls or a falsetto that we have not heard much of before."[12] This was why Louder Than the Music's Jono Davies noted this album was "creative indie rock at its best."[13] At Rock News and Reviews, Alexandre Romero said the album was "a balanced mix between genres already experienced during their career performed better than ever, plus some innovation touches."[14]

Leahey noted that the album sound like "14 tracks are full of Bible allusions and parable-like lyrics."[1] The Christian Manifesto's Lydia Akinola subscribed to the belief that this album "reads like a series of intimate thoughts put to poetry. More than the music, powerful lines hold the album together."[15] In the thematic area, Akinola said that the album has "running theme[s] of redemption and grace that permeates" every part of the music.[15]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[1]
CCM Magazine[8]
The Christian Manifesto[15]
Christian Music Zine[9]
Christianity Today[10]
Cross Rhythms[7]
Jesus Freak Hideout[11]
[12]
Louder Than the Music[13]
Melodic[16]
New Release Tuesday[17]
[18]
Rock News and Reviews[14]

The Reckoning garnered critical acclaim from music critics. Leahey of Allmusic rated the album four stars, and noted that the album is full of "big music" that the band "have the balls and brawn to pull it off well."[1] At CCM Magazine, Conner rated the album four stars, and stated that the album "offers proof positive that this South Carolina train isn't slowing anytime soon."[8] The Christian Manifesto's Akinola rated the album four-and-a-half stars, and highlighted that the band have "pulled out all the stops – with magnificent results. It is hard not to be impressed, even when really; you weren’t expecting not to be."[15] Garza of Christian Music Zine rated the album four stars, and brought up the "it" factor, which he said no one exactly knows what that is, "but what I do know is that this record has loads of good songs, and is one of the closest to “it” that I’ve heard in a while."[9]

At Christianity Today, Jeremy V. Jones rated the album four stars, and said the band has "got swagger" but are humble at the same time. Cross Rhythms' John Willoughby rated the album nine squares out of ten, and called the album "A fine set."[7] At Jesus Freak Hideout, Jen Rose rated the album four stars, and stated that the release was "a strong album" full of "intriguing, solid addition[s] to the catalog, even if it doesn't quite have the immediate spark of some of their past work...but for now, it is one worth the time to fully discover, whether as a newcomer or long-time listener."[11] Jesus Freak Hideout's Wallace rated the album four-and-a-half stars, and advised "it may take some listeners a few spins before it settles in, but once it does it's arguably Needtobreathe's finest work to date", which adds "14 more solid entries into their catalog."[12] At Louder Than The Music, Jono Davies rated the album a perfect five stars, and touted the music as "a creative set of songs, showing the world that indie rock can be at times dark, rocky and truthfully honest, but put that with great harmonies, interesting chord structures and savvy musicianship and you get a stunning set of songs for a very sturdy album."[13]

Melodic's Johan Wippsson rated the album four stars, and reasoned that the album was "almost in the same class [as The Outsiders] and to me also surprisingly well. Did not think the band would be able to follow up on "The Outsiders", but this is a very well-written album with a great deal of heart and soul."[16] At New Release Tuesday, Kevin Davis rated the album a perfect five stars, and lauded the band for crafting a "ridiculously fantastic album on all levels. You can be sure this is a 5 star masterpiece that will propel NEEDTOBREATHE to major headliner status just like GRAMMY Award winning bands Train, Kings of Leon and Muse."[17] Kevin McNeese also of New Release Tuesday's rated it the same, and noted the album had a tremendous amount of "passion in these songs is something very much akin to what has been driving [him] to Switchfoot as of late", and he got "absolutely engrossed by this album, and the more [he] unearthed, the more [he] discovered."[18] Rock News and Reviews's Alexandre Romero rated the album four-and-a-half stars, and said of the album that it satisfied the "requests of older fans and returns triumphantly to their roots, but without getting away from the softer sound that pushed them to mainstream in recent years.", and the album was absolutely "An important step to the group towards [getting] critical and commercial acclaim"[14]

