Plaque at the Suns of the Paseo de los Soles, Montevideo, Uruguay
China Zorrilla (Spanish:[ˈtʃinasoˈriʝa]; born Concepción Matilde Zorrilla de San Martín Muñoz; 14 March 1922 – 17 September 2014) was an Uruguayan theater, film, and television actress, also director, producer and writer. An immensely popular star in the Rioplatense area, she is often regarded as a "Grand Dame" of the South American theater stage.[1][2]
After a long career in the Uruguayan theater, Zorrilla made over fifty appearances in Argentina's film, theater and TV. Her career took off in Uruguay in the 1950 and 1960s, later she settled in Argentina, where she lived for over 35 years and was popular on TV, theater, and cinema. At 90, she retired and returned to Uruguay, where she died in 2014.
In 2008, Zorrilla was invested Chevalier des Arts et des Lettres by the French Government and in 2011, the Correo Uruguayo (the national postal service in Uruguay) released a print run of 500 commemorative postage stamps dedicated to her.[3]
Early life
Born in Montevideo into an aristocratic Uruguayan family, "China" was the second of the five daughters of Guma Muñoz del Campo and sculptor José Luis Zorrilla de San Martín (1891–1975),[2] a disciple of Antoine Bourdelle, responsible for monuments in Uruguay and Argentina. Revered as Uruguay's national poet, her paternal grandfather was Juan Zorrilla de San Martín, author of Tabaré. An artistic family, her older sister, Guma Zorrilla (1919–2001), was a theater costume designer for the Uruguayan stage.
After a decade at the Comedia Nacional, Zorrilla went on to found the Teatro de la Ciudad de Montevideo with actor Enrique Guarnero and actor-writer Antonio Larreta. The company toured Buenos Aires, Paris, and Madrid, where they won the Spanish Critics Award for their stagings of Federico García Lorca's La zapatera prodigiosa and Lope de Vega in the summer of 1961.
Between 1964 and 1966, Zorrilla took a sabbatical year and lived in New York, where she worked as a French teacher and Broadway secretary. In New York, she staged Canciones para mirar, a children's musical based on texts by Argentine poet Maria Elena Walsh. During her stay in the U.S., Zorrilla was rumoured to have an affair with comedian Danny Kaye, who often mentioned her in interviews.
As a correspondent for the Uruguayan newspaper El País, she covered events such as the Cannes Film Festival for Homero Alsina Thevenet and other international events (later published in a book Diarios de viaje[8]) and also hosted a talk show for many years.
Summoned by actor and director Lautaro Murúa to appear as Donna Natividad in the third movie version of Un Guapo del 900, China Zorrilla's film debut came late in 1971 at age 49. The following summer she made replaced actress Ana María Campoy in Butterflies are Free, which was performed in Mar del Plata. She settled in Buenos Aires. Her stay coincided with the civilian-military dictatorship in Uruguay (1973–1985), which forced her to stay abroad. Zorrilla expressed her solidarity by protecting and helping Uruguayans flee the dictatorship. During that period, she was banned by the military regime from performing in Uruguayan theatres. After the country's return to democracy in the 1980s, Zorrilla made a triumphal comeback at the Teatro Solís as Emily Dickinson.[9]
After her debut in 1971 as Mother Natividad in Murua's Un guapo del 900, Zorrilla appeared in more than 40 Argentinian movies. In 1973, she became a popular star in Alberto Migré's soap operas. In 1984, she won Best Actress at the La Habana Film Festival for "Darse Cuenta".[10] She performed in Summer of the Colt (a Canadian coproduction), Maria Luisa Bemberg's Nobody's Wife, The Jewish Gauchos, the coproduction The Plague (starring William Hurt and Raúl Juliá), Edgardo Cozarinsky's Guerriers et captives, Manuel Puig's "Pubis Angelical",[11]Adolfo Aristarain's Lasts Days of the Victim, and in the Argentine black comedyEsperando la carroza (Waiting for the Hearse).
Zorrilla died on 17 September 2014 from pneumonia in a hospital in Montevideo, Uruguay, aged 92.[15] The government of Argentina and Uruguay declared two days of national mourning
defining her as "a true representative of River Plate culture". She was waked at Montevideo's Congress. Before reaching the cemetery, the procession made a brief stopover at the Teatro Solís.[16]
