Paul Frederic Simon (born October 13, 1941) is an American singer-songwriter known for his solo work and his collaborations with Art Garfunkel. He and his school friend Garfunkel, whom he met in 1953, came to prominence in the 1960s as Simon & Garfunkel. Their blend of folk and rock, including hits such as "The Sound of Silence", "Mrs. Robinson", "America" and "The Boxer", served as a soundtrack to the counterculture movement. Their final album, Bridge over Troubled Water (1970), is among the bestselling of all time.
In 1986, Simon released his most successful and acclaimed album, Graceland, incorporating South African influences. "You Can Call Me Al" became one of Simon's most successful singles. Graceland was followed by The Rhythm of the Saints (1990), and a second Concert in the Park in 1991, without Garfunkel, which was attended by half a million people. In 1998, Simon wrote a Broadway musical, The Capeman, which was poorly received. In the 21st century, Simon continued to record and tour. His later albums, such as You're the One (2000), So Beautiful or So What (2011) and Stranger to Stranger (2016), introduced him to new generations. Simon retired from touring in 2018, but continued to record music. An album, Seven Psalms, was released in May 2023.[1]
The musician Donald Fagen described Simon's childhood as that of "a certain kind of New York Jew, almost a stereotype really, to whom music and baseball are very important. I think it has to do with the parents. The parents are either immigrants or first-generation Americans who felt like outsiders, and assimilation was the key thought—they gravitated to black music and baseball, looking for an alternative culture."[8] Simon said Fagen's description was not far from the truth.[8] Simon played baseball and stickball as a child. He described his father as funny and smart, but said he worked late and did not see his children much.[8]
Simon met Art Garfunkel when they were 11 years old
and performed together in a production of Alice in Wonderland for their sixth-grade graduation. The two began singing together at the age of 13,[9] occasionally performing at school dances. At the age of 12 or 13 Simon wrote his first song, "The Girl for Me", for him and Art Garfunkel to perform. According to Simon, it became the "neighborhood hit". His father wrote the words and chords on paper for the boys to use, and that paper became the first officially copyrighted Paul Simon and Art Garfunkel song. It is now in the Library of Congress. In 1957, in their mid-teens, they recorded the song "Hey, Schoolgirl" under the name "Tom & Jerry", a name that was given to them by their label, Big Records. The single reached number 49 on the pop charts.
Between 1957 and 1964, Simon wrote, recorded and released more than 30 songs. He and Garfunkel occasionally reunited as Tom & Jerry to record singles, including "Our Song" and "That's My Story". Most of the songs Simon recorded during that time he performed alone, or with musicians other than Garfunkel. They were released on minor record labels including Amy, Big, Hunt, King, Tribute and Madison. Simon used several pseudonyms for these recordings, usually "Jerry Landis", but also "Paul Kane" and "True Taylor". By 1962, working as Jerry Landis, he was a frequent writer/producer for several Amy Records artists, overseeing material released by Dotty Daniels, The Vels and Ritchie Cordell.
Simon enjoyed moderate success with singles as part of the group Tico and the Triumphs, including "Motorcycle", which reached number 99 on the Billboard charts in 1962. Tico and the Triumphs released four 45s. Marty Cooper, known as Tico, sang lead on several of these releases, but "Motorcycle" featured Simon's vocal. Also in 1962, Simon reached number 97 on the pop charts as Jerry Landis, with the novelty song "The Lone Teen Ranger". Both chart singles were released on Amy Records.
In early 1964, Simon and Garfunkel auditioned for Columbia Records, whose executive Clive Davis signed them to produce an album. Columbia decided to call them Simon & Garfunkel instead of Tom & Jerry, and according to Simon, this was the first time artists' surnames had been used in pop music without their first names.[14] Simon and Garfunkel's first LP, Wednesday Morning, 3 A.M., was released on October 19, 1964. It consisted of 12 songs, five of which were written by Simon. The album initially flopped.[15]
In 1965, after the album's release, Simon moved to London[16] and performed in folk clubs. He enjoyed his time in England and said in 1970, "I had a lot of friends there and a girlfriend. I could play music there. There was no place to play in New York City. They wouldn't have me."[15] He was welcomed by England's bohemian folk scene, learned how to finger-pick acoustic guitar from Martin Carthy, and was introduced to English folk music. He recalled, "I had never heard anything like those old English songs. I was 21, 22, and emotionally open to everything."[17] The folk music he heard in England in the mid-sixties became one of his two big influences. He wrote "Homeward Bound" and "I Am a Rock", and learned Davey Graham's guitar instrumental "Anji", which later appeared on Sounds of Silence.[17]
In England, he produced Jackson C. Frank's first and only album and co-wrote several songs with Bruce Woodley of the Australian pop group the Seekers, including "I Wish You Could Be Here", "Cloudy" and "Red Rubber Ball". Simon also contributed to the Seekers' catalog with "Someday One Day", which was released in March 1966, charting around the same time as Simon and Garfunkel's "Homeward Bound". The song was a Top 10[18] hit from their second UK album, Sounds of Silence, and later included on their third U.S. album Parsley, Sage, Rosemary and Thyme.