Track listing

Original release

All tracks are written by Bear and Bo Rinehart

The Reckoning
No.TitleLength
1."Oohs and Ahhs"4:37
2."White Fences"3:45
3."Drive All Night"4:13
4."A Place Only You Can Go"3:12
5."Slumber"3:35
6."The Reckoning"3:44
7."Able"4:21
8."Maybe They're On to Us"3:10
9."Wanted Man"4:06
10."Keep Your Eyes Open"4:10
11."Tyrant Kings"4:09
12."Devil's Been Talkin'"3:35
13."Angel at My Door"4:32
14."Learn to Love"4:21
Vinyl edition - Side one
No.TitleLength
1."Oohs and Ahhs"4:37
2."White Fences"3:45
3."Drive All Night"4:13
4."A Place Only You Can Go"3:12
Vinyl edition - Side two
No.TitleLength
5."Cops" (Vinyl Exclusive Bonus Track)2:43
6."Slumber"3:35
7."The Reckoning"3:44
8."Able"4:21
Vinyl edition - Side three
No.TitleLength
1."Maybe They're On to Us"3:10
2."Wanted Man"4:06
3."Keep Your Eyes Open"4:10
4."Tyrant Kings"4:09
Vinyl edition - Side four
No.TitleLength
5."Disaster Road" (Vinyl Exclusive Bonus Track)3:53
6."Devil's Been Talkin'"3:35
7."Angel at My Door"4:32
8."Learn to Love"4:21

Notes

  • "Cops" and "Disaster Road" included on limited edition vinyl record.[19][20]
  • Currently, the vinyl records are only for sale at the band's concerts.[19]
  • The vinyl records are white.[19]
  • The parenthesis are what the band called each one of the sides.

Keep Your Eyes Open EP

All tracks are written by Bear and Bo Rinehart

Keep Your Eyes Open (Songs from the Reckoning Sessions)
No.TitleLength
1."Keep Your Eyes Open"4:10
2."Keep Your Eyes Open (Acoustic Version)"4:05
3."Cops" (B-Side)2:43
4."Disaster Road" (B-Side)4:31
5."Solomon's Ashes" (B-Side)3:21

Personnel

Needtobreathe

Production

  • Needtobreathe – producers
  • Rick Beato – producer (1–12, 14), engineer (1–12, 14)
  • Greg Wells – producer (13)
  • Seth Bolt – engineer, mixing (2, 5)
  • Ken "Grand" Lanyon – engineer (1–12, 14)
  • Ian MacGregor – engineer (13)
  • Mark Endert – mixing (1, 3, 6–14)
  • Tchad Blake – mixing (4)
  • Bo Rinehart – mixing (5), art direction, design
  • Leland Elliott – additional engineer
  • Randall Harris – additional engineer
  • Eric Legg – additional engineer
  • Ryan Stukenbroeker – additional engineer
  • Ted Jensen – mastering at Sterling Sound (New York, NY)
  • Anthony Delia – A&R, marketing
  • Pete Ganbarg – A&R
  • Aryanna Platt – A&R administration
  • Joshua Drake – photography
  • Kip Krones – management

Charts

Album

Chart (2011) Peak
position
US Billboard 200[21] 6
US Digital Albums (Billboard)[22] 4
US Christian Albums (Billboard)[23] 1
US Top Rock Albums (Billboard)[24] 1

Year-end charts

Chart (2011) Positions
US Billboard Top Rock Albums 70[25]
US Billboard Top Christian Albums 19[26]
Chart (2012) Positions
US Billboard Top Christian Albums 21[27]

Singles

Year Single Peak chart positions
US Christian
 US Heat
 Triple A
2011 "Slumber" 26[28] — —
"The Reckoning" — 24[29] —
"Drive All Night" — — 15[30]
2012 "Able" 46[31] — —

Tour

The band completed The Reckoning Tour, which included the following stops.[32][33]

