This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.
These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Liszt also extensively treated his own works in a similar manner, but these are not tallied here—neither are his treatments of national (or "folk") melodies whose composers are unknown, nor other anonymous works.
The earliest-born composer whose works Liszt dealt with was Orlande de Lassus (born c. 1532). Jacques Arcadelt was born earlier (c. 1507), but Liszt's treatment was not of Arcadelt's original work, rather of a setting by Pierre-Louis Dietsch loosely based on Arcadelt. The last composer to die whose works Liszt dealt with was Géza Zichy (1849–1924).
À la chapelle Sixtine (organ version: Evocation à la Chapelle Sixtine)[2]
piano
1862
S.461
This piece combines Allegri's Miserere with Mozart's Ave verum corpus, K.618 (1791). (Mozart was deeply involved in the circumstances that led to the first publication of the Miserere: He heard it in the Sistine Chapel when visiting Rome at the age of 15, and famously wrote it down from memory, although publishing the work or even writing it down was prohibited on pain of excommunication. Rather than imposing this penalty, however, the Pope later congratulated Mozart on his genius).
No. 2 was Chanson bohémienne, after a work by Pyotr Bulakhov
Note: The Mazurka pour piano composée par un amateur de St. Pétersbourg, paraphrasée par F. L. (S.384) was based on a mazurka that has often been misattributed to Alyabyev, but was in fact written by Mikhail Vielgorsky.[1]
The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4.[3] The Ave Maria was based on Pierre-Louis Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Arcadelt's madrigal Nous voyons que les hommes.[1]
Grande paraphrase de concert sur "God Save the Queen" et "Rule Britannia"
piano and orchestra
1841
S.694
Grove says this was unfinished, and refers to it as "Fantasia on English themes" (piano solo).[4] The Grosse Fantasie was a reworking of the Grande paraphrase de concert.[1]
Grosse Fantasie über "God Save the Queen" und "Rule Britannia"
Prelude on the theme of Weinen, Klagen, Sorgen, Zagen
piano
1859
S.179
The Variations, S.180/673 are based on the same theme.[6]
Variations on a theme of Bach (aka Variations on Weinen, Klagen, Sorgen, Zagen)
piano
1862
S.180
This set of variations uses the basso continuo of the second movement of the cantata Weinen, Klagen, Sorgen, Zagen, base for the Crucifixus from the Mass in B minor. It is based on the same theme as the Prelude, S.179.
Liszt's order of the songs (with the original order in brackets) was: 1 (5). "Gottes Macht und Vorsehung"; 2 (1). "Bitten"; 3 (6). "Bußlied"; 4 (3). "Vom Tode"; 5 (2) "Die Liebe des Nächsten"; 6 (6). "Die Ehre Gottes aus der Natur (Die Himmel rühmen)".[10]
"Mephistos Flohlied", Es war einmal ein König, Op. 75/3
"Wonne der Wehmut", Op. 83/1
"Die Trommel gerühret", Op. 84/1
1849
S.468
Liszt combined parts of three disparate Beethoven opuses into his transcription, the common thread being that all the words were by Goethe:
from 6 Songs, Op. 75: No. 1 ("Mignon") was S.468/1; No. 3 ("Mephistos Flohlied") was S.468/4
from 3 Songs, Op. 83: No. 1 ("Wonne der Wehmut") became S.468/5; No. 3 ("Mit einem gemalten Band") was S.468/2
from the Egmont incidental music, Op. 84: No. 1 (Lied "Die Trommel gerühret") was S.468/6; and No. 4 (Lied "Freudvoll und leidvoll") became S.468/3.[12]
Symphonies Nos. 5, 6 and 7 were transcribed in 1837; the Marcia funèbre of Symphony No. 3 was written in 1841; then there was a gap of 22 years before the remaining symphonies were written, at which time the existing transcriptions were revised.[9] In the meantime, Liszt completed a transcription of Symphony No. 9 for two pianos in 1851.[2]
Grande Fantaisie Symphonique on themes from Berlioz’ Lélio
piano and orchestra
1834
S.120
The themes are "Chant du pêcheur" and "Chant des brigands"; according to Leslie Howard: "the original manuscript of this work, long undiscovered, recently surfaced at auction in France (although sadly not in its entirety), and it revealed immediately that Liszt carried out his own orchestration";[15] FP Paris, 24 November 1834, Liszt (piano), Berlioz (conductor)[13]
Prélude à la Polka d'Alexandre Porfiryevitch Borodine
piano
1880
S.207a
This was previously catalogued as Variation über das Thema von Borodin, S.256[1] (which was also referred to as Variations on the "Chopsticks" theme).[17]
The order of the songs in S.480 is: 1. "Mädchens Wünsch" (= No. 1, "Życzenie"); 2. "Frühling" (= No. 2, "Wiosna"); 3. "Das Ringlein" (= No. 14, "Pierścień"); 4. "Bacchanal" (= No. 4, "Hulanka"); 5. "Meine Freuden" (= No. 12, "Moja pieszczotka"); 6. "Heimkehr" (= No. 15, "Narzeczony")
"Das Ringlein" leads without a break into "Bacchanal", and towards the end of the latter song, immediately before the coda, Liszt includes a short 6-bar reprise of the earlier song.