Radio stations on the American East Coast began receiving requests for the Wednesday Morning, 3 A.M. track "The Sound of Silence". Simon & Garfunkel's producer, Tom Wilson, overdubbed the track with electric guitar, bass guitar and drums and it was released as a single, eventually reaching number 1 on the US pop charts.[19] Wilson did not inform the duo of his plan, and Simon was "horrified" when he first heard it.[20] The success of the single drew Simon back to the US to reunite with Garfunkel, and they recorded the albums Sounds of Silence (1966), Parsley, Sage, Rosemary and Thyme (1966) and Bookends (1968). Their final album, Bridge over Troubled Water (1970), became at that time the bestselling album of all time.[21]
Simon & Garfunkel also contributed to the soundtrack of the Mike Nichols film The Graduate (1967), starring Dustin Hoffman and Anne Bancroft. While writing "Mrs. Robinson", Simon toyed with the title "Mrs. Roosevelt". When Garfunkel reported this indecision over the song's name to the director, Nichols replied, "Don't be ridiculous! We're making a movie here! It's Mrs. Robinson!"[22]
Simon and Garfunkel's relationship became strained and they split in 1970.[23] At the urging of his wife, Peggy Harper, Simon called Davis to confirm the duo's breakup.[24] For the next several years, they spoke only two or three times a year.[25]
1970–1976: Solo and Still Crazy After All These Years
In 1970, Simon taught songwriting at New York University. He said he had wanted to teach for a while, and hoped to help people avoid some of the mistakes he had made: "You can teach somebody about writing songs. You can't teach someone how to write a song ... I'd go to a course if the Beatles would talk about how they made records because I'm sure I could learn something."[15]
Simon pursued solo work, reuniting occasionally with Garfunkel for various projects. He gave a solo performance at the Cleveland Arena in April 1972[26] in a benefit concert for the George McGovern 1972 presidential campaign, and he and Garfunkel reunited in mid-June that year at Madison Square Garden in another political concert for McGovern.[27] Garfunkel joined Simon again on the 1975 Top 10 single "My Little Town". Simon wrote this song for Garfunkel, whose solo output Simon felt lacked "bite", and it was included on Simon's album Still Crazy After All These Years and Garfunkel's album Breakaway. Contrary to popular belief, the song was not based on Simon's early life in New York City.[28] Simon also provided guitar on Garfunkel's 1973 album Angel Clare, and added backing vocals to the song "Down in the Willow Garden".[29]
Simon's next album, Paul Simon, was released in January 1972, following his first experiment with world music, the Jamaican-inspired song "Mother and Child Reunion", which reached both the American and British Top 5. The album received universal acclaim and critics praised its variety of styles and confessional lyrics. Paul Simon reached number 4 in the U.S. and number 1 in the UK and Japan, and later produced another Top 30 hit, "Me and Julio Down by the Schoolyard".
Simon's next project, the pop-folk album There Goes Rhymin' Simon, was released in May 1973. The lead single, "Kodachrome", was a number 2 hit in America. The follow-up, the gospel-flavored "Loves Me Like a Rock", topped the Cashbox charts. Other songs like "American Tune", or "Something So Right" (a tribute to Simon's first wife Peggy), became part of his repertoire. The album reached number 1 on the Cashbox album charts. It was released in 1974 as a live album, titled Live Rhymin', and contained elements of world and religious music.
