Heap became interested in music when musician "Slim" Gensler would stop at the gas station where Heap worked and play his guitar.[1]
He was enlisted in the United States Army Air Corps, where he was stationed in Sedalia, Missouri.[1] It was here he met his future wife.[1] After his military service ended, he formed the Melody Masters, which included Horace Barnett, Arlie Carter, Bill Glendining, and Louie Rincon.[2] Starting 1948 they had a radio show on KTAE (AM).[1] The group made their first records for Lasso Records of Austin shortly thereafter.[1] Based on radio exposure and performances at dance halls, and particularly Dessau Dance Hall, he gained a regional following in Texas as was signed to Imperial Records in 1949.[1][2]
In some time before his first Imperial recordings he hired fiddle player Perk Williams.[2] Perk became the bands vocalist, even though he had no previous experience singing, but it was with Perk the band was associated during its period of greatest success.[1][2] Heap and the Melody Masters were the first to record "Wild Side of Life", and when Hank Thompson took the song to #1 in March 1952 it provided Heap and his band their big break.[2] In 1954 Jimmy Heap and the Melody Masters had a #5 hit with "Release Me". It was recorded at the Gold Star Studios in Houston.[3] Heap and the Melody Masters served as the house band at KTAE (AM) in 1955.[4] In 1956 he had a minor country hit ( chart position #96) with a song called "Butternut".[3] The Melody Masters released 32 sides for Capitol in all.[2] There were no other hits for Capitol, and Heap began releasing material on his own record labels.[1]
Trying to adapt to changing musical tastes, Heap parted ways with Perk Williams in 1957 because Perk would not change his style.[1][5]
Heap signed to D Records in 1958.[5] He abandoned the honky-tonk style and attempted to become a rock band, using new vocalists and a saxophonist.[5] Heap released additional records on Fame after his association with D ended.[5]
In the 1960s the group had a residence at the Golden Nugget, an act that included sexual material.[1] A number of party records by the group were released at this time.[1]
Heap made one last solo album for Crazy Cajun Records in 1977, after which he retired from the music business.[1][5] Heap died on December 3, 1977, when he drowned while fishing.[1][2][5]
Style and influence
Jimmy Heap and the Melody Masters have been proffered as "one of the best exemplars of the post-World War II-era style of honky-tonk music."[1]
Although primarily associated with honky-tonk country, he also performed music considered pop and rock and roll.[5]
Heap and his band was an early influence on Sonny Rhodes.[6]