The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4.[3] The Ave Maria was based on Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Jacques Arcadelt's three-part madrigal Nous voyons que les hommes.[1]
Patriotic songs, "Szózat" (Egressy) and "Himnusz" (Erkel)
"Szózat und Ungarischer Hymnus"
orchestra
1870‑73
S.353
"Szózat" (words Mihály Vörösmarty, 1836; music Egressy, 1840) and "Himnusz" (words Ferenc Kölcsey, 1823; music Erkel) are national anthems of Hungary adopted in 1844; FP of orchestral version, Budapest, 19 March 1873, Liszt (conductor).[25]
Song "Er ist gekommen in Sturm und Regen", Op. 4/7 (1845)
Transcription
piano
1848
S.488
12 Lieder from Opp. 2, 3 and 8
12 Lieder von Robert Franz (3 books)
1849
S.489
Book I (1–5) is the 5 Schilflieder, Op. 2: "Auf geheimen Waldespfaden", "Drüben geht die Sonne scheiden", "Trübe wird's", "Sonnenuntergang", "Auf dem Teich".
Book II (6–8) contains: "Der Schalk", Op. 3/1, "Der Bote", Op. 8/1, and "Meerestille", Op. 8/2.
Book III (9–12) contains: "Treibt der Sommer seinen Rosen", Op. 8/5, "Gewitternacht", Op. 8/6, "Das ist ein Brausen und Heulen", Op. 8/4, and "Frühling und Liebe", Op. 3/3.[1][27]
Septet in D minor, Op. 74 (piano, flute, oboe, horn, viola, cello, double bass)
Edition
piano, flute, oboe, horn, viola, 2 cellos
?
-
Liszt transcribed the work for piano solo, in 2 versions. He also produced his own edition of the original work but provided an alternative scoring in which a second cello replaced the double bass.[29]
Re-issued as Un soir dans la montagne. Mélodie d'Ernest Knop. Nocturne (1837–38); revised as Un soir dans les montagnes (Nocturne pastoral), No. 3 of 3 Morceaux suisses (1876–77).[1]
3 Morceaux suisses:
No. 3, Un soir dans les montagnes (Nocturne pastoral)
This drinking song by Josef Theodor Krov (1797–1859) to words by Václav Hanka was erroneously identified by the publisher as an early Hussite hymn. The tune was extensively quoted in Balfe's The Bohemian Girl as a patriotic song.[30][31]
Élégie sur des motifs du Prince Louis Ferdinand de Prusse
piano
1842
S.168
Prince Louis Ferdinand was an amateur composer whose musical gifts were nevertheless held in high esteem by such as Beethoven, who dedicated his Piano Concerto No. 3 in C minor to the Prince.