His next album, produced by Simon and Phil Ramone, was Still Crazy After All These Years, released in October 1975. The mood of the album, written after Simon's divorce, was darker, and contained "Gone at Last" (a Top 25 hit) and the Simon & Garfunkel reunion track "My Little Town" (a number 9 on Billboard). The album was his only number 1 on the Billboard charts to date. The 18th Grammy Awards named it the Album of the Year, and his performance on it the year's Best Male Pop Vocal. The third single from the album, "50 Ways to Leave Your Lover", reached the top spot on the Billboard charts. On May 3, 1976, Simon put together a benefit show at Madison Square Garden for the New York Public Library which raised over $30,000.
1977–1985: One-Trick Pony and Hearts and Bones
After releasing three successful studio albums, Simon worked in the second half of the 1970s on various projects, including writing music for the film Shampoo, which became the music for the song "Silent Eyes" on the Still Crazy album, and acting (he was cast as Tony Lacey in Woody Allen's film Annie Hall). He achieved another hit with "Slip Slidin' Away", the lead single of his 1977 compilation Greatest Hits, Etc., which reached number 5 in the United States.
In 1980, Simon released One-Trick Pony, his first album with Warner Bros. Records and his first in almost five years. The album was paired with the motion picture of the same name, which Simon wrote and starred in. It produced his last Top 10 hit, the upbeat "Late in the Evening" (also a number 1 hit on the Radio & Records American charts), but did not sell well.
In 1981, Simon & Garfunkel included eight songs from Simon's solo career in the set list of their September 19 concert in Central Park. Five were rearranged as duets and Simon performed the other three solo. The resulting live album, TV special and videocassette (later DVD) releases were all major hits.
Following the success of The Concert in Central Park, Simon & Garfunkel returned to the studio, planning to record an album of new material. This would have been their first new recordings as a duo since their hit single "My Little Town" in 1975 and their first album of new material since Bridge over Troubled Water in 1970. Simon ultimately decided to wipe Garfunkel's vocals from the mix, and in 1983, Simon released the album Hearts and Bones as a solo album. This was a polished and confessional album that was eventually viewed as one of his best works, but it achieved the lowest sales of his career.[30]Hearts and Bones included "The Late Great Johnny Ace", a song partly about Johnny Ace, an American R&B singer, and partly about John Lennon. In January 1985, Simon performed for USA for Africa and on the relief fundraising single "We Are the World".[31]
1986–1992: Graceland and The Rhythm of the Saints
In 1986, Simon was awarded an Honorary Doctor of Music degree from Berklee College of Music, where he had served on the board of trustees.[32][33]
Simon decided to record an album of South African music after hearing a bootlegged tape of mbaqanga, South African street music,[34] and in 1986 he traveled to Johannesburg and recorded with African musicians. Additional sessions were held in New York.[35] The sessions featured many South African acts, particularly Ladysmith Black Mambazo, and Simon also collaborated with several American artists, singing a duet with Linda Ronstadt in "Under African Skies", and playing with Los Lobos in "All Around the World or The Myth of Fingerprints".[36] Before leaving for Johannesburg, Simon contributed to "We Are the World", a charity single for African famine relief.[36]
The resulting album, Graceland, became Simon's most successful studio album and his highest-charting album in over a decade. It was estimated to have sold more than 16 million copies worldwide.[37]Graceland won the 1987 Grammy for Album of the Year. In 2006, the album was added to the United States' National Recording Registry as "culturally, historically or aesthetically important".[38]
Simon faced accusations that he had broken the cultural boycott imposed by the rest of the world against the apartheid regime in South Africa[39] by organizations such as Artists United Against Apartheid,[40] anti-apartheid musicians (including Billy Bragg, Paul Weller and Jerry Dammers),[41] and James Victor Gbeho (then Ghanaian Ambassador to the United Nations).[42] Simon denied that he had gone to South Africa to "take money out of the country", and stated that he paid the black artists and split royalties with them, and was not paid to play to a white-only audience.[34] The United Nations Anti-Apartheid Committee supported Graceland, as it showcased black South African musicians and offered no support to the South African government, but the African National Congress protested that it was a violation of the boycott.[40] The Congress voted to ban Simon from South Africa and he was added to the United Nations blacklist,[43] from which he was removed in January 1987.[44] In 1989, Simon appeared on Dion's song "Written on the Subway Wall"/"Little Star" from Yo Frankie which peaked at number 97 in October 1990.[45][46]
