Cronos (film)

For the 1985 film, see Chronos (film)

Cronos
Theatrical release poster
Directed byGuillermo del Toro
Written byGuillermo del Toro
Produced byArthur H. Gorson
Bertha Navarro
Alejandro Springall
Bernard L. Nussbaumer
Starring
Narrated byJorge Martínez de Hoyos
CinematographyGuillermo Navarro
Edited byRaúl Dávalos
Music byJavier Álvarez
Production
companies
Fondo de Fomento Cinematográfico
Instituto Mexicano de Cinematografía
Universidad de Guadalajara
Iguana Producciones
Ventana Films
Distributed byPrime Films S.L. (Spain)
October Films
(United States)
Release dates
  • 27 November 1992 (1992-11-27) (XXV Muestra Internacional de Cine)
  • 17 May 1993 (1993-05-17) (Cannes)
  • 3 December 1993 (1993-12-03) (México)
[1]
Running time
92 minutes[2]
CountryMexico
LanguagesSpanish
English
Budget$2 million[3]
Box office$621,392[4]

Cronos is a 1992 Mexican independent horror drama film written and directed by Guillermo del Toro and starring Federico Luppi and Ron Perlman. Cronos is del Toro's first feature film, and the first of several films on which he worked with Luppi and Perlman.

Critical reviews were overwhelmingly positive, praising the inventive direction and creative storytelling, and over time Cronos has been regarded as a classic. The film was selected as the Mexican entry for the Best Foreign Language Film at the 66th Academy Awards, but was not accepted as a nominee.[5]

A stand-alone sequel, We Are What We Are, was released in 2010. The only connection being Daniel Giménez Cacho reprising his role as Tito the Coroner.[6]

Plot

In the year 1536, an alchemist in Veracruz develops a mechanism that can give eternal life. In 1937, an old building collapses and the alchemist, who has marble-white skin, is killed when his heart is pierced by the debris. Investigators go to search the home of the alchemist, but they never reveal what else was discovered in the home: Basins filled with blood from a corpse.

In 1996, an elderly antique dealer, Jesús Gris, notices that the base of an archangel statue is hollow. He opens it and finds the 460-year-old mechanism. After he winds the ornate, scarab-shaped device, it unfurls spider-like legs which grip him tightly and inserts a needle into his skin. An insect — entombed within the device and meshed with the internal clockwork — filters the blood. Gris eventually discovers his health and vigor are returning, as is his youth. His skin loses its wrinkles, his hair thickens and his sexual appetite increases. He also develops a thirst for blood. This initially disgusts him, but he eventually succumbs to the temptation. He uses the device later that night but says his nightly prayer as he does. His granddaughter Aurora notices this and begins to worry about Gris.

Meanwhile, a rich, dying businessman, Dieter de la Guardia, who has been amassing information about the mechanism for many years, has been searching for the statue with the device. He sends his thuggish American nephew Angel, who suffers his uncle's abuse on a daily basis for an inheritance, to purchase the statue at the antique shop.

During a New Year's Eve party, Gris sees a man bleeding from the nose and follows him into the men's room in order to take his blood off of the sink countertop. Another man comes out of one of the stalls, sees the blood and cleans it up. Gris notices blood on the floor and decides to lick it up, until an unknown man walks up and kicks him in the face, knocking him unconscious. He is found by Angel, who gives him some alcohol and tries to beat him into giving up the mechanism. When Gris faints, Angel places his body inside a car and pushes it off a cliff. Gris briefly awakens and prays for survival, but seemingly dies. He later revives in an undertaker's establishment and escapes before he can be cremated. He returns home, and Aurora lets him in. Dieter beats Angel for not ensuring Gris's heart was destroyed and sends him to check on the body. Gris works on a letter to his wife in which he comments on the changes to his body and tells her that after completing some 'unfinished business' he will return to her. He notices that his skin burns in the presence of sunlight and sleeps in a box to avoid it.

Eventually, Gris and Aurora bring the mechanism to Dieter's headquarters, where the businessman offers him a "way out" in exchange for the device. Gris comments on his damaged skin and the businessman tells him to peel it off because he has new skin underneath, which is marble-white like the dead alchemist. Gris threatens to destroy the mechanism but is told that he will die should that happen. Gris agrees to hand it over in exchange for knowing the "way out", whereupon Dieter stabs him. Before being able to strike the killing blow to the chest, Dieter is incapacitated by Aurora and Gris feeds on Dieter. Angel finds the dying Dieter and crushes his throat with his foot, tired of his abuse and waiting for his inheritance. Angel confronts Gris on the rooftop of the building and beats him severely. Gris throws them both off the roof, killing Angel.