Massenet based his work on Marche turque-hongroise by Frank Ignac Szabadi (1825–79); Liszt's transcription was inscribed Revive Szegedin: Marche hongroise transcrite d'après l'orchestration de J. Massenet
Grosses Konzertstück über Mendelssohns Lieder ohne Worte
2 pianos
1834
S.257
Liszt and a student, Mlle. Vial, started to perform it in Paris on 9 April 1835[17] but Liszt became ill. Ferruccio Busoni, who considered Mendelssohn a composer of genius, died before fulfilling his plan to play it with Egon Petri in London. It was first performed in full by Richard and John Contiguglia at the 1984 Holland Liszt Festival in Utrecht.[33]
This work uses three themes from Il giuramento and a fourth theme that is as yet unidentified.[34] The piece also appeared as Fantasia on Italian Operatic Melodies.[35] It was listed in the Searle catalogue as "Piano piece on Italian operatic melodies", the writers of which were listed as "unknown".[9]
Soirées italiennes, 8 ariettas and 4 duos:
No. 2, "La primavera: Canzonetta"
No. 10, "Il galop"
No. 4, "Il pastore svizzero: Tirolese"
No. 5, "La serenata del marinaro"
No. 11, "Il Brindisi: Rondoletto"
No. 8, "La zingarella spagnola: Bolero"
Soirées italiennes: Six amusements sur des motifs de Mercadante
The 3 Illustrations of S.414 are: 1. Prière, hymne triomphale, marche du sacre; 2. Les Patineurs, scherzo; 3. Choeur pastoral, appel aux armes. The Fantasy and Fugue is sometimes listed as No. 4 in the series[37]
Fantasie und Fuge über den Choral "Ad nos, ad salutarem undam"
organ
S.259
piano 4‑hands or pedal piano
S.624
Festmarsch zu Schillers 100-jähriger Geburtsfeier (1859)
(organ version: Evocation à la Chapelle Sixtine)[2]
piano
1862
S.461
This piece combines Allegri's Miserere (1630s) with Mozart's Ave verum corpus. (Mozart was deeply involved in the circumstances that led to the first publication of the Miserere: He heard it in the Sistine Chapel when visiting Rome at the age of 15, and famously wrote it down from memory, although publishing the work or even writing it down was prohibited on pain of excommunication. Rather than imposing this penalty, the Pope later congratulated him on his genius). À la chapelle Sixtine was the basis of the third movement (Preghiera) of Tchaikovsky's "Mozartiana" (Orchestral Suite No. 4), but he used only the Ave verum corpus component.
Paganini's Caprices Nos. 1, 6, 9, 17 and 24 were the basis of Nos. 4, 1, 5, 2 and 6 respectively of Liszt's Études d'exécution transcendante d'après Paganini (S.140). La campanella became Étude No. 3. The set of 6 Études were revised as Grandes études de Paganini (S.141). La campanella had earlier been the basis of a separate work, the Grande Fantaisie de bravoure (S.420).[39]
S.162 is a revision of S.159.[1] Dates: 1784–1870.[40]
Années de pèlerinage, Deuxième Année: Italie. Supplement: Venezia e Napoli
No. 1, Gondoliera
1859
S.162/1
F. Pezzini
Original work
Liszt work
Forces
Date
S no.
Notes
"Una stella amica"
Transcription
piano
1874‑75
S.551
Pezzini was a local band master at the Villa d'Este, but no further details about him are known. "Una stella amica" is variously described as a waltz[1][41] or a mazurka.[42]
Les Soirées musicales, 8 ariettas and 4 duets (1835)
La Serenata e l'Orgia. Grande Fantaisie sur des motifs des Soirées musicales
1835‑36
S.422
Nos. 10 and 11; also includes a theme from La promessa (No. 1)[39]
La pastorella dell'Alpi e Li marinari. 2me Fantaisie sur des motifs des Soirées musicales
S.423
Nos. 6 and 12; also includes a theme from La regata veneziana (No. 2)[39]
Soirées musicales
1837
S.424
The 12 numbers are: 1. La promessa; 2. La regata veneziana; 3. L'invito; 4. La gita in gondola; 5. Il rimprovero; 6. La pastorella dell'Alpi; 7. La partenza; 8. La pesca; 9. La danza; 10. La serenata; 11. L'orgia; 12. Li marinari
Liszt conducted the world premiere performance in Weimar, 24 June 1854; he had published an essay on the opera in advance of the first performance, and also had made cuts to the score for the production. The score of the transcription is lost.[11]
Wiener Damen-Ländler, piano
D.734
Soirées de Vienne: 9 Valses caprices d'après Schubert
Mariano Soriano Fuertes y Piqueras (28 March 1817 - 26 March 1880);[49] Soriano's surname was misspelled as "Sorriano" on the title page.[50] There is no information about the source of this piece or how Liszt came to know it, but it is speculated it may have been a melody from a zarzuela, as it is known Liszt was in Córdoba in 1844. The title Feuille morte is probably Liszt's own.