After Graceland, Simon extended his roots with the Brazilian-flavored The Rhythm of the Saints. Sessions for the album began in December 1989 in Rio de Janeiro and New York and featured guitarist J.J. Cale, and Brazilian and African musicians. The tone of the album was more introspective and low-key than the upbeat feel of Graceland. Released in October 1990, the album received excellent reviews and sold well, peaking at number 4 in the U.S. and number 1 in the UK. The lead single, "The Obvious Child", featuring the Grupo Cultural Olodum, became Simon's last Top 20 hit in the UK and appeared near the bottom of the Billboard Hot 100. Although not as successful as Graceland, The Rhythm of the Saints received a Grammy nomination for Album of the Year. Simon's ex-wife Carrie Fisher said in her autobiography Wishful Drinking, that the song "She Moves On" was about her. "If you can get Paul Simon to write a song about you, do it. Because he is so brilliant at it."[47]
The success of both albums allowed Simon to stage another concert in New York. On August 15, 1991, almost a decade after his concert with Garfunkel, Simon staged a second concert in Central Park with African and South American bands. The success of the concert surpassed all expectations, and over 750,000 people were reported to have attended, making it one of the largest concert audiences in history. He later remembered the concert as "the most memorable moment in my career." The success of the show led to a live album and an Emmy-winning TV special. Simon embarked on the Born at the Right Time Tour and promoted the album with further singles, including "Proof", which was accompanied by a humorous video that featured Chevy Chase and Steve Martin. On March 4, 1992, Simon performed in his own episode of MTV Unplugged. Simon and Garfunkel were inducted into the Rock and Roll Hall of Fame in 1990.[48]
1993–1998: Paul Simon 1964/1993 and The Capeman
Another Simon & Garfunkel reunion took place in September 1993 and Columbia released Paul Simon 1964/1993. Originally a three-disc compilation, this became a reduced version on the two-disc album The Paul Simon Anthology one month later. In 1995, Simon appeared on The Oprah Winfrey Show and performed the song "Ten Years", which he had composed for the tenth anniversary of the show. In 1995 he also featured in the Annie Lennox version of his 1973 song "Something So Right", which appeared briefly on the UK Top 50 after it was released as a single.[49]
Simon had been involved in creating a musical, The Capeman, that eventually opened on January 29, 1998. He had worked enthusiastically on the project for many years, and described it as "a New York Puerto Rican story based on events that happened in 1959—events that I remembered."[50] The musical told the story of a real-life Puerto Rican youth, Salvador Agron, who wore a cape while committing two murders in New York in 1959. He became a writer while in prison. Featuring Marc Anthony as the young Agron, and Rubén Blades as the older Agron, the play was not a success and received terrible reviews and poor box office receipts.
Simon recorded an album of songs from the show which was released in November 1997. The album received mixed reviews. Some critics praised the combination of doo-wop, rockabilly and Caribbean music that the album contained, but Songs from The Capeman was a failure, and for the first time in Simon's career he did not reach the Top 40 of the Billboard charts. The cast album was never released on CD but eventually became available online.
1999–2007: You're the One and Surprise
After The Capeman, Simon's career was in an unexpected crisis, but he continued to record new material. In 1999, he embarked on a three-month North American tour with Bob Dylan, in which he and Dylan alternated as the headline act with a middle section where they performed together. The collaboration was generally well-received, with just one critic, Seth Rogovoy of the Berkshire Eagle, questioning the collaboration.[51]
In 2000, Simon wrote and recorded a new album, You're the One, very quickly. The album was released in October and consisted mostly of folk-pop writing combined with foreign musical sounds, particularly grooves from North Africa. You're the One received favorable reviews, reached both the British and American Top 20, and received a Grammy nomination for Album of the Year. Simon toured extensively to promote the album, and one performance in Paris was released to home video.
In 2003, Simon and Garfunkel performed together again when they received a Grammy Lifetime Achievement Award. This reunion led to a US tour, the acclaimed "Old Friends" concert series, which was followed by a 2004 international encore, culminating in a free concert at the Colosseum in Rome which attracted an audience of 600,000.[52] In 2005, they sang "Mrs. Robinson" and "Homeward Bound" together, plus "Bridge Over Troubled Water" with Aaron Neville, in the benefit concert From the Big Apple to The Big Easy – The Concert for New Orleans (eventually released as a DVD) for Hurricane Katrina victims.