Tour dates
Date City Country Venue
February 15, 2012 Houston United States Warehouse Live
February 16, 2012 Dallas House of Blues
February 17, 2012
February 18, 2012 Austin Stubbs
February 20, 2012 Birmingham Alabama Theatre
February 21, 2012 Searcy Harding University
February 23, 2012 Nashville Ryman Auditorium
February 24, 2012
February 25, 2012 Atlanta The Tabernacle
February 26, 2012 Tampa Ritz Ybor
February 27, 2012 Orlando House of Blues
February 29, 2012 Atlanta The Tabernacle
March 1, 2012 Knoxville Tennessee Theatre
March 2, 2012 Charlotte Ovens Auditorium
March 3, 2012 Charleston North Charleston Performing Arts Center
March 9, 2012 Murray Lovett Auditorium
March 10, 2012 St. Louis The Pageant
March 11, 2012 Kansas City Midland Theatre
March 12, 2012 Denver Ogden Theatre
March 15, 2012 Portland, OR Crystal Ballroom
March 16, 2012 Vancouver Canada Vogue Theatre
March 17, 2012 Seattle United States Moore Theatre
March 19, 2012 San Francisco The Fillmore
March 20, 2012 Los Angeles Club Nokia
March 23, 2012 Tulsa Brady Theater
March 24, 2012 Ames Stephens Auditorium
March 25, 2012 Madison Orpheum Theatre
March 26, 2012 Grand Rapids Intersection
March 27, 2012 Detroit Royal Oak Music Theatre
March 29, 2012 Minneapolis First Avenue
March 30, 2012
March 31, 2012 Chicago Riviera Theatre
April 3, 2012 Augusta Drive for Show, Rock Fore! Dough
April 10, 2012 Lexington Singletary
April 11, 2012 Cleveland House of Blues
April 12, 2012 Indianapolis Egyptian Room
April 13, 2012 Pittsburgh Stage AE
April 14, 2012 Toronto Canada Phoenix Concert Theatre
April 16, 2012 Portland, ME United States State Theatre
April 17, 2012 Boston House of Blues
April 19, 2012 New York City Webster Hall
April 20, 2012 Philadelphia Electric Factory
April 21, 2012 Washington D.C. 9:30 Club
April 23, 2012 Lynchburg Liberty University
April 26, 2012 Raleigh Memorial Auditorium
April 27, 2012 Clemson Little John Coliseum
April 29, 2012 Panama City Rock By The Sea
May 6, 2012 Valdosta Wild Adventures theme park
June 7, 2012 Manchester Bonnaroo Music Festival
June 8, 2012 Manchester Bonnaroo Music Festival
June 9, 2012 Manchester Bonnaroo Music Festival
June 10, 2012 Manchester Bonnaroo Music Festival
September 7, 2012 Orlando Walt Disney World

