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Mighty Aphrodite
Mighty Aphrodite
	Theatrical release poster
Directed by	Woody Allen
Written by	Woody Allen
Produced by	Letty Aronson; Robert Greenhut;
Starring	F. Murray Abraham; Woody Allen; Claire Bloom; Helena Bonham Carter; Olympia Dukakis; Michael Rapaport; Mira Sorvino; David Ogden Stiers; Jack Warden; Peter Weller;
Cinematography	Carlo Di Palma
Edited by	Susan E. Morse
Music by	Dick Hyman
Production; company	Sweetland Films;
Distributed by	Miramax Films
Release date	October 27, 1995 (United States);
Running time	95 minutes
Country	United States
Language	English
Budget	$15 million
Box office	$26 million

Mighty Aphrodite is a 1995 American comedy film written, directed by, and co-starring Woody Allen, alongside Mira Sorvino, Helena Bonham Carter, Michael Rapaport, and F. Murray Abraham. The screenplay was vaguely inspired by the story of Pygmalion^{[citation needed]} and is about Lenny Weinrib's (Allen) search for his genius adopted son's biological mother, ultimately finding that she is a dim-witted prostitute named Linda Ash (Sorvino).

Critical reception of the film was generally positive, with Sorvino earning high praise for her performance. She won several accolades, including the Academy Award and Golden Globe Award for Best Supporting Actress, and was nominated for the BAFTA Award and SAG Award in the same category. Allen's screenplay earned him a nomination for the Academy Award for Best Original Screenplay.

Plot

At the ruins of an ancient Greek theatre in Taormina, Sicily, a Greek chorus introduces and narrates the story of one Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to the ambitious art curator, Amanda. The couple adopts a baby boy and names him Max. As Lenny spends more time with Max it becomes evident that the child is remarkably gifted. Intrigued, Lenny becomes obsessed with uncovering the identity of Max's biological mother.

After an extensive search Lenny discovers that Max's biological mother is a prostitute and part-time porn star who goes by various names. She reveals her birth name as Leslie Ash and expresses her preference for being called Linda because it means ‘pretty’ in Spanish. Lenny arranges to meet Linda at her apartment but doesn't engage in any intimate activities. Instead he encourages her to leave her current lifestyle behind and pursue a more wholesome life. Linda reacts angrily, returning Lenny's money and demanding that he leave.

Undeterred, Lenny remains determined to befriend Linda and improve her circumstances. He successfully helps Linda escape her abusive pimp and then tries to match her up with a boxer named Kevin. Initially they seem like a well-matched couple but their relationship sours when Kevin discovers Linda's background.

Meanwhile Lenny and Amanda's marriage begins to falter owing to Lenny's preoccupation with Linda, Amanda's career ambitions and her affair with her colleague Jerry. Amanda eventually confesses to Lenny that she wants to explore her relationship with Jerry. However Lenny and Linda find solace in each other following their respective breakups and end up consummating their relationship. The next day, though, Lenny reconciles with Amanda, realizing that they are still deeply in love.

Linda unsuccessfully tries to win back Kevin. While driving back to Manhattan she witnesses a helicopter landing and offers a lift to the pilot, Don. The Greek chorus reveals that Linda and Don will eventually marry, although Linda is now pregnant with Lenny's child. About a year later Linda (with her infant daughter) and Lenny (with Max) meet by chance in a toy store. Unaware of the connection, Linda expresses her gratitude to Lenny for his help and leaves him stunned. In conclusion, the Greek chorus performs a lively song and dance routine.

Cast

Woody Allen as Lenny Weinrib
Mira Sorvino as Linda Ash
Helena Bonham Carter as Amanda Sloan Weinrib
Michael Rapaport as Kevin
F. Murray Abraham as Greek Chorus Leader
Olympia Dukakis as Jocasta
David Ogden Stiers as Laius
Jack Warden as Tiresias
Danielle Ferland as Cassandra
Peter Weller as Jerry Bender
Claire Bloom as Mrs Sloan
Paul Herman as Rick's Friend
Paul Giamatti as Extras Guild Researcher
Sondra James as The Chorus Voices