In 2004, Simon's studio albums were re-released, both individually and as a collection in a limited-edition, nine-CD boxed set, Paul Simon: The Studio Recordings 1972–2000. Simon was then working on a new album with Brian Eno called Surprise, which was released in May 2006. Most of the songs on the album were inspired by the September 11 terrorist attacks, and the Iraq invasion and the war that followed. Simon also took inspiration from having reached the age of 60 in 2001, which he humorously referred to in "Old" from You're the One. Surprise was a commercial hit, reaching number 14 on the Billboard 200 and number 4 in the UK. Most critics praised the album, and Stephen Thomas Erlewine from AllMusic wrote "Simon doesn't achieve his comeback by reconnecting with the sound and spirit of his classic work; he has achieved it by being as restless and ambitious as he was at his popular and creative peak." The album was supported by the Surprise Tour in 2006.
In March 2004, Walter Yetnikoff published a book called Howling at the Moon, in which he criticized Simon and his previous business partnership with Columbia Records.[53] In 2007, Simon was the inaugural recipient of the Gershwin Prize for Popular Song, awarded by the Library of Congress, and he later performed as part of a gala of his work.[54][55]
Simon is one of a small number of performers who are named as the copyright owner on their recordings (most records have the recording company as the named owner of the recording). This development followed the successful $200 million lawsuit against RSO Records by the Bee Gees, the largest successful lawsuit against a record company by an artist or group. All of Simon's solo recordings, including those originally issued by Columbia Records, are currently distributed by Sony Records' Legacy Recordings unit. His albums were issued by Warner Music Group until mid-2010, when Simon moved his catalog of solo work from Warner Bros. Records to Sony/Columbia Records, which holds the Simon & Garfunkel catalog.
Simon released a new song called "Getting Ready for Christmas Day" on November 10, 2010. The song was premiered on National Public Radio,[59] and was included on the album So Beautiful or So What. The song sampled a 1941 sermon by the Rev. J. M. Gates.[60] Simon performed the song live on The Colbert Report on December 16, 2010.[61] In the first show of the final season of The Oprah Winfrey Show on September 10, 2010, Simon performed a song that commemorated the show's 25 years, an update of a song he wrote for the show's 10th anniversary.[62] Simon's next album, So Beautiful or So What,[63] was released on the Concord Music Group label on April 12, 2011,[64] and Simon said it was the best work he had done in 20 years. It was reported that he had wanted to have Bob Dylan perform on the album.
On February 26, 2012, Simon paid tribute to fellow musicians Chuck Berry and Leonard Cohen, who had received the first annual PEN Awards for songwriting excellence at the JFK Presidential Library in Boston, Massachusetts.[66]
In 2012, Simon released a 25th anniversary box set of Graceland which included a remastered edition of the original album; the 2012 documentary film Under African Skies; the original 1987 "African Concert" from Zimbabwe; and an audio narrative, The Story of Graceland, related by Simon; as well other interviews and memorabilia.[67] He played a few concerts in Europe with the original musicians to commemorate the anniversary.[68] On December 19, 2012, Simon performed at the funeral of Victoria Leigh Soto, a teacher killed in the Sandy Hook Elementary School shooting.[69] On June 14, 2013, on Sting's Back to Bass Tour, Simon performed "The Boxer" and Sting's "Fields of Gold" with Sting.[70] In September 2013, Simon delivered the Richard Ellmann Lecture in Modern Literature at Emory University.