Valse de concert d'après la "Suite en forme de valse"
piano
pub. 1889
S.430
János Végh von Vereb (1845–1918) was a close friend of Liszt. He studied with Károly Thern and Mihály Mosonyi but decided to pursue a judicial career while continuing his involvement in music as an amateur. With Liszt's approval he transcribed for 2 pianos 8‑hands several of Liszt's works, such as the Dante Symphony, and the Grand Galop Chromatique.[51] In 1879 Liszt dedicated to Végh his symphonic poem Hunnenschlacht and his transcription for piano 4-hands of that work as well as Hamlet, Die Ideale, and Zwei Episoden aus Lenaus Faust. In 1881 Végh became vice-president of the Budapest Academy of Music, Liszt being the president.[52][53]
Phantasiestück über Motive aus Rienzi ("Santo spirito cavaliere")
piano
1859
S.439
The Roman War Song "Santo spirito cavaliere" is from the finale of Act III. The work also quotes the Gebet (Prayer) from Act V and the Aufruf zum Kampf (Call to Arms) "Doch horet ihr der Trompete Ruf" from Act I.[56]
Liszt published the Entry of the Guests along with Elsa's Bridal Procession from Lohengrin, as "Two Pieces from Tannhäuser and Lohengrin".
Pilgrims' Chorus: Paraphrase
organ
1860
S.676
This paraphrase is not based on the Pilgrims' Chorus from Act III, but on a simplified version of the opening section of the Overture, which uses the same melody, but differs from the Chorus in both structure and key.[56]
In his concert version of the Prelude (Overture) and Isolde's Act 3 final aria "Mild und leise", first performed in 1862 (several years before the premiere of the opera in 1865), Wagner called the Prelude the Liebestod (Love-death) while Isolde's final aria "Mild und leise" he called the Verklärung (Transfiguration). Liszt named his transcription of "Mild und leise" Isoldes Liebestod; he prefaced his score with a four-bar motto from the Love Duet from Act II, which in the opera is sung to the words "sehnend verlangter Liebestod". Liszt's transcription became well known throughout Europe well before Wagner's opera reached most places, and the final scene is now always called by the name Liszt gave it, Liebestod.[56]
Liszt based this on "The Entry of the Gods into Valhalla", the closing scene of Das Rheingold, the opening opera of the Ring. However, as it conforms to no single passage in that scene, it is thus a paraphrase, not strictly a transcription.[56]
Leier und Schwert, six 4-part men's choruses, Op. 42, J.168–173 (1814):
No. 2, Lutzows wilde Jagd, J.168
No. 3, Gebet vor der Schlacht, J.173
No. 6, Schwertlied, J.169
Leier und Schwert – Heroïde
piano
1846–47
S.452
An Introduction was followed by Schwertlied, Gebet vor der Schlacht and Lutzows wilde Jagd.[57]
Jubelouvertüre, Op. 59, J.245 (1818)
Transcription
1846
S.576
Polacca brillante in E major "L'hilarité", piano, Op. 72, J.268 (1819)
Polonaise brillante
piano and orchestra
c.1851
S.367
Dedicated to Adolf von Henselt. FP of S.367 Weimar, 13 April 1851, Salomon Jadassohn (piano), Liszt (conductor). Liszt also arranged S.367 for piano solo (S.455), which was the solo part with ossias.[46]
August Heinrich von Weyrauch, also known as Hans von Weyrauch (1788–1851). The song was reissued in 1843 with new words, a new title "Adieu" (which was translated as "Lebe wohl"), and misattributed to Franz Schubert. Liszt included it with 5 genuine Schubert songs in his collection of 6 transcriptions.[59][60]
Valse d'Adèle: Transcription brillante à deux mains
piano 2-hands
pub. 1877
S.456
Count Géza Zichy lost his right arm in a hunting accident at age 15. He later became a pionereering left-hand pianist and composer of works for piano left-hand, including the first known concerto for piano left-hand and orchestra (1902).
Achiruddin Darojat Komandan PaspampresPetahanaMulai menjabat 29 November 2023 PendahuluRafael Granada BaayPenggantiPetahanaWakil Komandan Jenderal Komando Pasukan KhususMasa jabatan4 November 2022 – 29 November 2023 PendahuluDeddy SuryadiPenggantiYudha AirlanggaKomandan Korem 052/WijayakramaMasa jabatan29 Agustus 2022 – 4 November 2022 PendahuluRano TilaarPenggantiPutranto Gatot Sri HandoyoKomandan Korem 074/WarastratamaMasa jabatan20 Januari 2022 – 29 Agu...