Soundtrack

Neo Minore - Written and performed by Vasilis Tsitsanis
Manhattan (1925) - Music by Richard Rodgers - Lyrics by Lorenz Hart - Performed by Carmen Cavallaro
Penthouse Serenade (1952) - Written by Will Jason and Val Burton - Performed by Erroll Garner
You Do Something to Me (1929) - Written by Cole Porter - Performed by Dick Hyman
Take Five (1959) - Written by Paul Desmond - Performed by Dave Brubeck Quartet
The 'In' Crowd (1965) - Written by Billy Page - Performed by Ramsey Lewis
Li'l Darlin'(1957) - Written by Neal Hefti - Performed by Count Basie and His Orchestra
FAO Schwarz Clock Tower Song - Written and Performed by Bobby Gosh
Horos Tou Sakena - Written by Stavros Xarhakos - Featuring by Giorgos Zambetas
Whispering (1919) - Music by Richard Coburn, Vincent Rose, John Schonberger - Performed by Benny Goodman and His Orchestra
I've Found a New Baby (1926) - Written by Jack Palmer & Spencer Williams - Performed by Wilbur De Paris
I Hadn't Anyone Till You (1938) - Written by Ray Noble - Performed by Erroll Garner
When Your Lover Has Gone (1931) - Written by E.A. Swan - Performed by Bert Ambrose and His Orchestra
Walkin' My Baby Back Home (1930) - Music by Fred E. Ahlert - Lyrics by Roy Turk - Performed by Dick Hyma
When You're Smiling (1928) - Written by Mark Fisher, Joe Goodwin & Larry Shay - Performed by Dick Hyman^[4]

Production

Dick Hyman served as the film's music coordinator, arranger, and conductor. The soundtrack includes "Neo Minore" performed by Vassilis Tsitsanis, "Horos Tou Sakena" by Stavros Xarchakos, "I've Found a New Baby" by Wilbur de Paris, "Whispering" by Benny Goodman & His Orchestra, "Manhattan" by Carmen Cavallaro, "When Your Lover Has Gone" by Ambrose & His Orchestra, "L'il Darlin" by Count Basie & His Orchestra, "Take Five" by the Dave Brubeck Quartet, "Penthouse Serenade (When We're Alone)" and "I Hadn't Anyone Till You" by Erroll Garner, "The 'In' Crowd" by Ramsey Lewis, and "You Do Something to Me" and "When You're Smiling" by the Dick Hyman Chorus & Orchestra. Graciela Daniele choreographed the dance routines.

The Greek chorus includes George de la Peña and Pamela Blair. Tony Sirico and Paul Giamatti make brief appearances in minor roles.

Manhattan locations include Bowling Green, Central Park, and FAO Schwarz. Additional exteriors were filmed in North Tarrytown and Quogue. The Greek chorus scenes were filmed in the Teatro antico in Taormina on the island of Sicily.

Mira Sorvino mentioned in a 2011 interview that she chose Linda's voice to be high and gravelly since "high voice kind of makes you sound less intellectually gifted, and the gravelly part just added this kind of rough-and-tumble, been-to-the-school-of-hard-knocks element to it." Four weeks into the production, Allen spoke with Sorvino asking if she had ever wondered about using a different voice. Sorvino stated that the voice affected how she approached the character, and that if she changed the voice the character changed. When she pointed out that they were four weeks into the movie Allen said, "Oh, that doesn't matter. I have it written into my budget that I can reshoot the entire movie if I want."^[5]

In real life Leonard "Lenny" Weinrib was the name of an American actor, voice actor and writer known for playing the title role in the children's television show H.R. Pufnstuf. He died in 2006.