2014–2022: Stranger to Stranger and In the Blue Light
In 2014, Simon embarked on a joint 21-date concert tour of North America, titled On Stage Together, with English musician Sting.[71] The tour continued in 2015 with ten shows in Australia and New Zealand[72][73] and 23 concerts in Europe.[74]
Simon wrote and performed the theme song for comedian Louis C.K.'s show Horace and Pete, which debuted on January 30, 2016. The song was heard during the show's opening, intermission and closing credits and featured Simon's voice and acoustic guitar. Simon made a cameo appearance onscreen in the final episode of the series. On June 3, 2016, Simon released his thirteenth solo studio album, Stranger to Stranger, through Concord Records.[77]
In 2011, Simon was introduced to Italian electronic dance music artist Clap! Clap! by his son, Adrian, who was a fan of his work. They met in 2011 when Simon was touring So Beautiful or So What in Italy. Simon collaborated with him on three songs, and also worked with longtime friend Roy Halee, who co-produced the album. After the release of the album, Simon said he was no longer interested in showbiz and talked about retirement. He said, "I am going to see what happens if I let go".[78][79]
On February 5, 2018, Simon announced his intention to retire from touring, citing time away from his family and the death of longtime guitarist Vincent Nguini. He did not rule out performing live again.[82] He began a farewell concert tour, 'Homeward Bound – The Farewell Tour', in May 2018 in Vancouver, Canada and performed shows across North America and Europe He played his final concert in Queens, New York, on September 22, 2018.[83]
In 2018, Simon released his fourteenth solo studio album, In the Blue Light, which consisted of re-recordings of lesser-known songs from his catalog, some with altered arrangements, harmonic structures and lyrics.[84] On August 11, 2019, he returned to live performance when he closed San Francisco's Outside Lands festival in Golden Gate Park. He said he planned to donate his net proceeds to local environmental non-profit organizations.[85]
Simon released a new album, Seven Psalms, in April 2023. A documentary of the project, In Restless Dreams: The Music of Paul Simon, was made by Alex Gibney.[88] The album was described as 33 minutes of uninterrupted musical meditation, consisting of seven pieces performed on acoustic guitar, linked by a motif derived from "Anji", with elements of folk, blues and jazz, and with lyrics that reflected on life, death and faith.[17] The inspiration for the album came to Simon in 2020. He recalled, "I had a dream so vivid it made me get up in the middle of the night and write it down ... a voice said 'You are meant to be working on a piece called 'Seven Psalms'."[17]
For the next few months, isolated by the pandemic on a ranch in Texas, Simon worked on a series of guitar pieces, and added sounds like distant church bells produced by amplified upside-down wine glasses. He said, "I envisioned 'Seven Psalms' as one long thought, combined with sounds powerful enough to make the thought come alive."[17] In early December 2023, Simon rehearsed 'Seven Psalms' with two acoustic guitarists. He said he was missing performing, and hoped that it might be possible to play the album live.[17]
Simon had planned to retire from music, but after the success of Seven Psalms he completed another song, composed four more guitar pieces, and was making plans for an album of duets with his partner, singer Edie Brickell. He was also in the early stages of working on a musical.[17] In May 2023, Simon revealed during an interview with The Times that he had lost "most of the hearing" in his left ear.[89]
Songwriting
In 2012, in an interview reprinted in American Songwriter, Simon discussed the craft of songwriting with music journalist Tom Moon and talked about the basic themes in his songwriting: love, family and social commentary, as well as messages of religion, spirituality and God. Simon explained how he wrote his songs. "The music always precedes the words. The words often come from the sound of the music and eventually evolve into coherent thoughts. Or incoherent thoughts. Rhythm plays a crucial part in the lyric-making as well. It's like a puzzle to find the right words to express what the music is saying."[90]
Projects
Music for Broadway
In the late 1990s, Simon wrote and produced a Broadway musical called The Capeman, which lost $11 million during its 1998 run. In April 2008, the Brooklyn Academy of Music celebrated Paul Simon's works, and dedicated a week to Songs From the Capeman, with some of the show's songs performed by a cast of singers and the Spanish Harlem Orchestra. Simon appeared during the BAM shows, performing "Trailways Bus" and "Late in the Evening". In August 2010, The Capeman was staged for three nights in the Delacorte Theatre in New York's Central Park. The production was directed by Diane Paulus and produced in conjunction with the Public Theater.[91]
Film and television
Simon has also had several acting roles in films and television shows. He played music producer Tony Lacey, a supporting character in the 1977 Woody Allen feature film Annie Hall, and made a cameo appearance in the movie The Rutles: All You Need Is Cash the following year. He later wrote and starred in 1980's One Trick Pony as Jonah Levin, a journeyman rock-and-roller, and wrote all the songs in the film. In 1981 He appeared in an episode of The Muppet Show, the only episode of the series to use the songs of one songwriter. He appeared in several episodes of Sesame Street in the 1970s and 1980s, including in a memorable performance of "Me and Julio Down by the Schoolyard" in 1977, and a cameo appearance in the song "Put Down the Duckie!" in 1986.