Aurora finds Gris unconscious and uses the mechanism to wake him. Noticing that her hand is bleeding, Gris is tempted to feed off his granddaughter but he eventually controls himself. He then painfully destroys the mechanism, despite previous warnings. He returns to his home and is shown lying in bed, with Aurora and his wife in attendance, as the film ends.

Cast

Reception

Critical response

The film received acclaim by critics for its acting, originality, mythology, religious references, and its balance of horror & drama. When the film got the attention of international film critics including those from United States, it has since been recognized as one of the greatest horror films and Spanish language films of all-time. Rotten Tomatoes reports an 89% approval rating based on 55 reviews, with an average rating of 7.2/10. The critical consensus reads: "Guillermo del Toro's unique feature debut is not only gory and stylish, but also charming and intelligent."[7] Metacritic assigned the film a weighted average score of 70 out of 100, based on 12 critics, indicating "generally favorable reviews".[8] It was also entered into the 18th Moscow International Film Festival.[9]

In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films.[10] Cronos was placed at number 96 on their top 100 list.[11]

The film has become part of The Criterion Collection. The film's Blu-ray disc includes the film with both the introduction in English, and a version in its original Spanish language. In the website's plot synopsis of the film, it's described as "A dark, visually rich, & emotionally captivating fantasy".[12] The film is sold both individually and as part of the box set Trilogía de Guillermo del Toro, which includes del Toro's other Spanish language horror films The Devil's Backbone & Pan's Labyrinth.[13]

Box office

In the United States, the film was given limited release to only 2 theaters where it grossed $17,538 its opening weekend and grossed a total of $621,392 playing at a total of 28 screens. After many critics viewed the film, they felt it deserved a wider release.[4]

Year-end lists

Home media

Cronos was first released on DVD by Lionsgate Home Entertainment on 14 October 2003 as a "10th Anniversary Edition", which includes two commentaries, one by del Toro, and the other by three of the four producers, two behind-the-scenes featurettes, two galleries for production photos and concept art, and an easter egg which plays the theatrical trailers of four films, including Cronos.[15] On 7 December 2010, The Criterion Collection released Cronos on both DVD and Blu-ray with a new cover by Mike Mignola. The disc contains two audio commentaries by cast and crew, a video tour of del Toro's home office, several interviews, and Geometria, a 1987 short film (although finished in 2010) written and directed by del Toro.[16] The Criterion Collection also released the film as a part of the boxset Trilogía de Guillermo del Toro, which includes three of Guillermo del Toro's Spanish films, the other two being Pan's Labyrinth and The Devil's Backbone.[17]

See also

References

  1. ^ Fernández, Álvaro A. (January 2011). "Cronos. El origen del alquimista - Estudio de caso". El Ojo Que Piensa. Revista de Cine Iberoamericano (3). ISSN 2007-4999. Retrieved 6 June 2011.
  2. ^ "Cronos (15)". British Board of Film Classification. 29 August 1994. Retrieved 29 October 2022.
  3. ^ DePalma, Anthony (20 March 1994). "From a Mexican Grave Comes 'Cronos'". New York Times. Retrieved 30 December 2018.
  4. ^ a b "Cronos (1993)". Box Office Mojo. IMDb. Retrieved 31 March 2015.
  5. ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
  6. ^ Frook, John Evan (29 November 1993). "Acad inks Cates, unveils foreign-language entries". Variety. Archived from the original on 14 April 2019. Retrieved 14 April 2019.
  7. ^ "Cronos (1993)". Rotten Tomatoes. Fandango Media. Retrieved 17 December 2021.
  8. ^ https://www.metacritic.com/movie/cronos?ftag=MCD-06-10aaa1c
  9. ^ "18th Moscow International Film Festival (1993)". MoscowFilmFestival.ru. Archived from the original on 3 April 2014. Retrieved 10 March 2013.
  10. ^ "The 100 best horror films". Time Out. Retrieved 13 April 2014.
  11. ^ NF. "The 100 best horror films: the list". Time Out. Retrieved 29 October 2022.
  12. ^ "The Criterion Collection: Cronos (1993)". Retrieved 18 June 2017.
  13. ^ "Trilogía de Guillermo del Toro". The Criterion Collection. Retrieved 31 May 2021.
  14. ^ Elliott, David (25 December 1994). "On the big screen, color it a satisfying time". The San Diego Union-Tribune (1, 2 ed.). p. E=8.
  15. ^ Bovberg, Jason (14 October 2003). "Cronos: 10th Anniversary Special Edition". DVD Talk. DVDTalk.com. Retrieved 15 July 2016.
  16. ^ "Cronos". The Criterion Collection. Retrieved 25 May 2015.
  17. ^ "Trilogía de Guillermo del Toro". The Criterion Collection. Retrieved 30 December 2018.

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