Release

Mighty Aphrodite debuted at the Toronto International Film Festival before going into limited release in the United States. It opened on 19 screens and earned $326,494 its opening weekend. It eventually grossed $6,401,297 in the US and $19,598,703 in international markets for a total worldwide box office of $26 million.^[3]

Reception

Critical response

On Rotten Tomatoes, the film has an approval rating of 78% based on reviews from 37 critics, with an average rating of 6.9/10. The site's consensus states: "Mighty Aphrodite may not stand with Woody Allen's finest work, but it's brought to vivid life by a thoroughly winsome performance from Mira Sorvino."^[6] On Metacritic it has a score of 59 out of 100 based on 16 reviews from critics, indicating "mixed or average reviews".^[7] Audiences surveyed by CinemaScore gave the film a grade "B+" on scale of A+ to F.^[8]

In her review in The New York Times, Janet Maslin said, "Even when it becomes unmistakably lightweight, Mighty Aphrodite remains witty, agile and handsomely made."^[9]

Roger Ebert of the Chicago Sun-Times called the film "a sunny comedy" and added, "The movie's closing scene is quietly, sweetly ironic, and the whole movie skirts the pitfalls of cynicism and becomes something the Greeks could never quite manage, a potential tragedy with a happy ending."^[10]

In the San Francisco Chronicle, Leah Garchik said the film was "an inventive movie, imaginative and rich in detail" and added, "Woody Allen's incredible wit is at the heart of all that's wonderful in Mighty Aphrodite, and Woody Allen's incredible ego is at the core of its major flaw . . . He fails when he attempts . . . to get the audience to suspend its disbelief and accept Allen, a withered Romeo, as a sweet-natured naif. The crotchety charm of the shy and awkward characters he played as a young man has worn off; nowadays, he comes across as just plain crotchety."^[11]

Peter Travers of Rolling Stone said, "The film is a showcase for Sorvino, actor Paul's Harvard-grad daughter, who gives a sensational performance. She shows startling humor and heart without trading on sentiment."^[12]

In Variety, Todd McCarthy described the film as "a zippy, frothy confection that emerges as agreeable middle-range Woody . . . There is perhaps a bit too much of the chorus galavanting about delivering their increasingly colloquial admonitions and too few convulsive laughs, but the writer-director has generally pitched the humor at a pleasing and relatively consistent level . . . The film's biggest surprise, and attraction, is Sorvino . . . [who] goes way beyond the whore-with-a-heart-of-gold externals of the part in developing a deeply sympathetic and appealing character. None of the diverse roles she has done to date would have suggested her for this part, but this gutsy performance will put her much more prominently on the map."^[13]

Accolades

Award	Category	Nominee(s)	Result	Ref.
Academy Awards	Best Supporting Actress	Mira Sorvino	Won	^[14]
Academy Awards	Best Screenplay – Written Directly for the Screen	Woody Allen	Nominated	^[14]
American Choreography Awards	Outstanding Achievement in Feature Film	Graciela Daniele	Won
Artios Awards	Best Casting for Feature Film – Comedy	Juliet Taylor	Nominated	^[15]
British Academy Film Awards	Best Actress in a Supporting Role	Mira Sorvino	Nominated	^[16]
Butaca Awards	Best Art House Film		Won
Chicago Film Critics Association Awards	Best Supporting Actress	Mira Sorvino	Nominated	^[17]
Chlotrudis Awards	Best Supporting Actress		Won	^[18]
Critics' Choice Awards	Best Supporting Actress		Won	^[19]
Dallas–Fort Worth Film Critics Association Awards	Best Supporting Actress		Won
David di Donatello Awards	Best Foreign Film	Woody Allen	Nominated	^[20]
David di Donatello Awards	Best Foreign Director	Woody Allen	Nominated	^[20]
Golden Globe Awards	Best Supporting Actress – Motion Picture	Mira Sorvino	Won	^[21]
Los Angeles Film Critics Association Awards	Best Supporting Actress	Mira Sorvino	Nominated	^[22]
Nastro d'Argento	Best Cinematography	Carlo Di Palma	Won	^[23]
National Board of Review Awards	Top Ten Films		6th Place	^[24]
National Board of Review Awards	Best Supporting Actress	Mira Sorvino	Won	^[24]
National Society of Film Critics Awards	Best Supporting Actress		Nominated	^[25]
New York Film Critics Circle Awards	Best Supporting Actress		Won	^[26]
Screen Actors Guild Awards	Outstanding Performance by a Female Actor in a Supporting Role		Nominated	^[27]
Southeastern Film Critics Association Awards	Best Supporting Actress		Won	^[28]
Writers Guild of America Awards	Best Screenplay – Written Directly for the Screen	Woody Allen	Nominated	^[29]