References

  1. ^ a b c d e Leahey, Andrew (September 20, 2011). "The Reckoning - Needtobreathe". Allmusic. Retrieved January 2, 2012.
  2. ^ a b Album liner notes
  3. ^ "The Reckoning credits". AllMusic. Retrieved January 13, 2012.
  4. ^ a b iTunes date
  5. ^ Caulfield, Keith (September 28, 2011). "Tony Bennett, 85, Achieves First No. 1 Album on Billboard 200". Billboard.com. Retrieved April 22, 2014.
  6. ^ "Needtobreathe - Chart history - Billboard". Billboard.com. Retrieved April 22, 2014.
  7. ^ a b c d Willoughby, John (January 6, 2012). "Review: The Reckoning – Needtobreathe". Cross Rhythms. Retrieved January 8, 2012.
  8. ^ a b c Conner, Matt (November 1, 2011). "Needtobreathe: The Reckoning (Atlantic)". CCM Magazine. Retrieved January 2, 2012.
  9. ^ a b c Garza, Adrian (September 22, 2011). "Needtobreathe - The Reckoning (Review)". Christian Music Zine. Archived from the original on September 26, 2011. Retrieved January 2, 2012.{{cite web}}: CS1 maint: unfit URL (link)
  10. ^ a b Jones, Jeremy V. (September 20, 2011). "Needtobreathe: The Reckoning". Christianity Today. Retrieved January 1, 2012.
  11. ^ a b c Rose, Jen (September 19, 2011). "NEEDTOBREATHE, "The Reckoning" Review". Jesus Freak Hideout. Retrieved January 2, 2012.
  12. ^ a b c d Wallace, Jerold (September 21, 2011). "NEEDTOBREATHE, "The Reckoning" Review: Second Staff Opinion". Jesus Freak Hideout. Retrieved January 2, 2012.
  13. ^ a b c Davies, Jono (September 30, 2011). "Reviews – Needtobreathe – The Reckoning". Louder Than the Music. Retrieved January 2, 2012.
  14. ^ a b c Romero, Alexandre (October 25, 2011). "Album Review: Needtobreathe – The Reckoning". Rock News and Reviews. Archived from the original on December 16, 2013. Retrieved January 8, 2012.
  15. ^ a b c d Akinola, Lydia (September 26, 2011). "The Reckoning". The Christian Manifesto. Archived from the original on January 3, 2014. Retrieved January 1, 2012.
  16. ^ a b Wippsson, Johan (September 20, 2011). "Needtobreathe - The Reckoning". Melodic. Retrieved January 8, 2012.
  17. ^ a b Davis, Kevin (September 19, 2011). "NEEDTOBREATHE [The Reckoning]". New Release Tuesday. Retrieved January 2, 2012.
  18. ^ a b McNeese, Kevin (December 26, 2011). "#7 Album Of 2011". New Release Tuesday. Retrieved January 2, 2012.
  19. ^ a b c NEEDTOBREATHE (February 15, 2012). "The Reckoning on Vinyl & Bonnaroo 2012". NEEDTOBREATHE BLOG. Retrieved March 2, 2012.
  20. ^ "The Reckoning by Needtobreathe". Retrieved March 1, 2012.
  21. ^ "Needtobreathe Chart History (Billboard 200)". Billboard.
  22. ^ "Needtobreathe Chart History (Digital Albums)".[dead link‍] Billboard.
  23. ^ "Needtobreathe Chart History (Christian Albums)". Billboard.
  24. ^ "Needtobreathe Chart History (Top Rock Albums)". Billboard.
  25. ^ Nielsen SoundScan (December 31, 2011). "Best of 2011: Rock Albums". Billboard. Retrieved January 8, 2012.
  26. ^ Nielsen SoundScan (December 31, 2011). "Best of 2011: Christian Albums". Billboard. Retrieved January 8, 2012.
  27. ^ "Top Christian Albums". Billboard. October 31, 2019.
  28. ^ Billboard, Needtobreathe, Billboard, retrieved January 3, 2012
  29. ^ Billboard, Needtobreathe, Billboard, retrieved January 3, 2012
  30. ^ Mediabase 24/7, Triple A, Mediabase 24/7, retrieved January 5, 2012{{citation}}: CS1 maint: numeric names: authors list (link)
  31. ^ Billboard (February 25, 2012). "Able - Needtobreathe". Billboard. Retrieved March 12, 2012.
  32. ^ NEEDTOBREATHE. "The Reckoning Tour". NEEDTOBREATHE. Retrieved January 3, 2012.
  33. ^ NEEDTOBREATHE. "The Reckoning Tour". NEEDTOBREATHE Facebook. Retrieved January 3, 2012.

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Thomas Abbt

German philosopher, mathematician and writer (1738-1766) Thomas AbbtBorn(1738-11-25)25 November 1738Ulm, Holy Roman EmpireDied3 November 1766(1766-11-03) (aged 27)Bückeburg, Holy Roman Empire Thomas Abbt (German: [apt]; 25 November 1738 – 3 November 1766) was a German mathematician and writer. Biography Born in Ulm as the son of a wig-maker,[1] Abbt visited a secondary school in Ulm, then moved in 1756 to study theology, philosophy and mathematics at the University of ...