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Jodey Castricano
Jodey Castricano
Born	Carla Jodey Castricano; Vancouver, British Columbia
Academic background
Education	Simon Fraser University
Alma mater	University of British Columbia
Thesis	In Derrida's Dream: A Poetics of a Well-Made Crypt (1997)
Doctoral advisor	Lorraine Weir
Academic work
Discipline	English; cultural studies
Sub-discipline	Critical theory; critical animal studies; gothic studies
Institutions	Wilfrid Laurier University; University of British Columbia
Notable works	Cryptomimesis; Animal Subjects; Animal Subjects 2.0, Critical Perspecties on Veganism, Gothic Metaphysics
Notable ideas	Cryptomimesis

Jodey Castricano is a Canadian scholar of English and cultural studies who is a Professor at the University of British Columbia, Okanagan. They are known for their work in critical theory, critical animal studies, and gothic studies.

Education

Castricano originates from Vancouver, British Columbia. They worked in civil engineering as a draftsperson before beginning university studies with the intention of attending medical school. They attended Simon Fraser University from 1984, originally intending to double major in Kinesiology and English. As an undergraduate, however, they became vegan after watching The Animals Film, and reflected on their study choices after conversations with tutors about animal testing. They graduated with a Bachelor of Arts degree in English with a minor in Kinesiology in 1988. After completing their undergraduate studies, Castricano remained at Simon Fraser, studying for an Master of Arts degree in English, ultimately graduating in 1992.^[1]

From 1994 until 1997, Castricano read for a PhD in English, gothic studies, and critical theory at the Department of English at the University of British Columbia. Their thesis, which was supervised by Lorraine Weir, was entitled In Derrida's Dream: A Poetics of a Well-Made Crypt.^[1]

Career

Shortly after completing their doctoral studies, Castricano took up a post at Wilfrid Laurier University, first as an assistant professor and then as an associate professor. There, they developed the university's Cultural Studies programme, incorporating critical animal studies.^[1] They also published their first book: Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing was published in 2003 by McGill-Queen's University Press.^[2] It drew from Castricano's doctoral thesis and a 2000 article by them in Gothic Studies called "Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing".^[3] In the book, Castricano examined the increased prevalence of concepts of "living-dead", "revenant", "phantom", and "crypt" in Jacques Derrida's later work. They developed the idea of cryptomimesis, a term referring to a mix of philosophy, psychoanalysis, and the gothic, to explore Derrida's claim that people must talk with ghosts.^[2]

Castricano returned to the University of British Columbia (at the new Okanagan Campus) in 2005 as an associate professor in the English and Cultural Studies, going on to publish three collections on critical animal studies.^[1] Animal Subjects: An Ethical Reader in a Posthuman World, from Wilfrid Laurier University Press, was published in 2008;^[4] Animal Subjects 2.0, also from Wilfrid Laurier and coedited with Lauren Corman, was published in 2016; and Critical Perspectives on Veganism, part of the Palgrave Macmillan Animal Ethics series and coedited with Rasmus R. Simonsen, was published in 2016.^[5] In 2012 and 2014 respectively, Castricano served as vice president and president of the Association Literature, Environment and Culture in Canada.^[1]

Castricano was promoted to full professor in 2019.^[1] Their second monograph was published in 2021 by the University of Wales Press as part of their Gothic Literary Studies series. Gothic Metaphysics: From Alchemy to the Anthropocene challenges prevailing Freudian criticism of gothic literature in the light of the Anthropocene, instead exploring gothic connections to the worldviews of mystical traditions, including alchemy.^[6] In 2023, they became Associate Dean of Research & Graduate Studies in UBC Okanagan's Faculty of Creative and Critical Studies.^[1]

Selected publications

As author

Castricano, Jodey (2000). "Cryptomimesis: The Gothic and Jacques Derridas Ghost Writing". Gothic Studies. 2 (1): 8–22. doi:10.7227/GS.2.1.2.
Castricano, Jodey (2003). Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing. Montreal and Kingston: McGill-Queen's University Press.{{cite book}}: CS1 maint: location missing publisher (link)
Castricano, Jodey (2021). Gothic Metaphysics: From Alchemy to the Anthropocene. Cardiff: University of Wales Press.

