Originally owned by the author Sergei Aksakov, other writers and artists — such as Nikolai Gogol — at first came there as his guests. Under Aksakov, visitors to the estate discussed ways of ridding Russian art of Western influences to revive a purely national style. In 1870, eleven years after Aksakov's death, it was purchased by Savva Mamontov, a wealthy industrialist and patron of the arts.
Under Mamontov, Russian themes and folk art flourished there. During the 1870s and 1880s, Abramtsevo hosted a colony of artists who sought to recapture the quality and spirit of medieval Russian art in a manner parallel to the Arts and Crafts movement in Great Britain. Several workshops were set up there to produce handmade furniture, ceramic tiles, and silks imbued with traditional Russian imagery and themes.[1][2]
Abramtsevo is now open to the public and tourists can wander along the many paths through the surrounding forest and cross the wooden bridges that served as an inspiration for the artists at the Abramtsevo Colony. They can also visit many of the buildings to see works produced by the artists at the colony, e.g., a wooden bathhouse in the shape of a traditional dwelling of Ancient Rus, designed by Ivan Ropet, and the House on Chicken Legs, a fairy-tale abode of an evil witch, Baba Yaga, designed by Vasnetsov. One building, the main "manor," is said to have been the model for the estate in which Anton Chekhov set The Cherry Orchard.
^"Сборник материалов и каталог выставки произведений искусства, к 90-летию со дня рождения художника". Народный художник РСФСР, профессор Николай Михайлович Чернышёв. 1885—1973. Советский художник. 1978.