Mosaik Euterpe di Vichten. Dalam mitologi Yunani, Euterpe (bahasa Yunani: Eὐτέρπη) (pengucapan bahasa Inggris: [juːˈtɜrpiː], [eu̯térpɛ̀ː] (Yunani kuno), atau [ɛfˈtɛrpi] (Yunani modern); gembira ria atau berbahagia dari bahasa Yunani kuno εὖ (baik) + τέρπειν terpein (berbahagia)) adalah salah satu Musai. Dia adalah putri Zeus dan Mnemosine. Pada awalnya, Euterpe adalah Musai musik. Dalam perkembangan selanjutnya dia menjadi Musai syair dan digambarkan meme...
Federaţia Moldovenească de FotbalLogo Disciplina Calcio Fondazione1990 Nazione Moldavia ConfederazioneFIFA (dal 1994)UEFA (dal 1993) Presidente Sito ufficialewww.fmf.md Modifica dati su Wikidata · Manuale La Federazione moldava di calcio (in rumeno Federaţia Moldovenească de Fotbal), nota anche con l'acronimo FMF, è l'organismo che controlla il calcio in Moldavia. Si occupa dell'organizzazione del campionato locale e pone sotto la propria egida la nazionale di calcio. Ha ...
أوليفيه جيرو Olivier Giroud جيرو مع فرنسا عام 2017 معلومات شخصية الاسم الكامل أوليفيه جوناثان جيرو[1] الميلاد 30 سبتمبر 1986 (العمر 37 سنة)[2]شامبيري، فرنسا الطول 1.93 م (6 قدم 4 بوصة)[3] مركز اللعب مهاجم الجنسية فرنسا معلومات النادي النادي الحالي إيه سي ميلان الرقم 9 م�...
Darkening of skin in response to ultraviolet light Sunbather redirects here. For the 2013 album by Deafheaven, see Sunbather (album). A visible tan line on a woman whose skin has been darkened by ultraviolet exposure, except where covered Sun tanning or tanning is the process whereby skin color is darkened or tanned. It is most often a result of exposure to ultraviolet (UV) radiation from sunlight or from artificial sources, such as a tanning lamp found in indoor tanning beds. People who deli...
Letak suku Herul tahun 125. Suku Herul adalah suku Jerman nomaden yang ditundukkan oleh Ostrogoth, Hun, dan Bizantium antara abad ke-3 dan ke-5. Salah seorang Herul, Odoacer, merupakan tokoh yang menjatuhkan Kaisar Romawi Barat, Romulus Augustus. Penulis kronik abad ke-6, Jordanes, melaporkan bahwa mereka diusir dari tanah air mereka oleh orang-orang Dani. Mereka diduga berasal dari pulau-pulau Denmark atau Swedia selatan. Pranala luar This article incorporates some information taken from htt...
Canadian gridiron football player (born 1943) This article is about the Canadian football player. For other uses, see Jim Young (disambiguation). Jim YoungNo. 30Young in 2010Born: (1943-06-06) June 6, 1943 (age 80)Hamilton, Ontario, CanadaCareer informationCFL statusNationalPosition(s)WR, RBHeight6 ft 0 in (183 cm)Weight215 lb (98 kg)UniversityQueen'sCFL Draft1965, Round: 1, Pick: 1Drafted byToronto ArgonautsNFL draft1965, Round:Career historyAs co...
Ashby Canal near Congerstone Moira Furnace, Ashby-de-la-Zouch Canal The Ashby Canal Association (ACA) is a waterway society and a registered charity,[1] in Leicestershire and Staffordshire, England, concerned with the Ashby Canal, and affiliated to the Inland Waterways Association. The Association was founded in 1966 in response to the closure of the northern eight miles of the Ashby Canal. The Association's work parties are active in the restoration and reconnection to the main wate...
Subgroup of the Algonquian languages Eastern AlgonquianEastern AlgonkianGeographicdistributionAtlantic Coast of North AmericaLinguistic classificationAlgicAlgonquianEastern AlgonquianProto-languageProto-Eastern AlgonquianSubdivisions Abenakian? (Abenaki, Etchemin, Maliseet–Passamaquoddy, and Mi'kmaq) Southern New England? (Loup A and B, Massachusett, Mohegan–Pequot, Narragansett, and Quiripi) Delawaran[1][2][3] (Delaware and Mohican) Nanticockan? (Nanticoke and Pis...
