Stylistically, they were heirs to Ego-Futurism. Imaginists created poetry based on sequences of arresting and uncommon images. They wrote many verbless poems.[1]
Most of the imaginists were freethinkers and atheists. Imaginism had its main centres in Moscow and St. Petersburg. There were also smaller centres of imaginism in Kazan, Saransk, and Ukraine. Imaginists organised four poetry publishing houses, one of which was called simply Imaginism, and published the poetry magazine Gostinitsa dlya puteshestvuyuschih v prekrasnom ("Guesthouse for travellers in the beautiful").
The group broke up in 1925, and in 1927 it was liquidated officially. Its heritage, though, is still strong in Russia. Poems by Yesenin and Shershenevich, memoirs by Marienhof, and plays by Erdman are still in print and always in demand.
After the disappearance of the group, the "young imaginists" declared themselves followers of this trend in the early 1930s, and so did the "meloimaginists" of the 1990s.[2]
Literature
Markov, V. Russian Imaginism 1919-1924. Gießen 1980.
Nilsson, N. The Russian imaginists. Ann Arbor: Almgvist and Wiksell, 1970.
Huttunen, T. Imazhinist Mariengof: Dendi. Montazh. Ciniki. Moscow: NLO, 2007.
Ponomareff, C. "The Image Seekers: Analysis of Imaginists Poetic Theory, 1919-1924." The Slavic and East European Journal 12 (1986).
Kudryavitsky, A. "Popytka zvuka." Novoe literaturnoe obozrenie 35 (1999).