A Ham in a Role was the last cartoon in the Golden Age of American Animation to star the dog that had opposed the Gophers in their first two appearances. (The dog was recycled for a single short in the 1990s in the World Premiere Toons series).
Plot
An anthropomorphic dog is tired of appearing in cartoons and goes home to study the works of Shakespeare. Upon arriving back home, the dog finds that his home has been invaded by gophers. Unfazed, the dog then begins reading Hamlet. Upon discovering the Goofy Gophers sleeping in the book, he throws the book out the window.
The Goofy Gophers then decide to get back at the dog by literally interpreting lines from Shakespeare's works, including "lending him ears", by rolling a curtain up to annoy him, tormenting him with flames (to his foot), dousing him with "the joy of life" (by dumping a tub of water into the dog), dumping limburger cheese as the dog utters the "that which we call a rose by any other name" line while holding a rose, imitating the exhumed Yorick in a dance (making the dog appear like a Shakespearean coward), using magnets on the floor and ceiling to toss and carry the dog around the room (in armor), with the coup de grâce coming about when the Gophers use a horse to kick the dog out of his house, after he says "A horse, a horse, my kingdom for a horse!" and back to the studio, where the dog decides to finish what he started.
Notes
This cartoon was originally issued as a Looney Tunes cartoon with the Looney Tunes music. When it was re-issued in 1959, the cartoon was re-issued with Merrie Melodies credits, but retained the Looney Tunes music.
Arthur Davis was originally slated to direct the short, however the short was left unfinished due to the dissolving of his unit during the shorts production (voice recording took place in November 1947, the same time Davis’ unit was in the process of being dissolved). Bob McKimson was able to finish the short by 1949, as well as inheriting two of Davis’ animators, Bill Melendez and Emery Hawkins.
This is either the last Looney Tune of the 40's, or the first Looney Tune of the 50's (sources differ).
Reception
Artist and writer Lia Abbate writes, "A Ham in a Role certainly wins a place among the best of them for the sheer amount of highbrow entertainment and lowbrow slapstick it packs into its short length, and the brilliant way in which these opposing dynamics match up. In the cartoon's standard running time of six minutes, we are treated to a greatest hits of William Shakespeare with no less than ten of his best quotations. And for each spate of speechifying, there is an equal moment — more, really — of inspired physical gags... You don't have to know a word of Shakespeare to enjoy all this great slapstick. Nevertheless, if you do, you'll be delighted to find that A Ham in a Role truly is an appreciation of what we Shakespeare lovers cherish the most: his words."[8]
^ abcdeWebb, Graham (2011). The Animated Film Encyclopedia: A Complete Guide to American Shorts, Features and Sequences (1900-1999). McFarland & Company, Inc. p. 148. ISBN978-0-7864-4985-9.
^Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. New York, NY: Henry Holt and Company. ISBN0-8050-0894-2.
^Maltin, Leonard (1987). Of Mice And Magic: A History Of American Animated Cartoons (Revised ed.). New York, NY: Plume. ISBN0-452-25993-2.