The Old Tote Theatre was established in 1962 by the National Institute of Dramatic Art (NIDA), which had been created in 1958.[2] It began in a converted tin shed on the campus of University of New South Wales in Sydney. The wood and corrugated iron building (originally an army recreation hall) became known as the "Old Tote" because it had previously been part of the group of buildings that had formerly housed the totalisator betting machine when the site had been Kensington Racecourse. The building still stands, and is now known as the Figtree Theatre.[3]
In 1967 it was proposed to replace the old building with a new complex housing NIDA, the School of Drama and a larger theatre, but this plan was never carried out.[citation needed] In the same year, the Old Tote was separated from NIDA, moving its headquarters to the old Parade Theatre, in a building still on the UNSW campus. The company's inaugural performance in that venue was on 7 May 1969 with Robin Lovejoy's production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead.[2] The move came with a subsidy from the newly created Australian Council for the Arts, and the Old Tote then embarked on a policy of expansion and at the request of the state government it took on the responsibilities of a state theatre company. This led to commitments to stage productions at both the Sydney Opera House and the Seymour Centre as well as at the Parade.[3]
The Old Tote company went on to occupy the Drama Theatre of the Sydney Opera House from 1973 to 1978 and also toured some of the shows around Australia, including Rosencrantz and Guildenstern are Dead to the Canberra Theatre Centre. However these additional activities, compounded by lack of support from the New South Wales state government, overstretched the company's resources and in 1978 the Old Tote went into liquidation.[3]
Jim Sharman became interested in directing experimental theatre and he soon made a name for himself in Sydney with his groundbreaking productions at the Old Tote Theatre Company many of which were designed by his long-time collaborator Brian Thomson. Renowned director Richard Wherrett also directed productions for the Old Tote.
^Horne, Julia, Robert Quentin (1917–1979) in Origins: Newsletter of the UNSW Archives, No. 6 December 2000–January 2001, pp-5-7
^Ten on the Tote : an illustrated history of the Old Tote Theatre Company to celebrate its tenth anniversary, 1963–1973; compiled by Josephine South; text by Harry Scott (Old Tote Theatre Company, 1973)
Josephine South, Harry Scott. (1973). Ten on the Tote : an illustrated history of the Old Tote Theatre Company to celebrate its tenth anniversary, 1963–1973. Kensington, N.S.W. : Old Tote Theatre Company. ISBN0-9599284-0-5.
Philip Parsons, Victoria Chance (Ed.) (1995). Companion to theatre in Australia. Sydney : Currency Press in association with Cambridge University Press. ISBN0-86819-357-7.
Colin Bachali (1998). Jane St Theatre : Australian play season 1966 - 1977. Sydney : Katoomba, N.S.W. : Colin Bachali. ISBN0-646-32652-X.
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