As editor

Castricano, Jodey, ed. (2008). Animal Subjects: An Ethical Reader in a Posthuman World. Waterloo, Ontario: Wilfrid Laurier University Press.
Castricano, Jodey; Corman, Lauren, eds. (2016). Animal Subjects 2.0. Waterloo, Ontario: Wilfrid Laurier University Press.
Castricano, Jodey; Simonsen, Rasmus R., eds. (2016). Critical Perspectives on Veganism. Basingstoke: Palgrave Macmillan.

References

^ ^a ^b ^c ^d ^e ^f ^g
Biographical information from:
- "Welcome to the Anthropocene. Now What?". University of British Columbia. Retrieved 15 November 2023.
- "Jodey Castricano". LinkedIn. Retrieved 15 November 2023.
- Grenier, Alain A. (2013). "Dans les coulisses de la science". Téoros (in French). 32 (1).
- Castricano, Jodey (1997). In Derrida's dream: a poetics of a well-made crypt (Thesis). University of British Columbia.
^ ^a ^b
Reviews:
- Royle, Nicholas (2003). "Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing (review)". MFS Modern Fiction Studies. 49 (2): 400–1. doi:10.1353/mfs.2003.0037. S2CID 162188942.
- Barbour, Charles (2004). "On Returns". Canadian Literature. 180: 111–3.
- Botting, Fred (2002). "Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing by Jodey Castricano (review)". University of Toronto Quarterly. 72 (1): 356–357. Project MUSE 519407.
^ Castricano, Jodey (2001). Cryptomimesis: The Gothic and Jacques Derrida's Ghost Writing. Montreal and Kingston: McGill-Queen's University Press. pp. ix–x.
^
Reviews:
- Aaltola, Elisa (2009). "Review of Animal Subjects: An Ethical Reader in a Posthuman World". Environmental Values. 18 (1): 118–122. JSTOR 30302119.
- Olsson, Anna (2010). "Animal Subjects: An Ethical Reader in a Posthuman World". Animal Welfare. 19 (2): 204–6. doi:10.1017/S0962728600001548. S2CID 255629128.
- Corman, Lauren (2009). "An Empathetic Intervention: Animal Subjects Confronts the Limits of Cultural Studies". Topia: Canadian Journal of Cultural Studies. 21: 227–30. doi:10.3138/topia.21.227.
- Watson, Gavan P. L. (2010). "Human Ends and Animal Beginnings". Canadian Literature. 205: 145–6.
- Deckha, Maneesha (2009). "Animal Bodies, Technobodies: New Directions in Cultural Studies, Feminism, and Posthumanism". Yale Journal of Law & Feminism. 20: 505–26. hdl:20.500.13051/7006.
- Taylor, Chloë (2010). "Animal Subjects: An Ethical Reader in a Posthuman World (review)". University of Toronto Quarterly. 79 (1): 415–418. doi:10.1353/utq.2010.0216. S2CID 161241441. Project MUSE 389972.
^
Reviews:
- Poirier, Nathan (2018). "Book review". Journal for Critical Animal Studies. 15 (5): 28–35.
- Milburn, Josh (2018). "Critical Perspectives on Veganism". Journal of Animal Ethics. 8 (2): 252–3. doi:10.5406/janimalethics.8.2.0252.
^
Reviews:
- Eklund, Tof (2022). "Gothic Metaphysics: From Alchemy to the Anthropocene, Jodey Castricano (2021)". Australasian Journal of Popular Culture. 11 (1–2): 199–201. doi:10.1386/ajpc_00060_5. S2CID 255215254.