Ion Mystery (formerly Escape and Court TV Mystery, stylized as ESCAPE and MYSTERY; formerly branded on-air as Mystery) is an American free-to-airtelevision network owned by the Scripps Networks subsidiary of the E. W. Scripps Company. It focuses primarily on mystery, true crime, and police/legal procedural programs.[3]
Katz Broadcasting announced the formation of Escape and sister network Grit on April 3, 2014, with a formal launch scheduled for that summer. When the network was first announced, Katz Broadcasting entered into an affiliation agreement with Univision Communications, which planned to launch Grit in 22 markets served by a station owned by the group or operated through local marketing agreements with Entravision Communications – giving Grit affiliates in 17 of the 20 largest U.S. television markets (including markets such as New York City, Los Angeles, Chicago, and Dallas-Fort Worth). The network immediately sought carriage on the digital subchannels of television stations owned by other broadcasting companies.[4]
On August 11, 2014, Katz announced that the two networks would launch simultaneously on August 18. Escape launched at 12:00 p.m. Eastern Time on that date,[5] with the 1981 film Body Heat as the network's inaugural broadcast.[6]
On August 1, 2017, in an expansion of the company's existing interest, the E. W. Scripps Company announced it would purchase a 95% majority stake in Katz Broadcasting's assets (Escape, Grit, and Laff as well as the managerial rights for Bounce TV parent Bounce Media, LLC) for $292 million. Although Scripps assumed ownership of the group upon the purchase's completion on October 2, Katz will remain headquartered in Marietta, Georgia as an autonomous division of its new corporate parent.[1][7]
On September 30, 2019, Escape was rebranded as Court TV Mystery, serving as an extension to the Court TV brand.[8]
Following Scripps' acquisition of Ion Media in 2021, many of its digital subchannels, including Court TV and Court TV Mystery, were moved over to Ion-owned affiliates and on Scripps stations, were separated from stations also carrying Court TV, causing viewer confusion regarding the channel positions and carriage status of the two networks.[9] The network was subsequently rebranded to Ion Mystery on February 24, 2022, with the "Ion" brand now more established regarding procedural dramas in general, including Ion Mystery's overall programming, whereas Court TV is more associated with its news division.[10]
Ion Mystery mainly features a mix of procedural crime dramas and mystery series, as well as off-network reality-based crime re-enactment series and some films.
Originally, the network had a specific focus on true crime programming directed explicitly towards women. Katz Broadcasting president and CEO Jonathan Katz based the demographic-targeted concept of the Escape and male-targeting Grit on Bounce TV, a network Katz co-founded with Martin Luther King III and Andrew Young in 2011 that is targeted at Black audiences; Katz stated Escape and Grit would be "the...first-ever (adult) male-centric and female-centric broadcast networks," featuring different programming from other classic television multicast networks that Katz claimed were "generic brands with generic names, created by studios to serve the studios" (referring to NBCUniversal's Cozi TV and Sony's getTV, and indirectly to Weigel Broadcasting's MeTV, which was independently created but licenses programming from several studios).[3]
The majority of Ion Mystery's schedule consists of off-network reality-based crime re-enactment series. Shortly before the network's launch, on August 1, 2014, the network acquired the syndication rights to three true crime series – Forensic Files, Snapped, and the Dennis Farina run of Unsolved Mysteries – through respective deals with Trifecta Entertainment & Media, NBCUniversal Television Distribution, and Cosgrove/Meurer Productions for its initial schedule.[15][16]
In May 2016, the network acquired the syndication rights to American Greed and Corrupt Crimes, under agreements with NBCUniversal Television Distribution and Bellum Entertainment. In conjunction, Katz announced the network's entry into original programming by entering into a production agreement with Bellum to develop five true crime shows for first-run broadcast on the network; these programs included Lady Killers (about women killing someone close to them), Murderous Affairs (centering on "lethal love affairs"), It Takes a Killer (which profiles infamous murders), Deep Undercover (a series hosted by Joe Pistone, that profiles real-life undercover missions), and They Kill for It (which deals with passion-motivated and fully planned killings).[17] Among the five announced shows, however, only Deep Undercover actually aired, due to various issues which did not involve Escape or Katz, but Bellum unable to produce the shows as talent was unpaid for previous Bellum productions, and their refusal to continue working with any further Bellum-involved productions; that company went bankrupt, then out of business, in 2019.
On December 6, 2017, Katz signed a multi-year licensing agreement with Warner Bros. Domestic Television Distribution to acquire the syndication rights to Cold Case. The 2003–10 CBS crime drama – the first scripted program acquisition for Escape – joined the network on January 1, 2018 with a twelve-episode marathon, before being added to its regular schedule the following night (January 2).[18][19][20] Several other series, including John Doe, Killer Instinct, and the original Law & Order have since been picked up by the network, along with the Canadian series DaVinci's Inquest, a mainstay of syndication since the mid-2000s.
As of January 1, 2018[update], Ion Mystery has current or pending affiliation agreements with 165 television stations in 65 media markets (including 24 of the top 30), covering 86% of all households in the United States (or 268,780,687 Americans with at least one television set).[21] Originally, Katz sold Escape and sister network Grit to prospective affiliate stations under an advertising split structure; by October 2015, the company had shifted to having affiliates pay carriage fees to provide Escape and Grit programming, in exchange for a share of the network's ad inventory; the company also initially utilized direct response advertising as a metric for viewership for Escape.[22] In September 2015, Katz enrolled Escape and sister network Grit to begin having their viewership measured under the Nielsennational ratings, in addition to switching to the Nielsen rating C-3 ratings metric for advertising.[22][23]
When the network was first announced, Katz Broadcasting entered into an affiliation agreement with Univision Communications, which planned to launch Escape in 22 markets served by a station owned by the group or operated through local marketing agreements with Entravision Communications – giving Escape affiliates in 17 of the 20 largest U.S. television markets (including markets such as New York City, Los Angeles, Chicago, and Dallas-Fort Worth). The network immediately sought carriage on the digital subchannels of television stations owned by other broadcasting companies;[4] on June 17, 2014, Katz signed group deals to carry Escape on stations owned and/or operated by Raycom Media in six markets.[24]
On July 17, 2014, Katz announced affiliation deals with the Cox Media Group to carry Escape on WAXN-TV in Charlotte, North Carolina and KMYT-TV in Tulsa, Oklahoma. It also reached a deal with PMCM TV, LLC to carry Escape and Grit on KJWP in the Philadelphia market, and with Citadel Communications to carry the network on its stations in Providence (WLNE-TV) and Lincoln (KLKN). Katz also expanded its affiliation agreement with Univision Communications to add Univision-owned stations in Washington, D.C., San Francisco, and Phoenix to the group's originally announced Escape charter affiliates.[25][26] At the network's introduction in August 2014, Escape had affiliation agreements with television stations in 33 media markets (including stations in 23 of the 50 largest Nielsen markets), with an approximate estimated reach of 50% of all television-equipped households in the United States.