Conversations with Friends is the 2017 debut novel by the Irish author Sally Rooney, about two young women who become involved with an older couple in Dublin's literary scene. The novel was published by Faber and Faber and received critical acclaim. A television adaptation, also called Conversations with Friends, was released in 2022.
Background
The book was completed whilst Rooney was still studying to write and complete her master's degree in American literature.[1] The book was subject to a seven-party auction for the publishing rights.[1] Rights were eventually sold in 12 countries.[2]
In Dublin, college students Frances (the narrator) and her best friend and ex-girlfriend Bobbi are noticed by Melissa, an essayist and photographer in her late thirties, when they are performing spoken-word poetry. Melissa invites them home, where they meet her husband, Nick, an actor. Their four lives become increasingly entangled as Frances begins an affair with Nick, and Bobbi and Melissa grow closer.
Reception
Conversations with Friends received positive reviews.[5] Overall, critics enjoyed Rooney's prose, clarity, and sharp characters. According to Book Marks, the book received "positive" reviews based on eleven critic reviews with six being "rave" and four being "positive" and one being "mixed".[5][6]
Writing for The New Yorker, Alexandra Schwartz praises Rooney, noting that "she writes with a rare, thrilling confidence, in a lucid and exacting style uncluttered with the sort of steroidal imagery and strobe flashes of figurative language that so many dutifully literary novelists employ." Schwartz continues, "one wonderful aspect of Rooney's consistently wonderful novel is the fierce clarity with which she examines the self-delusion that so often festers alongside presumed self-knowledge."[7]The Guardian similarly praised the author, noting how "Rooney writes so well of the condition of being a young, gifted but self-destructive woman, both the mentality and physicality of it. She is alert to the invisible bars imprisoning the apparently free."[8] Reviewing for Slate, Katy Waldman described how "Sally Rooney is a planter of small surprises, sowing them like landmines. They relate to behavior and psychology—characters zigging when you expect them to zag, from passivity to sudden aggression and back."[9] Waldman further applauds the novel, noting that "Rooney herself is acute and sensitive—she may have pinned these fragile creatures to a board, but her eye is not cruel. Bobbi, Frances, Nick, and Melissa excel at endearing banter and hesitant, vulnerable disclosure. They are all thrillingly sharp, hyperverbal."[9]
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