Simon appeared on Saturday Night Live 14 times, both as host and as a musical guest. He was the host of the second episode, on October 18, 1975. SNL star Chevy Chase appeared in Simon's video for "You Can Call Me Al", lip syncing the song. In the video, Simon looks disgruntled and mimes backing vocals while playing various instruments. Chase also appeared in Simon's 1991 video for the song "Proof", with Steve Martin.
Simon appeared alongside George Harrison on the Thanksgiving Day episode of SNL on November 20, 1976 and they performed "Here Comes the Sun" and "Homeward Bound" together. Simon performed "50 Ways to Leave Your Lover" earlier in the show. Simon opened the show in a comedy sketch in which he performed "Still Crazy After All These Years" in a turkey outfit, Thanksgiving being the following week. Halfway through the song, he told the band to stop playing because he was embarrassed, gave a speech to the audience and left the stage. Lorne Michaels greeted him backstage, but Simon, still acting upset, yelled at him because of the humiliating turkey outfit. This was one of SNL's most replayed sketches.
In one SNL skit from 1986, when he was promoting Graceland, Simon played himself waiting in line with a friend to get into a movie. He amazed his friend by remembering intricate details about prior meetings with passers-by, but drew a complete blank when he was approached by Art Garfunkel.[92] When Simon hosted an SNL episode during the 1988 Democratic Party presidential primaries, Simon walked out with Illinois Senator and presidential candidate Paul Simon, and argued about which Paul Simon was supposed to have hosting duties.[93]
Simon closed the 40th anniversary SNL show on February 15, 2015, with a performance of "Still Crazy After All These Years". He played a snippet of "I've Just Seen a Face" with Sir Paul McCartney during the introductory sequence. Much of the Thanksgiving episode from 1976 was shown during this prime-time special. His most recent SNL appearance was on October 13, 2018, when he was the musical guest on his 77th birthday.[94]
Awards and honors
Simon has earned sixteen Grammy Awards for his solo and collaborative work, including three for Album of the Year (Bridge Over Troubled Water, 1971; Still Crazy After All These Years, 1976; and Graceland, 1988), and a Lifetime Achievement Award.[95] He is one of only six artists to have won the Grammy Award for Album of the Year more than once as the main credited artist.
In 2001, Simon was honored as MusiCares Person of the Year. In 2002 he was one of five recipients of the annual Kennedy Center Honors, the nation's highest tribute to performing and cultural artists.
In 2005, Simon was honored at the 53rd Annual BMI Pop Awards. His songwriting catalog had earned 39 BMI Awards, including numerous citations for "Bridge over Troubled Water", "Mrs. Robinson", "Scarborough Fair" and "The Sound of Silence". By 2005, he had amassed nearly 75 million broadcast airplays, according to BMI surveys.[100] In 2006, he was selected by Time Magazine as one of the "100 People Who Shaped the World".[101]
In 2007, Simon received the first annual Library of CongressGershwin Prize for Popular Song. Named in honor of George and Ira Gershwin, this award recognized the profound and positive effect of popular music on the world's culture. Simon said, "I am grateful to be the recipient of the Gershwin Prize and doubly honored to be the first. I look forward to spending an evening in the company of artists I admire at the award ceremony in May. I can think of a few [artists] who have expressed my words and music far better than I [have]. I'm excited at the prospect of that happening again. It's a songwriter's dream come true." Among the performers who paid tribute to Simon were Stevie Wonder, Alison Krauss, Jerry Douglas, Lyle Lovett, James Taylor, Dianne Reeves, Marc Anthony, Yolanda Adams and Ladysmith Black Mambazo. The event was professionally filmed and broadcast and was released as Paul Simon and Friends. In 2012, Simon was awarded the Polar Music Prize.[102]
Personal life
When Simon moved to England in 1964, he met Kathleen Mary "Kathy" Chitty at the first English folk club he played, the Railway Inn Folk Club in Brentwood, Essex, where Chitty worked part-time selling tickets. She was 16 and he was 22 when they began a relationship. Later that year they visited the U.S. together, mainly touring by bus.[103] Kathy returned to England and Simon followed some weeks later. When he returned to the U.S. with the growing success of "The Sounds of Silence", Kathy, who was quite shy,[104] wanted no part in success and fame and they ended their relationship.[105] She is mentioned by name in at least two of Simon's songs: "Kathy's Song" and "America". She is also referred to in "Homeward Bound" and "The Late Great Johnny Ace". There is a photo of Simon and Kathy together on the cover of Simon's 1965 album The Paul Simon Songbook.[106]
Simon has been married three times, first to Peggy Harper in 1969. They had a son, Harper Simon, in 1972, and divorced in 1975, inspiring the song "50 Ways to Leave Your Lover". Simon wrote about this relationship in the song "Train in the Distance" from his 1983 album Hearts and Bones.[107] In the late 1970s, Simon lived in New York City next door to Saturday Night Live creator Lorne Michaels, who has been described as Simon's "best friend" during the period.[108]
He and Shelley Duvall lived together as a couple for two years until she introduced him to her friend Carrie Fisher. Simon and Fisher became a couple,[108] and his second marriage, from 1983 to 1984, was to Fisher. He proposed to her after a New York Yankees game.[107] The song "Hearts and Bones" was written about their time together, and the song "Graceland" is believed to be about seeking solace from the ending of the relationship by taking a road trip.[109] A year after they divorced, Simon and Fisher resumed their relationship, which lasted for several years.
