Aeolian dominant scale
The Aeolian dominant scale (Aeolian ♯3 scale), Mixolydian ♭6 scale, descending melodic major scale, or Hindu scale[1][2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode. It corresponds to Raga Charukeshi in Indian Classical music. This scale can also be obtained by raising the third degree of the natural minor scale or lowering the sixth degree of the mixolydian scale. Chords and chord progressionsThis scale has the following chords (in Roman numeral major-based notation): I iidim iiidim iv v bVI+ bVII There are also some chords that are found in the scale, but are spelled incorrectly. They are as follows (spelled enharmonically): I+ III+ Seventh chords in this scale include: I7 iim7b5 iiim7b5 ivmaj7 v7 bVI+maj7 bVII7 Common chord progressions in mixolydian ♭6 include: I iv I iv v bVII Melodic majorThe name melodic major refers to the combined scale that proceeds as natural major ascending and as Aeolian dominant descending. It is named melodic major because it closes the augmented second in the harmonic major scale by either sharpening the sixth (ascending) or flattening the seventh (descending). Songs that use the Aeolian dominant scale
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