Steven John IsserlisCBE (born 19 December 1958) is a Britishcellist. An acclaimed soloist, chamber musician, educator, writer and broadcaster, he is widely regarded as one of the leading musicians of his generation.[2][3][4][5] He is also noted for his diverse repertoire and distinctive sound which is deployed with his use of gut strings.[6][7]
Isserlis was born into a musical family in London. His mother was a piano teacher, and his father was a keen amateur musician. One of his sisters Annette is a viola player, and his other sister Rachel is a violinist. Isserlis has described how "playing music, playing together", was an integral part of his early family life.[15] His grandfather, Julius Isserlis,[16] who was a Russian Jew, was one of 12 musicians allowed to leave Russia in the 1920s to promote Russian culture, but he never returned.[17]
On the Midweek programme in January 2014, Isserlis revealed that on arrival in Vienna in 1922, his pianist grandfather and father found a flat, but the 102-year-old landlady refused to take in a musician, because her aunt had a previous musician tenant who was noisy and would spit on the floor—this tenant was Ludwig van Beethoven.[18]
Isserlis went to the City of London School, which he left at the age of 14 to move to Scotland to study under the tutelage of Jane Cowan.[17] From 1976 to 1978 Isserlis studied at the Oberlin Conservatory of Music[19] with Richard Kapuscinski. Ever since his youth Daniil Shafran has been his cello hero, of whom Isserlis has described how "his vibrato, his phrasing, his rhythm all belonged to a unique whole... he was incapable of playing one note insincerely; his music spoke from the soul."[20]
The name Isserlis is one of many European variations of the Hebrew name 'Israel'.[21]
Career
Isserlis's major career breakthrough came in 1988, when he asked John Tavener to write a work for cello and orchestra. The result of this was The Protecting Veil, and Isserlis premiered it at the BBC Proms with the BBC Symphony Orchestra and Oliver Knussen. The piece and also Isserlis’ subsequent recording of it
were met with both critical and public acclaim.[22] The recording became a classical bestseller.[22]
Isserlis is the author of two books for children on the lives of famous composers: the first is Why Beethoven Threw the Stew (Faber, 2001), and the second is Why Handel Waggled His Wig (Faber, 2006). He has also written three stories that have been set to music by Oscar-winning composer Anne Dudley. The first of the series Little Red Violin (and the Big, Bad Cello) received its first performance in New York in March 2007, followed by Goldipegs and the Three Cellos, and Cindercella.
In September 2016, Isserlis's book targeted towards young musicians, Robert Schumann's Advice to Young Musicians Revisited by Steven Isserlis, was published by Faber & Faber.[30]
In October 2021, Faber & Faber published Isserlis's book The Bach Cello Suites – A Companion,[31] a volume entirely devoted to the history and music of Bach's Suites for unaccompanied cello.
Isserlis's recordings reflect the breadth and eclecticism of his repertoire. His most recent release of reVisions for BIS includes arrangements and reconstruction of works by Debussy, Ravel, Prokofiev and Bloch.[32] For Hyperion Records,[34] Isserlis has recorded Schumann's music for cello and piano (Dénes Várjon), and the complete solo cello suites by Bach, which has won many awards, including Listeners' Disc of the Year on BBC Radio 3's CD Review, Gramophone's Instrumental Disc of the Year,[35] and "Critic's Choice" at the 2008 Classical Brits. Other releases include two recordings with Stephen Hough: the Brahms sonatas, coupled with works by Dvořák and Suk; a highly acclaimed disc of children's cello music for BIS Records; and a recording with Thomas Ades of his new piece 'Lieux retrouvés'. Recent releases included a disc in 2013 of Dvořák's Cello Concerto with Daniel Harding and the Mahler Chamber Orchestra on Hyperion and Martinu's complete cello sonatas with Olli Mustonen on the BIS label in 2014 which received a Grammy nomination.
In 2017, Isserlis's recording of Haydn's Cello Concertos was nominated for a Grammy Award.[36]
Bibliography
Isserlis, Steven (2001). Why Beethoven Threw the Stew (And Lots More Stories about the Lives of Great Composers). London: Faber and Faber. ISBN0-571-20616-6. OCLC51389891.
—— (2006). Why Handel Waggled His Wig (And Lots More Stories about the Lives of Great Composers). London: Faber and Faber. ISBN0-571-22478-4. OCLC77516216.
—— (2017). Robert Schumann's Advice to Young Musicians: Revisited by Steven Isserlis. University of Chicago Press. ISBN978-0-226-48274-3. OCLC975487315.{{cite book}}: CS1 maint: location missing publisher (link)
^Gdal Saleski, Singers of Jewish origin (1927). "Julius Isserlis, who is one of the most outstanding of the many pianists Russia has given to the world in the present generation, was born in Kishineff, Russia, on 26 October 1889."