Simon married singer Edie Brickell on May 30, 1992. Brickell and Simon have three children, Adrian, Lulu, and Gabriel.[110][111][112] On April 26, 2014, Simon and Brickell were involved in a domestic dispute. Each was issued a summons to appear in court on disorderly conduct charges.[113]
All four of his children are now adults and are musicians.[114]
Simon and his younger brother, Eddie Simon, founded the Guitar Study Center sometime before 1973.[115] The Guitar Study Center became part of The New School in New York City, sometime before 2002.[116]
Simon is an advocate of music education for children. In 1970, after recording "Bridge Over Troubled Water", he held auditions for a young songwriters' workshop at the invitation of the NYU's Tisch School of the Arts. The auditions were advertised in The Village Voice, and brought hundreds of hopefuls to perform. Among the six teenage songwriters selected for tutelage were Melissa Manchester, Tommy Mandel and rock/beat poet Joe Linus. Maggie and Terre Roche (the Roche Sisters), who later sang back-up for Simon, joined the workshop in progress in an impromptu appearance.
Simon invited the six teenagers to experience the recording process at Columbia studios with engineer Roy Halee. During these sessions, Bob Dylan was downstairs recording his album Self-Portrait, which included a version of Simon's "The Boxer". Violinist Isaac Stern visited the group with a CBS film crew and spoke to the young musicians about lyrics and music.
Manchester later paid homage to Simon with her recorded song "Ode to Paul". Other musicians Simon mentored include Nick Laird-Clowes, who co-founded the band The Dream Academy. Laird-Clowes credited Simon with helping to shape the band's biggest hit, "Life in a Northern Town".[120]
In 2003, Simon became a supporter of Little Kids Rock, a nonprofit organization that provided free musical instruments and free lessons to children in public schools in the U.S. He sits on the organization's board of directors as an honorary member.
Simon is also a major benefactor and one of the co-founders, with Irwin Redlener, of the Children's Health Project and The Children's Health Fund[121][122] which began by creating specially equipped buses to take medical care to children in medically under-served areas, both urban and rural. Their first bus was placed in the impoverished South Bronx of New York City, but the buses now operate in 12 states, including on the Gulf Coast. The project has expanded greatly and partners with major hospitals, local public schools and medical schools, and advocates policy for children's health and medical care.
This discography does not include compilation albums, concert albums or work with Simon & Garfunkel.
Simon's solo concert albums often have songs he originally recorded with Simon & Garfunkel, and many Simon & Garfunkel concert albums contain songs Simon first recorded on solo albums.[125][126]
Simon has a few songs that appear on compilation albums and nowhere else, such as "Slip Slidin' Away" which first appeared on the compilation album Greatest Hits, Etc. (1977) and has since been included in subsequent compilations such as Negotiations and Love Songs (1988).[127]
^Lorentzen, Amy. "Simon campaigns in Iowa for Dodd," Associated Press news article as printed in The Advocate of Stamford, Connecticut, with the words "Simon, who lives in New Canaan" added by editors at The Advocate. The words are not found in other versions of the article printed elsewhere, July 7, 2007
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