Artikel ini tidak memiliki referensi atau sumber tepercaya sehingga isinya tidak bisa dipastikan. Tolong bantu perbaiki artikel ini dengan menambahkan referensi yang layak. Tulisan tanpa sumber dapat dipertanyakan dan dihapus sewaktu-waktu.Cari sumber: Go Your Way lagu – berita · surat kabar · buku · cendekiawan · JSTOR Go Your WayRegular Edition coverLagu oleh CNBLUEdari album WaveDirilis28 Agustus 2013 (2013-08-28)FormatCD singel, Unduhan d...
2012 single by Florence and the Machine Breath of LifeSingle by Florence + the Machinefrom the album Snow White and the Huntsman: Original Motion Picture Soundtrack Released26 April 2012 (2012-04-26)Recorded2011GenreGothic rock, orchestral rockLength4:08LabelIslandSongwriter(s) Florence Welch Isabella Summers Producer(s)Isabella SummersFlorence + the Machine singles chronology Never Let Me Go (2012) Breath of Life (2012) Spectrum (Say My Name) (2012) Music videoBreath of Life o...
Forestry tool A Norwegian timber marking axe from the 1960s. A marking axe being used by a forestry officer Marking axe or marking hatchet is a small hatchet which is used by forest workers to mark trees designated for logging or for thinning. These axes were used also for trail blazing or for marking the ends of the felled logs for identification of the owner (stamping axe). Usage A hole in the bark is first cut with the axe and then the hammer part was hit on the spot and a raised die on th...
صاحب السمو الملكي الأمير تركي بن سلمان بن عبدالعزيز آل سعود معلومات شخصية الميلاد 1987 (العمر 36–37)الرياض، السعودية مواطنة السعودية الديانة الإسلام الأب الملك سلمان الأم فهده بنت فلاح بن سلطان آل حثلين العجمي إخوة وأخوات أحمد بن سلمان بن عبد العزيز آل سعود، وسلط...
Artikel ini tidak memiliki referensi atau sumber tepercaya sehingga isinya tidak bisa dipastikan. Tolong bantu perbaiki artikel ini dengan menambahkan referensi yang layak. Tulisan tanpa sumber dapat dipertanyakan dan dihapus sewaktu-waktu.Cari sumber: George Smoot – berita · surat kabar · buku · cendekiawan · JSTOR George Smoot George Fitzgerald Smoot III (lahir 20 Februari 1945) adalah fisikawan astrofisik (ahli astrofisika) dari Amerika Serikat dan ...
«Russki Yazýk» redirige aquí. Para la editorial, véase Russki Yazik. Ruso ру́сский язы́к (russki yazyk)Hablado en Armenia Azerbaiyán Bielorrusia Estonia Georgia Kazajistán Kirguistán Lituania Letonia Moldavia Mongolia Rusia Tayikistán Turkmenistán Ucrania UzbekistánRegión Europa del Este y Eurasia septentrionalHablantes 254 997 130[1] Nativos146 954 150[1]...
Multi-parasport event in Seoul, South Korea VIII Paralympic GamesHost citySeoul, South KoreaMottoUnited for the Challenge(Korean: 도전을 위한 화합; RR: Dojeon-eul Wihan Hwahab)Nations60Athletes3,057Events725 in 16 sportsOpening15 OctoberClosing24 OctoberOpened byPresident Roh Tae-WooStadiumJamsil Olympic StadiumSummer← New York/Stoke Mandeville 1984Barcelona/Madrid 1992 → Winter← Innsbruck 1988Tignes/Albertville 1992 → 1...
English film director (1899–1980) Hitchcock and Master of Suspense redirect here. For the album, see Master of Suspense (album). For the police officer, see Alf Hitchcock. For other uses, see Hitchcock (disambiguation). SirAlfred HitchcockKBEHitchcock, c. 1960sBornAlfred Joseph Hitchcock(1899-08-13)13 August 1899Leytonstone, Essex, EnglandDied29 April 1980(1980-04-29) (aged 80)Los Angeles, California, USCitizenshipUnited KingdomUnited States (from 1955)OccupationsFilm directorpro...
