Wendy BlacklockAM (born 20 January 1932)[2] is an Australian-born retired theatre actress and theatrical entrepreneur, radio and television actress, comedienne, producer, writer, singer, dancer and choreographer.
Blacklock has appeared in numerous performance roles, both in Australia and the United Kingdom alongside contemporary's such as Jill Perryman and has been referred to as "The Grand Dame of the Stage".
She remains best known to same screen audience for her role in Number 96 as Edith MacDonald alongside Mike Dorsey.
Biography
Blacklock was born on 20 January 1932[2] in Sydney, New South Wales to David Blacklock, manager of sports company Slazenger and Lillian Ava Miller[1]
After finishing school she decided to become an actress and attended drama school, where she was education at The Conservatoriom of Sydney and The Rathbone Academy of Performing Arts.
Blacklock like most performers of th era travelled to England to start her career in theatre in the early 1950s, noteing that theatre in Australia was literally non-existent at that time and everything was primarily a copy of London West End and Broadway.
She performed in Newcastleupon -Tyne in Repertory Theatre, and The Piar, before returning to Australia in the early 1960s as th beginning of the new-wave of theatre was in full string, and spent her formative years with J.C. Williamson alongside contemporary's, adding many local stories where becoming prominent wit such emerging playwrights as Thomas Kenneally and David Williamson[3]
She also started to take small screens roles in the latter 50s, and working on screen until the late 1970s, she remained active in stage roles and theatre producing her preferred genre for seven decades until the mid-2010s.[1]
However she became famous for her comic role in the TV soap opera Number 96 as Edith "Edie" McDonald.
Blacklock has two daughters Nicole and Lisa and at least two grandchildren.
Blacklock is a noted comedienne, she also toured England and worked in TV, appearing with luminaries such as Benny Hill and Bernard Bresslaw and also opposite Prunella Scales[5]
Television
Blacklock, alway s preferred theatre and although was initially reluctant to go into a TV series, became famous for her three role in the 1970s television soap opera Number 96 of comedy character dizzy Edith "Edie" MacDonald, at the time the series was the highest rated drama locally, and she joined the series in January 1974, alongside Mike Dorsey as her regimented husband Reg McDonald, who referred to her character as "Mother" and her adopted wayward teenage daughter Marilyn, played by Frances Hargreaves, who in turn referred to her as "Mummy" :
Edie, was a typical ditzy suburban 1970s housewife who hailed from Blacktown and had a fondness for gin, daytime soap operas and analgesics,[4] the character became such popular and enduring comedy elements, there had been plans for a spin-off series in late 1976 based on the character's "Edie and Reg" called "Mummy and Me", the series was however not picked up by a Network, and she and Dorsey remained in Number 96, until it finished in August 1977, and she indeed spoke the final dialogue in the final episode.
Although the characters of Reg and Edie where enormously popular, much to the disappointment of fans, they never appeared in the feature film version[6]
Umbrella Entertainment, released several DVDs of the series, showcasing several of the more iconic storyarc's, in which Blacklock, alongside creator and screenwriter David Sale and co-stars Sheila Kennelly and Elaine Lee recorded a commentary.
Theatre career
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Blacklock's acting career began on the stage and from 1951 and she is an inductee into the live performance Hall of Fame, she spent two years in England acting in repertory theatre, before returning to Australia where she had had a solid career in the theatre which have included stage tours both locally and in New Zealand; she was also a regular cast member of the satirical revues staged at Sydney's Phillip Street Theatre in the 1960s.
Prior to the role in Number 96 she had played in theatrical productions of Don's Party and Who's Afraid of Virginia Woolf?, and when Spike Milligan toured Australia she appeared opposite him in a special televised production and took the title role in Pardon Miss Westcott[7] since the late 1970s, post-Number 96 her career has been exclusively related to theatre, including a tour of stage version of British TV series George and Mildred, she has performed as an actress and theatre company entrepreneur until retiring in 201!.[8]
Blacklock, is also a theatrical entrepreneur who founded the "Australian Content Department" in 1982 association the renowned Australian Elizabethan Theatre Trust, and subsequently in 1990 the company Performing Lines an arts producer and presenter company, with the aim of coaching and showcasing new productions and training artists for stage. Her small theatre museum includes images of the alumni of the theatre world including Barry Humphries, Jill Perryman, Graham Kennedy, Gordon Chater and her Number 96 co-star Carol Raye[4]
Although a staple of theatre, she appeared in numerous TV roles, including guest parts in police procedural series Homicide and Boney and had been a presenter on children's show Play School and had a role on Skippy the Bush Kangaroo, and during 1977 occasionally featured as a panellist on the game show Blankety Blanks
Performer "Send for Me" I'm on My Way,/br >HowCould i See You Walked By
1965
TV Spells Magic
Herself - Guest with Max Meldrum, Ron Shand, Queenie Ashton, Evie Hayes, David Copping, Kevin Miles, Gwen Plumb, Chips Rafferty, Ruth Cracknell & Keith Petersen
Number 96...The Final Years DVD "96 special" (Number 96 DVD release)
commentary
Theatre roles
Blacklock, a theatre entrepreneur, appeared in stage productions from 1954 and 2014.
Source = AusStage
For further information: see Wendy Blacklock Theatre
The Helpmann Awards is an awards show, celebrating live entertainment and performing arts in Australia, presented by industry group Live Performance Australia (LPA) since 2001.[10] In 2003, Blacklock received the JC Williamson Award, the LPA's highest honour, for her life's work in live performance.[11]